Songs like Daddy's Eyes by Dorothy Moore
Based on a tempo of (+/- 10%) and a similar genre
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Robert John
Sad Eyes - Remastered 2002
107 bpm • C Maj • 04:13 • -7.34db
54% Popularity • 43% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 43% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Oleta Adams
Get Here
107 bpm • A# Maj • 04:34 • -16.05db
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Luther Ingram
Always
107 bpm • G# Maj • 04:29 • -8.8db
14% Popularity • 62% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 62% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Bill Medley
Brown Eyed Woman - Single Version
107 bpm • E Maj • 03:17 • -10.87db
12% Popularity • 36% Danceability • 36% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 36% Danceability • 36% Energy • 79% Liveness
0% Instrumentalness • 39% Positiveness
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Barry White
I've Got So Much To Give
106 bpm • A# Maj • 08:17 • -14.36db
36% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Freda Payne
Band Of Gold (Single Mix)
106 bpm • B min • 02:58 • -8db
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Dorothy Moore
Talk To Me/Every Beat Of My Heart
106 bpm • G min • 03:46 • -13db
16% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Jr. Walker & The All Stars
Walk In The Night
108 bpm • F# Maj • 04:09 • -11db
32% Popularity • 58% Danceability • 78% Energy • 3% Liveness
21% Instrumentalness • 97% Positiveness
32% Popularity • 58% Danceability • 78% Energy • 3% Liveness
21% Instrumentalness • 97% Positiveness
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The O'Jays
Darlin' Darlin' Baby (Sweet, Tender, Lov...
108 bpm • D Maj • 04:16 • -6.91db
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Mary Wells
Two Lovers
106 bpm • D Maj • 02:46 • -17db
49% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Anita Baker
Giving You the Best That I Got
106 bpm • D Maj • 04:20 • -11db
36% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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The Miracles
I'll Try Something New
108 bpm • G min • 02:38 • -9db
37% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 44% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Dorothy Moore
Ode to Billie Joe
106 bpm • F# Maj • 05:01 • -6.47db
5% Popularity • 83% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 83% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Eddie Holman
It's All In The Game
108 bpm • A Maj • 03:14 • -11.53db
24% Popularity • 53% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 53% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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The Undisputed Truth
Smiling Faces Sometimes
105 bpm • B Maj • 03:18 • -12db
52% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Anita Baker
Giving You the Best That I Got (Single V...
105 bpm • A Maj • 03:53 • -8.17db
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Commodores
Nightshift
105 bpm • G# Maj • 05:06 • -10.19db
65% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
65% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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Bettye LaVette
Your Turn to Cry - Single Version
109 bpm • C# min • 03:13 • -9.94db
14% Popularity • 51% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 51% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Barry White
I've Got So Much To Give
105 bpm • A# Maj • 05:21 • -11.31db
33% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 41% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Cooke
Mean Old World
109 bpm • G Maj • 03:45 • -9.46db
38% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dorothy Moore
The End Of The World
105 bpm • A# Maj • 03:17 • -12.16db
18% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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The Spinners
Ghetto Child
109 bpm • D min • 03:50 • -11.65db
36% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 65% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Betty Wright
I'm Thankful
109 bpm • C Maj • 02:07 • -7db
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Joe Simon
My Special Prayer
105 bpm • G Maj • 02:44 • -12.35db
15% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Little Anthony & The Imperials
Goin' Out Of My Head
104 bpm • A Maj • 02:29 • -12db
42% Popularity • 54% Danceability • 26% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 54% Danceability • 26% Energy • 47% Liveness
0% Instrumentalness • 44% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
110 bpm • G# Maj • 02:58 • -9.54db
67% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
67% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Stylistics
Ebony Eyes
110 bpm • B Maj • 02:18 • -9db
42% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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David Ruffin
My Whole World Ended (The Moment You Lef...
