Songs like Damn Right, I've Got the Blues by Buddy Guy
Based on a tempo of (+/- 10%) and a similar genre
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Humble Pie
Black Coffee
146 bpm • C Maj • 03:11 • -11.56db
38% Popularity • 44% Danceability • 39% Energy • 21% Liveness
23% Instrumentalness • 56% Positiveness
38% Popularity • 44% Danceability • 39% Energy • 21% Liveness
23% Instrumentalness • 56% Positiveness
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The Fabulous Thunderbirds
You're Gonna Miss Me
146 bpm • G min • 04:16 • -7.35db
23% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Howlin' Wolf
Smokestack Lightnin'
146 bpm • A min • 03:08 • -16db
63% Popularity • 66% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 66% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Ronnie Earl
Blues For Otis Rush
146 bpm • G Maj • 08:29 • -8.61db
21% Popularity • 34% Danceability • 59% Energy • 11% Liveness
53% Instrumentalness • 57% Positiveness
21% Popularity • 34% Danceability • 59% Energy • 11% Liveness
53% Instrumentalness • 57% Positiveness
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Jonny Lang
Changes
146 bpm • A Maj • 03:17 • -8.16db
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 55% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Buddy Guy
Damn Right, I've Got the Blues
146 bpm • D Maj • 04:31 • -5.64db
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
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Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
35% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
35% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
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Little Walter
Juke
145 bpm • E Maj • 02:44 • -10.33db
49% Popularity • 57% Danceability • 66% Energy • 16% Liveness
90% Instrumentalness • 64% Positiveness
49% Popularity • 57% Danceability • 66% Energy • 16% Liveness
90% Instrumentalness • 64% Positiveness
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Lightnin' Hopkins
Mojo Hand
147 bpm • B min • 02:59 • -9db
48% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 60% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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The Fabulous Thunderbirds
Walkin' To My Baby
145 bpm • G Maj • 02:25 • -5.26db
27% Popularity • 73% Danceability • 69% Energy • 24% Liveness
3% Instrumentalness • 91% Positiveness
27% Popularity • 73% Danceability • 69% Energy • 24% Liveness
3% Instrumentalness • 91% Positiveness
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Jonny Lang
Lovin My Baby
145 bpm • C Maj • 03:10 • -7.74db
44% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
44% Popularity • 55% Danceability • 80% Energy • 33% Liveness
6% Instrumentalness • 92% Positiveness
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Joe Bonamassa
Blues Deluxe
145 bpm • F Maj • 07:20 • -9.57db
53% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 50% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Son Seals
I Can't Hear Nothing But The Blues
144 bpm • D min • 06:35 • -9.58db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
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Smokin' Joe Kubek
Freezer Burn
144 bpm • G Maj • 04:31 • -3.97db
19% Popularity • 35% Danceability • 89% Energy • 8% Liveness
79% Instrumentalness • 83% Positiveness
19% Popularity • 35% Danceability • 89% Energy • 8% Liveness
79% Instrumentalness • 83% Positiveness
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Joanne Shaw Taylor
Blackest Day
144 bpm • F# min • 08:17 • -8db
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 47% Danceability • 48% Energy • 39% Liveness
1% Instrumentalness • 39% Positiveness
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Buddy Guy
You Did The Crime
148 bpm • D min • 06:53 • -8db
23% Popularity • 43% Danceability • 40% Energy • 10% Liveness
31% Instrumentalness • 36% Positiveness
23% Popularity • 43% Danceability • 40% Energy • 10% Liveness
31% Instrumentalness • 36% Positiveness
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Koko Taylor
Hey Bartender
144 bpm • B min • 02:53 • -9.78db
33% Popularity • 57% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 57% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Albert Collins
Cold, Cold Feeling
148 bpm • D# min • 05:18 • -11db
54% Popularity • 71% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
54% Popularity • 71% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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Freddie King
Stormy Monday
144 bpm • F Maj • 04:24 • -13.81db
41% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 52% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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The Fabulous Thunderbirds
Pocket Rocket
149 bpm • A Maj • 03:27 • -7.73db
24% Popularity • 44% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 44% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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John Lee Hooker
Boogie Chillen'
149 bpm • B Maj • 03:10 • -15.9db
51% Popularity • 67% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
51% Popularity • 67% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Buddy Guy
Mary Ann
149 bpm • F Maj • 03:11 • -8.67db
24% Popularity • 45% Danceability • 75% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
