Songs like Dad’s Talk - From "Frankenweenie"/Score by Danny Elfman
Based on a tempo of (+/- 10%) and a similar genre
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Jerry Goldsmith
Flying High / End Title
47 bpm • C Maj • 02:41 • -17.55db
10% Popularity • 12% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 12% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
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Bruce Broughton
Snow Flakes in the Forest
50 bpm • F Maj • 01:40 • -22db
33% Popularity • 7% Danceability • 9% Energy • 23% Liveness
30% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 9% Energy • 23% Liveness
30% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Open the Door
57 bpm • G min • 04:52 • -16db
40% Popularity • 6% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
40% Popularity • 6% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Danny Elfman
Alice Returns
56 bpm • A min • 03:14 • -17.69db
31% Popularity • 17% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Bruno Coulais
The Hand
57 bpm • F# Maj • 03:14 • -13.81db
30% Popularity • 17% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 3% Positiveness
30% Popularity • 17% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 3% Positiveness
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John Ottman
Superman Returns - Main Titles
60 bpm • C Maj • 03:47 • -11.23db
42% Popularity • 36% Danceability • 52% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
42% Popularity • 36% Danceability • 52% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
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Lolita Ritmanis
All It Takes Is One Bad Day
60 bpm • C# Maj • 03:30 • -15.3db
16% Popularity • 8% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mike Higham
Squirrel Rescue
60 bpm • F min • 02:31 • -15.26db
21% Popularity • 26% Danceability • 20% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 20% Energy • 7% Liveness
21% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Carol Anne's Theme (End Title)
61 bpm • A# Maj • 04:19 • -17db
22% Popularity • 20% Danceability • 22% Energy • 72% Liveness
90% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 22% Energy • 72% Liveness
90% Instrumentalness • 11% Positiveness
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Danny Elfman
Alice Reprise #5
60 bpm • G min • 02:55 • -11.74db
30% Popularity • 39% Danceability • 47% Energy • 14% Liveness
60% Instrumentalness • 17% Positiveness
30% Popularity • 39% Danceability • 47% Energy • 14% Liveness
60% Instrumentalness • 17% Positiveness
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Robert B. Sherman
Heffalumps and Woozles
60 bpm • C min • 02:27 • -11.61db
22% Popularity • 68% Danceability • 18% Energy • 35% Liveness
79% Instrumentalness • 81% Positiveness
22% Popularity • 68% Danceability • 18% Energy • 35% Liveness
79% Instrumentalness • 81% Positiveness
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Mychael Danna
Arlo Makes His Mark
62 bpm • C# Maj • 01:22 • -14.1db
34% Popularity • 22% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Invadable Harmony
Once Upon a Dream
62 bpm • F Maj • 01:00 • -15.39db
64% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
64% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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David Julyan
The Cabin In The Woods
63 bpm • G# min • 01:57 • -30.31db
25% Popularity • 16% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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The Newton Brothers
The Haunting of Hill House (Main Titles)
63 bpm • F Maj • 01:06 • -15.33db
39% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
39% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Murray Gold
Trenzalore / The Long Song / I Am Inform...
