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Cut for My Condition
Songs like
Cut for My Condition
by
Lee Richardson
Based on a tempo of (+/- 10%) and a similar genre
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Erotic Market
Tell You: L.I.B.I.D.O.
128 bpm • F min • 04:09 • -8.12db
20% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lee Richardson
So Long
128 bpm • B min • 02:29 • -5db
3% Popularity • 72% Danceability • 83% Energy • 31% Liveness
26% Instrumentalness • 86% Positiveness
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Tom Ford
I'm Born to Win
128 bpm • F# min • 03:20 • -6db
19% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Landlord
(still) Changing
128 bpm • G Maj • 04:22 • -6.6db
15% Popularity • 53% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Pexxa
The Realness Lucifer Mix
128 bpm • B min • 03:16 • -8.68db
19% Popularity • 64% Danceability • 84% Energy • 15% Liveness
7% Instrumentalness • 33% Positiveness
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Blithe
Say Your Prayers
128 bpm • F min • 02:58 • -6.06db
33% Popularity • 68% Danceability • 64% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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BEGINNERS
Bad Attitude
128 bpm • A Maj • 02:51 • -5.09db
15% Popularity • 54% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Lee Richardson
Right There Behind You
128 bpm • G Maj • 03:24 • -5.5db
1% Popularity • 68% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Gran Bel Fisher
The Resistance
128 bpm • F# Maj • 03:30 • -8.4db
12% Popularity • 68% Danceability • 37% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Graffen Ried
Don't Miss Me
128 bpm • D min • 04:09 • -15.48db
9% Popularity • 60% Danceability • 31% Energy • 13% Liveness
6% Instrumentalness • 40% Positiveness
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Jung Youth
Underneath It All
128 bpm • E Maj • 03:05 • -7.12db
22% Popularity • 42% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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MJ Cole
Waking Up
128 bpm • B min • 03:44 • -11.1db
50% Popularity • 48% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Marc Ferrari
Break The Dam
128 bpm • E min • 03:09 • -11.35db
16% Popularity • 56% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Lee Richardson
Hypnotise
128 bpm • F min • 02:59 • -7db
5% Popularity • 62% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Mary Komasa
Oh Lord
127 bpm • A# Maj • 04:59 • -9.13db
15% Popularity • 50% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Klergy
Will You Follow Me Into the Dark
127 bpm • C min • 03:48 • -8.61db
40% Popularity • 42% Danceability • 52% Energy • 25% Liveness
19% Instrumentalness • 14% Positiveness
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ECHLO
Beautifully Cruel
127 bpm • G# Maj • 03:36 • -13.68db
18% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Oshins
Darkside
127 bpm • E Maj • 03:25 • -10.31db
44% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Correatown
The Point
127 bpm • D min • 03:03 • -10db
19% Popularity • 47% Danceability • 34% Energy • 19% Liveness
61% Instrumentalness • 9% Positiveness
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Lee Richardson
Who We Are
128 bpm • A Maj • 02:27 • -6db
3% Popularity • 52% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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BELLSAINT
Uninvited
127 bpm • C Maj • 04:08 • -9.26db
30% Popularity • 56% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Milk & Bone
Tmrw.
129 bpm • A min • 04:48 • -16.58db
26% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Bruce
El Musgo
126 bpm • C Maj • 05:46 • -8db
24% Popularity • 32% Danceability • 37% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
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Dreaming Of Ghosts
Close Your Eyes
130 bpm • C Maj • 03:27 • -16db
22% Popularity • 42% Danceability • 20% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Tamara Bubble
Let Me out
130 bpm • A Maj • 02:17 • -7.39db
12% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Lee Richardson
Cut for My Condition
128 bpm • G min • 03:43 • -8.1db
26% Popularity • 41% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Madalen Duke
Born Alone Die Alone
130 bpm • G# Maj • 02:50 • -9.06db
50% Popularity • 60% Danceability • 47% Energy • 15% Liveness
5% Instrumentalness • 14% Positiveness
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Brittany Pfantz
Push Pull
130 bpm • G Maj • 03:50 • -8.23db
15% Popularity • 70% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Willow Robinson
Weight of the World
130 bpm • F# min • 03:59 • -6db
19% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Raphael Lake
Wait for Me
130 bpm • G min • 03:33 • -13db
20% Popularity • 58% Danceability • 38% Energy • 18% Liveness
17% Instrumentalness • 18% Positiveness
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After Marianne
Marianne
130 bpm • C Maj • 05:33 • -11db
12% Popularity • 37% Danceability • 38% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Lee Richardson
You Can Run
128 bpm • G Maj • 02:25 • -7db
23% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Various Artists
All Day
125 bpm • F# min • 02:27 • -8.08db
4% Popularity • 70% Danceability • 61% Energy • 10% Liveness
30% Instrumentalness • 42% Positiveness
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Ruelle
The World We Made
125 bpm • A min • 03:04 • -6.43db
44% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Cavale
Burst Into Flames
