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Curzon
Songs like
Curzon
by
Demdike Stare
Based on a tempo of (+/- 10%) and a similar genre
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M.E.S.H.
Search. Reveal.
122 bpm • C# Maj • 06:19 • -7.05db
11% Popularity • 80% Danceability • 68% Energy • 7% Liveness
11% Instrumentalness • 28% Positiveness
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Patricia
Hissy Fit
122 bpm • C# min • 04:59 • -9db
9% Popularity • 78% Danceability • 87% Energy • 8% Liveness
87% Instrumentalness • 26% Positiveness
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Lakker
Emergo
122 bpm • E min • 04:18 • -12.12db
15% Popularity • 66% Danceability • 76% Energy • 10% Liveness
42% Instrumentalness • 12% Positiveness
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Byetone
Opal
122 bpm • B Maj • 06:58 • -16db
15% Popularity • 74% Danceability • 94% Energy • 13% Liveness
94% Instrumentalness • 2% Positiveness
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Pan Sonic
Lähetys / Transmission
122 bpm • F min • 04:52 • -6db
10% Popularity • 60% Danceability • 74% Energy • 45% Liveness
88% Instrumentalness • 51% Positiveness
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Raime
Dead Heat
122 bpm • D Maj • 04:35 • -15.49db
16% Popularity • 66% Danceability • 27% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Peder Mannerfelt
Lines Describing a Circle
122 bpm • B Maj • 05:47 • -17.82db
10% Popularity • 55% Danceability • 40% Energy • 18% Liveness
92% Instrumentalness • 9% Positiveness
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Helena Hauff
Tripartite Pact
122 bpm • D Maj • 03:16 • -4.87db
21% Popularity • 67% Danceability • 88% Energy • 9% Liveness
70% Instrumentalness • 73% Positiveness
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GAS
Königsforst 1
122 bpm • C Maj • 09:38 • -18db
26% Popularity • 40% Danceability • 51% Energy • 18% Liveness
97% Instrumentalness • 18% Positiveness
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Vladislav Delay
Hetkonen
122 bpm • C# Maj • 09:40 • -16db
9% Popularity • 45% Danceability • 44% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Tomaga
Fist to Fist
122 bpm • D Maj • 02:59 • -9db
25% Popularity • 53% Danceability • 98% Energy • 27% Liveness
69% Instrumentalness • 67% Positiveness
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Plastikman
Converge
122 bpm • D min • 04:00 • -20.19db
15% Popularity • 53% Danceability • 19% Energy • 12% Liveness
79% Instrumentalness • 12% Positiveness
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Demdike Stare
Curzon
122 bpm • C# Maj • 05:21 • -8db
19% Popularity • 48% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Helena Hauff
btdr-revisited
121 bpm • E min • 03:29 • -9.42db
8% Popularity • 74% Danceability • 93% Energy • 6% Liveness
86% Instrumentalness • 19% Positiveness
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Huerco S.
Cubist Camouflage
121 bpm • F# Maj • 02:40 • -17.93db
33% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Lakker
Pylon
123 bpm • F min • 07:18 • -9.95db
11% Popularity • 39% Danceability • 50% Energy • 62% Liveness
82% Instrumentalness • 24% Positiveness
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Clark
Legacy Pet
121 bpm • F# min • 06:19 • -5.52db
10% Popularity • 44% Danceability • 99% Energy • 18% Liveness
77% Instrumentalness • 13% Positiveness
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Frank Bretschneider
Go! Said the Bird (Tennis Version) - Mix...