24% Popularity • 45% Danceability • 75% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
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The Vaughan Brothers
DFW
149 bpm • C Maj • 02:52 • -11db
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
34% Popularity • 65% Danceability • 85% Energy • 54% Liveness
67% Instrumentalness • 87% Positiveness
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Kal David
The Visit
149 bpm • F min • 05:47 • -8db
21% Popularity • 44% Danceability • 52% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
21% Popularity • 44% Danceability • 52% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
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Son Seals
I Can't Hold Out
142 bpm • C Maj • 04:14 • -13.06db
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 38% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 96% Positiveness
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Magic Slim
Cold Hearted Woman
142 bpm • G min • 05:22 • -10.79db
44% Popularity • 49% Danceability • 45% Energy • 27% Liveness
2% Instrumentalness • 57% Positiveness
44% Popularity • 49% Danceability • 45% Energy • 27% Liveness
2% Instrumentalness • 57% Positiveness
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Stan Webb
Lost the Best Friend I Ever Had (Live)
143 bpm • A min • 07:11 • -13.12db
15% Popularity • 42% Danceability • 36% Energy • 96% Liveness
9% Instrumentalness • 43% Positiveness
15% Popularity • 42% Danceability • 36% Energy • 96% Liveness
9% Instrumentalness • 43% Positiveness
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Buddy Guy
Rememberin' Stevie
149 bpm • F Maj • 06:58 • -6.89db
38% Popularity • 36% Danceability • 77% Energy • 28% Liveness
76% Instrumentalness • 38% Positiveness
38% Popularity • 36% Danceability • 77% Energy • 28% Liveness
76% Instrumentalness • 38% Positiveness
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The Vaughan Brothers
Good Texan
143 bpm • A Maj • 04:21 • -13db
40% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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The Paul Butterfield Blues Band
I Got My Mojo Working
142 bpm • D Maj • 03:32 • -9db
32% Popularity • 64% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 64% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 89% Positiveness
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Sonny Boy Williamson II
Too Young To Die - Stereo Version
142 bpm • D Maj • 03:01 • -8.17db
28% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 56% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Jonny Lang
Too Tired
141 bpm • A Maj • 03:15 • -8.01db
39% Popularity • 43% Danceability • 69% Energy • 27% Liveness
2% Instrumentalness • 76% Positiveness
39% Popularity • 43% Danceability • 69% Energy • 27% Liveness
2% Instrumentalness • 76% Positiveness
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Clarence "Gatemouth" Brown
Ventilator Blues
141 bpm • C Maj • 06:13 • -13.08db
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Buddy Guy
What's Up with That Woman
141 bpm • E min • 04:02 • -3.52db
21% Popularity • 45% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 45% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Son Seals
Now That I'm Down
141 bpm • D Maj • 06:02 • -13.66db
44% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Clapton
Three O'Clock Blues
153 bpm • E Maj • 08:36 • -5.29db
50% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sonny Boy Williamson II
Checkin' Up On My Baby - Single Version
141 bpm • G Maj • 01:57 • -6.17db
43% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 55% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Koko Taylor
Wang Dang Doodle
153 bpm • C# Maj • 03:02 • -9db
49% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Little Charlie & The Nightcats
If This Is Love
139 bpm • E min • 05:38 • -19db
22% Popularity • 55% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 55% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Lonnie Brooks
In The Dark
139 bpm • G min • 05:22 • -17db
26% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Son Seals
Crying For My Baby
153 bpm • C Maj • 04:41 • -8.21db
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 42% Danceability • 87% Energy • 97% Liveness
0% Instrumentalness • 67% Positiveness
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Lonnie Mack
Natural Disaster
139 bpm • A# Maj • 04:20 • -10db
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
33% Popularity • 50% Danceability • 85% Energy • 94% Liveness
18% Instrumentalness • 71% Positiveness
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Otis Spann
Ain't Nobody's Business
139 bpm • C Maj • 05:11 • -17db
34% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Sonny Landreth
Blues Attack
154 bpm • G Maj • 05:14 • -7.13db
13% Popularity • 53% Danceability • 93% Energy • 71% Liveness
4% Instrumentalness • 61% Positiveness
13% Popularity • 53% Danceability • 93% Energy • 71% Liveness
4% Instrumentalness • 61% Positiveness
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Jimi Hendrix
Born Under a Bad Sign
154 bpm • G# Maj • 07:37 • -12.84db
49% Popularity • 46% Danceability • 47% Energy • 10% Liveness
5% Instrumentalness • 77% Positiveness
49% Popularity • 46% Danceability • 47% Energy • 10% Liveness
5% Instrumentalness • 77% Positiveness
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Billy F Gibbons