63 bpm • A Maj • 04:03 • -11.4db
34% Popularity • 13% Danceability • 31% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 31% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Trevor Rabin
Treasure
63 bpm • D# Maj • 03:38 • -16.97db
35% Popularity • 6% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 6% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Imhotep
63 bpm • G# Maj • 04:16 • -21.58db
36% Popularity • 6% Danceability • 15% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
36% Popularity • 6% Danceability • 15% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Blake Neely
Supergirl Theme (2015)
64 bpm • C Maj • 01:11 • -12db
13% Popularity • 35% Danceability • 32% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
13% Popularity • 35% Danceability • 32% Energy • 11% Liveness
78% Instrumentalness • 28% Positiveness
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Nicholas Hooper
In Noctem
64 bpm • C min • 02:00 • -29.88db
51% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
51% Popularity • 28% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Stephen Sondheim
Opening Title
64 bpm • D Maj • 03:29 • -11db
19% Popularity • 14% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 8% Positiveness
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Julian Nott
Fire Up The Bun-Vac
65 bpm • G Maj • 01:47 • -16db
16% Popularity • 37% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
16% Popularity • 37% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Ralph Burns
Goodbye Anne-Marie - Instrumental Score
66 bpm • F Maj • 02:10 • -29.26db
10% Popularity • 20% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Hook: Main Theme
65 bpm • D Maj • 03:57 • -8db
19% Popularity • 38% Danceability • 62% Energy • 28% Liveness
23% Instrumentalness • 39% Positiveness
19% Popularity • 38% Danceability • 62% Energy • 28% Liveness
23% Instrumentalness • 39% Positiveness
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Patrick Doyle
Hogwarts' Hymn
68 bpm • G Maj • 02:56 • -11db
46% Popularity • 18% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 18% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
Main Title - A Kingdom Under Threat
67 bpm • C# Maj • 01:37 • -15db
23% Popularity • 19% Danceability • 27% Energy • 37% Liveness
96% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 27% Energy • 37% Liveness
96% Instrumentalness • 4% Positiveness
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Dan Romer
I Wish I Could Take It Back
68 bpm • A min • 04:01 • -22.72db
29% Popularity • 18% Danceability • 10% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 10% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Oliver Wallace
Sunday / The Rat / Morning Paper
69 bpm • A Maj • 01:45 • -13db
35% Popularity • 41% Danceability • 25% Energy • 17% Liveness
84% Instrumentalness • 71% Positiveness
35% Popularity • 41% Danceability • 25% Energy • 17% Liveness
84% Instrumentalness • 71% Positiveness
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George Bruns
A Secret Revealed
68 bpm • F Maj • 01:57 • -25.82db
32% Popularity • 27% Danceability • 6% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
32% Popularity • 27% Danceability • 6% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
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Murray Gold
The Doctor's Theme Series 4
69 bpm • D min • 02:45 • -12db
34% Popularity • 12% Danceability • 46% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 12% Danceability • 46% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Ed Plumb
Wintery Winds
69 bpm • G# Maj • 01:09 • -39db
29% Popularity • 11% Danceability • 3% Energy • 14% Liveness
98% Instrumentalness • 17% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 14% Liveness
98% Instrumentalness • 17% Positiveness
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Theodore Shapiro
The Aldridge Mansion
69 bpm • E Maj • 02:57 • -39.48db
13% Popularity • 11% Danceability • 1% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 1% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
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Rachel Portman
Main Title
70 bpm • D min • 03:07 • -22db
51% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
51% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Pisces Rising
EPIC Doctor Who Theme
69 bpm • E min • 02:17 • -8.93db
19% Popularity • 33% Danceability • 59% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
19% Popularity • 33% Danceability • 59% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
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Nicholas Hooper
Another Story
70 bpm • F Maj • 02:37 • -25db
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Lex de Azevedo, Larry Bastian, David Zippel, Larry Schwartz
Derek Finds Odette
71 bpm • E Maj • 01:46 • -24db
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 7% Positiveness
28% Popularity • 24% Danceability • 5% Energy • 8% Liveness
72% Instrumentalness • 7% Positiveness
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Danny Elfman
Victoria's Wedding
71 bpm • A min • 03:15 • -18.11db
28% Popularity • 17% Danceability • 19% Energy • 51% Liveness
75% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 19% Energy • 51% Liveness
75% Instrumentalness • 4% Positiveness
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Kevin Kiner
Padmé
71 bpm • E Maj • 01:39 • -11.72db
36% Popularity • 21% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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David Newman
Running From The Lava
71 bpm • G Maj • 02:27 • -9db
29% Popularity • 26% Danceability • 50% Energy • 25% Liveness
16% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 50% Energy • 25% Liveness
16% Instrumentalness • 4% Positiveness
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Richard Bellis
Main Title (Stephen King's IT)
72 bpm • F Maj • 01:53 • -19.47db
25% Popularity • 15% Danceability • 15% Energy • 21% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 15% Energy • 21% Liveness
74% Instrumentalness • 4% Positiveness
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Bruno Coulais
In The Bed
72 bpm • F min • 01:54 • -15.49db
34% Popularity • 17% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Blackround Philharmonic Orchestra
Before You Die You See the Ring (Samara'...