125 bpm • A Maj • 03:24 • -12db
36% Popularity • 74% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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CUT_
Out Of Touch
125 bpm • C min • 04:01 • -11db
54% Popularity • 73% Danceability • 60% Energy • 10% Liveness
45% Instrumentalness • 47% Positiveness
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Robin Loxley
Coming Back
131 bpm • A min • 03:33 • -14.12db
34% Popularity • 41% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Lee Richardson
Ready for Action
130 bpm • G# min • 02:54 • -7.79db
21% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Naz Tokio
On The Run
125 bpm • D Maj • 02:41 • -13.4db
33% Popularity • 63% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Wolf & Cub
Blue State
125 bpm • C Maj • 05:20 • -7db
21% Popularity • 57% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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GINEVRA
Burning
125 bpm • F Maj • 03:40 • -11.56db
21% Popularity • 73% Danceability • 41% Energy • 9% Liveness
54% Instrumentalness • 51% Positiveness
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Josh Rouse
Flight Attendant
125 bpm • B min • 07:55 • -10.96db
12% Popularity • 37% Danceability • 60% Energy • 97% Liveness
1% Instrumentalness • 35% Positiveness
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World's First Cinema
Can't Feel Anything
125 bpm • F# min • 03:58 • -6.83db
30% Popularity • 46% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Richardson
All Bout U
130 bpm • C# min • 03:18 • -4.81db
0% Popularity • 75% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Krysh
Wrongworld
132 bpm • E min • 02:42 • -8.2db
21% Popularity • 41% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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James Bagshaw
How Do You Sleep
132 bpm • A min • 03:13 • -10.56db
10% Popularity • 40% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Katrina Parker
People Are Strange
132 bpm • C min • 02:39 • -7.28db
15% Popularity • 61% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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TOMI
Hideaway
132 bpm • A Maj • 04:01 • -7.27db
21% Popularity • 47% Danceability • 52% Energy • 18% Liveness
11% Instrumentalness • 18% Positiveness
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The Prams
Two Waves
132 bpm • B min • 03:44 • -11db
26% Popularity • 91% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 19% Positiveness
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Lee Richardson
Come Watch Me
130 bpm • A Maj • 02:59 • -5.88db
0% Popularity • 78% Danceability • 89% Energy • 16% Liveness
65% Instrumentalness • 67% Positiveness
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Blonde Diamond
Easy Nothing
124 bpm • A# min • 03:55 • -6.73db
21% Popularity • 61% Danceability • 68% Energy • 17% Liveness
1% Instrumentalness • 13% Positiveness
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Damien Summers
Are We Immortal
124 bpm • D# min • 02:43 • -14.11db
10% Popularity • 64% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
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Beds and Beats
Obsession
124 bpm • A# min • 02:58 • -9.24db
35% Popularity • 52% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Michael McQuaid
Vibes
124 bpm • A Maj • 03:39 • -9.07db
17% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Jørck
Everything Goes so Slowly
124 bpm • D min • 03:47 • -9.3db
14% Popularity • 41% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Lee Richardson
Pick up the Pace
130 bpm • C# Maj • 02:55 • -5.65db
0% Popularity • 71% Danceability • 84% Energy • 23% Liveness
12% Instrumentalness • 48% Positiveness
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Zayde Wølf
New Blood - Reimagined
124 bpm • D min • 03:46 • -8.87db
27% Popularity • 27% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Friends In Paris
When Your Heart Is A Stranger
124 bpm • A Maj • 03:55 • -8.1db
39% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Beth Whitney
Raven
124 bpm • F# min • 03:28 • -14.87db
21% Popularity • 40% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Freya Ridings
Holy Water
124 bpm • F Maj • 03:43 • -3.46db
37% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Empara Mi
The Come Down
133 bpm • G Maj • 03:43 • -6db
25% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Richardson
Second Chance
130 bpm • C# min • 03:39 • -4.73db
2% Popularity • 50% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Teddy Fontana
Make No Mistake
133 bpm • F# min • 02:58 • -7.17db
11% Popularity • 74% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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My Jerusalem
Death Valley (Remix)
123 bpm • G# min • 03:06 • -6.21db
37% Popularity • 40% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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BCBC
Like You Know You're Alive
123 bpm • D Maj • 03:09 • -7.21db
23% Popularity • 78% Danceability • 62% Energy • 12% Liveness
47% Instrumentalness • 34% Positiveness
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Mathias Rehfeldt
One Day - Radio Edit
133 bpm • D min • 03:23 • -9.8db
24% Popularity • 59% Danceability • 57% Energy • 15% Liveness
21% Instrumentalness • 12% Positiveness
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Kaleida
Aliaa
123 bpm • A# min • 03:47 • -11db
33% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Lee Richardson
Who’s on the Mic
130 bpm • F min • 02:38 • -4.6db
