Songs like Cyclones by The Ancient Unknown
Based on a tempo of (+/- 10%) and a similar genre
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Buzz Electro
Lo-Fli
128 bpm • G Maj • 03:58 • -5.46db
10% Popularity • 50% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 50% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Sweet Ermengarde
Silent we Mourn
128 bpm • A min • 06:58 • -6.88db
7% Popularity • 56% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 56% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Worms Of Senses
Tourist
128 bpm • D Maj • 03:27 • -9.86db
13% Popularity • 37% Danceability • 64% Energy • 25% Liveness
73% Instrumentalness • 64% Positiveness
13% Popularity • 37% Danceability • 64% Energy • 25% Liveness
73% Instrumentalness • 64% Positiveness
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The Terror Adaptors!
Hero Fell
128 bpm • A min • 04:02 • -5.97db
18% Popularity • 58% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 58% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gojima Ghost
Low Roar
128 bpm • D min • 04:00 • -4.43db
16% Popularity • 40% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 40% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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The Ancient Unknown
Cyclones
128 bpm • F# min • 06:08 • -5.57db
0% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Inver
We All Get Lost
128 bpm • F min • 05:14 • -7.52db
7% Popularity • 46% Danceability • 97% Energy • 38% Liveness
80% Instrumentalness • 7% Positiveness
7% Popularity • 46% Danceability • 97% Energy • 38% Liveness
80% Instrumentalness • 7% Positiveness
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Gonzo Morales
When You Walk The Walk
128 bpm • C Maj • 04:23 • -7.88db
10% Popularity • 43% Danceability • 78% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
10% Popularity • 43% Danceability • 78% Energy • 12% Liveness
1% Instrumentalness • 55% Positiveness
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Bernie Mackintosh
Before
128 bpm • C min • 04:39 • -9.04db
26% Popularity • 56% Danceability • 71% Energy • 17% Liveness
11% Instrumentalness • 61% Positiveness
26% Popularity • 56% Danceability • 71% Energy • 17% Liveness
11% Instrumentalness • 61% Positiveness
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Glassfield
Black Flowers
128 bpm • F Maj • 03:25 • -6.47db
10% Popularity • 41% Danceability • 91% Energy • 11% Liveness
12% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 91% Energy • 11% Liveness
12% Instrumentalness • 27% Positiveness
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HOUSE Of ALL
Under A Crooked Sky
128 bpm • A Maj • 03:50 • -7.84db
15% Popularity • 52% Danceability • 74% Energy • 11% Liveness
80% Instrumentalness • 39% Positiveness
15% Popularity • 52% Danceability • 74% Energy • 11% Liveness
80% Instrumentalness • 39% Positiveness
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Dark Satellite
Complex - Single Version
129 bpm • G Maj • 04:42 • -7.9db
13% Popularity • 36% Danceability • 63% Energy • 11% Liveness
63% Instrumentalness • 32% Positiveness
13% Popularity • 36% Danceability • 63% Energy • 11% Liveness
63% Instrumentalness • 32% Positiveness
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Frederica Belle
Don't Look Back
128 bpm • D Maj • 03:48 • -10.08db
10% Popularity • 43% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
10% Popularity • 43% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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Oscar Benson
Under Spell
129 bpm • E Maj • 04:43 • -4.35db
25% Popularity • 53% Danceability • 97% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 53% Danceability • 97% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
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Tarot
The Vagabond's Return
129 bpm • D min • 05:50 • -6.59db
21% Popularity • 50% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 43% Positiveness
21% Popularity • 50% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 43% Positiveness
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Buck Susan
Me and the Birds
127 bpm • D Maj • 02:23 • -10.46db
24% Popularity • 40% Danceability • 49% Energy • 66% Liveness
38% Instrumentalness • 18% Positiveness
24% Popularity • 40% Danceability • 49% Energy • 66% Liveness
38% Instrumentalness • 18% Positiveness
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Mercury Teardrop
My Mortal Coil
129 bpm • A Maj • 04:51 • -8.06db
6% Popularity • 54% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
6% Popularity • 54% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
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The Fellons
It Felt So Real
127 bpm • E min • 04:48 • -8.73db
10% Popularity • 53% Danceability • 60% Energy • 8% Liveness
68% Instrumentalness • 52% Positiveness
10% Popularity • 53% Danceability • 60% Energy • 8% Liveness
68% Instrumentalness • 52% Positiveness
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Race to Neptune
