Songs like Curse of the Golden Flower by Shigeru Umebayashi
Based on a tempo of (+/- 10%) and a similar genre
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Shigeru Umebayashi
Lovers (Mei and Jin)
77 bpm • E min • 04:21 • -9.63db
24% Popularity • 9% Danceability • 29% Energy • 38% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 29% Energy • 38% Liveness
90% Instrumentalness • 4% Positiveness
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Anne Dudley
A Blood Red Moon
77 bpm • A Maj • 03:49 • -14.69db
6% Popularity • 9% Danceability • 14% Energy • 33% Liveness
41% Instrumentalness • 3% Positiveness
6% Popularity • 9% Danceability • 14% Energy • 33% Liveness
41% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Return To Ako
77 bpm • G Maj • 02:23 • -21.98db
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 12% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Krzysztof Wierzynkiewicz
A Nearly Peaceful Place
77 bpm • G min • 04:06 • -13.63db
46% Popularity • 7% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
46% Popularity • 7% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
43% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
43% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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August D. Valentine
I Thought I'd Never Forget
77 bpm • G min • 02:20 • -18.4db
33% Popularity • 7% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 7% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Shigeru Umebayashi
Curse of the Golden Flower
77 bpm • A min • 02:38 • -14.39db
19% Popularity • 11% Danceability • 29% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 11% Danceability • 29% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Bratislava Symphony Orchestra
Ylva
78 bpm • D min • 02:30 • -22.08db
23% Popularity • 18% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Ingo Ludwig Frenzel
Farewell at the Coast
78 bpm • E min • 03:28 • -19.55db
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Angèle Dubeau
Suite Harry Potter: Lily’s Theme – H...
78 bpm • B min • 06:26 • -18.85db
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Nicolas Errera
Evil
76 bpm • F# Maj • 01:26 • -21.4db
12% Popularity • 36% Danceability • 27% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
12% Popularity • 36% Danceability • 27% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Alberto Iglesias
The Beach
78 bpm • A min • 02:06 • -31.62db
27% Popularity • 20% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
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Shigeru Umebayashi
The House of Flying Daggers
76 bpm • G Maj • 01:27 • -18.93db
19% Popularity • 27% Danceability • 7% Energy • 6% Liveness
82% Instrumentalness • 21% Positiveness
19% Popularity • 27% Danceability • 7% Energy • 6% Liveness
82% Instrumentalness • 21% Positiveness
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Panu Aaltio
Tale of a Lake
78 bpm • D# Maj • 02:16 • -13.06db
27% Popularity • 7% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 7% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
49% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Dominik Scherrer
A Man of My Company
76 bpm • D min • 03:04 • -22.63db
8% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Nicolas Errera
Epilogue
76 bpm • A Maj • 05:36 • -23.75db
18% Popularity • 26% Danceability • 6% Energy • 7% Liveness
25% Instrumentalness • 7% Positiveness
18% Popularity • 26% Danceability • 6% Energy • 7% Liveness
25% Instrumentalness • 7% Positiveness
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Trevor Jones
Reunited
76 bpm • F min • 02:55 • -20.72db
22% Popularity • 14% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Tan Dun
Warriors
78 bpm • D min • 03:44 • -14.21db
22% Popularity • 34% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
22% Popularity • 34% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Steven Price
Who Are You Greeting My Love?