Missin’ Yo’ Kissin’
138 bpm • A Maj • 03:19 • -4db
43% Popularity • 55% Danceability • 90% Energy • 16% Liveness
47% Instrumentalness • 70% Positiveness
43% Popularity • 55% Danceability • 90% Energy • 16% Liveness
47% Instrumentalness • 70% Positiveness
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Buddy Guy
Wear You Out
138 bpm • A# Maj • 03:30 • -4.09db
30% Popularity • 44% Danceability • 89% Energy • 17% Liveness
12% Instrumentalness • 66% Positiveness
30% Popularity • 44% Danceability • 89% Energy • 17% Liveness
12% Instrumentalness • 66% Positiveness
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Lonnie Mack
If You Have To Know
138 bpm • A Maj • 04:34 • -9db
36% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 69% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Luther "Snake Boy" Johnson
They call me the snake
138 bpm • E Maj • 05:37 • -13db
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
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Jimmy Thackery
You Upset Me Baby
138 bpm • G Maj • 06:01 • -10.55db
9% Popularity • 39% Danceability • 65% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 39% Danceability • 65% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Page
Prison Blues
138 bpm • A Maj • 07:08 • -13.09db
41% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Henrik Freischlader
The Memory of Our Love
156 bpm • C min • 07:44 • -11db
44% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
44% Popularity • 33% Danceability • 42% Energy • 9% Liveness
3% Instrumentalness • 29% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
43% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Lonnie Mack
Camp Washington Chili
137 bpm • F Maj • 02:26 • -10.36db
36% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
36% Popularity • 39% Danceability • 79% Energy • 28% Liveness
87% Instrumentalness • 83% Positiveness
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Big Walter Horton
Have A Good Time
156 bpm • B min • 03:48 • -15db
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 64% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Junior Wells
Snatch It Back And Hold It
137 bpm • E Maj • 02:54 • -13.08db
38% Popularity • 76% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 76% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Howlin' Wolf
Back Door Man
157 bpm • A min • 02:53 • -14.04db
41% Popularity • 53% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 53% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Ry Cooder
Crossroads - 2008 Remaster
136 bpm • C Maj • 04:24 • -13.95db
39% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 63% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Rory Gallagher
A Million Miles Away
136 bpm • D min • 06:55 • -10.4db
48% Popularity • 50% Danceability • 65% Energy • 42% Liveness
1% Instrumentalness • 61% Positiveness
48% Popularity • 50% Danceability • 65% Energy • 42% Liveness
1% Instrumentalness • 61% Positiveness
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Guitar Shorty
Blues In My Blood
136 bpm • D Maj • 03:12 • -5.62db
37% Popularity • 61% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 61% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Elmore James
Madison Blues
136 bpm • D Maj • 02:22 • -8db
35% Popularity • 55% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
35% Popularity • 55% Danceability • 82% Energy • 25% Liveness
1% Instrumentalness • 78% Positiveness
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U.P. Wilson
Shakin' Dem Bones
157 bpm • C Maj • 03:47 • -10.91db
25% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
25% Popularity • 50% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Earl Hooker
Two Bugs and a Roach
135 bpm • A Maj • 04:19 • -13db
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
43% Popularity • 52% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Buddy Guy
Thick Like Mississippi Mud
135 bpm • C Maj • 04:03 • -3.62db
23% Popularity • 48% Danceability • 83% Energy • 9% Liveness
47% Instrumentalness • 80% Positiveness
23% Popularity • 48% Danceability • 83% Energy • 9% Liveness
47% Instrumentalness • 80% Positiveness
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Little Walter
My Babe
158 bpm • F Maj • 02:42 • -10.57db
60% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
60% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Lurrie Bell
Blues in My Soul
158 bpm • A min • 06:03 • -7.3db
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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A.C. Reed
These Blues Is Killing Me
159 bpm • B min • 03:07 • -7.41db
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 56% Danceability • 87% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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The Paul Butterfield Blues Band
Blues with a Feeling
134 bpm • C Maj • 04:24 • -10db
24% Popularity • 38% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 38% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Son Seals
She's Fine aka Honey, Where You Going
159 bpm • D Maj • 03:42 • -16.7db
33% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
33% Popularity • 42% Danceability • 28% Energy • 7% Liveness
5% Instrumentalness • 88% Positiveness
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Big Mama Thornton
Hound Dog
133 bpm • A Maj • 03:01 • -10.86db
