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Cuncti simus concanentes
Songs like
Cuncti simus concanentes
by
Jordi Savall
Based on a tempo of (+/- 10%) and a similar genre
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Jordi Savall
Cuncti simus concanentes
119 bpm • G min • 04:16 • -15.56db
19% Popularity • 39% Danceability • 49% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
119 bpm • F Maj • 02:54 • -22db
25% Popularity • 20% Danceability • 10% Energy • 17% Liveness
24% Instrumentalness • 24% Positiveness
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Llibre Vermell De Montserrat
Cunctissimus concanentes
119 bpm • F Maj • 03:45 • -13.57db
26% Popularity • 44% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Syntagma Musicum
L'Amor Donna, Ch'Io Te Porto (Anonymous)
119 bpm • A# Maj • 02:08 • -19db
9% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 21% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
19% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Berenguier de Palou
Tan m'abelis jois et amors e chans: Tant...
118 bpm • C Maj • 04:55 • -15db
9% Popularity • 58% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Hopkinson Smith
Frogg Galliard
119 bpm • G Maj • 02:44 • -22db
39% Popularity • 36% Danceability • 15% Energy • 17% Liveness
82% Instrumentalness • 44% Positiveness
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Jordi Savall
Cantigas De Santa Maria - Pero Cantigas ...
118 bpm • D Maj • 03:51 • -18db
11% Popularity • 48% Danceability • 24% Energy • 12% Liveness
9% Instrumentalness • 34% Positiveness
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Diego Ortiz
Romanesca (Recercada VII)
118 bpm • G min • 03:12 • -20db
19% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Eduardo Paniagua
Senhor per les nostres peccatz (Señores...
120 bpm • A min • 09:40 • -11.25db
11% Popularity • 50% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Le Manuscrit du Roi
Danse [I]
120 bpm • E min • 04:03 • -20db
9% Popularity • 40% Danceability • 13% Energy • 20% Liveness
4% Instrumentalness • 30% Positiveness
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Hieronimus Parabosco
Ricercare XIV « Da Pacem »
117 bpm • D min • 02:16 • -20.08db
16% Popularity • 20% Danceability • 6% Energy • 35% Liveness
75% Instrumentalness • 8% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Prolog...
117 bpm • C Maj • 02:17 • -18.6db
12% Popularity • 38% Danceability • 21% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Jordi Savall
Quant ai lo mont consirat (Bonus Track)
120 bpm • G Maj • 04:22 • -11db
12% Popularity • 43% Danceability • 46% Energy • 13% Liveness
5% Instrumentalness • 50% Positiveness
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Hespèrion XXI
Por Que Llorax Blanca Niña - Romances V...
117 bpm • A# Maj • 07:04 • -22.43db
10% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Eduardo Paniagua
Los Siete Gozos. CSM 1
120 bpm • D min • 06:53 • -11.13db
11% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Josquin des Prez
El grillo
117 bpm • C# Maj • 01:49 • -16.61db
23% Popularity • 42% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Dimitrie Cantemir
Der makām-ı Uzzäl Sakîl (Instrumenta...
121 bpm • A min • 04:21 • -18.47db
5% Popularity • 55% Danceability • 34% Energy • 38% Liveness
78% Instrumentalness • 23% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Antonio de Cabezón
Pavana Con Su Glosa
117 bpm • C Maj • 03:03 • -22db
21% Popularity • 36% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 15% Positiveness
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Henry VIII
Pastyme with good companye
122 bpm • F Maj • 01:41 • -12.01db
11% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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T Rad
Mowachah Billadi Askara Min adbi Llama (...
116 bpm • C Maj • 03:39 • -20db
12% Popularity • 58% Danceability • 20% Energy • 8% Liveness
43% Instrumentalness • 29% Positiveness
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Andrew Lawrence-King
Improvisació arpa
116 bpm • E min • 01:27 • -27db
20% Popularity • 41% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 17% Positiveness
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Traditionnel
Makam « Muhayyer pesrev » – Marche G...
122 bpm • F Maj • 01:15 • -31db
15% Popularity • 37% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 47% Positiveness
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Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
29% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Le Concert Des Nations
Musice De L'Enfance Du Dauphin: Muzette ...
122 bpm • A# min • 01:31 • -22.18db
14% Popularity • 56% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 75% Positiveness
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Gautier De Coincy
Ma viële
116 bpm • D# Maj • 04:07 • -29.41db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
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Guillaume Dufay
Saltarello - Guillaume Dufay / Jordi Sav...
116 bpm • F Maj • 02:12 • -26.16db
40% Popularity • 50% Danceability • 3% Energy • 5% Liveness
48% Instrumentalness • 37% Positiveness
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Gaspar Fernandes
Xicochi Conetzintle
122 bpm • C Maj • 03:26 • -19db
16% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
123 bpm • E min • 01:10 • -24db
25% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Manuel Machado
Dos estrellas le siguen
115 bpm • G min • 02:16 • -18.97db
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Marin Marais
Pièces de violes, Livre V: Petit capric...
