Songs like Curl up & Die by Matt Maltese
Based on a tempo of (+/- 10%) and a similar genre
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Mitski
A Burning Hill
132 bpm • D Maj • 01:49 • -14.99db
66% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
66% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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d4vd
Romantic Homicide
132 bpm • F# Maj • 02:12 • -10.61db
87% Popularity • 57% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
87% Popularity • 57% Danceability • 54% Energy • 32% Liveness
1% Instrumentalness • 22% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
56% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
56% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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Luna Li
Afterglow
132 bpm • F Maj • 03:18 • -8.62db
51% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Mitski
I Want You
132 bpm • D# Maj • 03:03 • -11.29db
75% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
75% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Current Joys
Become the Warm Jets
132 bpm • G Maj • 05:34 • -15.49db
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Lana Del Rey
Let The Light In
132 bpm • A Maj • 04:38 • -9.73db
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Maltese
All 9 Lives - Demo
133 bpm • C# Maj • 03:18 • -10db
36% Popularity • 71% Danceability • 44% Energy • 12% Liveness
35% Instrumentalness • 35% Positiveness
36% Popularity • 71% Danceability • 44% Energy • 12% Liveness
35% Instrumentalness • 35% Positiveness
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Strawberry Guy
Mrs Magic
133 bpm • G# Maj • 03:28 • -7.41db
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
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Yot Club
Comfort Zone
131 bpm • C# Maj • 03:47 • -6.64db
52% Popularity • 78% Danceability • 72% Energy • 28% Liveness
7% Instrumentalness • 76% Positiveness
52% Popularity • 78% Danceability • 72% Energy • 28% Liveness
7% Instrumentalness • 76% Positiveness
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Joji
Like You Do
133 bpm • A# Maj • 04:00 • -10.03db
71% Popularity • 56% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
71% Popularity • 56% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Mac DeMarco
Chamber Of Reflection
131 bpm • B Maj • 03:51 • -8.67db
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
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Matt Maltese
Good Morning
131 bpm • C# Maj • 02:51 • -7.85db
40% Popularity • 63% Danceability • 49% Energy • 37% Liveness
1% Instrumentalness • 43% Positiveness
40% Popularity • 63% Danceability • 49% Energy • 37% Liveness
1% Instrumentalness • 43% Positiveness
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Whatever, Dad
O.K.
131 bpm • G Maj • 01:42 • -17.67db
56% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
56% Popularity • 66% Danceability • 13% Energy • 61% Liveness
17% Instrumentalness • 24% Positiveness
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girl in red
watch you sleep.
133 bpm • D Maj • 03:00 • -16.38db
60% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
60% Popularity • 46% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Cigarettes After Sex
You're the Only Good Thing In My Life
131 bpm • F Maj • 04:35 • -11.2db
65% Popularity • 45% Danceability • 29% Energy • 13% Liveness
75% Instrumentalness • 5% Positiveness
65% Popularity • 45% Danceability • 29% Energy • 13% Liveness
75% Instrumentalness • 5% Positiveness
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Eyedress
Something About You
133 bpm • A min • 02:33 • -8.74db
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
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The MarÃas
Little by Little
133 bpm • A min • 02:58 • -8.77db
57% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Mitski
Last Words of a Shooting Star
130 bpm • D Maj • 02:44 • -19.02db
67% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
67% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Yot Club
no way !