121 bpm • D Maj • 07:52 • -14.16db
13% Popularity • 67% Danceability • 67% Energy • 13% Liveness
87% Instrumentalness • 36% Positiveness
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Function
Voiceprint
121 bpm • D Maj • 05:59 • -12.88db
16% Popularity • 46% Danceability • 46% Energy • 11% Liveness
53% Instrumentalness • 6% Positiveness
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Jan Jelinek
Tendency
123 bpm • F# Maj • 07:21 • -14db
35% Popularity • 75% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Deepchord Presents: Echospace
Sub-Marine
123 bpm • A# min • 09:24 • -11.77db
17% Popularity • 76% Danceability • 69% Energy • 14% Liveness
90% Instrumentalness • 48% Positiveness
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Patricia
Mercury In Retrograde
121 bpm • B min • 04:46 • -17.56db
17% Popularity • 72% Danceability • 48% Energy • 9% Liveness
80% Instrumentalness • 30% Positiveness
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Steve Hauschildt
Phantox
123 bpm • G# Maj • 04:07 • -19.19db
12% Popularity • 50% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Shed
Outgoing Society
123 bpm • G Maj • 05:13 • -12.25db
27% Popularity • 69% Danceability • 89% Energy • 14% Liveness
91% Instrumentalness • 41% Positiveness
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Byetone
Neuschnee - Mixed
121 bpm • C Maj • 05:25 • -20db
15% Popularity • 48% Danceability • 61% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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alva noto
Uni Mic A
123 bpm • B min • 03:37 • -13.31db
9% Popularity • 80% Danceability • 57% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
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Jan Jelinek
Drift
121 bpm • F# min • 05:09 • -18.07db
24% Popularity • 86% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Oliver Coates
Timelapse (Walrus) - Mixed
120 bpm • G Maj • 02:03 • -5.75db
28% Popularity • 74% Danceability • 100% Energy • 9% Liveness
90% Instrumentalness • 73% Positiveness
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Deena Abdelwahed
Walk On, Nothing To See Here - Mixed
124 bpm • F# min • 03:05 • -11.02db
11% Popularity • 57% Danceability • 78% Energy • 17% Liveness
84% Instrumentalness • 16% Positiveness
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Huerco S.
Elma (Ruff Rub)
124 bpm • G# Maj • 06:39 • -8.66db
9% Popularity • 65% Danceability • 49% Energy • 7% Liveness
42% Instrumentalness • 51% Positiveness
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Pole
Raum 2 (DJ Tennis Technoid Version) - Mi...
121 bpm • E min • 07:10 • -16.96db
18% Popularity • 69% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Demdike Stare
Rathe
124 bpm • C# min • 06:27 • -4.85db
4% Popularity • 44% Danceability • 92% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Jan Jelinek
Music To Interogate By
124 bpm • G Maj • 06:08 • -11db
18% Popularity • 66% Danceability • 67% Energy • 38% Liveness
89% Instrumentalness • 49% Positiveness
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Helena Hauff
C45p
120 bpm • G Maj • 07:08 • -7.37db
24% Popularity • 81% Danceability • 97% Energy • 7% Liveness
95% Instrumentalness • 28% Positiveness
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Byetone
T-E-L-E-G-R-a-M-M
124 bpm • E Maj • 07:14 • -12.15db
12% Popularity • 71% Danceability • 56% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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Huerco S.
'Iiå„zhiid
120 bpm • C# Maj • 03:48 • -12.16db
14% Popularity • 82% Danceability • 50% Energy • 14% Liveness
81% Instrumentalness • 9% Positiveness
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Mouse On Mars
Key My Brain - Mixed
121 bpm • C# Maj • 03:45 • -12.69db
24% Popularity • 87% Danceability • 35% Energy • 12% Liveness
76% Instrumentalness • 33% Positiveness
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Disjecta
Smokehead - Mixed
120 bpm • E min • 01:50 • -17.26db
11% Popularity • 65% Danceability • 50% Energy • 19% Liveness
90% Instrumentalness • 16% Positiveness
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Plaid
Maru
120 bpm • E min • 04:49 • -8.36db
15% Popularity • 57% Danceability • 86% Energy • 13% Liveness
91% Instrumentalness • 43% Positiveness
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Helena Hauff
Fag Butts In The Fire Bucket
124 bpm • A Maj • 04:03 • -10.53db
8% Popularity • 54% Danceability • 70% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Byetone
Topas
124 bpm • G Maj • 06:11 • -11.93db
9% Popularity • 80% Danceability • 48% Energy • 6% Liveness
85% Instrumentalness • 24% Positiveness
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Raime
Exist in the Repeat of Practice
124 bpm • C# Maj • 05:28 • -14.06db
14% Popularity • 68% Danceability • 47% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Andy Stott
Never the right time
120 bpm • G# Maj • 04:56 • -12.38db
23% Popularity • 66% Danceability • 71% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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alva noto
Uni Mia
124 bpm • C Maj • 05:52 • -13.55db