78 bpm • E min • 01:42 • -28.73db
18% Popularity • 7% Danceability • 4% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Royal Philharmonic Orchestra
King Arthur: Tell Me Now (What You See)
76 bpm • C Maj • 04:32 • -16.24db
18% Popularity • 16% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Nathaniel Drew
Hearthstone (Tien's Theme)
76 bpm • G Maj • 02:56 • -19.06db
32% Popularity • 16% Danceability • 17% Energy • 12% Liveness
24% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 17% Energy • 12% Liveness
24% Instrumentalness • 6% Positiveness
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Dominik Scherrer
The Weight of One Man's Heart
79 bpm • G min • 04:42 • -20.44db
14% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Thomas Wander
You Stay in England
78 bpm • G Maj • 01:08 • -23db
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 17% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Alberto Iglesias
Casa con ventanas y libros
79 bpm • B min • 01:55 • -13.19db
23% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
23% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Trevor Jones
Prayer to Isis
75 bpm • D min • 03:59 • -31.45db
20% Popularity • 7% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
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Guy Farley
Jeanne's Death
79 bpm • G min • 01:34 • -15.52db
37% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
37% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
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Mychael Danna
God Storm
79 bpm • A# min • 03:42 • -13.96db
21% Popularity • 16% Danceability • 42% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 42% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Debney
A Son Named Jesus
79 bpm • F min • 04:27 • -21.84db
17% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Pawel Blaszczak
River Of Life
75 bpm • E min • 05:21 • -14.53db
42% Popularity • 8% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Thomas Newman
Luch Muick
75 bpm • C# Maj • 01:16 • -35.77db
31% Popularity • 28% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 11% Positiveness
31% Popularity • 28% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 11% Positiveness
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Neal Acree
Stele Forest
79 bpm • G Maj • 02:00 • -20db
28% Popularity • 23% Danceability • 9% Energy • 18% Liveness
90% Instrumentalness • 19% Positiveness
28% Popularity • 23% Danceability • 9% Energy • 18% Liveness
90% Instrumentalness • 19% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
31% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Trevor Jones
To Speed You on Your Way
80 bpm • A min • 02:31 • -17.43db
22% Popularity • 7% Danceability • 14% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 14% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Fernando Velázquez
The House
74 bpm • C# Maj • 01:48 • -19db
25% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Bill Brown
The Call of Destiny
80 bpm • D# Maj • 02:37 • -11db
39% Popularity • 14% Danceability • 46% Energy • 12% Liveness
97% Instrumentalness • 19% Positiveness
39% Popularity • 14% Danceability • 46% Energy • 12% Liveness
97% Instrumentalness • 19% Positiveness
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Alexandre Desplat
Lili's Dream
74 bpm • F min • 05:23 • -22.88db
29% Popularity • 12% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Newman
Victoria & Abdul
80 bpm • B min • 01:58 • -19db
51% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
51% Popularity • 14% Danceability • 15% Energy • 26% Liveness
81% Instrumentalness • 4% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Shigeru Umebayashi
Trishna's Cello
74 bpm • C# Maj • 01:40 • -25.43db
22% Popularity • 12% Danceability • 1% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Chance Thomas
Tears of Nimrodel
80 bpm • C# min • 03:29 • -21.4db
29% Popularity • 16% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Returning the Crown
74 bpm • G Maj • 01:13 • -13.58db
51% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
51% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Nicolas Errera
Shaolin: Opening Theme
80 bpm • A min • 02:36 • -27.69db
20% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Amine Bouhafa
The Lake
80 bpm • B min • 02:03 • -18db
34% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Marcin Przybyłowicz
Lady Of The Lake
74 bpm • F min • 01:10 • -15db
50% Popularity • 24% Danceability • 23% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
50% Popularity • 24% Danceability • 23% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
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Shigeru Umebayashi
Lovers
74 bpm • G Maj • 01:54 • -19.84db
29% Popularity • 32% Danceability • 3% Energy • 22% Liveness
27% Instrumentalness • 4% Positiveness
29% Popularity • 32% Danceability • 3% Energy • 22% Liveness
27% Instrumentalness • 4% Positiveness
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John Williams
The Journey to the Hanamachi
74 bpm • A min • 04:06 • -20.74db
32% Popularity • 15% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Park - Finding Neverland/Soundtrack ...
80 bpm • C Maj • 01:07 • -16.85db
36% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
36% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
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Nicolas Errera
Life Goes On
74 bpm • D Maj • 02:11 • -20.22db
28% Popularity • 13% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 13% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Jon Adamich
Apollo - God of Light, Truth, and Healin...