Carry Me Love
127 bpm • G# min • 03:49 • -5.01db
8% Popularity • 53% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 53% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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The Atavists
Backstabber
126 bpm • C Maj • 04:50 • -6.28db
8% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 36% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jaybone & Friends
The Highway
129 bpm • D Maj • 05:08 • -10.16db
8% Popularity • 54% Danceability • 52% Energy • 27% Liveness
3% Instrumentalness • 55% Positiveness
8% Popularity • 54% Danceability • 52% Energy • 27% Liveness
3% Instrumentalness • 55% Positiveness
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Conrad Hornby
On Fire
130 bpm • C# min • 04:24 • -7.07db
27% Popularity • 48% Danceability • 89% Energy • 36% Liveness
86% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 89% Energy • 36% Liveness
86% Instrumentalness • 37% Positiveness
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Ade Wilding
Give It A Try
130 bpm • D min • 02:25 • -9.01db
9% Popularity • 56% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
9% Popularity • 56% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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Angelos Falkos
Arrivederci amore ciao
130 bpm • E min • 03:28 • -10.02db
11% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Jester Syndrome
Sisyphus
130 bpm • D min • 04:53 • -7.47db
20% Popularity • 52% Danceability • 76% Energy • 16% Liveness
71% Instrumentalness • 50% Positiveness
20% Popularity • 52% Danceability • 76% Energy • 16% Liveness
71% Instrumentalness • 50% Positiveness
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The Greening
Maryann
130 bpm • B min • 02:39 • -8.05db
10% Popularity • 48% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 48% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Astraya
Dystopia
130 bpm • A min • 05:35 • -9.64db
2% Popularity • 36% Danceability • 71% Energy • 26% Liveness
3% Instrumentalness • 25% Positiveness
2% Popularity • 36% Danceability • 71% Energy • 26% Liveness
3% Instrumentalness • 25% Positiveness
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Danger Line
Fallen Angel
130 bpm • D Maj • 04:28 • -5.13db
12% Popularity • 55% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 55% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Spectre Tapes
My Savior, My Gun
130 bpm • F# Maj • 04:28 • -7.18db
22% Popularity • 45% Danceability • 91% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
22% Popularity • 45% Danceability • 91% Energy • 8% Liveness
13% Instrumentalness • 34% Positiveness
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Tommy Mags
The Outlaw
130 bpm • E min • 05:07 • -6.85db
34% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dan Tedesco
The Overwhelming
130 bpm • D min • 04:44 • -8.18db
14% Popularity • 55% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 55% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Beards & Whiskey
Terpsichore
130 bpm • C Maj • 03:56 • -6.08db
9% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Name Sayers
Black Little Pyramids
130 bpm • G Maj • 03:04 • -11.76db
18% Popularity • 76% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 76% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Sunface
TALL TREES
130 bpm • A Maj • 04:33 • -10.79db
9% Popularity • 51% Danceability • 52% Energy • 11% Liveness
58% Instrumentalness • 56% Positiveness
9% Popularity • 51% Danceability • 52% Energy • 11% Liveness
58% Instrumentalness • 56% Positiveness
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Jester Syndrome
Wicked Wish
126 bpm • E min • 06:38 • -5.25db
13% Popularity • 25% Danceability • 55% Energy • 16% Liveness
71% Instrumentalness • 14% Positiveness
13% Popularity • 25% Danceability • 55% Energy • 16% Liveness
71% Instrumentalness • 14% Positiveness
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Mourning Wood
Last Drop
130 bpm • A min • 04:45 • -10.42db
15% Popularity • 56% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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The Brighter Still
3 White Roses
130 bpm • E Maj • 04:06 • -9.5db
18% Popularity • 57% Danceability • 43% Energy • 24% Liveness
20% Instrumentalness • 15% Positiveness
18% Popularity • 57% Danceability • 43% Energy • 24% Liveness
20% Instrumentalness • 15% Positiveness
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The Greening
Hop-Skip-Jump
130 bpm • D min • 02:23 • -4.98db
12% Popularity • 50% Danceability • 95% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
12% Popularity • 50% Danceability • 95% Energy • 7% Liveness
89% Instrumentalness • 86% Positiveness
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The Kollaborators
Silent Rock
130 bpm • D Maj • 03:51 • -8.24db
27% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 50% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Two Weeks Out
Angels
130 bpm • A Maj • 04:06 • -5.91db
10% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Franklin FitzGerald
Crystal Palace Wait
126 bpm • F min • 04:55 • -5.43db
26% Popularity • 56% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Alex Lopez
Love Let's Go
126 bpm • G min • 04:25 • -3.35db
31% Popularity • 34% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 34% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Watertank
Dreams Logic
130 bpm • F# Maj • 03:28 • -6.2db
12% Popularity • 43% Danceability • 91% Energy • 48% Liveness
17% Instrumentalness • 14% Positiveness
12% Popularity • 43% Danceability • 91% Energy • 48% Liveness
17% Instrumentalness • 14% Positiveness
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Paul Gehl
Think About You
130 bpm • B min • 06:25 • -11.37db
30% Popularity • 41% Danceability • 46% Energy • 16% Liveness
58% Instrumentalness • 25% Positiveness
30% Popularity • 41% Danceability • 46% Energy • 16% Liveness
58% Instrumentalness • 25% Positiveness
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Street Fighter
Sister Moon
130 bpm • D Maj • 03:57 • -7.55db
12% Popularity • 33% Danceability • 73% Energy • 39% Liveness
84% Instrumentalness • 35% Positiveness
12% Popularity • 33% Danceability • 73% Energy • 39% Liveness
84% Instrumentalness • 35% Positiveness
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Oscar Benson
Brave Moments
130 bpm • F# min • 04:42 • -4.92db
25% Popularity • 50% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 50% Danceability • 96% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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NicoWGH
dead border
131 bpm • F min • 01:46 • -10.76db
25% Popularity • 50% Danceability • 76% Energy • 16% Liveness
92% Instrumentalness • 54% Positiveness
25% Popularity • 50% Danceability • 76% Energy • 16% Liveness
92% Instrumentalness • 54% Positiveness
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2 MUCH PRESSURE
The Anchorman - Demo
126 bpm • C min • 05:27 • -7.37db
10% Popularity • 38% Danceability • 84% Energy • 23% Liveness
6% Instrumentalness • 46% Positiveness
10% Popularity • 38% Danceability • 84% Energy • 23% Liveness
6% Instrumentalness • 46% Positiveness
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Second Set
Keep Walking
125 bpm • G Maj • 04:24 • -8.31db
14% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 69% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jack Bratt
Visitor
125 bpm • D min • 03:52 • -6.22db
13% Popularity • 46% Danceability • 82% Energy • 54% Liveness
2% Instrumentalness • 48% Positiveness
13% Popularity • 46% Danceability • 82% Energy • 54% Liveness
2% Instrumentalness • 48% Positiveness
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HOLYSTONE
Shadow of The Obelisk
125 bpm • G Maj • 05:54 • -10.51db
14% Popularity • 46% Danceability • 49% Energy • 14% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 46% Danceability • 49% Energy • 14% Liveness
26% Instrumentalness • 4% Positiveness
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Golem Dance Cult
Carpe Noctem
125 bpm • A min • 04:20 • -4.36db
10% Popularity • 33% Danceability • 97% Energy • 51% Liveness
38% Instrumentalness • 8% Positiveness
10% Popularity • 33% Danceability • 97% Energy • 51% Liveness
38% Instrumentalness • 8% Positiveness
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Shailyn LeMay
Without
125 bpm • A Maj • 03:53 • -5.64db
27% Popularity • 58% Danceability • 78% Energy • 15% Liveness
16% Instrumentalness • 27% Positiveness
27% Popularity • 58% Danceability • 78% Energy • 15% Liveness
16% Instrumentalness • 27% Positiveness
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2 MUCH PRESSURE
A-DAY - Remaster
125 bpm • A Maj • 04:01 • -9.38db
10% Popularity • 40% Danceability • 72% Energy • 11% Liveness
5% Instrumentalness • 41% Positiveness
10% Popularity • 40% Danceability • 72% Energy • 11% Liveness
5% Instrumentalness • 41% Positiveness
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FERA
Undercover
124 bpm • A Maj • 02:21 • -10.22db
9% Popularity • 33% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 33% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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DeliverUs
She Wants the Light
124 bpm • B min • 05:56 • -7.08db
0% Popularity • 35% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 35% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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The Greening
Stat
132 bpm • G# Maj • 02:29 • -9.25db
15% Popularity • 40% Danceability • 68% Energy • 7% Liveness
9% Instrumentalness • 80% Positiveness
15% Popularity • 40% Danceability • 68% Energy • 7% Liveness
9% Instrumentalness • 80% Positiveness
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PUSH
No More Lullabies
132 bpm • G# min • 03:46 • -8.12db
9% Popularity • 49% Danceability • 75% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
9% Popularity • 49% Danceability • 75% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Then Comes Silence
Feel The Cold
132 bpm • C Maj • 04:46 • -6.77db