0% Popularity • 75% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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SaraoMusic
Remembering
122 bpm • F# min • 04:31 • -9db
10% Popularity • 34% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alice Boman
This Is Where It Ends
134 bpm • A# Maj • 03:53 • -13db
27% Popularity • 28% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 7% Positiveness
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Black Red Gold
Sceptic Heart
134 bpm • A# min • 02:50 • -10.39db
31% Popularity • 62% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Lena Deluxe
Nowhere to Go
134 bpm • D Maj • 03:15 • -7db
20% Popularity • 62% Danceability • 62% Energy • 30% Liveness
3% Instrumentalness • 47% Positiveness
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Beds and Beats
Sleepwalking
134 bpm • A min • 03:08 • -9db
24% Popularity • 46% Danceability • 73% Energy • 41% Liveness
3% Instrumentalness • 15% Positiveness
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Lee Richardson
So Good
126 bpm • C Maj • 03:24 • -8.76db
2% Popularity • 56% Danceability • 80% Energy • 12% Liveness
15% Instrumentalness • 43% Positiveness
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Alexina
Silent Killer
122 bpm • E min • 03:03 • -5db
28% Popularity • 44% Danceability • 84% Energy • 41% Liveness
1% Instrumentalness • 14% Positiveness
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Jonathan Roy
Keeping Me Alive - Acoustic
122 bpm • C# Maj • 04:40 • -7.25db
47% Popularity • 50% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Bishop Briggs
SOMEONE ELSE
122 bpm • G# min • 03:42 • -10.2db
33% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Savannah Lathem
Gonna Make a Change
122 bpm • G# min • 03:28 • -6.39db
9% Popularity • 80% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Ki:Theory
Go Insane
135 bpm • C# Maj • 03:16 • -7db
22% Popularity • 45% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Lee Richardson
Tendies
130 bpm • F# min • 02:51 • -4.03db
5% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Yali Blank
Black Skies
135 bpm • D Maj • 03:56 • -8db
32% Popularity • 54% Danceability • 74% Energy • 11% Liveness
66% Instrumentalness • 30% Positiveness
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Jonathan Murrill
Flurry Friends
135 bpm • C Maj • 02:26 • -12.35db
1% Popularity • 43% Danceability • 56% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
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Swamp
Devils on the Loose
135 bpm • D Maj • 02:17 • -4db
27% Popularity • 51% Danceability • 73% Energy • 57% Liveness
0% Instrumentalness • 45% Positiveness
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Cari Cari
Do Not Go Gentle Into That Good Night
135 bpm • E Maj • 03:50 • -10.11db
27% Popularity • 40% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Tonina
Outer Love - Remastered
121 bpm • C Maj • 04:33 • -16.81db
10% Popularity • 38% Danceability • 21% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Lee Richardson
I’m out of Time
126 bpm • C min • 03:27 • -5.68db
0% Popularity • 59% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Gem and the Deadheads
Why Can't You Feel It
121 bpm • E min • 03:20 • -7.31db
17% Popularity • 58% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Emilie Nicolas
Wild One
121 bpm • C# min • 02:23 • -11.86db
24% Popularity • 39% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Sam Joseph Delves
Hush
136 bpm • B min • 02:24 • -15db
23% Popularity • 44% Danceability • 20% Energy • 11% Liveness
36% Instrumentalness • 9% Positiveness
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Lauren O'Connell
Come Together
136 bpm • F# min • 03:33 • -11db
23% Popularity • 60% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Imelda May
Never Look Back - TINYKVT Remix / From '...
136 bpm • G Maj • 03:14 • -9db
16% Popularity • 64% Danceability • 81% Energy • 66% Liveness
46% Instrumentalness • 39% Positiveness
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Lee Richardson
Move On
130 bpm • D min • 03:06 • -4.13db
2% Popularity • 76% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Richard Macklin
Immersion Therapy
136 bpm • A min • 04:17 • -20.16db
5% Popularity • 36% Danceability • 19% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Oskura
Everything Now
136 bpm • D Maj • 03:04 • -6.58db
27% Popularity • 43% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Siska
Need U Badly
136 bpm • F min • 03:48 • -7.47db
14% Popularity • 53% Danceability • 57% Energy • 11% Liveness
27% Instrumentalness • 39% Positiveness
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Lia Rose
Talking in Your Sleep
136 bpm • D Maj • 03:38 • -16db
32% Popularity • 60% Danceability • 29% Energy • 16% Liveness
51% Instrumentalness • 8% Positiveness
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Mirror Fury
The One I Love
120 bpm • F# Maj • 03:04 • -10.27db
38% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lee Richardson
Make Some Noise
126 bpm • G Maj • 02:37 • -4.69db
0% Popularity • 78% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Black Casino and the Ghost
El Luchador
120 bpm • G# min • 03:49 • -5.96db
19% Popularity • 55% Danceability • 72% Energy • 52% Liveness
5% Instrumentalness • 25% Positiveness
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Jon Dix
Killing Time
136 bpm • D Maj • 03:21 • -12db
8% Popularity • 46% Danceability • 68% Energy • 11% Liveness
74% Instrumentalness • 18% Positiveness
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Cut for My Condition