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Damn You Seventeen
Songs like
Damn You Seventeen
by
Lady A
Based on a tempo of (+/- 10%) and a similar genre
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Lady A
Damn You Seventeen
164 bpm • F Maj • 04:01 • -6.72db
25% Popularity • 46% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Runaway June
T-Shirt
164 bpm • D Maj • 02:41 • -5.2db
35% Popularity • 63% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Big & Rich
Look at You
164 bpm • B Maj • 03:43 • -5db
42% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Mickey Guyton
Unbreakable - Acoustic
164 bpm • C Maj • 03:34 • -3.93db
16% Popularity • 47% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Old Dominion
We Got It Right
164 bpm • B Maj • 03:15 • -7db
33% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Whitney Duncan
Little by Little
164 bpm • F min • 03:52 • -4.06db
8% Popularity • 36% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Lee Ann Womack
I Found It In You
163 bpm • F Maj • 03:46 • -4.98db
9% Popularity • 42% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jana Kramer
Pop That Bottle
164 bpm • C# Maj • 03:06 • -2.89db
19% Popularity • 56% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Nichols
Yeah
166 bpm • B Maj • 03:51 • -4.65db
54% Popularity • 40% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Darius Rucker
She's Beautiful
166 bpm • E Maj • 04:05 • -6.13db
28% Popularity • 42% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Clare Dunn
Cowboy Side Of You
166 bpm • G Maj • 03:35 • -3db
23% Popularity • 47% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Jason Aldean
First Time Again
162 bpm • E min • 03:24 • -3.83db
42% Popularity • 41% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Alee
Moonshine
162 bpm • D Maj • 03:54 • -6db
21% Popularity • 44% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Jana Kramer
Circles
162 bpm • F# Maj • 03:59 • -5db
35% Popularity • 52% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Chase Rice
Three Chords & The Truth
166 bpm • G# Maj • 03:54 • -4.72db
43% Popularity • 44% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jerrod Niemann
Blue Bandana
168 bpm • A Maj • 03:27 • -5db
30% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Brett Young
Makin' Me Say
168 bpm • G Maj • 03:08 • -6db
38% Popularity • 60% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Cole Swindell
Kiss
168 bpm • B Maj • 04:00 • -3.19db
30% Popularity • 46% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Lady A
She Is
160 bpm • C# Maj • 03:21 • -4.77db
31% Popularity • 45% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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BRELAND
Told You I Could Drink
168 bpm • G# Maj • 03:56 • -4.43db
31% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Runaway June
Forgot About That
160 bpm • E Maj • 02:40 • -3.82db
23% Popularity • 52% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Florida Georgia Line
God, Your Mama, And Me
168 bpm • G Maj • 03:03 • -3.73db
60% Popularity • 44% Danceability • 82% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Kelleigh Bannen
Smoke When I Drink
160 bpm • A Maj • 02:59 • -4.76db
20% Popularity • 55% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Logan Mize
Ain't Always Pretty
160 bpm • C# Maj • 03:30 • -4.56db
41% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Lane
Take Back Home Girl - Acoustic
160 bpm • B Maj • 03:32 • -6.9db
35% Popularity • 58% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Morgan Evans
Everything Changes
160 bpm • C# Maj • 03:17 • -6.25db
32% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Runaway June
I Am Too
168 bpm • F# Maj • 03:02 • -4.77db
23% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lady A
Good Time To Be Alive
169 bpm • F Maj • 03:11 • -5db
28% Popularity • 57% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Lee Ann Womack
Blame It On Me
170 bpm • C Maj • 04:06 • -7.05db
8% Popularity • 32% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Turner
All Over Me
170 bpm • C# Maj • 03:19 • -7db
47% Popularity • 55% Danceability • 78% Energy • 19% Liveness
1% Instrumentalness • 89% Positiveness
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Maddie & Tae
Woman You Got
170 bpm • A# Maj • 02:57 • -3.55db
46% Popularity • 52% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Jason Michael Carroll
Let Me Go
170 bpm • C Maj • 04:00 • -4.8db
20% Popularity • 42% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
19% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Seaforth
Taken Your Picture
158 bpm • E Maj • 03:32 • -7.5db
29% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Brooke Eden
Act Like You Don't
170 bpm • B Maj • 03:52 • -4.4db
34% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
Are You Leaving With Him
158 bpm • D Maj • 03:23 • -5db
37% Popularity • 51% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Lady A
And The Radio Played
158 bpm • E Maj • 03:13 • -5.95db
21% Popularity • 61% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 83% Positiveness
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Darius Rucker
History In The Making
158 bpm • C Maj • 03:29 • -6db
42% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Casey James
Fall Apart
157 bpm • C Maj • 03:23 • -4.4db
21% Popularity • 25% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Deana Carter
Angels Working Overtime
157 bpm • G# Maj • 05:21 • -7.68db
17% Popularity • 62% Danceability • 68% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
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Runaway June
Lipstick
171 bpm • D Maj • 03:00 • -3.76db
37% Popularity • 48% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lee Ann Womack
After I Fall
172 bpm • D min • 03:03 • -7.9db
19% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Brett Young
Beautiful Believer
172 bpm • C# Maj • 03:32 • -6.03db
38% Popularity • 48% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Easton Corbin
Clockwork
172 bpm • C Maj • 03:09 • -4.85db
47% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Kelleigh Bannen
Cheap Sunglasses
172 bpm • F# Maj • 02:52 • -5db
17% Popularity • 46% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Michael Ray
I'm Gonna Miss You
172 bpm • G# Maj • 02:44 • -3.85db
31% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Craig Morgan
We'll Come Back Around
156 bpm • A Maj • 02:58 • -3.87db
21% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Keith Anderson
I Still Miss You
156 bpm • D# Maj • 03:55 • -5.39db
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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LANCO
Win You Over
156 bpm • F# Maj • 03:16 • -5.12db
25% Popularity • 51% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Cagle
Just Love Me
156 bpm • F# Maj • 05:08 • -7db
30% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Jana Kramer
Dance in the Rain
156 bpm • B Maj • 03:25 • -6.1db
27% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Darius Rucker
Southern State Of Mind
155 bpm • C# Maj • 03:36 • -6.87db
48% Popularity • 60% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Lady A
Home Is Where The Heart Is
174 bpm • D# Maj • 03:45 • -2.8db
34% Popularity • 44% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Cam
Cold in California
154 bpm • B Maj • 03:10 • -7db
25% Popularity • 49% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Terri Clark
Three Mississippi
154 bpm • F Maj • 03:59 • -4.97db
23% Popularity • 40% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Ray
Dancing Forever - Acoustic
154 bpm • A# Maj • 03:29 • -9.1db
30% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Carly Pearce
Feel Somethin'
175 bpm • E Maj • 03:25 • -4.66db
23% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Craig Morgan
Love Remembers
154 bpm • C Maj • 03:55 • -3.45db
29% Popularity • 39% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Lady A
One Great Mystery
154 bpm • C# Maj • 03:34 • -6.16db
36% Popularity • 52% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Jerrod Niemann
What Do You Want
153 bpm • E Maj • 03:34 • -10.12db
42% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Shenandoah
Every Time I Look at You
153 bpm • F# Maj • 03:19 • -6.06db
20% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Mickey Guyton
Heartbreak Song
176 bpm • B Maj • 03:27 • -2.05db
20% Popularity • 57% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Morgan Evans
I Do
176 bpm • G min • 03:30 • -5.95db
38% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Tyler Farr
Hot Mess
176 bpm • C Maj • 03:16 • -4db
33% Popularity • 52% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Lady A
Better Man
154 bpm • G Maj • 04:04 • -4.89db
21% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Cagle
I'd Find You
153 bpm • A Maj • 03:31 • -7db
30% Popularity • 51% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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LeAnn Rimes
I Dare You
152 bpm • G# Maj • 03:43 • -3.41db
15% Popularity • 45% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Cam
Half Broke Heart
152 bpm • B Maj • 03:03 • -3.43db
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
46% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Lucy Angel
I'd Be Lyin'
152 bpm • G Maj • 04:15 • -4.34db
12% Popularity • 46% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Carly Pearce
Color
152 bpm • D Maj • 02:46 • -3.74db
27% Popularity • 53% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Cole Swindell
Hope You Get Lonely Tonight
152 bpm • A# Maj • 03:47 • -4db
50% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Jesse Lee
Kissin' In Cars
152 bpm • D Maj • 03:30 • -4.75db
22% Popularity • 46% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cam
Mayday
152 bpm • C# min • 03:36 • -5.92db
40% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Darius Rucker
Come Back Song
178 bpm • A Maj • 03:55 • -5.67db
58% Popularity • 52% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jana Kramer
Just like in the Movies
178 bpm • F# Maj • 03:09 • -4.61db
20% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Brett Young
Don’t Wanna Write This Song
150 bpm • D Maj • 03:48 • -8db
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
44% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Canaan Smith
Stuck
150 bpm • D Maj • 03:25 • -6db
19% Popularity • 57% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Leighton Meester
Words I Couldn't Say
150 bpm • C Maj • 04:26 • -6.56db
37% Popularity • 50% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Lane
For Her
150 bpm • F# Maj • 03:31 • -4db
48% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Thomas Rhett
Playing With Fire - Pop Version
150 bpm • B Maj • 03:25 • -4.31db
41% Popularity • 52% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Haley & Michaels
Drinking About You
150 bpm • F Maj • 03:00 • -3db
8% Popularity • 49% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Kip Moore
Faith When I Fall
150 bpm • F# Maj • 04:41 • -8db
33% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Chris Cagle
I Don't Wanna Live
150 bpm • C Maj • 03:37 • -6.07db
29% Popularity • 54% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Lady A
Things People Say
150 bpm • G# Maj • 03:50 • -5.36db
37% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Canaan Smith
We Got Us
150 bpm • D Maj • 03:49 • -4db
27% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Darius Rucker
Don't Think I Don't Think About It
150 bpm • A Maj • 03:03 • -5db
57% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kelsea Ballerini
I Hate Love Songs
180 bpm • B Maj • 03:11 • -7.81db
39% Popularity • 38% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Gretchen Wilson
Homewrecker
149 bpm • E Maj • 03:25 • -5.71db
41% Popularity • 50% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Ty Herndon
Lies I Told Myself
148 bpm • B Maj • 03:21 • -6.25db
17% Popularity • 42% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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The Band Perry
Live Forever
148 bpm • E Maj • 03:52 • -5.24db
40% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Brett Young
You Ain't Here To Kiss Me
148 bpm • C Maj • 03:37 • -7db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Ray
Run Away With You
148 bpm • D# min • 03:40 • -4db
29% Popularity • 50% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Kacey Musgraves
Keep It To Yourself
148 bpm • C Maj • 03:16 • -9db
50% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Jerrod Niemann
I Can't Give in Anymore
148 bpm • A Maj • 03:42 • -5.6db
14% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Morgan Evans
Dance with Me
148 bpm • C# Maj • 03:19 • -9.85db
47% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lindsay Ell
Standing Here
148 bpm • E Maj • 03:07 • -3.46db
9% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Damn You Seventeen