130 bpm • G Maj • 02:46 • -8db
69% Popularity • 65% Danceability • 70% Energy • 39% Liveness
90% Instrumentalness • 62% Positiveness
69% Popularity • 65% Danceability • 70% Energy • 39% Liveness
90% Instrumentalness • 62% Positiveness
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Matt Maltese
Tokyo
134 bpm • G Maj • 03:04 • -6.8db
41% Popularity • 46% Danceability • 68% Energy • 34% Liveness
8% Instrumentalness • 61% Positiveness
41% Popularity • 46% Danceability • 68% Energy • 34% Liveness
8% Instrumentalness • 61% Positiveness
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Men I Trust
Pines
134 bpm • F# min • 03:42 • -12.7db
55% Popularity • 64% Danceability • 35% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
55% Popularity • 64% Danceability • 35% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
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Lana Del Rey
Dealer
130 bpm • C min • 04:34 • -6.35db
73% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The MarÃas
Loverboy
130 bpm • G min • 01:13 • -18.7db
58% Popularity • 65% Danceability • 15% Energy • 12% Liveness
42% Instrumentalness • 7% Positiveness
58% Popularity • 65% Danceability • 15% Energy • 12% Liveness
42% Instrumentalness • 7% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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grentperez
(Only) About Love - Demo
130 bpm • C# min • 04:18 • -10.57db
63% Popularity • 71% Danceability • 51% Energy • 13% Liveness
12% Instrumentalness • 59% Positiveness
63% Popularity • 71% Danceability • 51% Energy • 13% Liveness
12% Instrumentalness • 59% Positiveness
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Matt Maltese
Nightclub Love
130 bpm • A Maj • 04:10 • -8.36db
46% Popularity • 62% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 62% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Mac DeMarco
20191009 I Like Her
134 bpm • D Maj • 02:16 • -13.88db
74% Popularity • 87% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
74% Popularity • 87% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Men I Trust
You Deserve This
130 bpm • C Maj • 03:04 • -8.78db
55% Popularity • 56% Danceability • 42% Energy • 9% Liveness
67% Instrumentalness • 26% Positiveness
55% Popularity • 56% Danceability • 42% Energy • 9% Liveness
67% Instrumentalness • 26% Positiveness
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Ricky Montgomery
Mr. Loverman
130 bpm • C Maj • 03:36 • -6.7db
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 64% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Pity Party (Girls Club)
Heavy Heart
130 bpm • D Maj • 01:45 • -9.69db
57% Popularity • 65% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
57% Popularity • 65% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Tyler Burkhart
Hobbes
130 bpm • E Maj • 02:28 • -28.68db
46% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
46% Popularity • 62% Danceability • 5% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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sign crushes motorist
Better
130 bpm • G Maj • 01:38 • -25.2db
75% Popularity • 70% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
75% Popularity • 70% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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girl in red
we fell in love in october
130 bpm • G Maj • 03:04 • -12.81db
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
84% Popularity • 57% Danceability • 37% Energy • 16% Liveness
18% Instrumentalness • 24% Positiveness
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Charlie Burg
Bookstore Girl
130 bpm • D Maj • 03:23 • -7.82db
48% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Rare Occasions
You Weren't Meant to See That
130 bpm • F Maj • 02:57 • -8db
47% Popularity • 73% Danceability • 25% Energy • 11% Liveness
54% Instrumentalness • 16% Positiveness
47% Popularity • 73% Danceability • 25% Energy • 11% Liveness
54% Instrumentalness • 16% Positiveness
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Hotel Ugly
The Mannequin Song
130 bpm • C# min • 02:44 • -9db
61% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
74% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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sign crushes motorist
Left
130 bpm • G Maj • 02:20 • -28db
67% Popularity • 64% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 13% Positiveness
67% Popularity • 64% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 13% Positiveness
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Leith Ross
Music Box
130 bpm • C# Maj • 04:25 • -14.52db
44% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
44% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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boy pablo
te vas // don’t go
135 bpm • E Maj • 05:40 • -13.59db
42% Popularity • 61% Danceability • 19% Energy • 12% Liveness
11% Instrumentalness • 33% Positiveness
42% Popularity • 61% Danceability • 19% Energy • 12% Liveness
11% Instrumentalness • 33% Positiveness
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Laufey
Second Best
135 bpm • A# Maj • 03:24 • -14.57db
68% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
68% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Matt Maltese
Hello Black Dog
129 bpm • F# min • 03:14 • -9.47db
46% Popularity • 51% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 51% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Strawberry Guy
What Would I Do?
