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Damn Good Goodbye
Songs like
Damn Good Goodbye
by
Mike Ryan
Based on a tempo of (+/- 10%) and a similar genre
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Kody West
Million Miles
142 bpm • D# Maj • 04:03 • -5.56db
55% Popularity • 49% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Luke Combs
Without You
142 bpm • F# Maj • 03:44 • -6.02db
59% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Ryan
Dance with an Angel
142 bpm • D Maj • 03:28 • -7.66db
21% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Kolby Cooper
2 Words
142 bpm • G Maj • 03:41 • -4.5db
49% Popularity • 50% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 58% Positiveness
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Aaron Watson
That's Why God Loves Cowboys
142 bpm • G# Maj • 03:53 • -5.55db
40% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Morgan Wallen
Me On Whiskey
142 bpm • B Maj • 03:30 • -5db
65% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Koe Wetzel
Austin
142 bpm • D Maj • 04:34 • -6.1db
50% Popularity • 53% Danceability • 59% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
58% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mike Ryan
Damn Good Goodbye
142 bpm • E Maj • 03:32 • -6.38db
56% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Marlowe
I'll Keep the Country
142 bpm • C# Maj • 03:31 • -5db
48% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Wheeler
Shines Through
142 bpm • C# Maj • 03:39 • -4.44db
43% Popularity • 48% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Combs
The Other Guy
142 bpm • F# Maj • 03:10 • -4.71db
59% Popularity • 57% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Flatland Cavalry
Come Back Down
142 bpm • C Maj • 03:28 • -8.72db
51% Popularity • 50% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Riley Green
Hard To Leave
142 bpm • D Maj • 03:35 • -6db
58% Popularity • 55% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Watson
July In Cheyenne (Song For Lane's Momma)
142 bpm • E Maj • 04:22 • -7.52db
51% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Carson Jeffrey
Take Away This Pain
141 bpm • E min • 03:20 • -5.44db
44% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Wyatt Flores
Break My Bones
143 bpm • C Maj • 03:26 • -12.56db
61% Popularity • 51% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Triston Marez
Darlin' - Acoustic
143 bpm • B Maj • 04:10 • -10db
37% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Robison
My Hometown
141 bpm • G Maj • 04:22 • -8.64db
51% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Koe Wetzel
Fuss and Fight
141 bpm • D min • 04:00 • -5.59db
61% Popularity • 65% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Combs
Moon Over Mexico
141 bpm • G Maj • 03:24 • -6db
57% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kolton Moore & the Clever Few
Tattooed Cigarette
141 bpm • F min • 02:56 • -10.5db
62% Popularity • 68% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Corey Kent
Gold
141 bpm • D Maj • 03:02 • -6db
59% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
53% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Morgan Wallen
Not Good At Not
144 bpm • B Maj • 03:05 • -3.24db
61% Popularity • 56% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Combs
Houston, We Got a Problem
144 bpm • A Maj • 03:11 • -5.06db
69% Popularity • 52% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
68% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Walker McGuire
Mysteries of the World
144 bpm • C# Maj • 03:38 • -4.77db
46% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bailey Zimmerman
Never Comin' Home
144 bpm • A# Maj • 03:14 • -6.85db
67% Popularity • 56% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Giovannie and the Hired Guns
Change
140 bpm • E min • 03:13 • -5.7db
46% Popularity • 42% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Southall
Beautiful Eyes
140 bpm • C Maj • 04:01 • -5.04db
41% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Sean Stemaly
Back On A Backroad
144 bpm • A Maj • 03:04 • -3.14db
51% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Midland
Fourteen Gears
144 bpm • D Maj • 03:32 • -5.49db
51% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Drew Parker
While You're Gone
140 bpm • C# Maj • 03:46 • -5.64db
48% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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William Clark Green
Drunk Again
144 bpm • G Maj • 04:06 • -5.21db
42% Popularity • 47% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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HIXTAPE
Something A Lil' Stronger (HARDY Mitchel...