124 bpm • B Maj • 01:00 • -21.54db
31% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Nenbressete Mad...
123 bpm • A# min • 01:55 • -20.69db
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Hespèrion XXI
La Spagna (XVè siècle)
115 bpm • D min • 01:37 • -26.64db
6% Popularity • 41% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 40% Positiveness
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Le Concert Des Nations
Musiques Pour Le Mariage Du Roy Louis XI...
114 bpm • G Maj • 01:59 • -18.42db
14% Popularity • 78% Danceability • 36% Energy • 14% Liveness
93% Instrumentalness • 86% Positiveness
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John Playford
An Italian Rant
124 bpm • D min • 01:34 • -17db
29% Popularity • 63% Danceability • 24% Energy • 24% Liveness
87% Instrumentalness • 97% Positiveness
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Anonymous
I. 1459 El Tiempo de Maximiliano I (Rey ...
114 bpm • B min • 04:51 • -18.8db
15% Popularity • 59% Danceability • 37% Energy • 13% Liveness
12% Instrumentalness • 36% Positiveness
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Tomás Luis de Victoria
Dominica in ramis palmarum: Introductio....
124 bpm • F# min • 00:58 • -21.6db
23% Popularity • 18% Danceability • 6% Energy • 13% Liveness
26% Instrumentalness • 7% Positiveness
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Jordi Savall
Paavin Of Albarti (Alberti)
114 bpm • F Maj • 02:38 • -22.79db
29% Popularity • 34% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Acemler
Makam Muhayyer “Küme” uşūleş Dü...
125 bpm • C Maj • 03:26 • -14.26db
9% Popularity • 53% Danceability • 43% Energy • 9% Liveness
17% Instrumentalness • 69% Positiveness
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John Playford
The Dancing Master: Hyde Park
114 bpm • D Maj • 01:21 • -20db
23% Popularity • 51% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Jordi Savall
Apo Xeno Meros (In Greek) Gregorian Chor...
114 bpm • A Maj • 01:41 • -19.2db
9% Popularity • 30% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Andrés Flores
A este edificio célebre
113 bpm • F Maj • 02:39 • -19.72db
10% Popularity • 60% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Jean-Baptiste Lully
Alceste, LWV 50: Loure pour les Pêcheur...
125 bpm • A# Maj • 01:31 • -19.29db
13% Popularity • 62% Danceability • 37% Energy • 26% Liveness
84% Instrumentalness • 41% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Montserrat Figueras
Alef mem shin (Texte hébraïque Occitan...
113 bpm • C Maj • 06:52 • -23db
20% Popularity • 28% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Jordi Savall
Propiñan del Melyor (Instrumental) - An...
114 bpm • D min • 01:17 • -14.95db
18% Popularity • 55% Danceability • 60% Energy • 12% Liveness
97% Instrumentalness • 67% Positiveness
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Diego Ortiz
Ruggiero (Quinta Pars IX)
113 bpm • F Maj • 01:16 • -25db
28% Popularity • 58% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 63% Positiveness
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John Dowland
Lachrimæ, or Seven Teares: X. Mr. John ...
113 bpm • A min • 03:44 • -21.21db
13% Popularity • 17% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Isaac: Virgo Prudentissima, 6vv - 1. Vir...
112 bpm • E min • 05:19 • -20db
25% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
28% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Jordi Savall
Hoy Comamos Y Bevamos
125 bpm • F Maj • 02:29 • -15.53db
9% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Xavier Puertas
2 Lachrimæ Invocantis (Improvisation)
112 bpm • D# Maj • 02:20 • -24db
11% Popularity • 24% Danceability • 3% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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William Brade
Ein Schottisch Tanz
112 bpm • D Maj • 02:56 • -18.04db
34% Popularity • 51% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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Giraut de Bornelh
Reis glorios
112 bpm • A# min • 08:52 • -31db
14% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Diego Ortiz
Passamezzo Antico: Zarabanda (Recercada ...
112 bpm • F Maj • 02:55 • -27db
18% Popularity • 32% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
26% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Jordi Savall
La Negrina / Gugurumbé
113 bpm • G min • 05:03 • -14.47db
16% Popularity • 39% Danceability • 38% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Praetorius
Suite No. 1 in C Major: II. Spagnoletta
112 bpm • C Maj • 02:59 • -18.51db
35% Popularity • 45% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Hildegard von Bingen
O pastor animarum
112 bpm • A# Maj • 01:29 • -27db
35% Popularity • 36% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 6% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Gloria Tibi Domine ...