129 bpm • B Maj • 03:54 • -7.67db
74% Popularity • 54% Danceability • 46% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
74% Popularity • 54% Danceability • 46% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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Whatever, Dad
Warsh_Tippy and Zelda
129 bpm • G Maj • 04:14 • -21.56db
58% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
58% Popularity • 42% Danceability • 8% Energy • 12% Liveness
32% Instrumentalness • 6% Positiveness
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Clairo
Heaven
135 bpm • C Maj • 03:53 • -13.77db
61% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Frankie Cosmos
Abigail
129 bpm • A Maj • 01:53 • -8db
59% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
59% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
66% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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TV Girl
Blue Hair
136 bpm • E Maj • 03:37 • -6.38db
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
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Lyn Lapid
In My Mind
136 bpm • D min • 02:42 • -12.18db
71% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Maltese
Strange Time
128 bpm • C# Maj • 03:20 • -11db
42% Popularity • 37% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
42% Popularity • 37% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Alexandra Savior
Cupid
136 bpm • D Maj • 02:57 • -7.96db
48% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Conan Gray
The Cut That Always Bleeds
136 bpm • C Maj • 03:51 • -6.5db
74% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
74% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Bruno Major
The Most Beautiful Thing
127 bpm • G Maj • 03:55 • -10.39db
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
67% Popularity • 81% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 42% Positiveness
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Yot Club
Dog Song
128 bpm • B Maj • 02:54 • -6db
53% Popularity • 68% Danceability • 95% Energy • 57% Liveness
59% Instrumentalness • 86% Positiveness
53% Popularity • 68% Danceability • 95% Energy • 57% Liveness
59% Instrumentalness • 86% Positiveness
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Banes World
Drowsy
127 bpm • G# min • 02:44 • -16.24db
53% Popularity • 60% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 60% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Maltese
Human Remains
137 bpm • F# Maj • 02:48 • -9.04db
40% Popularity • 38% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 12% Positiveness
40% Popularity • 38% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 12% Positiveness
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Strawberry Guy
When Morning Comes
137 bpm • A Maj • 03:50 • -9.56db
40% Popularity • 28% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
40% Popularity • 28% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
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Mad Honey
Blue & You
127 bpm • C Maj • 04:50 • -10.81db
44% Popularity • 52% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
44% Popularity • 52% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Her's
Loving You
127 bpm • A Maj • 04:58 • -12.81db
46% Popularity • 40% Danceability • 52% Energy • 18% Liveness
12% Instrumentalness • 24% Positiveness
46% Popularity • 40% Danceability • 52% Energy • 18% Liveness
12% Instrumentalness • 24% Positiveness
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Rachel Chinouriri
So My Darling - Acoustic
138 bpm • A Maj • 03:48 • -11.11db
61% Popularity • 57% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 57% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Maltese
Lobster
138 bpm • G Maj • 04:11 • -7.3db
39% Popularity • 51% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 51% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Good Morning
Warned You
138 bpm • F# Maj • 02:16 • -16.4db
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
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Gloria Laing
Why Can't I Have You
138 bpm • G Maj • 04:45 • -17.65db
50% Popularity • 83% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
50% Popularity • 83% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
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Liana Flores
mother tongue
126 bpm • G# Maj • 02:46 • -16.07db
52% Popularity • 52% Danceability • 21% Energy • 32% Liveness
13% Instrumentalness • 17% Positiveness
52% Popularity • 52% Danceability • 21% Energy • 32% Liveness
13% Instrumentalness • 17% Positiveness
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Wasia Project
why don't u love me? - re-recorded
126 bpm • F Maj • 03:36 • -12.15db
46% Popularity • 47% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 47% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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The Honeysticks
Out Like a Light
126 bpm • B Maj • 04:16 • -7.79db
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 52% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Big Thief