110 bpm • F Maj • 03:32 • -9db
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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The Sweet Inspirations
Sweet Inspiration
110 bpm • F Maj • 02:55 • -8db
30% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Emotions
Flowers
110 bpm • C# Maj • 04:28 • -10.88db
44% Popularity • 73% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 73% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Little Anthony & The Imperials
Hurt So Bad
110 bpm • E min • 02:19 • -9.93db
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Cooke
You're Always On My Mind
104 bpm • G# min • 02:17 • -8.08db
39% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Spinners
Mighty Love
110 bpm • G Maj • 03:16 • -10.75db
37% Popularity • 82% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 82% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 72% Positiveness
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Ben E. King
Don't Play That Song (You Lied)
111 bpm • C# min • 02:54 • -11db
39% Popularity • 70% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 70% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Joe Simon
Power of Love
111 bpm • C Maj • 02:54 • -7db
26% Popularity • 83% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 83% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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Jr. Walker & The All Stars
What Does It Take (To Win Your Love)
111 bpm • F Maj • 02:30 • -11db
52% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Pointer Sisters
Slow Hand
111 bpm • F# Maj • 03:51 • -7.77db
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 83% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Barbara Lewis
Hello Stranger
103 bpm • C Maj • 02:46 • -23.88db
53% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Dorothy Moore
Ain't That A Mother's Luck
103 bpm • G Maj • 03:21 • -10.62db
18% Popularity • 70% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 70% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The O'Jays
Girl, Don't Let It Get You Down
111 bpm • A Maj • 04:11 • -10.11db
14% Popularity • 63% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 63% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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Joe Simon
Power of Love
111 bpm • C Maj • 02:58 • -8.01db
16% Popularity • 83% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 83% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 98% Positiveness
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The Soul Children
Signed, Sealed And Delivered
111 bpm • A# Maj • 03:22 • -12db
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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David Ruffin
One More For The Lonely Hearts Club
111 bpm • C Maj • 03:49 • -11.95db
16% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Ruffin
I've Passed This Way Before
111 bpm • A# Maj • 02:42 • -13db
28% Popularity • 74% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 74% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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King Floyd
Groove Me
103 bpm • B Maj • 03:03 • -9.38db
54% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The O'Jays
Use ta Be My Girl - Single Version
111 bpm • C# Maj • 03:18 • -7.37db
57% Popularity • 65% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 65% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Clarence Carter
Too Weak to Fight
102 bpm • C# Maj • 02:18 • -14.18db
29% Popularity • 67% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 67% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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The Ovations
Touching Me
112 bpm • C Maj • 03:44 • -10.41db
8% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Barry White
Can't Get Enough Of Your Love, Babe
112 bpm • F Maj • 04:34 • -7.6db
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
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David Ruffin
Walk Away From Love
102 bpm • A# Maj • 05:28 • -7.61db
44% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Lionel Richie
Love Will Find A Way
102 bpm • C# min • 06:10 • -16db
41% Popularity • 84% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 84% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The O'Jays
Use Ta Be My Girl
112 bpm • F# Maj • 04:00 • -7.68db
42% Popularity • 60% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 60% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Eddie Floyd
I've Never Found A Girl (To Love Me Like...
