Songs like Damru Bajaya by Hansraj Raghuwanshi
Based on a tempo of (+/- 10%) and a similar genre
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Kishan Bhagat
Mahakal Teri Bhakti Ne Bawal Kardiya
120 bpm • F min • 08:27 • -4db
38% Popularity • 76% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 76% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Arun Prajith
Tum Prem Ho
120 bpm • D Maj • 01:42 • -10.78db
46% Popularity • 78% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 78% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Hansraj Raghuwanshi
Damru Bajaya
120 bpm • F Maj • 06:30 • -2.14db
55% Popularity • 55% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 55% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Brijesh Shandilya
Hanuman Chalisa Superfast
120 bpm • F# min • 04:16 • -9.29db
64% Popularity • 79% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
64% Popularity • 79% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Vinay Katoch
Layak
120 bpm • C Maj • 04:41 • -9.81db
49% Popularity • 64% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 64% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Mohit Lalwani
Mera Hriday Tum
120 bpm • G min • 07:35 • -12.05db
52% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Kishan Bhagat
Mahakal Ki Gulami
120 bpm • F min • 08:26 • -3.21db
47% Popularity • 69% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 69% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Amit Trivedi
Jaikal Mahakal
120 bpm • C# min • 03:30 • -7.26db
53% Popularity • 75% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 75% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Hansraj Raghuwanshi
Bholenath Ki Shaadi
120 bpm • D Maj • 03:27 • -3.66db
56% Popularity • 87% Danceability • 92% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
56% Popularity • 87% Danceability • 92% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
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Mishra Bandhu
Aisa Damru Bajaya Bhole Nath Ne
120 bpm • F Maj • 05:21 • -3db
40% Popularity • 76% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 76% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Suprabha KV
Tum Prem Ho Kanha By Suprabha KV
120 bpm • D Maj • 05:20 • -7.4db
42% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Mithoon
Soch Liya
120 bpm • G# min • 04:43 • -8db
51% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Kishan Bhagat
Jeena Sikhaya Bholenath Ji
120 bpm • A# Maj • 04:47 • -4.86db
41% Popularity • 85% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 85% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Babla Mehta
Aa Maa Aa Tujhe Dil Ne Pukara
119 bpm • A min • 07:27 • -11db
48% Popularity • 56% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 56% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Brijesh Shandilya
Bajrang Baan Superfast
120 bpm • D# min • 03:51 • -3.88db
38% Popularity • 70% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 70% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Satish Dehra
Shiv Rudrashtakam
121 bpm • B Maj • 05:19 • -6db
55% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 68% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Sundeep Gosswami
Shankar Teri Jata Me
119 bpm • F Maj • 05:07 • -5.56db
28% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Lakhbir Singh Lakkha
Pyara Saja Hai Tera Dwar
122 bpm • C# Maj • 06:40 • -3.36db
59% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 62% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Pritam
Rab Ka Shukrana
122 bpm • A# min • 04:59 • -6.2db
55% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Agam Aggarwal
Shiv Dhun
118 bpm • F# min • 04:09 • -6.5db
44% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Abhijeet
Jhanjharia - Male Version
118 bpm • D Maj • 04:42 • -6.07db
69% Popularity • 73% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
69% Popularity • 73% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Sunidhi Chauhan
Bhage Re Mann
117 bpm • F min • 05:34 • -8.15db
59% Popularity • 69% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 69% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Naresh Narsi
Aacha Lage Se Khatu Shyam
117 bpm • C Maj • 04:57 • -5.71db
46% Popularity • 87% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 87% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Aadarsh Buddy
Shree Ram Chandra Kripalu Bhajman
116 bpm • G# Maj • 02:29 • -3db
52% Popularity • 51% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 51% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Devi Neha Saraswat
Radha Rani Meri Hai
124 bpm • G# Maj • 05:10 • -7.53db
44% Popularity • 67% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 67% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Pujya Prembhushanji Maharaj
Kailash Ke Nivasi Namo Bar Bar Hu
124 bpm • G Maj • 05:27 • -7.7db
35% Popularity • 43% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 43% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Pandavaas
Kedarnath
116 bpm • C Maj • 01:00 • -7.72db
58% Popularity • 65% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
58% Popularity • 65% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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A-Jay M
Bhole Hath Sab Tere
116 bpm • F# Maj • 04:33 • -6.43db
48% Popularity • 75% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 75% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Vinod Rathod
Koi Na Koi Chahiye
124 bpm • B min • 06:23 • -11.12db
62% Popularity • 65% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
62% Popularity • 65% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Sachet Tandon
Hanuman Chalisa
125 bpm • A min • 05:20 • -3db
46% Popularity • 69% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 69% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Maanya Arora
Radhe Radhe
125 bpm • C# Maj • 01:07 • -13.23db
37% Popularity • 81% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 81% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Pujya Prembhushanji Maharaj
Pata Nahi Kis Roop Main Aakar
125 bpm • D min • 03:24 • -9.41db
37% Popularity • 66% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 66% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Salim–Sulaiman
Yeh Honsla
125 bpm • G Maj • 04:47 • -8.14db
47% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Nikhil Verma
Meri Har Baat Ki Chinta
115 bpm • F Maj • 01:41 • -6.87db
49% Popularity • 85% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 85% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Hashtag Pandit
Bholenath Ji
115 bpm • G min • 04:40 • -3.31db
56% Popularity • 80% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 80% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Bucks Boy
JAY SHREE RAM
125 bpm • G Maj • 03:31 • -6.33db
54% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Raj Pareek
Tere Aasre Hai
115 bpm • F# Maj • 04:12 • -9db
38% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Baba Hansraj Raghuwanshi