73 bpm • C Maj • 03:39 • -15.5db
9% Popularity • 21% Danceability • 32% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 32% Energy • 11% Liveness
74% Instrumentalness • 7% Positiveness
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Luca Riviero
Carrie Theme
73 bpm • A# Maj • 01:32 • -13.93db
11% Popularity • 29% Danceability • 28% Energy • 39% Liveness
44% Instrumentalness • 12% Positiveness
11% Popularity • 29% Danceability • 28% Energy • 39% Liveness
44% Instrumentalness • 12% Positiveness
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John Ottman
Main Titles
72 bpm • F# min • 02:34 • -10.63db
29% Popularity • 40% Danceability • 46% Energy • 20% Liveness
45% Instrumentalness • 10% Positiveness
29% Popularity • 40% Danceability • 46% Energy • 20% Liveness
45% Instrumentalness • 10% Positiveness
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Soundtrack/Cast Album
Born to Darkness
73 bpm • C Maj • 01:22 • -11.98db
15% Popularity • 16% Danceability • 25% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 25% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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John Williams
Hedwig's Theme
73 bpm • D min • 05:09 • -17.1db
61% Popularity • 16% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
61% Popularity • 16% Danceability • 16% Energy • 11% Liveness
69% Instrumentalness • 8% Positiveness
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Carter Burwell
Hi Dad Soup
74 bpm • D Maj • 01:31 • -28.67db
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Kevin Kiner
Victory and Death
73 bpm • G min • 01:03 • -11.63db
39% Popularity • 19% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 33% Energy • 10% Liveness
69% Instrumentalness • 9% Positiveness
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Danny Elfman
The Batman Theme
74 bpm • B min • 02:38 • -10.1db
55% Popularity • 20% Danceability • 48% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
55% Popularity • 20% Danceability • 48% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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The Cast of 101 Dalmatians
What's All The Hurry/A Perfect Situation...
74 bpm • F Maj • 03:18 • -13db
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Murray Gold
Martha's Theme
74 bpm • A min • 03:42 • -15.89db
30% Popularity • 7% Danceability • 20% Energy • 59% Liveness
59% Instrumentalness • 6% Positiveness
30% Popularity • 7% Danceability • 20% Energy • 59% Liveness
59% Instrumentalness • 6% Positiveness
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Andrew Lloyd Webber
Masquerade
74 bpm • C Maj • 05:31 • -16.36db
48% Popularity • 26% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 26% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Isham
The Good Queen
75 bpm • C Maj • 03:42 • -14.13db
13% Popularity • 14% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 10% Positiveness
13% Popularity • 14% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 10% Positiveness
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Christopher Drake
Carol of the Bells (Joker's Theme)
75 bpm • C min • 01:29 • -15.93db
37% Popularity • 29% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 29% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Danny Elfman
Batman: The Animated Series (Main Title)
74 bpm • D min • 01:01 • -14.48db
42% Popularity • 26% Danceability • 61% Energy • 38% Liveness
90% Instrumentalness • 7% Positiveness
42% Popularity • 26% Danceability • 61% Energy • 38% Liveness
90% Instrumentalness • 7% Positiveness
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Frank Churchill
Fire / Reunion / Finale
75 bpm • G# Maj • 05:36 • -17.31db
20% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
20% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
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John Ottman
Astro Flies!