144 bpm • E Maj • 03:17 • -4.73db
51% Popularity • 50% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
50% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Mikele Buck Band
In Came You
140 bpm • D# Maj • 03:33 • -5.15db
36% Popularity • 53% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Abbott Band
Little More You
144 bpm • G Maj • 03:23 • -3db
39% Popularity • 48% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Mike Ryan
One Way
144 bpm • C Maj • 03:21 • -5db
29% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
57% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Wallen
Your Bartender
140 bpm • E Maj • 03:05 • -5.24db
65% Popularity • 56% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Muscadine Bloodline
Can't Tell You No
140 bpm • F# Maj • 03:11 • -7.79db
63% Popularity • 87% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Randall King
Keep Her on the Line
140 bpm • E Maj • 03:22 • -7.21db
44% Popularity • 56% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 31% Positiveness
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Luke Combs
Used to You
140 bpm • F# Maj • 03:56 • -6.97db
60% Popularity • 58% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Mike Ryan
Wasting No More Whiskey
140 bpm • G Maj • 03:04 • -5db
27% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Casey Donahew
Drove Me to the Whiskey
140 bpm • G Maj • 03:20 • -8.7db
54% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Had Me By Halftime
144 bpm • F# Maj • 02:52 • -3db
59% Popularity • 49% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Sean Stemaly
Georgia
145 bpm • G# Maj • 03:06 • -4.38db
43% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Randy Rogers Band
Steal You Away
145 bpm • E Maj • 03:49 • -10.87db
43% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Riley Green
When She Comes Home Tonight
145 bpm • F# Maj • 04:10 • -7.32db
62% Popularity • 61% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Mike Ryan
Red Eye Flight
140 bpm • A Maj • 03:20 • -4.82db
43% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Casey Donahew
Bad Guy
140 bpm • F Maj • 03:13 • -9.47db
48% Popularity • 67% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Kolby Cooper
Boy From Anderson County
145 bpm • A Maj • 04:04 • -5.63db
40% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Zach Bryan
Messed up Kid
139 bpm • D Maj • 04:19 • -11.11db
57% Popularity • 62% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Randy Rogers Band
One Woman
145 bpm • G Maj • 04:05 • -6.43db
39% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Jon Wolfe
Some Ol' Bar in the 90's
145 bpm • G# Maj • 03:24 • -3.94db
42% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Turnpike Troubadours
Long Hot Summer Day
145 bpm • A Maj • 04:12 • -5.78db
62% Popularity • 48% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Carmichael
Dancing Away with My Heart
145 bpm • A Maj • 03:47 • -7.62db
43% Popularity • 32% Danceability • 55% Energy • 20% Liveness
10% Instrumentalness • 38% Positiveness
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Ian Munsick
More Than Me
146 bpm • A# Maj • 03:31 • -5.57db
53% Popularity • 50% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Riley Green
Mississippi Or Me
146 bpm • F# Maj • 03:31 • -5.23db
62% Popularity • 41% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Treaty Oak Revival
See You in Court
146 bpm • D Maj • 03:54 • -3.27db
66% Popularity • 50% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Mike Ryan
New Hometown
146 bpm • C Maj • 03:17 • -4.49db
44% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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HIXTAPE
Boy From The South (HARDY Cole Swindell,...
146 bpm • D Maj • 03:05 • -4.7db
53% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Riley Green
Break Up More Often
146 bpm • F Maj • 03:23 • -5.85db
45% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Drew Parker
Hell Yeah Say When I'm In
146 bpm • D Maj • 02:48 • -3.68db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Larry Fleet
Best That I Got
146 bpm • G Maj • 03:18 • -5.02db
45% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Ryan
Die Runnin'
146 bpm • F# Maj • 03:11 • -3.99db
46% Popularity • 48% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Shotgun Rider
Dance or Drink
138 bpm • G Maj • 04:00 • -6.28db
34% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Riggs
Hold on and Let Go
138 bpm • G Maj • 03:56 • -8.01db
40% Popularity • 60% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Curtis Grimes
From Where I'm Standing
138 bpm • D# Maj • 03:11 • -6.16db
43% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Morgan Wallen
Silverado For Sale
138 bpm • C Maj • 03:44 • -5.93db
67% Popularity • 59% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Langston
Prob'ly At A Bar
138 bpm • F# Maj • 03:22 • -4.48db
42% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Rogers Band
You, Me and a Bottle
146 bpm • A Maj • 03:13 • -6.66db
35% Popularity • 46% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Flatland Cavalry
Gettin' By
146 bpm • G Maj • 03:06 • -4.95db
58% Popularity • 49% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Carson Jeffrey
High Tonight
137 bpm • F# Maj • 04:31 • -7db
36% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Treaty Oak Revival
In Between
147 bpm • D# Maj • 03:40 • -3.56db
73% Popularity • 50% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Wade Bowen
West Texas Rain
147 bpm • C Maj • 04:15 • -7.33db
40% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Dillon Carmichael
Hot Beer
148 bpm • B Maj • 03:10 • -5db
44% Popularity • 64% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
46% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Flatland Cavalry
Ain't Over You Yet
138 bpm • G Maj • 03:43 • -8.37db
52% Popularity • 50% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Larry Fleet
Stack of Records
148 bpm • C Maj • 03:38 • -6db
44% Popularity • 59% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Treaty Oak Revival
Stay Tuned
148 bpm • A Maj • 03:20 • -3.01db
64% Popularity • 50% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Riley Green
Way Out Here
148 bpm • C Maj • 03:41 • -5.58db
63% Popularity • 48% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Koe Wetzel
Ragweed
148 bpm • G# Maj • 04:12 • -7.31db
59% Popularity • 44% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Randall King
Tuggin’ on My Heartstrings
148 bpm • G# Maj • 03:11 • -5.41db
43% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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HARDY
I'LL QUIT LOVIN' YOU
136 bpm • G# Maj • 03:27 • -4.92db
51% Popularity • 47% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Mike Ryan
Ghost Town
148 bpm • F# min • 03:26 • -6.74db
41% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Damn Good Goodbye