Songs like Cyganji Tanz (Arranged for pardessus de viole and Cimbalom by Vittorio Ghielmi and Stanislav Palúch) by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Dominican House of Studies
Beati mortui
87 bpm • C# Maj • 03:01 • -20.76db
18% Popularity • 9% Danceability • 19% Energy • 15% Liveness
28% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 19% Energy • 15% Liveness
28% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Maurice Duruflé: Ubi caritas
87 bpm • D# Maj • 02:26 • -29db
28% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Alexander Gretchaninov
Vecheri tvoeya tainïya (Of Thy mystical...
87 bpm • E Maj • 06:12 • -31.39db
16% Popularity • 9% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
16% Popularity • 9% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Jacob Clemens non Papa
Adesto dolori meo
87 bpm • A# Maj • 06:23 • -25.6db
18% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Christmas Troparion (Inexpressible Wonde...
87 bpm • C# Maj • 01:23 • -25db
27% Popularity • 20% Danceability • 8% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 17% Liveness
66% Instrumentalness • 4% Positiveness
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The Benedictine Monks of Worth Abbey
Morning Prayer: III. Psalm 1
87 bpm • D# Maj • 02:00 • -31.78db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Isaac: Optime Pastor - 1. Optime Divino
87 bpm • E min • 04:42 • -21.78db
17% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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Victor Kalinnikov
Hymn To The Mother Of God (Bogoroditse D...
87 bpm • D min • 01:23 • -42db
30% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
30% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Anonymous
Puer qui natus est nobis - Introitus/In ...
87 bpm • G Maj • 02:54 • -29.6db
32% Popularity • 24% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 6% Positiveness
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Makar Ekmalian
En signe de foi
88 bpm • G Maj • 03:42 • -23.27db
9% Popularity • 18% Danceability • 12% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 34% Liveness
98% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Sanctus iii
88 bpm • D min • 01:33 • -30db
40% Popularity • 17% Danceability • 3% Energy • 25% Liveness
41% Instrumentalness • 9% Positiveness
40% Popularity • 17% Danceability • 3% Energy • 25% Liveness
41% Instrumentalness • 9% Positiveness
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Dominican House of Studies
Protect Thy People, O Lord
88 bpm • E min • 01:02 • -22db
35% Popularity • 19% Danceability • 16% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 16% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
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Jacques Arcadelt
Ave Maria - Arcadelt Version
86 bpm • G# Maj • 02:33 • -21db
32% Popularity • 11% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 9% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa: Pater Noster
86 bpm • G Maj • 01:22 • -23.09db
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Anonymous
Inviolata - Sequentia in Honorem Beatae ...
86 bpm • F# Maj • 01:45 • -23.62db
27% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
86 bpm • G Maj • 01:32 • -16db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Pérotin
Viderunt omnes: ...salutare suum ante co...
86 bpm • C# Maj • 03:37 • -16.76db
15% Popularity • 15% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Phos Hilaron
86 bpm • C min • 01:48 • -22.54db
25% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
25% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
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Olga Roussakova
Song of the Trinity (Version 2)
86 bpm • F# min • 02:34 • -16db
13% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 22% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Margaret Rizza
Sanctum Nomen
88 bpm • C Maj • 04:13 • -24.53db
13% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
13% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
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St. Petersburg Optina Pustyn Male Choir
On Flute I Play my Sad Verses
89 bpm • A# Maj • 02:25 • -17.26db
21% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Public Domaine
Kyrie Eleison: Iv Gregorianske Messe
89 bpm • B Maj • 01:35 • -28.12db
29% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
29% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
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Roman Hurko
1st Antiphon & Small Litany
85 bpm • A# min • 02:25 • -23.81db
30% Popularity • 15% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Kyrie
89 bpm • A# Maj • 01:41 • -20.64db
42% Popularity • 17% Danceability • 14% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 14% Energy • 19% Liveness
96% Instrumentalness • 4% Positiveness
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Anonymous
Amazing Grace
85 bpm • A Maj • 04:16 • -21db
16% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 8% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 11. Tunc Acceptabis
89 bpm • G min • 01:23 • -24.95db
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Coro Solemnis
Rorate Caeli Desuper
84 bpm • F Maj • 05:32 • -24.04db
23% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Dominican House of Studies
Anima Christi
84 bpm • F Maj • 02:59 • -18.03db
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
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St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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Anonymous
Genuit puerpera regem - Antífona y Salm...
90 bpm • F min • 03:00 • -17.43db
26% Popularity • 20% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Lucien Deiss, CSSp
Ave Maris Stella
84 bpm • E min • 02:19 • -25db
32% Popularity • 18% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 5% Positiveness
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Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
84 bpm • F Maj • 02:01 • -20.44db
43% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Anonymous
Gloria V - In Nativitate Domini ad Missa...