14% Popularity • 86% Danceability • 46% Energy • 16% Liveness
88% Instrumentalness • 7% Positiveness
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Demdike Stare
Airborne Latency
124 bpm • G Maj • 07:03 • -9.66db
7% Popularity • 56% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Patricia
Waiting For Alexis
120 bpm • E min • 08:12 • -9.13db
8% Popularity • 74% Danceability • 73% Energy • 21% Liveness
56% Instrumentalness • 22% Positiveness
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Rrose
Columns
124 bpm • F# min • 07:12 • -15.89db
7% Popularity • 66% Danceability • 60% Energy • 39% Liveness
91% Instrumentalness • 2% Positiveness
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Shackleton
The Branch Is Weak
120 bpm • E min • 07:23 • -11.09db
7% Popularity • 80% Danceability • 46% Energy • 18% Liveness
90% Instrumentalness • 38% Positiveness
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Hiro Kone
Fabrication Of Silence
124 bpm • A# min • 04:03 • -8.32db
11% Popularity • 63% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
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Ancient Methods
Born of Ashes
124 bpm • A# min • 07:02 • -10.49db
11% Popularity • 52% Danceability • 74% Energy • 20% Liveness
45% Instrumentalness • 34% Positiveness
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Emptyset
Ascent
124 bpm • D# Maj • 01:41 • -13.69db
10% Popularity • 52% Danceability • 13% Energy • 11% Liveness
56% Instrumentalness • 13% Positiveness
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Blawan
Fawner
120 bpm • C# Maj • 06:24 • -16.49db
10% Popularity • 62% Danceability • 46% Energy • 17% Liveness
90% Instrumentalness • 11% Positiveness
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SHXCXCHCXSH
Helical Dialog
120 bpm • F# min • 03:13 • -11.29db
10% Popularity • 52% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Ploy
Intrigued By The Drum
120 bpm • C# min • 05:53 • -11db
13% Popularity • 83% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
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Byetone
Plastic Star
120 bpm • G Maj • 04:51 • -11db
19% Popularity • 68% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Deena Abdelwahed
5/5
120 bpm • C# Maj • 04:42 • -10.53db
8% Popularity • 64% Danceability • 66% Energy • 74% Liveness
89% Instrumentalness • 13% Positiveness
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Raime
The Walker in Blast and Bottle
120 bpm • G# Maj • 05:11 • -18db
11% Popularity • 73% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Rainforest Spiritual Enslavement
Beyond the Yellow-Spotted Bamboo (Substa...
120 bpm • C# min • 07:04 • -12.14db
8% Popularity • 78% Danceability • 34% Energy • 11% Liveness
80% Instrumentalness • 29% Positiveness
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Tzusing
King of Hosts
120 bpm • D Maj • 04:53 • -11db
28% Popularity • 75% Danceability • 56% Energy • 10% Liveness
80% Instrumentalness • 32% Positiveness
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Emptyset
Completely Gone
120 bpm • C# Maj • 06:07 • -13db
11% Popularity • 93% Danceability • 65% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Pessimist
Grit
120 bpm • E min • 05:35 • -14db
8% Popularity • 53% Danceability • 69% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Vatican Shadow
Wherever There Is Money There Is Unforgi...
120 bpm • G# min • 03:23 • -7.74db
12% Popularity • 49% Danceability • 100% Energy • 9% Liveness
65% Instrumentalness • 30% Positiveness
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Lena Willikens
Howlin Lupus
120 bpm • A# min • 05:10 • -10.43db
12% Popularity • 70% Danceability • 69% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Ninos Du Brasil
O Som de Ossos
120 bpm • A# min • 04:17 • -14.67db
14% Popularity • 76% Danceability • 63% Energy • 32% Liveness
93% Instrumentalness • 4% Positiveness
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Tzusing
Torque Pulsations
120 bpm • G Maj • 04:47 • -10.54db
16% Popularity • 75% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Jan Jelinek
Rock In The Video Age
120 bpm • F# min • 08:03 • -13db
31% Popularity • 67% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Emptyset
Point
120 bpm • G# Maj • 03:33 • -13.43db
11% Popularity • 56% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Machine Woman
Timbu Limbu And Her War Bass
120 bpm • A Maj • 03:36 • -7db
10% Popularity • 78% Danceability • 80% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Samuel Kerridge
Surrender to the Void
124 bpm • F# Maj • 06:30 • -9.87db
11% Popularity • 25% Danceability • 66% Energy • 38% Liveness
76% Instrumentalness • 10% Positiveness
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Abfahrt Hinwil
Tech7
120 bpm • G Maj • 03:56 • -6.85db
21% Popularity • 79% Danceability • 96% Energy • 9% Liveness
87% Instrumentalness • 55% Positiveness
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Varg²™
Yamanote Line (原宿)
120 bpm • G Maj • 05:29 • -17.44db
15% Popularity • 59% Danceability • 50% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
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Rrose
Bandage
