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Custodian Of The New
Songs like
Custodian Of The New
by
Ron Miles
Based on a tempo of (+/- 10%) and a similar genre
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The Bad Plus
Salvages
104 bpm • A# min • 05:34 • -23.31db
13% Popularity • 62% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Melissa Aldana
Emilia
104 bpm • F# min • 07:35 • -17.09db
12% Popularity • 40% Danceability • 12% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Marc Copland
And I Love Her
104 bpm • F min • 06:43 • -23.22db
31% Popularity • 46% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 33% Positiveness
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Ron Miles
Custodian Of The New
104 bpm • F min • 07:49 • -10.57db
6% Popularity • 64% Danceability • 48% Energy • 8% Liveness
75% Instrumentalness • 43% Positiveness
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The Aakash Mittal Quartet
Improvisation III
104 bpm • F# Maj • 01:41 • -25.57db
1% Popularity • 54% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Fred Nardin Trio
Colours
104 bpm • A# min • 04:05 • -9.89db
34% Popularity • 49% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 59% Positiveness
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Cyrus Chestnut
Gymnopédie No. 1
104 bpm • G Maj • 06:14 • -21.13db
24% Popularity • 39% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 22% Positiveness
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Go Home
Wazee
104 bpm • C Maj • 06:10 • -7.26db
1% Popularity • 68% Danceability • 77% Energy • 8% Liveness
94% Instrumentalness • 82% Positiveness
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Johnathan Blake
Groundhog Day
104 bpm • F# Maj • 05:07 • -12.03db
34% Popularity • 44% Danceability • 45% Energy • 12% Liveness
24% Instrumentalness • 52% Positiveness
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Oded Tzur
Child's Dance
104 bpm • G# min • 01:22 • -20db
40% Popularity • 57% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 68% Positiveness
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Kenny Barron
Porto Alegre
104 bpm • D min • 05:20 • -17.02db
18% Popularity • 52% Danceability • 39% Energy • 11% Liveness
76% Instrumentalness • 52% Positiveness
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Ron Miles
Witness
103 bpm • C# Maj • 09:16 • -10.52db
2% Popularity • 50% Danceability • 55% Energy • 9% Liveness
74% Instrumentalness • 38% Positiveness
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Brian Blade & The Fellowship Band
Landmarks
105 bpm • G# Maj • 08:20 • -22.22db
31% Popularity • 38% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
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Dave Holland Quartet
Processional
104 bpm • C# Maj • 07:16 • -18.16db
12% Popularity • 65% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 45% Positiveness
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Gerald Clayton
If I Were A Bell
105 bpm • D# Maj • 07:46 • -13.65db
26% Popularity • 38% Danceability • 40% Energy • 6% Liveness
76% Instrumentalness • 21% Positiveness
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Helge Lien Trio
Krystall Revisited
103 bpm • C# Maj • 06:27 • -18db
8% Popularity • 37% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Simon Westman Trio
Jakob’s Happy Song
105 bpm • B Maj • 05:32 • -17.38db
45% Popularity • 38% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 69% Positiveness
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Gathering in Jazz
Memory Man
103 bpm • D min • 04:37 • -12.28db
18% Popularity • 45% Danceability • 33% Energy • 7% Liveness
55% Instrumentalness • 22% Positiveness
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Tord Gustavsen Trio
The Circle
103 bpm • C Maj • 03:56 • -28.12db
36% Popularity • 53% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 18% Positiveness
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Matt Carmichael
Hopeful Morning
103 bpm • D Maj • 05:34 • -14.47db
41% Popularity • 48% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 39% Positiveness
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Fred Hess
Well You Needn't
102 bpm • C Maj • 07:47 • -18.29db
0% Popularity • 56% Danceability • 35% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Marc Johnson
Swept Away
102 bpm • E min • 06:18 • -25db
40% Popularity • 37% Danceability • 12% Energy • 33% Liveness
93% Instrumentalness • 19% Positiveness
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Vicente Archer
Mirai
102 bpm • E min • 04:50 • -22.55db
15% Popularity • 34% Danceability • 12% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Ron Miles
Erase Yourself
102 bpm • A Maj • 04:15 • -15.22db
0% Popularity • 56% Danceability • 60% Energy • 11% Liveness
12% Instrumentalness • 32% Positiveness
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3ology
Jimmyin' the Bakin' Shack
106 bpm • D min • 07:57 • -17.63db
0% Popularity • 50% Danceability • 20% Energy • 11% Liveness
53% Instrumentalness • 16% Positiveness
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Søren Bebe Trio
Waltz for Steve
106 bpm • E min • 03:51 • -15.19db
22% Popularity • 33% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Little North
What Happens Next?