27% Popularity • 56% Danceability • 91% Energy • 29% Liveness
20% Instrumentalness • 68% Positiveness
27% Popularity • 56% Danceability • 91% Energy • 29% Liveness
20% Instrumentalness • 68% Positiveness
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New Polarities
Like Footprints
132 bpm • G Maj • 03:11 • -7.45db
9% Popularity • 62% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
9% Popularity • 62% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Henrik Palm
Subway Morgue
124 bpm • F Maj • 05:01 • -5.86db
21% Popularity • 53% Danceability • 94% Energy • 61% Liveness
4% Instrumentalness • 26% Positiveness
21% Popularity • 53% Danceability • 94% Energy • 61% Liveness
4% Instrumentalness • 26% Positiveness
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Edgar Broughton
Belle Of Trevelyan
132 bpm • C Maj • 04:36 • -6.66db
13% Popularity • 32% Danceability • 62% Energy • 31% Liveness
13% Instrumentalness • 13% Positiveness
13% Popularity • 32% Danceability • 62% Energy • 31% Liveness
13% Instrumentalness • 13% Positiveness
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Blue Orchid Reaction
Under These Skies
132 bpm • D Maj • 03:42 • -5.43db
14% Popularity • 40% Danceability • 78% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
14% Popularity • 40% Danceability • 78% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
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Eddie Kay
Pony
124 bpm • G Maj • 03:47 • -10.59db
11% Popularity • 50% Danceability • 51% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
11% Popularity • 50% Danceability • 51% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
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Self Kair
Blue.
124 bpm • A min • 05:33 • -5.6db
24% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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XOPlasma
Downfall
124 bpm • A min • 04:09 • -9.36db
19% Popularity • 66% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 66% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Hannah Andry
Four Circle Penile Substitute
132 bpm • F min • 05:57 • -11.89db
25% Popularity • 59% Danceability • 71% Energy • 9% Liveness
45% Instrumentalness • 53% Positiveness
25% Popularity • 59% Danceability • 71% Energy • 9% Liveness
45% Instrumentalness • 53% Positiveness
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4160volts
Lady evil
124 bpm • C# min • 04:22 • -4.24db
20% Popularity • 44% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 44% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Satire of Games
Soul
124 bpm • G Maj • 04:07 • -11.23db
22% Popularity • 39% Danceability • 58% Energy • 13% Liveness
15% Instrumentalness • 75% Positiveness
22% Popularity • 39% Danceability • 58% Energy • 13% Liveness
15% Instrumentalness • 75% Positiveness
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Girlfriends and Boyfriends
Lost in the Noise
133 bpm • A min • 05:15 • -5.46db
11% Popularity • 52% Danceability • 92% Energy • 31% Liveness
36% Instrumentalness • 67% Positiveness
11% Popularity • 52% Danceability • 92% Energy • 31% Liveness
36% Instrumentalness • 67% Positiveness
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THIRTY DORADUS
UNDER MY STONE
123 bpm • D Maj • 05:30 • -8.26db
19% Popularity • 31% Danceability • 77% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 77% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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Franklin FitzGerald
We Want It End
133 bpm • G# min • 05:50 • -6.22db
26% Popularity • 28% Danceability • 87% Energy • 12% Liveness
4% Instrumentalness • 34% Positiveness
26% Popularity • 28% Danceability • 87% Energy • 12% Liveness
4% Instrumentalness • 34% Positiveness
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The Glitch
Loser - 2023
123 bpm • G Maj • 04:14 • -6.17db
11% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Peter Fournier
Caffeine Heart
123 bpm • D Maj • 05:06 • -8.84db
18% Popularity • 53% Danceability • 78% Energy • 74% Liveness
70% Instrumentalness • 73% Positiveness
18% Popularity • 53% Danceability • 78% Energy • 74% Liveness
70% Instrumentalness • 73% Positiveness
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Xavier Hosea
Heart Disease
133 bpm • A# Maj • 04:35 • -9.95db
26% Popularity • 56% Danceability • 70% Energy • 54% Liveness
13% Instrumentalness • 44% Positiveness
26% Popularity • 56% Danceability • 70% Energy • 54% Liveness
13% Instrumentalness • 44% Positiveness
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Verna Pullman
Hedges
134 bpm • B min • 03:54 • -11.54db
25% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Inoria
Blessed
134 bpm • A min • 07:24 • -10.42db
12% Popularity • 30% Danceability • 60% Energy • 6% Liveness
78% Instrumentalness • 19% Positiveness
12% Popularity • 30% Danceability • 60% Energy • 6% Liveness
78% Instrumentalness • 19% Positiveness
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The Infernal Ones
When The Chips Are Down
134 bpm • D Maj • 03:54 • -6.26db