Velvet Ring - 2023 Remaster
139 bpm • C Maj • 02:35 • -11.94db
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
63% Popularity • 32% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 28% Positiveness
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Men I Trust
Numb
139 bpm • E Maj • 03:39 • -14.39db
68% Popularity • 78% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
68% Popularity • 78% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Laufey
Bewitched
139 bpm • C# Maj • 04:06 • -12.15db
69% Popularity • 28% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 28% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Mitski
Class of 2013
125 bpm • C Maj • 01:49 • -11db
68% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Maltese
hi
139 bpm • F# Maj • 03:22 • -15db
42% Popularity • 47% Danceability • 21% Energy • 8% Liveness
10% Instrumentalness • 13% Positiveness
42% Popularity • 47% Danceability • 21% Energy • 8% Liveness
10% Instrumentalness • 13% Positiveness
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Pity Party (Girls Club)
Yellow
125 bpm • F Maj • 02:14 • -9.14db
59% Popularity • 62% Danceability • 78% Energy • 40% Liveness
48% Instrumentalness • 66% Positiveness
59% Popularity • 62% Danceability • 78% Energy • 40% Liveness
48% Instrumentalness • 66% Positiveness
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Strawberry Guy
Without You
125 bpm • G Maj • 03:48 • -8.65db
62% Popularity • 53% Danceability • 53% Energy • 16% Liveness
21% Instrumentalness • 30% Positiveness
62% Popularity • 53% Danceability • 53% Energy • 16% Liveness
21% Instrumentalness • 30% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
74% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
74% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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Mac DeMarco
Another (Demo) One #2
140 bpm • F Maj • 02:46 • -8.44db
62% Popularity • 77% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 77% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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late night drive home
Stress Relief
140 bpm • G# Maj • 03:25 • -7.58db
68% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
68% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Maltese
Driving Just to Drive
125 bpm • F min • 03:32 • -9.08db
44% Popularity • 57% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
44% Popularity • 57% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 22% Positiveness
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Liana Flores
Sign
140 bpm • F min • 02:50 • -15.64db
50% Popularity • 68% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 68% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Wasia Project
My Lover Is Sleeping
140 bpm • G# Maj • 03:46 • -9.54db
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
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Djo
Mortal Projections
140 bpm • D min • 03:08 • -9db
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Takayoshi
apart of me
140 bpm • F min • 01:16 • -12.31db
68% Popularity • 67% Danceability • 76% Energy • 15% Liveness
84% Instrumentalness • 88% Positiveness
68% Popularity • 67% Danceability • 76% Energy • 15% Liveness
84% Instrumentalness • 88% Positiveness
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Mac DeMarco
Moonlight on the River
140 bpm • A Maj • 07:02 • -8.63db
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
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Men I Trust
Oncle Jazz
140 bpm • C min • 00:57 • -16.78db
72% Popularity • 71% Danceability • 31% Energy • 8% Liveness
82% Instrumentalness • 25% Positiveness
72% Popularity • 71% Danceability • 31% Energy • 8% Liveness
82% Instrumentalness • 25% Positiveness
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Flatsound
If We Could Just Pretend
140 bpm • A Maj • 04:26 • -10db
45% Popularity • 39% Danceability • 26% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
45% Popularity • 39% Danceability • 26% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
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Matt Maltese
Oldest Trick in the Book
140 bpm • G# Maj • 03:21 • -9.46db
45% Popularity • 57% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 23% Positiveness
45% Popularity • 57% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 23% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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Banes World
You Say I'm in Love
140 bpm • C# min • 02:56 • -16.69db
57% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Strawberry Guy
Company
140 bpm • D min • 03:26 • -10db
38% Popularity • 49% Danceability • 34% Energy • 11% Liveness
27% Instrumentalness • 28% Positiveness
38% Popularity • 49% Danceability • 34% Energy • 11% Liveness
27% Instrumentalness • 28% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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WILLIS
I Think I Like When It Rains
124 bpm • A Maj • 04:38 • -7db
71% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