102 bpm • C min • 04:37 • -19.67db
9% Popularity • 32% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Helge Lien Trio
Gamut Warning Revisited
106 bpm • F min • 05:30 • -14.32db
14% Popularity • 49% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Johnathan Blake
Out of Sight, Out of Mind
102 bpm • C min • 07:07 • -23.98db
34% Popularity • 36% Danceability • 8% Energy • 20% Liveness
63% Instrumentalness • 6% Positiveness
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Ron Miles
La Mattina Porta Iidillio - Original Mix
106 bpm • C Maj • 05:20 • -11.38db
0% Popularity • 40% Danceability • 45% Energy • 36% Liveness
87% Instrumentalness • 38% Positiveness
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Christian Sands
Be Water I
102 bpm • B min • 05:57 • -12.83db
15% Popularity • 41% Danceability • 43% Energy • 18% Liveness
84% Instrumentalness • 43% Positiveness
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Gauthier Toux
Turning Around
107 bpm • B min • 04:06 • -14.45db
13% Popularity • 48% Danceability • 58% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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ARTEMIS
Song For Abdullah - Bonus
101 bpm • C# Maj • 06:11 • -17.35db
14% Popularity • 43% Danceability • 19% Energy • 14% Liveness
78% Instrumentalness • 15% Positiveness
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Eric Legnini Trio
Trastevere
101 bpm • C Maj • 02:27 • -16.47db
44% Popularity • 46% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 34% Positiveness
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Johnathan Blake
Rivers & Parks
102 bpm • E min • 07:59 • -9.58db
16% Popularity • 50% Danceability • 53% Energy • 12% Liveness
70% Instrumentalness • 37% Positiveness
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Ron Miles
Linen
107 bpm • D# Maj • 04:30 • -25.81db
0% Popularity • 34% Danceability • 0% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
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Todd Ayers
Outback - Live
101 bpm • G# Maj • 04:54 • -22.73db
0% Popularity • 30% Danceability • 7% Energy • 69% Liveness
21% Instrumentalness • 10% Positiveness
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Armel Dupas Trio
Follow the Light
107 bpm • D Maj • 05:03 • -20.25db
23% Popularity • 52% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Steve Kuhn
Pastorale
101 bpm • F Maj • 06:15 • -25.1db
28% Popularity • 49% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Dimitri Howald ILJA
The Rush
107 bpm • B min • 04:46 • -11db
7% Popularity • 43% Danceability • 53% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Cassandra Wilson
Sky And Sea (Blue In Green)
101 bpm • A min • 05:24 • -16.02db
29% Popularity • 51% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 20% Positiveness
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Fred Hess
Such Sweet Thunder
107 bpm • C Maj • 04:20 • -18.48db
0% Popularity • 67% Danceability • 24% Energy • 3% Liveness
14% Instrumentalness • 43% Positiveness
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Ron Miles
I Am a Man
101 bpm • B min • 06:39 • -15.45db
8% Popularity • 63% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Tord Gustavsen Trio
Curves
101 bpm • A Maj • 06:19 • -28.95db
47% Popularity • 52% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Benjamin Sanz
Bass Introduction
108 bpm • A min • 01:07 • -29.87db
44% Popularity • 56% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Brad Mehldau Trio
Great Day
108 bpm • E min • 05:54 • -15db
22% Popularity • 49% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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The Aakash Mittal Quartet
Without a Name
108 bpm • A# min • 01:55 • -10.79db
0% Popularity • 32% Danceability • 16% Energy • 16% Liveness
18% Instrumentalness • 8% Positiveness
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Kenny Barron Trio
Cook's Bay
100 bpm • G Maj • 06:00 • -12.87db
32% Popularity • 41% Danceability • 46% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Ambrose Akinmusire
Roy
108 bpm • A# Maj • 02:40 • -20.63db
43% Popularity • 40% Danceability • 1% Energy • 11% Liveness
48% Instrumentalness • 28% Positiveness
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Mary Halvorson
Symphony No. 6 Mvt. II
108 bpm • B min • 01:58 • -9.58db
3% Popularity • 36% Danceability • 36% Energy • 11% Liveness
6% Instrumentalness • 13% Positiveness
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Marcus Bartelt
In The End
108 bpm • B Maj • 07:34 • -19.2db
37% Popularity • 47% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Todd Ayers
Monet - Live
108 bpm • C Maj • 04:30 • -16.95db
0% Popularity • 50% Danceability • 13% Energy • 46% Liveness