15% Popularity • 56% Danceability • 79% Energy • 8% Liveness
15% Instrumentalness • 28% Positiveness
15% Popularity • 56% Danceability • 79% Energy • 8% Liveness
15% Instrumentalness • 28% Positiveness
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Stephen Hamm
Sagitarius A-Star
134 bpm • F# min • 03:17 • -7.71db
14% Popularity • 57% Danceability • 88% Energy • 46% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 57% Danceability • 88% Energy • 46% Liveness
1% Instrumentalness • 72% Positiveness
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FREI
Mend
134 bpm • D Maj • 03:06 • -10.52db
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
31% Instrumentalness • 22% Positiveness
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
31% Instrumentalness • 22% Positiveness
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Xavier Hosea
No Answer
134 bpm • D Maj • 04:10 • -6.7db
26% Popularity • 46% Danceability • 82% Energy • 7% Liveness
29% Instrumentalness • 47% Positiveness
26% Popularity • 46% Danceability • 82% Energy • 7% Liveness
29% Instrumentalness • 47% Positiveness
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Adam Evolving
The Room
134 bpm • D Maj • 03:53 • -9.95db
9% Popularity • 25% Danceability • 60% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
9% Popularity • 25% Danceability • 60% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
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Weddings
Acid Heart
122 bpm • D min • 02:58 • -6.89db
15% Popularity • 43% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 43% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Izzy Leven
It´s Time
134 bpm • C# Maj • 03:55 • -5.23db
16% Popularity • 18% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 18% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Tusks
Cold Storm
122 bpm • C Maj • 05:10 • -12.11db
15% Popularity • 19% Danceability • 30% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 30% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
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Shailyn LeMay
Hate You Love You
122 bpm • C Maj • 05:08 • -4.86db
27% Popularity • 62% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 62% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Alexander Judd
Shadow
122 bpm • C Maj • 04:50 • -7.96db
23% Popularity • 35% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 35% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Black Star Gramophone
Them People
135 bpm • D Maj • 03:30 • -6.48db
12% Popularity • 23% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 23% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Arvin Eliot
Phrase
121 bpm • A# Maj • 03:34 • -5.49db
28% Popularity • 58% Danceability • 93% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 58% Danceability • 93% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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Rival Waves
Ultramanifesto
135 bpm • C Maj • 03:38 • -6.79db
13% Popularity • 49% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 49% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Weddings
Pyramids
135 bpm • C Maj • 03:20 • -6.39db
15% Popularity • 43% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 43% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Mulberry Hill
MurderHer
135 bpm • G Maj • 03:19 • -10.39db
8% Popularity • 46% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 46% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Tracie Deagler
Circle
121 bpm • C Maj • 04:28 • -6.34db
26% Popularity • 60% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 60% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Capstone
Flashing Lights
121 bpm • C Maj • 03:51 • -8.56db
8% Popularity • 57% Danceability • 68% Energy • 8% Liveness
22% Instrumentalness • 22% Positiveness
8% Popularity • 57% Danceability • 68% Energy • 8% Liveness
22% Instrumentalness • 22% Positiveness
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Oscar Benson
Twilight Dawning
135 bpm • B min • 04:55 • -4.47db
25% Popularity • 48% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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War of soul
Two Waves Part 1
121 bpm • C# Maj • 01:37 • -7.03db
27% Popularity • 46% Danceability • 96% Energy • 29% Liveness
97% Instrumentalness • 54% Positiveness
27% Popularity • 46% Danceability • 96% Energy • 29% Liveness
97% Instrumentalness • 54% Positiveness
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The Ritualists
Of Anonymity
121 bpm • A min • 03:47 • -3.99db
25% Popularity • 34% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 44% Positiveness
25% Popularity • 34% Danceability • 95% Energy • 26% Liveness
1% Instrumentalness • 44% Positiveness
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21Sunstreet
I Found Nothing
121 bpm • B min • 04:37 • -7.93db
8% Popularity • 48% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
8% Popularity • 48% Danceability • 58% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