57% Popularity • 56% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 56% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Howlin' Wolf
Evil (Is Going On)
160 bpm • C Maj • 02:53 • -19.64db
43% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
43% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Jonny Lang
A Quitter Never Wins
160 bpm • A Maj • 05:56 • -8db
37% Popularity • 55% Danceability • 67% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
37% Popularity • 55% Danceability • 67% Energy • 34% Liveness
1% Instrumentalness • 64% Positiveness
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William Clarke
Drinking By Myself
160 bpm • C Maj • 05:47 • -14.71db
26% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Lonnie Mack
Satisfy Suzie
133 bpm • A# Maj • 04:57 • -8db
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
32% Popularity • 53% Danceability • 92% Energy • 97% Liveness
26% Instrumentalness • 90% Positiveness
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Koko Taylor
Money Is The Name Of The Game
133 bpm • E min • 06:48 • -5.48db
27% Popularity • 38% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 38% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Buddy Guy
Five Long Years
161 bpm • F Maj • 08:25 • -6.3db
33% Popularity • 40% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 40% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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T-Bone Walker
T-Bone Shuffle
132 bpm • G# Maj • 02:50 • -13.58db
32% Popularity • 66% Danceability • 40% Energy • 13% Liveness
13% Instrumentalness • 80% Positiveness
32% Popularity • 66% Danceability • 40% Energy • 13% Liveness
13% Instrumentalness • 80% Positiveness
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Tony Joe White
Polk Salad Annie
132 bpm • A Maj • 03:43 • -12db
52% Popularity • 78% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
52% Popularity • 78% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
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Jonny Lang
Darker Side
132 bpm • C min • 05:07 • -9db
38% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Moss Band
Lucky Guy
132 bpm • D Maj • 04:32 • -3db
29% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Reed
Shame, Shame, Shame
162 bpm • D Maj • 02:49 • -10db
38% Popularity • 57% Danceability • 50% Energy • 31% Liveness
50% Instrumentalness • 90% Positiveness
38% Popularity • 57% Danceability • 50% Energy • 31% Liveness
50% Instrumentalness • 90% Positiveness
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The Fabulous Thunderbirds
Rock With Me
131 bpm • E Maj • 02:38 • -5db
24% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Albert Collins
T-Bone Shuffle
131 bpm • B Maj • 04:55 • -9.88db
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
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Pee Wee Crayton
Let The Good Times Roll
162 bpm • A Maj • 02:53 • -10db
35% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Guitar Shorty
I'm Gonna Leave You
131 bpm • E min • 05:44 • -5db
31% Popularity • 43% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 43% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Buddy Guy
Doin' What I Like Best
131 bpm • G Maj • 06:05 • -5.8db
16% Popularity • 40% Danceability • 93% Energy • 32% Liveness
83% Instrumentalness • 50% Positiveness
16% Popularity • 40% Danceability • 93% Energy • 32% Liveness
83% Instrumentalness • 50% Positiveness
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ZZ Top
Blue Jean Blues (2005 Remaster)
131 bpm • B min • 04:39 • -10.01db
56% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
56% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
33% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Carey Bell
What My Mama Told Me
130 bpm • F min • 03:04 • -15.21db
29% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
29% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Koko Taylor
I'd Rather Go Blind
130 bpm • G# Maj • 05:00 • -16.77db
49% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 53% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Buddy Guy
Country Man
131 bpm • C Maj • 06:16 • -8.91db
24% Popularity • 44% Danceability • 69% Energy • 78% Liveness
1% Instrumentalness • 72% Positiveness
24% Popularity • 44% Danceability • 69% Energy • 78% Liveness
1% Instrumentalness • 72% Positiveness
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Freddie King
Same Old Blues
130 bpm • A Maj • 03:59 • -12.02db
41% Popularity • 54% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 54% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Pat Ramsey
Allergic To Work
164 bpm • D Maj • 03:35 • -4.59db
17% Popularity • 38% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 38% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jimi Hendrix
Voodoo Chile Blues
165 bpm • C Maj • 08:48 • -12.27db
43% Popularity • 35% Danceability • 59% Energy • 27% Liveness
71% Instrumentalness • 41% Positiveness
43% Popularity • 35% Danceability • 59% Energy • 27% Liveness
71% Instrumentalness • 41% Positiveness
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Sonny Landreth
Taylor's Rock
165 bpm • E Maj • 03:57 • -8.16db
32% Popularity • 45% Danceability • 84% Energy • 20% Liveness
91% Instrumentalness • 60% Positiveness
32% Popularity • 45% Danceability • 84% Energy • 20% Liveness
91% Instrumentalness • 60% Positiveness