80% Instrumentalness • 39% Positiveness
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Daniel GarcÃa Trio
Spring of Life
100 bpm • C# Maj • 03:35 • -19db
40% Popularity • 58% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 28% Positiveness
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Ralph Alessi
Oxide
100 bpm • E min • 05:38 • -23.99db
8% Popularity • 53% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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ARTEMIS
Goddess Of The Hunt
100 bpm • D min • 07:24 • -12.28db
10% Popularity • 55% Danceability • 48% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
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Ambrose Akinmusire
Ayneh (Campbell)
108 bpm • B min • 01:36 • -28db
27% Popularity • 30% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Ron Miles
My Cruel Heart
100 bpm • A# min • 07:27 • -21.1db
0% Popularity • 61% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Tom Harrell
I nodi e il pettine
108 bpm • D min • 05:49 • -13db
31% Popularity • 60% Danceability • 39% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Max Bessesen
Be My Love
109 bpm • B min • 05:18 • -16.16db
0% Popularity • 36% Danceability • 14% Energy • 10% Liveness
27% Instrumentalness • 15% Positiveness
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Eyolf Dale
How could it be?
109 bpm • C Maj • 05:39 • -19.86db
6% Popularity • 40% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Helge Lien Trio
Folkmost Revisited
109 bpm • G min • 04:20 • -17.42db
8% Popularity • 40% Danceability • 36% Energy • 13% Liveness
81% Instrumentalness • 29% Positiveness
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Bobo Stenson Trio
The Red Flower
109 bpm • F min • 06:16 • -27.36db
28% Popularity • 52% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Connie Han
Ereshkigal of the Underworld
109 bpm • C Maj • 03:01 • -15.03db
21% Popularity • 37% Danceability • 48% Energy • 16% Liveness
93% Instrumentalness • 58% Positiveness
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Niclas Knudsen Trio
Waking Dream
99 bpm • D min • 05:02 • -18db
35% Popularity • 57% Danceability • 8% Energy • 12% Liveness
39% Instrumentalness • 17% Positiveness
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Brian Blade & The Fellowship Band
Have Thine Own Way, Lord - Band
99 bpm • D# Maj • 01:14 • -18.84db
41% Popularity • 55% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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ARTEMIS
The Sidewinder
99 bpm • A# min • 05:05 • -12.27db
41% Popularity • 68% Danceability • 37% Energy • 10% Liveness
21% Instrumentalness • 72% Positiveness
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Charles Lloyd Quartet
Caroline, No
109 bpm • C# Maj • 04:02 • -10.95db
24% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
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Melissa Aldana
Intuition
109 bpm • D Maj • 07:30 • -13.94db
13% Popularity • 52% Danceability • 20% Energy • 14% Liveness
29% Instrumentalness • 20% Positiveness
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John Abercrombie Quartet
Wait Till You See Her
109 bpm • C min • 05:40 • -24.08db
28% Popularity • 29% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Peter Erskine
On The Lake
99 bpm • D# Maj • 05:03 • -25.28db
21% Popularity • 50% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Orrin Evans
Libra
109 bpm • G Maj • 05:54 • -11.25db
30% Popularity • 41% Danceability • 55% Energy • 13% Liveness
22% Instrumentalness • 29% Positiveness
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Adam Forkelid
Gnossienne
109 bpm • C min • 09:19 • -13.26db
15% Popularity • 46% Danceability • 48% Energy • 9% Liveness
93% Instrumentalness • 61% Positiveness
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Todd Ayers
Ribbons - Live
109 bpm • C Maj • 05:49 • -22.68db
0% Popularity • 31% Danceability • 4% Energy • 65% Liveness
89% Instrumentalness • 13% Positiveness
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The Aakash Mittal Quartet
Ocean
110 bpm • E min • 02:28 • -10.1db
0% Popularity • 23% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Kendrick Scott
One Door Closes, Another Opens
99 bpm • B min • 04:53 • -14.47db
14% Popularity • 44% Danceability • 17% Energy • 9% Liveness
32% Instrumentalness • 14% Positiveness
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Abdullah Ibrahim
Dreamtime
99 bpm • A# min • 04:05 • -19.5db
34% Popularity • 49% Danceability • 15% Energy • 22% Liveness
93% Instrumentalness • 7% Positiveness
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Fred Hess
Dedicated To You
110 bpm • G# Maj • 06:19 • -28.88db