120 bpm • D Maj • 06:39 • -16db
9% Popularity • 52% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Shed
Taken Effect
120 bpm • G Maj • 04:56 • -10.86db
25% Popularity • 77% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 56% Positiveness
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Demdike Stare
Forest of Evil (Dusk)
120 bpm • G# min • 14:29 • -12.12db
7% Popularity • 32% Danceability • 65% Energy • 78% Liveness
90% Instrumentalness • 4% Positiveness
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Villaelvin
ETIQUETTE STOMP
120 bpm • G# min • 05:36 • -9.77db
8% Popularity • 84% Danceability • 37% Energy • 59% Liveness
62% Instrumentalness • 30% Positiveness
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Tzusing
日出東方 唯我不敗
120 bpm • F# Maj • 05:11 • -10.96db
34% Popularity • 56% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Caterina Barbieri
Scratches on the Readable Surface
120 bpm • C# min • 05:56 • -10.26db
21% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
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Seefeel
Fracture
120 bpm • B min • 05:54 • -11db
18% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Emptyset
Speak
124 bpm • C min • 01:56 • -10.08db
16% Popularity • 48% Danceability • 33% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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Objekt
Lost and Found (Lost Mix)
120 bpm • F# Maj • 02:32 • -12.34db
16% Popularity • 39% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Severed Heads
Always Randy - Mixed
120 bpm • C Maj • 02:16 • -7db
28% Popularity • 85% Danceability • 90% Energy • 11% Liveness
58% Instrumentalness • 28% Positiveness
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Porter Ricks
Nautical Nuba
120 bpm • A# min • 08:56 • -19.01db
8% Popularity • 83% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 33% Positiveness
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GAS
Königsforst 7
124 bpm • F# min • 06:18 • -17.03db
23% Popularity • 48% Danceability • 60% Energy • 31% Liveness
68% Instrumentalness • 25% Positiveness
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Demdike Stare
Floor Stairwell
119 bpm • C# Maj • 03:47 • -25.62db
2% Popularity • 18% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 2% Positiveness
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Shed
Stp 2
119 bpm • G Maj • 01:40 • -16.29db
19% Popularity • 20% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Claro Intelecto
Two Thousand
125 bpm • G min • 05:53 • -6.08db
11% Popularity • 58% Danceability • 99% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Lanark Artefax
Touch Absence
125 bpm • C# Maj • 05:51 • -7db
24% Popularity • 77% Danceability • 99% Energy • 27% Liveness
81% Instrumentalness • 63% Positiveness
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Porter Ricks
Nautical Dub
125 bpm • B min • 05:48 • -18.13db
22% Popularity • 53% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 31% Positiveness
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alva noto
Uni Normal
125 bpm • C# Maj • 04:25 • -14db
11% Popularity • 77% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Demdike Stare
Blue
125 bpm • C# Maj • 00:58 • -28.33db
22% Popularity • 64% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
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Silent Servant
Loss Response
125 bpm • C Maj • 03:29 • -11.8db
12% Popularity • 51% Danceability • 84% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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The Field
The Deal
125 bpm • F Maj • 10:03 • -9.46db
20% Popularity • 50% Danceability • 84% Energy • 38% Liveness
92% Instrumentalness • 10% Positiveness
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Ninos Du Brasil
A Magia do Rei, Pt. 2
125 bpm • C# Maj • 05:01 • -11.95db
13% Popularity • 55% Danceability • 91% Energy • 17% Liveness
90% Instrumentalness • 12% Positiveness
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Raime
Cold Cain
125 bpm • D Maj • 04:58 • -12.95db
9% Popularity • 71% Danceability • 27% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
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alva noto
Uni Sub
125 bpm • G Maj • 05:50 • -16db
19% Popularity • 77% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Demdike Stare
Overstaying
125 bpm • C# min • 05:44 • -12db
7% Popularity • 33% Danceability • 94% Energy • 39% Liveness
90% Instrumentalness • 27% Positiveness
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Byetone
Helix
125 bpm • D Maj • 05:05 • -10.39db
8% Popularity • 57% Danceability • 77% Energy • 37% Liveness
92% Instrumentalness • 10% Positiveness
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Tzusing
O.D.D.
125 bpm • C# min • 06:10 • -4.71db
15% Popularity • 63% Danceability • 82% Energy • 33% Liveness
50% Instrumentalness • 17% Positiveness
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Ninos Du Brasil
O Vento Chama Seu Nome
125 bpm • A# min • 03:35 • -13.91db
22% Popularity • 60% Danceability • 68% Energy • 11% Liveness
88% Instrumentalness • 39% Positiveness
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Curzon