Chanda Jhaanke
115 bpm • F Maj • 03:38 • -5.37db
27% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Salim–Sulaiman
Maula Mere Lele Meri Jaan
115 bpm • G Maj • 04:48 • -10.37db
53% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 64% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Hansraj Raghuwanshi
Devon Ke Dev
115 bpm • F Maj • 03:43 • -9.62db
49% Popularity • 47% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
49% Popularity • 47% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Surya Raj Kamal
Param Prem Mein Radhika
126 bpm • G# Maj • 04:28 • -12.41db
48% Popularity • 57% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 57% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Gaurav Krishna Goswami
Aayo Nana Gaon Se Khelan
126 bpm • F min • 07:50 • -5.44db
31% Popularity • 59% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 59% Danceability • 95% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Abhilipsa Panda
Devon Ke Dev Tum Mahadev
114 bpm • G Maj • 03:05 • -4.24db
43% Popularity • 74% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 74% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Amaal Mallik
Ghar Se Nikalte Hi
114 bpm • F Maj • 04:42 • -9.77db
57% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Mohit Lalwani
Radhe Shyam Mila De (Keertan)
114 bpm • F# Maj • 05:36 • -7.52db
34% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Agam Aggarwal
Mangal Bhawan - Lofi
126 bpm • C# Maj • 02:54 • -8db
49% Popularity • 43% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
49% Popularity • 43% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Lakhbir Singh Lakkha
Saj Rahe Bhole Baba Nirale Dulhe Mein
114 bpm • F# Maj • 08:24 • -3db
45% Popularity • 58% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 58% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Gaurav Krishna Goswami
Aaj Rang Baras Raha
126 bpm • A# Maj • 09:18 • -6.06db
31% Popularity • 58% Danceability • 91% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 58% Danceability • 91% Energy • 66% Liveness
0% Instrumentalness • 54% Positiveness
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Ankit Tiwari
Tay Hai
127 bpm • C Maj • 03:47 • -12.26db
52% Popularity • 39% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 39% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jubin Nautiyal
Govind Bolo
127 bpm • D Maj • 02:30 • -11db
59% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
59% Popularity • 50% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Shankar Mahadevan
Mourya Re
113 bpm • B Maj • 05:50 • -6.57db
50% Popularity • 68% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 68% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jagjit Singh
Chithi Na Koi Sandesh
113 bpm • E Maj • 06:39 • -11.46db
41% Popularity • 81% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 81% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Lakhbir Singh Lakkha
Hanuman Tumhara Kya Kehna
113 bpm • A# Maj • 08:41 • -13db
45% Popularity • 74% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 74% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Maanya Arora
Shree Krishna Govind Hare Murari
113 bpm • C# Maj • 05:28 • -5.21db
58% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Sachin Pilgaonkar
Zindagi Zindagi
113 bpm • D Maj • 04:42 • -5.81db
52% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 54% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Anweshaa
Jalte Diye
128 bpm • A Maj • 05:36 • -6.76db
53% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Agam Aggarwal
Shree Hari Stotram
128 bpm • C Maj • 04:57 • -6db
59% Popularity • 66% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 66% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Hansraj Raghuwanshi
Bholenath Se Pyar
112 bpm • D Maj • 04:27 • -4.62db
49% Popularity • 75% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 75% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Lakhbir Singh Lakkha
Amrit Ki Barse Badariya
128 bpm • C# Maj • 06:48 • -3.06db
51% Popularity • 50% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 50% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Nikhil Verma
Radha Meera
128 bpm • C min • 03:21 • -9.78db
41% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Mridul Krishan Shastri
Chhoti Chhoti Gaiya Chhote Chhote Gwal
112 bpm • C# Maj • 10:05 • -8db
42% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Pankaj Udhas
Jeeye to Jeeye Kaise
129 bpm • C Maj • 03:29 • -11.97db
48% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 49% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Jainen
Tera Naam Sherowali
129 bpm • A Maj • 02:00 • -9db
56% Popularity • 60% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 60% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Javed Bashir
Aaj Ibaadat
112 bpm • D# Maj • 04:44 • -5.03db
52% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Siddharth Mohan
Mere Satguru Ji
130 bpm • E Maj • 03:31 • -8.94db
46% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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A-Jay M
Bhole Baba Pahadon Ke Raja
111 bpm • E Maj • 03:31 • -7db
41% Popularity • 69% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
41% Popularity • 69% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Himesh Reshammiya
Aap Ki Kashish
111 bpm • G# min • 05:33 • -7.41db
61% Popularity • 69% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
61% Popularity • 69% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Salim–Sulaiman
Jai Shankar Maharaj
130 bpm • D Maj • 04:35 • -4.91db
37% Popularity • 55% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 55% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Abhilipsa Panda
Shankara
130 bpm • E min • 03:10 • -5db
35% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Shankar Mahadevan
Breathless Hanuman Chalisa
130 bpm • A Maj • 03:45 • -8.7db
63% Popularity • 75% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 75% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Madhavas Rock Band
Govind Bolo
130 bpm • B min • 04:18 • -5.6db
44% Popularity • 66% Danceability • 91% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
44% Popularity • 66% Danceability • 91% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
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Indresh Upadhyay
Jaadu Karke
130 bpm • A# Maj • 07:48 • -8.66db
43% Popularity • 62% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 62% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Kishan Bhagat
Mahakal Ki Nagari Main Makan
130 bpm • A# min • 07:39 • -4.44db
33% Popularity • 74% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 74% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Govind Krsna Das
Tera Shukriya hai
130 bpm • F Maj • 07:19 • -9db
41% Popularity • 63% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 63% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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Surya Raj Kamal
Jahan Jahan Radhe Waha Jayenge Murari (R...
130 bpm • B min • 04:16 • -7.06db
48% Popularity • 63% Danceability • 87% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 63% Danceability • 87% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Sukhwinder Singh
Maay Bhavani
130 bpm • A# Maj • 04:18 • -6.66db
53% Popularity • 48% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 48% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Narci
Narayan
130 bpm • A# min • 06:27 • -16.6db
54% Popularity • 74% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
54% Popularity • 74% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Mika Singh
Sawan Mein Lag Gayi Aag
130 bpm • C Maj • 03:46 • -3.69db
59% Popularity • 79% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
59% Popularity • 79% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Pujya Prembhushanji Maharaj
Shri Ram Ko Dekhkar Shri Janak Nandini
130 bpm • D# Maj • 04:51 • -7.8db
47% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Salim–Sulaiman
Shiv Shiv Bole Ja
130 bpm • A Maj • 03:01 • -8.29db
41% Popularity • 35% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 35% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sirazee
Aag Lage Chahe Basti Mai
110 bpm • A Maj • 02:22 • -8.58db
43% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Jainen
Yahan koi nahi apna (Rehmat)
130 bpm • D# min • 06:19 • -12db
44% Popularity • 37% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
44% Popularity • 37% Danceability • 28% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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Rasraj Ji Maharaj
Bajrang Baan-Lofi
110 bpm • F min • 03:37 • -7.21db
71% Popularity • 75% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 75% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Narendra Chanchal
Nange Nange Paon Chal Aa Gaya Ri
110 bpm • D Maj • 07:45 • -4.14db
51% Popularity • 59% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 59% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Sachet Tandon
Raghupati Raghav Raja Ram
110 bpm • C Maj • 03:16 • -6.26db
53% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Madhavas Rock Band
Kanha Re, Kanha Re
110 bpm • C min • 05:10 • -8.42db
39% Popularity • 73% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 73% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Agam Aggarwal
Achha Lagta Hai
110 bpm • G Maj • 04:08 • -7.15db
46% Popularity • 78% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 78% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 87% Positiveness
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Hashtag Pandit
Namo Namah Shivaya
110 bpm • G min • 04:50 • -3.33db
38% Popularity • 75% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 75% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Mehul Vyas
Shankara Re Shankara
110 bpm • A# min • 03:31 • -3.53db
44% Popularity • 64% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 64% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Mohit Lalwani
Radhakrishna Naamawali Chant
110 bpm • E Maj • 08:22 • -12db
61% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 69% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lakhbir Singh Lakkha
Keejo Kesari Ke Laal
110 bpm • B Maj • 03:41 • -9.98db
58% Popularity • 81% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 81% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Hansraj Raghuwanshi
Sohna Nazara Bhawna Da
110 bpm • C# Maj • 06:17 • -1.39db
44% Popularity • 63% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 63% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Agam Aggarwal
Raghunandan
110 bpm • F min • 05:24 • -11.24db
46% Popularity • 78% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 78% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Hemant Chauhan
Shiv Stuti Umapati Maheshwaram Namami Sh...
110 bpm • C Maj • 04:02 • -6.94db
49% Popularity • 72% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 72% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Aishwarya Anand
Tum Prem Ho
110 bpm • D# Maj • 04:48 • -9db
56% Popularity • 64% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 64% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Sumedh Mudgalkar
Mere Paas Tum Raho
110 bpm • F Maj • 03:29 • -9db
57% Popularity • 65% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 65% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Maanya Arora
Mera apki kripa se
110 bpm • F# Maj • 05:06 • -5.22db
38% Popularity • 60% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 60% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Hansraj Raghuwanshi
Bam Bam Bhole
131 bpm • D Maj • 04:27 • -4.85db
39% Popularity • 63% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 63% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