80 bpm • F Maj • 02:13 • -10.89db
15% Popularity • 16% Danceability • 39% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 39% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
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Anne Dudley
Where the Land Meets the Sea
80 bpm • D Maj • 02:52 • -12.43db
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
A Dangerous Path
80 bpm • G min • 03:12 • -19.4db
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Growling Bear's Vision
74 bpm • D min • 01:32 • -18.74db
8% Popularity • 10% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Brad Derrick
Tides of the Abecean Sea
73 bpm • G min • 05:38 • -17db
28% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Thomas Newman
Fellowship
81 bpm • G min • 05:06 • -19.93db
39% Popularity • 31% Danceability • 15% Energy • 22% Liveness
94% Instrumentalness • 6% Positiveness
39% Popularity • 31% Danceability • 15% Energy • 22% Liveness
94% Instrumentalness • 6% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Matthias Wolf
The Arctic Council (The Passage DLC)
81 bpm • F min • 01:33 • -16.67db
12% Popularity • 8% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 5% Positiveness
12% Popularity • 8% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 5% Positiveness
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Peter Roe
Queen of the Ocean
81 bpm • C Maj • 04:47 • -12.18db
23% Popularity • 15% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
23% Popularity • 15% Danceability • 29% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Unapologetically Melodic
Edhellond
73 bpm • E Maj • 04:00 • -18db
25% Popularity • 7% Danceability • 21% Energy • 18% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 21% Energy • 18% Liveness
97% Instrumentalness • 3% Positiveness
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Tamiya Terashima
To the Countryside
82 bpm • E min • 01:34 • -16.75db
34% Popularity • 10% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Steven Price
You Are Like a Dream I Had
73 bpm • E min • 02:54 • -29db
17% Popularity • 7% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 6% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Thomas Newman
Sunlit
73 bpm • F min • 01:15 • -23.34db
27% Popularity • 35% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
27% Popularity • 35% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 20% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
40% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
40% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jan Valta
Lady Steph and Henry
82 bpm • A Maj • 01:55 • -22db
39% Popularity • 20% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Aughra Awakes
82 bpm • D min • 02:03 • -21.02db
24% Popularity • 23% Danceability • 7% Energy • 35% Liveness
52% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 7% Energy • 35% Liveness
52% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
Leo's Eyes
82 bpm • C Maj • 01:51 • -25.72db
16% Popularity • 26% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
16% Popularity • 26% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
29% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
29% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
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Marc Streitenfeld
Clash
82 bpm • C# Maj • 02:41 • -12.33db
34% Popularity • 20% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 10% Positiveness
34% Popularity • 20% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 10% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Chance Thomas
Theme for Rohan
82 bpm • C min • 03:27 • -18.79db
38% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
38% Popularity • 13% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Shigeru Umebayashi
Trishna's Cello 3
72 bpm • E Maj • 02:05 • -26.03db
15% Popularity • 11% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
15% Popularity • 11% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Tan Dun
The Eternal Vow
83 bpm • D min • 02:57 • -24db
28% Popularity • 10% Danceability • 5% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
28% Popularity • 10% Danceability • 5% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
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Steven Price
Majestic Submarine Forests
72 bpm • A# min • 02:28 • -23.41db
21% Popularity • 26% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 26% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Geoff Knorr
China (The Industrial Era)
83 bpm • D Maj • 03:34 • -10.23db
26% Popularity • 24% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
26% Popularity • 24% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Shigeru Umebayashi
Train-1
72 bpm • C Maj • 02:00 • -15.38db
23% Popularity • 32% Danceability • 32% Energy • 13% Liveness
50% Instrumentalness • 25% Positiveness
23% Popularity • 32% Danceability • 32% Energy • 13% Liveness
50% Instrumentalness • 25% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Alberto Iglesias
Journey to the Village
72 bpm • G Maj • 02:14 • -15.04db
17% Popularity • 20% Danceability • 32% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 32% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Steven Price
The Next Twenty Years
83 bpm • G# min • 01:41 • -15.52db
24% Popularity • 21% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
24% Popularity • 21% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Christian Henson
Theme from "Sinbad"
83 bpm • G# Maj • 02:58 • -18db
16% Popularity • 15% Danceability • 31% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 31% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Shigeru Umebayashi
Wu Shu Jing Shen
83 bpm • A min • 00:59 • -12.46db
17% Popularity • 16% Danceability • 28% Energy • 12% Liveness
51% Instrumentalness • 8% Positiveness
17% Popularity • 16% Danceability • 28% Energy • 12% Liveness
51% Instrumentalness • 8% Positiveness
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Thomas Newman
Glassalt Shiel
84 bpm • B min • 01:09 • -24.35db
39% Popularity • 19% Danceability • 21% Energy • 19% Liveness
88% Instrumentalness • 5% Positiveness
39% Popularity • 19% Danceability • 21% Energy • 19% Liveness
88% Instrumentalness • 5% Positiveness
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Tan Dun
Longing
84 bpm • G min • 04:20 • -20.51db
25% Popularity • 8% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
25% Popularity • 8% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