75 bpm • A min • 03:14 • -13.07db
11% Popularity • 20% Danceability • 26% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 26% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
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Mount Royal Orchestra
Once Upon a Time Theme Song
75 bpm • C# min • 01:26 • -9db
23% Popularity • 15% Danceability • 35% Energy • 25% Liveness
22% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 35% Energy • 25% Liveness
22% Instrumentalness • 7% Positiveness
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Patrick Doyle
Another Year Ends
75 bpm • G Maj • 02:18 • -17.88db
45% Popularity • 10% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Dr Stiig
Hocus Pocus Soundtrack
75 bpm • G min • 00:56 • -12.34db
17% Popularity • 25% Danceability • 36% Energy • 40% Liveness
97% Instrumentalness • 24% Positiveness
17% Popularity • 25% Danceability • 36% Energy • 40% Liveness
97% Instrumentalness • 24% Positiveness
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Danny Elfman
Little Alice
74 bpm • E Maj • 01:34 • -25.12db
34% Popularity • 20% Danceability • 5% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 5% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
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Mark Isham
Leaving Storybrooke
76 bpm • E min • 03:33 • -11.83db
24% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Mychael Danna
Homestead
76 bpm • A# Maj • 02:11 • -17.45db
39% Popularity • 26% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
39% Popularity • 26% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Bernard Herrmann
Prelude
76 bpm • B Maj • 01:56 • -17.42db
28% Popularity • 57% Danceability • 33% Energy • 15% Liveness
33% Instrumentalness • 30% Positiveness
28% Popularity • 57% Danceability • 33% Energy • 15% Liveness
33% Instrumentalness • 30% Positiveness
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Mike Higham
Arrival at the Island
76 bpm • C min • 02:26 • -20.16db
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 2% Positiveness
19% Popularity • 18% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 2% Positiveness
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Luca Riviero
Psycho Theme (Interlude) [From "Psycho"]
76 bpm • B Maj • 01:00 • -11.65db
15% Popularity • 85% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
15% Popularity • 85% Danceability • 1% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
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Danny Elfman
Castle On The Hill
76 bpm • D Maj • 06:24 • -26.73db
29% Popularity • 7% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
29% Popularity • 7% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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David Ogden Stiers
The Bells of Notre Dame
76 bpm • D min • 06:26 • -16.47db
41% Popularity • 33% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 33% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Trevor Rabin
Main
77 bpm • A Maj • 03:07 • -15.42db
8% Popularity • 17% Danceability • 27% Energy • 7% Liveness
62% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 27% Energy • 7% Liveness
62% Instrumentalness • 4% Positiveness
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joseph bishara
Insidious
77 bpm • B Maj • 02:10 • -33.77db
32% Popularity • 16% Danceability • 11% Energy • 25% Liveness
98% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 11% Energy • 25% Liveness
98% Instrumentalness • 3% Positiveness
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Michael Kamen
Souls Don't Die
77 bpm • C min • 04:10 • -23.44db
14% Popularity • 9% Danceability • 10% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
14% Popularity • 9% Danceability • 10% Energy • 11% Liveness
74% Instrumentalness • 5% Positiveness
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Daniel Pemberton
Enola Holmes (Wild Child)
78 bpm • C Maj • 03:00 • -12.43db
34% Popularity • 36% Danceability • 39% Energy • 16% Liveness
94% Instrumentalness • 13% Positiveness
34% Popularity • 36% Danceability • 39% Energy • 16% Liveness
94% Instrumentalness • 13% Positiveness
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David Newman
Checking Out The Cave
78 bpm • F Maj • 03:43 • -16.22db
26% Popularity • 23% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
26% Popularity • 23% Danceability • 14% Energy • 11% Liveness
50% Instrumentalness • 8% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Carter Burwell
Deep Sludge
78 bpm • C min • 02:03 • -21.89db
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
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Bruno Coulais
Installation
78 bpm • F min • 02:28 • -17.6db
39% Popularity • 28% Danceability • 11% Energy • 11% Liveness
19% Instrumentalness • 11% Positiveness
39% Popularity • 28% Danceability • 11% Energy • 11% Liveness
19% Instrumentalness • 11% Positiveness
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Oliver Wallace
Midnight Chase
78 bpm • A min • 01:36 • -12.33db
32% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
32% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
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Michael Kamen
Home - One Big Happy Family
78 bpm • G Maj • 03:44 • -17.56db
8% Popularity • 16% Danceability • 9% Energy • 24% Liveness
80% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 24% Liveness
80% Instrumentalness • 6% Positiveness
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David Hirschfelder
The Boy Was Right
79 bpm • D min • 04:04 • -15.19db
16% Popularity • 9% Danceability • 30% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 30% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Danny Elfman
Beautiful New World / Home Sweet Home
79 bpm • A# Maj • 02:05 • -29.03db
29% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Tim Davies
Strickler
79 bpm • C# Maj • 01:44 • -25.79db
21% Popularity • 8% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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101 Strings Orchestra
FRIDAY THE 13TH
79 bpm • A min • 02:58 • -13.16db
15% Popularity • 69% Danceability • 35% Energy • 4% Liveness
45% Instrumentalness • 10% Positiveness
15% Popularity • 69% Danceability • 35% Energy • 4% Liveness
45% Instrumentalness • 10% Positiveness
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Bruce Broughton
Bambi And The Great Prince
79 bpm • A# Maj • 03:34 • -16.17db
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 9% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Kamen
The House Of De Vil (Cruella's Catwalk) ...