127 bpm • A min • 01:48 • -26.36db
16% Popularity • 19% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Juan del Encina
II. 1516 Reinado de Carlos V: "Todos Los...
111 bpm • D Maj • 04:18 • -18.87db
11% Popularity • 24% Danceability • 21% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
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Andrea Gabrieli
Ricercar VII
111 bpm • C Maj • 02:35 • -23db
9% Popularity • 24% Danceability • 8% Energy • 15% Liveness
35% Instrumentalness • 30% Positiveness
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Jordi Savall
Danza morisca (Instrumental)
113 bpm • A Maj • 01:50 • -15.05db
18% Popularity • 53% Danceability • 36% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
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Anonymous
Codex Las Huelgas: V. Gaude Virgo plena ...
127 bpm • C Maj • 05:06 • -20.25db
11% Popularity • 27% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Hildegard von Bingen
Ave Maria: Ave, Maria, o auctrix vitae (...
128 bpm • F# min • 08:15 • -23db
11% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
L'Orfeo, Ato primo: IV. Vieni Imeneo, de...
128 bpm • C Maj • 01:44 • -20.57db
20% Popularity • 30% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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"The Orthodox Singers" Male Choir
Songs Of Penitence For Russia
111 bpm • C Maj • 04:29 • -24db
18% Popularity • 16% Danceability • 4% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Jordi Savall
Laudemus Virginem
127 bpm • E min • 02:45 • -15.62db
15% Popularity • 22% Danceability • 26% Energy • 22% Liveness
64% Instrumentalness • 18% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum: II. Te Deum Laudamus
111 bpm • C# Maj • 01:18 • -19db
20% Popularity • 21% Danceability • 19% Energy • 13% Liveness
61% Instrumentalness • 45% Positiveness
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Mateo Flecha
La Bomba (Dindirindín). Ensalada
128 bpm • C Maj • 02:56 • -16.05db
9% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O Frondens Virga
129 bpm • G Maj • 02:52 • -23.42db
16% Popularity • 22% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 9% Positiveness
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Jordi Savall
Cantigas De Santa Maria - Instrumental, ...
127 bpm • A Maj • 03:44 • -27.45db
15% Popularity • 54% Danceability • 11% Energy • 22% Liveness
92% Instrumentalness • 26% Positiveness
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Louise Moaty
Narration XXXII (20): "Des rapports de l...
129 bpm • G min • 01:47 • -25.15db
1% Popularity • 54% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Alfonso X El Sabio
Cantiga 35: O que a Santa Maria (arr. J....
110 bpm • C Maj • 04:04 • -18db
18% Popularity • 43% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 6% Positiveness
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Anonymous
Rodrigo Martínez
110 bpm • G min • 01:58 • -15.52db
8% Popularity • 58% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Piffaro
Ach Elslein, Liebes Elselein Mein
110 bpm • E min • 01:01 • -21.29db
27% Popularity • 16% Danceability • 8% Energy • 20% Liveness
90% Instrumentalness • 40% Positiveness
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Salomone Rossi
La Komida la Manyana (Arr. Rene Schiffer...
110 bpm • B min • 03:17 • -12.81db
8% Popularity • 50% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Jordi Savall
Villancico: Viva el gran Re Don Fernando...
127 bpm • G Maj • 04:05 • -14.26db
10% Popularity • 38% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 39% Positiveness
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Claudio Monteverdi
L'Orfeo: Toccata
129 bpm • F# min • 01:40 • -15.03db
28% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Null Ome Per Re...
109 bpm • D# min • 04:21 • -17.64db
12% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Le Manuscrit du Roi
Danse [II]
130 bpm • D min • 05:00 • -20.85db
5% Popularity • 56% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 33% Positiveness
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Antonio Martín y Coll
Martin y Coll: Danza del hacha
109 bpm • G Maj • 01:39 • -29.51db
17% Popularity • 54% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Déus Dexendrà De...
130 bpm • F Maj • 02:42 • -24.86db
8% Popularity • 20% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Jordi Savall
Levanta Pascual (villancico) (Juan del E...
127 bpm • A min • 05:20 • -16.04db
13% Popularity • 56% Danceability • 38% Energy • 22% Liveness
3% Instrumentalness • 36% Positiveness
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John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
20% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
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Heinrich Isaac
I. 1459 El Tiempo de Maximiliano I (Rey ...
131 bpm • F Maj • 04:19 • -20.5db
11% Popularity • 16% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O eterne Deus
108 bpm • D min • 02:46 • -24.05db
9% Popularity • 23% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Anónimo
Si De Vos Mi Bien (Instrumental)
108 bpm • D Maj • 03:13 • -23.85db
9% Popularity • 21% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Cascun Cos S'Alma ...
131 bpm • F Maj • 02:42 • -27.15db
10% Popularity • 21% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Jordi Savall
Lamento: Plange Castella misera - Anóni...
131 bpm • F# min • 03:57 • -27.02db
15% Popularity • 20% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Cuncti simus concanentes