102 bpm • D Maj • 02:41 • -14.85db
38% Popularity • 67% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 67% Danceability • 40% Energy • 60% Liveness
0% Instrumentalness • 88% Positiveness
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Betty Wright
Tonight Is the Night - Live
102 bpm • D Maj • 08:18 • -17.48db
43% Popularity • 79% Danceability • 40% Energy • 84% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 79% Danceability • 40% Energy • 84% Liveness
0% Instrumentalness • 87% Positiveness
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David Ruffin
Walk Away From Love - Single Version
102 bpm • A# Maj • 03:17 • -12.25db
27% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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James Brown & The Famous Flames
Try Me
101 bpm • C Maj • 02:33 • -15.19db
60% Popularity • 68% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
60% Popularity • 68% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Stephanie Mills
Never Knew Love Like This Before
113 bpm • B Maj • 05:26 • -8.9db
53% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Commodores
Sweet Love
101 bpm • C# Maj • 06:33 • -8db
44% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Jr. Walker & The All Stars
Gotta Hold On To This Feeling
113 bpm • C# Maj • 03:37 • -12.12db
37% Popularity • 61% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 61% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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The Shirelles
Baby It's You
113 bpm • G min • 02:41 • -11.86db
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 64% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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The Blackbyrds
Walking In Rhythm
113 bpm • F Maj • 04:14 • -13db
50% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Gene Chandler
Duke of Earl
101 bpm • F Maj • 02:27 • -11db
55% Popularity • 42% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 42% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Mary Wells
You Beat Me To The Punch
114 bpm • B min • 02:45 • -14.52db
53% Popularity • 75% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 75% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The O'Jays
Now That We Found Love
114 bpm • C Maj • 04:41 • -8.4db
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Barry White
You Turned My Whole World Around
100 bpm • A min • 07:47 • -16.11db
39% Popularity • 49% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 49% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lloyd Price
Just Because
114 bpm • D# Maj • 02:46 • -9.29db
32% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Sam Cooke
That's Where It's At
100 bpm • C Maj • 02:35 • -9.32db
50% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Tower Of Power
You're Still a Young Man
114 bpm • D# Maj • 05:37 • -9db
47% Popularity • 45% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 45% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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The 5th Dimension
One Less Bell To Answer
100 bpm • B min • 03:30 • -7db
45% Popularity • 40% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 40% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The O'Jays
Stairway to Heaven
114 bpm • C Maj • 06:16 • -11.41db
43% Popularity • 41% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 41% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Dorothy Moore
Crazy
100 bpm • A Maj • 03:11 • -4.9db
5% Popularity • 49% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 49% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Barry White
What Am I Gonna Do With You
114 bpm • D min • 03:39 • -9.47db
53% Popularity • 62% Danceability • 87% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
53% Popularity • 62% Danceability • 87% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
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Jr. Walker & The All Stars
These Eyes
100 bpm • A# Maj • 03:38 • -10db
38% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 49% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Marvelettes
The Hunter Gets Captured By The Game
115 bpm • B min • 02:50 • -11.43db
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Winstons
Color Him Father
115 bpm • F min • 03:10 • -7.31db
35% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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The Originals
The Bells
115 bpm • F Maj • 02:55 • -11.85db
44% Popularity • 34% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 34% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Cornelius Brothers & Sister Rose
Too Late To Turn Back Now
115 bpm • G Maj • 03:18 • -7.14db
59% Popularity • 52% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 52% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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Barry White
I've Found Someone
114 bpm • A# Maj • 05:57 • -15db
27% Popularity • 31% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 31% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Commodores
Just To Be Close To You
99 bpm • C Maj • 06:21 • -13db
44% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Dorothy Moore
I'll Spend My Life Lovin' You
115 bpm • G Maj • 04:05 • -9.64db
7% Popularity • 60% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 60% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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Major Harris
Love Won't Let Me Wait - 45 Version
116 bpm • B min • 03:47 • -13.84db
36% Popularity • 60% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 60% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Phoebe Snow
Love Makes a Woman
116 bpm • A Maj • 03:23 • -8.64db
17% Popularity • 56% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 56% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Maxine Brown
Oh No Not My Baby
99 bpm • G# Maj • 02:37 • -12.52db
35% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Simon
The Chokin' Kind
99 bpm • G# Maj • 02:40 • -12.53db
31% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 69% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Maria Muldaur
Midnight at the Oasis
99 bpm • C# Maj • 03:49 • -8db
48% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
48% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Major Harris
Love Won't Let Me Wait
116 bpm • A Maj • 05:33 • -17.15db
41% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Stylistics
Is There Something on Your Mind
99 bpm • D# Maj • 04:15 • -7.57db
28% Popularity • 53% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 53% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Brenda Holloway
You've Made Me So Very Happy - Single Ve...
99 bpm • G Maj • 02:53 • -11.19db
32% Popularity • 51% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 51% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Dorothy Moore
Do Ya?
99 bpm • D Maj • 03:00 • -6.61db
14% Popularity • 87% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 87% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Joe Simon
Your Time to Cry
116 bpm • A min • 02:59 • -10.49db
23% Popularity • 56% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 56% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
57% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Jackie Ross
Selfish One
116 bpm • G Maj • 03:17 • -8.74db
32% Popularity • 66% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 66% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