0% Popularity • 48% Danceability • 3% Energy • 9% Liveness
74% Instrumentalness • 17% Positiveness
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Go Home
Ethan's Song
110 bpm • D# min • 08:09 • -10.37db
0% Popularity • 51% Danceability • 52% Energy • 70% Liveness
59% Instrumentalness • 26% Positiveness
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Christian Sands
Crash
110 bpm • A Maj • 06:03 • -11.72db
12% Popularity • 40% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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The Aakash Mittal Quartet
Kolkata: Bollygunge Crossing
110 bpm • C min • 02:58 • -4.12db
0% Popularity • 26% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
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Walter Smith III
River Styx
110 bpm • F min • 05:31 • -11.74db
20% Popularity • 41% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
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Christophe Marguet
Dear Don
110 bpm • F Maj • 06:37 • -8.24db
38% Popularity • 55% Danceability • 57% Energy • 14% Liveness
96% Instrumentalness • 66% Positiveness
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Marc Copland
Spartacus Love Theme
98 bpm • A min • 07:53 • -25db
33% Popularity • 38% Danceability • 10% Energy • 11% Liveness
75% Instrumentalness • 10% Positiveness
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Henrik Gunde
Fanølyng
98 bpm • G min • 05:18 • -19db
35% Popularity • 35% Danceability • 22% Energy • 8% Liveness
47% Instrumentalness • 20% Positiveness
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Christian Sands
Sonar
98 bpm • B Maj • 07:12 • -11.38db
15% Popularity • 37% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Niclas Knudsen Trio
Times Revisited
110 bpm • F min • 05:25 • -19db
19% Popularity • 66% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 35% Positiveness
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Brian Blade Fellowship
Perceptual
110 bpm • D Maj • 06:28 • -15.32db
18% Popularity • 40% Danceability • 22% Energy • 10% Liveness
62% Instrumentalness • 9% Positiveness
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Connie Han
The Gallû Pursuit
98 bpm • G Maj • 03:26 • -13db
17% Popularity • 40% Danceability • 58% Energy • 14% Liveness
94% Instrumentalness • 46% Positiveness
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Manu Katché
Out Take Number 9
111 bpm • C min • 02:08 • -22db
41% Popularity • 58% Danceability • 22% Energy • 9% Liveness
84% Instrumentalness • 12% Positiveness
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Immanuel Wilkins
Grace And Mercy
98 bpm • G Maj • 06:49 • -11db
22% Popularity • 36% Danceability • 50% Energy • 9% Liveness
46% Instrumentalness • 28% Positiveness
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Melissa Aldana
Visions
111 bpm • B min • 08:13 • -11.02db
8% Popularity • 42% Danceability • 43% Energy • 12% Liveness
40% Instrumentalness • 42% Positiveness
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Brian Blade & The Fellowship Band
Traveling Mercies
111 bpm • E Maj • 04:32 • -13.1db
29% Popularity • 46% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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The Bad Plus
Variation d'Apollon
97 bpm • C Maj • 04:35 • -12.9db
27% Popularity • 54% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Chad Lefkowitz-Brown
Mack the Knife
97 bpm • G# Maj • 05:31 • -11.26db
22% Popularity • 63% Danceability • 51% Energy • 20% Liveness
1% Instrumentalness • 84% Positiveness
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Ron Miles
Dew
97 bpm • G Maj • 03:59 • -15.14db
2% Popularity • 40% Danceability • 34% Energy • 6% Liveness
5% Instrumentalness • 22% Positiveness
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Mary Halvorson
Little Pad (The Beach Boys)/Caught In Th...
111 bpm • B Maj • 06:37 • -5.24db
2% Popularity • 44% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
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Carla Bley
Beautiful Telephones - Pt. 2
97 bpm • C# Maj • 06:13 • -13.32db
12% Popularity • 48% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Melissa Aldana
My Ship
112 bpm • C Maj • 03:04 • -22.72db
34% Popularity • 60% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Deep Ocean Creature
Bwana
97 bpm • A Maj • 06:41 • -10.64db
1% Popularity • 86% Danceability • 46% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
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Go Home
Isosceles
97 bpm • F# Maj • 09:17 • -10.88db
0% Popularity • 42% Danceability • 45% Energy • 11% Liveness
64% Instrumentalness • 33% Positiveness
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Custodian Of The New