79 bpm • F Maj • 06:56 • -15.19db
9% Popularity • 18% Danceability • 21% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 21% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Thomas Newman
Nemo Egg (Main Title)
79 bpm • F Maj • 01:16 • -27.25db
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
65% Popularity • 16% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Joby Talbot
Mamma's Secret
79 bpm • F Maj • 02:42 • -23.72db
53% Popularity • 16% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
53% Popularity • 16% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
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Patrick Doyle
Underwater Secrets
79 bpm • G Maj • 02:26 • -28.46db
40% Popularity • 28% Danceability • 3% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
40% Popularity • 28% Danceability • 3% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
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Kristen Anderson-Lopez
All Is Found - Instrumental
79 bpm • F Maj • 02:07 • -16.28db
43% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Larry Morey
Sleepy Morning In The Woods/The Young Pr...
79 bpm • C Maj • 05:13 • -20.25db
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Mychael Danna
Share My Life With Him
79 bpm • A# Maj • 03:24 • -13db
21% Popularity • 8% Danceability • 12% Energy • 28% Liveness
87% Instrumentalness • 5% Positiveness
21% Popularity • 8% Danceability • 12% Energy • 28% Liveness
87% Instrumentalness • 5% Positiveness
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Ludwig Göransson
Hey Mando!
80 bpm • C min • 02:13 • -21.01db
41% Popularity • 28% Danceability • 8% Energy • 12% Liveness
41% Instrumentalness • 17% Positiveness
41% Popularity • 28% Danceability • 8% Energy • 12% Liveness
41% Instrumentalness • 17% Positiveness
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William Ross
End Credit
80 bpm • A# min • 04:02 • -16db
27% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
27% Popularity • 13% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Rob Simonsen
Reconciliation
80 bpm • A# Maj • 04:35 • -19.77db
18% Popularity • 9% Danceability • 10% Energy • 27% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 10% Energy • 27% Liveness
82% Instrumentalness • 4% Positiveness
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David Newman
Humans / Diego
80 bpm • G Maj • 01:43 • -14.36db
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Atli Örvarsson
The Witch Hunters
80 bpm • C# Maj • 02:29 • -12db
18% Popularity • 53% Danceability • 35% Energy • 16% Liveness
38% Instrumentalness • 15% Positiveness
18% Popularity • 53% Danceability • 35% Energy • 16% Liveness
38% Instrumentalness • 15% Positiveness
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Mychael Danna
Arlo's Vision
80 bpm • C Maj • 01:35 • -30db
27% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 2% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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David Hirschfelder
More Baggy Wrinkles
80 bpm • F Maj • 03:19 • -10.66db
15% Popularity • 12% Danceability • 38% Energy • 5% Liveness
95% Instrumentalness • 6% Positiveness
15% Popularity • 12% Danceability • 38% Energy • 5% Liveness
95% Instrumentalness • 6% Positiveness
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Larry Morey
The Meadow / Bambi Sees Faline / Bambi G...
80 bpm • A Maj • 04:55 • -21db
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