84 bpm • B min • 03:31 • -29.86db
31% Popularity • 18% Danceability • 1% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
31% Popularity • 18% Danceability • 1% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
21% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 06:06 • -17.19db
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Miguel de Fuenllana
Con que la lavare
91 bpm • C min • 02:48 • -23db
20% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
20% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
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Charles Villiers Stanford
3 Latin Motets, Op. 38: III. Beati quoru...
83 bpm • G# Maj • 03:29 • -25.84db
27% Popularity • 8% Danceability • 7% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 7% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Anonymous
Ave Maria
83 bpm • E Maj • 06:09 • -25.61db
13% Popularity • 13% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
13% Popularity • 13% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 01:45 • -20db
10% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Domestik Municipal Choir of Ekaterinburg
It Is Truly Meet
83 bpm • G Maj • 02:26 • -17.93db
18% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
83 bpm • D Maj • 04:18 • -28.45db
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Wo Carstvii Tvoiem
83 bpm • D# min • 02:58 • -21.27db
17% Popularity • 26% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 14% Positiveness
17% Popularity • 26% Danceability • 11% Energy • 19% Liveness
4% Instrumentalness • 14% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
32% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
32% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Francesco Spinacino
Recercare (I)
92 bpm • G min • 02:09 • -37.09db
33% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
33% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Sequenza...
92 bpm • E min • 01:36 • -26db
29% Popularity • 26% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 26% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Hear the Voice and Prayer
82 bpm • F# min • 03:02 • -27.52db
29% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
29% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Anonymous
Veni redemptor gentium
82 bpm • C# min • 01:47 • -25.38db
29% Popularity • 34% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 34% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Adam de la Halle
De ma dame vient
82 bpm • C Maj • 02:23 • -18.68db
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 39% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
St. Peter St. Paul Cathedral Choir of Minsk
Ojcze Nasz
82 bpm • F Maj • 01:15 • -21.55db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Pax Aeterna
81 bpm • G# Maj • 01:15 • -23.24db
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Anonymous
Mandatum novum do vobis- Antífona y Sal...
82 bpm • G# min • 01:44 • -18.86db
22% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Tobias Hume
The King of Denmarks Delight
81 bpm • G Maj • 02:31 • -35.35db
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
► Preview
Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
► Preview
John Dunstable
Kyrie, JD 1
81 bpm • G# min • 06:13 • -20.72db
17% Popularity • 8% Danceability • 25% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 25% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
Recordare Virgo Mater
81 bpm • G Maj • 01:06 • -31db
42% Popularity • 35% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
42% Popularity • 35% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Popular
Introitus: Ad Te Levavi, Modo VII
81 bpm • E Maj • 03:24 • -24.02db
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Prose of Pentecost (Veni Sancte Spiritus...
81 bpm • C min • 03:28 • -14.3db
9% Popularity • 9% Danceability • 35% Energy • 17% Liveness
66% Instrumentalness • 20% Positiveness
9% Popularity • 9% Danceability • 35% Energy • 17% Liveness
66% Instrumentalness • 20% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
30% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Roman Hurko
3rd Antiphon - The Beatitudes
81 bpm • D# min • 01:51 • -19db
38% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
► Preview
Schola gregoriana mediolanensis
Iustus ut palma florebit - II modo
81 bpm • F min • 02:49 • -23.8db
21% Popularity • 19% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
21% Popularity • 19% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Anonymous
Christe Redemptor omnium - Hymnus ad Ves...
81 bpm • C# min • 02:44 • -31.73db
34% Popularity • 19% Danceability • 1% Energy • 26% Liveness
33% Instrumentalness • 18% Positiveness
34% Popularity • 19% Danceability • 1% Energy • 26% Liveness
33% Instrumentalness • 18% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Farrant
Call to remembrance
81 bpm • F min • 01:55 • -23.99db
14% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Francesco Landini
Angelica biltà
81 bpm • A Maj • 02:11 • -28db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Во Царрствии Твоем
81 bpm • E min • 06:16 • -22.57db
22% Popularity • 20% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Chants From the Holyland- Graz Gregorian Chants School of Austri
Introitus
80 bpm • A Maj • 01:42 • -21db
29% Popularity • 16% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Anonymous
Pange Lingua Gloriosi. Himno (Modo IV)
81 bpm • D min • 02:48 • -25.83db
32% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 21% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Men's Chamber Choir of Sofia
The Noble Joseph
80 bpm • C Maj • 02:38 • -19.31db
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
21% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
21% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Lucien Deiss, CSSp
Instrumental Interlude, My soul is longi...
80 bpm • F Maj • 02:44 • -25.52db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Giaches de Wert
O Crux ave, spes unica
80 bpm • C min • 03:40 • -24.46db
14% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Anonymous
Requiem (arr. for 3 cellos and piano)
94 bpm • D Maj • 07:23 • -25db
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: O Lord, Give Thy Holy Spirit
80 bpm • A# min • 02:17 • -26.94db
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Dom Le Feuvre
A Marie, Mère de Dieu, Antienne Quomodo
95 bpm • E min • 01:02 • -23.3db
43% Popularity • 26% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
43% Popularity • 26% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
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Jordi Savall
Cantigas De Santa Maria - Santa Maria, S...
80 bpm • E Maj • 03:00 • -23.57db
13% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Cantarte Regensburg
Antiphon: Salve Regina
80 bpm • E min • 01:59 • -17.88db
38% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Anonymous
Alleluia, Dies Santificatus (Modo II)
94 bpm • F# min • 02:28 • -21.18db
28% Popularity • 19% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
28% Popularity • 19% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Léonin
Viderunt omnes No. 1: Notum fecit... (2-...
79 bpm • C# Maj • 00:44 • -21db
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness