Songs like Dançar na corda bamba by Clã
Based on a tempo of (+/- 10%) and a similar genre
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Clã
Dançar na corda bamba
138 bpm • E Maj • 03:16 • -5.64db
23% Popularity • 53% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 53% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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António Variações
... O corpo é que paga
138 bpm • C Maj • 03:12 • -5.66db
42% Popularity • 74% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 74% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Iris
Atira' Tó Mar...
138 bpm • G Maj • 04:01 • -6.8db
34% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Peste & Sida
Paulinha
138 bpm • A Maj • 04:21 • -4.7db
31% Popularity • 40% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 40% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Rui Veloso
Beirã
138 bpm • C# min • 04:46 • -11.7db
27% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 67% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Rio Grande
O sobrescrito
138 bpm • F Maj • 03:36 • -8.13db
15% Popularity • 56% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 56% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Clã
Bem versus mal
138 bpm • A Maj • 04:03 • -7.1db
3% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
3% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Vitorino
Menina estás à janela
138 bpm • D Maj • 02:07 • -19.77db
30% Popularity • 34% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
30% Popularity • 34% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 37% Positiveness
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GNR
Ana Lee
137 bpm • E Maj • 03:17 • -15.15db
26% Popularity • 68% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 68% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Trovante
Fizeram os dias assim
137 bpm • C min • 02:55 • -9.7db
27% Popularity • 53% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 53% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Cláudia Pascoal
Espalha Brasas
137 bpm • B Maj • 03:15 • -8.07db
27% Popularity • 93% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 93% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Carlos Paião
Playback
139 bpm • A min • 03:06 • -6.42db
36% Popularity • 87% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 87% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ena Pá 2000
Marilú
139 bpm • D Maj • 04:20 • -12.43db
28% Popularity • 61% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 61% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Pólo Norte
Pura Inocência
137 bpm • A min • 03:38 • -5.67db
29% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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GNR
Sub-16
137 bpm • C Maj • 03:21 • -3.99db
32% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 64% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Virgem Suta
Dança de Balcão
139 bpm • F# min • 03:26 • -8db
34% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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David Fonseca
Superstars II
139 bpm • G Maj • 04:08 • -6.71db
28% Popularity • 61% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
28% Popularity • 61% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Trovante
Saudade
137 bpm • C Maj • 04:51 • -9.56db
14% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Deolinda
Movimento Perpétuo Associativo
136 bpm • A Maj • 02:31 • -8.17db
33% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 63% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Taxi
É-Me Igual
136 bpm • C# min • 03:17 • -10.75db
24% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 66% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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GNR
Ana Lee
137 bpm • E Maj • 03:19 • -6.72db
37% Popularity • 68% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 68% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Sitiados
...O corpo é que paga
136 bpm • G Maj • 04:21 • -9.75db
10% Popularity • 62% Danceability • 77% Energy • 52% Liveness
5% Instrumentalness • 59% Positiveness
10% Popularity • 62% Danceability • 77% Energy • 52% Liveness
5% Instrumentalness • 59% Positiveness
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Luís Represas
Fora de tempo
140 bpm • D Maj • 04:02 • -16db
16% Popularity • 65% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 65% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Susana Félix
Flutuo
140 bpm • A min • 03:00 • -10db
20% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 43% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Da Weasel
Dúia
140 bpm • C Maj • 04:56 • -13db
37% Popularity • 88% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 88% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Quinta Do Bill
Os Filhos Da Nação
140 bpm • C Maj • 03:05 • -9.68db
41% Popularity • 58% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 58% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Virgem Suta
A Lei
136 bpm • A min • 02:11 • -6.62db
24% Popularity • 74% Danceability • 74% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 74% Danceability • 74% Energy • 49% Liveness
0% Instrumentalness • 62% Positiveness
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Pólo Norte
Se Eu Voltasse Atrás
140 bpm • G Maj • 03:29 • -11db
25% Popularity • 54% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
25% Popularity • 54% Danceability • 30% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Lena d’Água
1986 - Electrificados
136 bpm • D Maj • 02:25 • -8.65db
21% Popularity • 62% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 62% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 78% Positiveness
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Ala Dos Namorados
Fim do mundo (E ao cabo do teu ser)
140 bpm • C# min • 03:01 • -5.83db
32% Popularity • 62% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 62% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Samuel Uria
Chamar a Música
140 bpm • G Maj • 03:34 • -13.18db
29% Popularity • 70% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Clã
Tempo-Espaço
140 bpm • G Maj • 04:09 • -8.38db
7% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Virgem Suta
Vovó Joaquina
140 bpm • F Maj • 03:23 • -5.07db
10% Popularity • 70% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 70% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Pólo Norte
Aprender A Ser Feliz
136 bpm • A Maj • 03:54 • -5.78db
23% Popularity • 30% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 30% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Lena d’Água
Dou-te Um Doce
136 bpm • C Maj • 03:07 • -5.77db
15% Popularity • 77% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 77% Danceability • 63% Energy • 46% Liveness
0% Instrumentalness • 93% Positiveness
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Toranja
Doce No Chão
140 bpm • E Maj • 02:00 • -6.9db
19% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 81% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Samuel Uria
Aeromoço
140 bpm • C Maj • 03:04 • -8.52db
21% Popularity • 56% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
21% Popularity • 56% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
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Foge Foge Bandido
Canal Zero
136 bpm • D min • 01:16 • -13db
27% Popularity • 77% Danceability • 31% Energy • 18% Liveness
13% Instrumentalness • 96% Positiveness
27% Popularity • 77% Danceability • 31% Energy • 18% Liveness
13% Instrumentalness • 96% Positiveness
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Márcia
Bom destino
140 bpm • A Maj • 03:02 • -8.93db
25% Popularity • 68% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 68% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Sitiados
O Circo
136 bpm • D Maj • 03:52 • -8.59db
16% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 57% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Carlos Paião
Eu não sou poeta
136 bpm • C Maj • 02:58 • -4.6db
22% Popularity • 53% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 53% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Ritual Tejo
Foram Cardos Foram Prosas
135 bpm • G Maj • 04:06 • -5.64db
19% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Pólo Norte
Vou P'ra Longe
141 bpm • G Maj • 03:20 • -6db
21% Popularity • 56% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 56% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Cassete Pirata
Ferro e Brasa
135 bpm • G min • 04:26 • -6db
27% Popularity • 54% Danceability • 89% Energy • 24% Liveness
5% Instrumentalness • 61% Positiveness
27% Popularity • 54% Danceability • 89% Energy • 24% Liveness
5% Instrumentalness • 61% Positiveness
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Trovante
Peter's
135 bpm • D Maj • 04:22 • -10.26db
10% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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David Fonseca
Deixa Ser
135 bpm • A min • 04:53 • -8.37db
27% Popularity • 43% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
27% Popularity • 43% Danceability • 47% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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Ala Dos Namorados
Solta-se o beijo - Ao Vivo
134 bpm • D min • 04:43 • -6.23db
35% Popularity • 54% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 54% Danceability • 74% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
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Ritual Tejo
Foram cardos foram prosas
135 bpm • G Maj • 04:09 • -9.55db
10% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Rui Veloso
Máquina Zero
142 bpm • A Maj • 02:49 • -5.11db
28% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 63% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Manuela Moura Guedes
Foram cardos, foram prosas
135 bpm • C Maj • 03:50 • -6.76db
28% Popularity • 63% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
28% Popularity • 63% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
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Clã
Carrossel dos esquisitos
134 bpm • G min • 03:12 • -4.39db
8% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Rio Grande
Fui às sortes e safei-me
134 bpm • A Maj • 03:07 • -8.24db
21% Popularity • 61% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 61% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Toranja
Por Trás Do Fim
142 bpm • G Maj • 02:57 • -7.46db
15% Popularity • 57% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 57% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Sitiados
A Noite
142 bpm • E min • 04:11 • -7.97db
21% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Anaquim
Livro de Reclamações
142 bpm • C Maj • 03:34 • -6.12db
12% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Foge Foge Bandido
Borboleta
142 bpm • B min • 04:15 • -10.12db
27% Popularity • 73% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 73% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
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Ricardo Azevedo
Pequeno T2
142 bpm • E Maj • 02:40 • -4.63db
21% Popularity • 70% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 70% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Silence 4
Dying Young
134 bpm • D Maj • 02:44 • -7.76db
23% Popularity • 73% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 73% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Toranja
(Sufoco) Dá-me Ar
142 bpm • F# min • 02:39 • -8.72db
29% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Radar Kadafi
40º À Sombra
134 bpm • E Maj • 04:00 • -11.23db
30% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 74% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Virgem Suta
Tomo Conta Desta Tua Casa
134 bpm • G Maj • 02:44 • -4.39db
31% Popularity • 73% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 73% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Humanos
O Corpo é Que Paga - Ao Vivo
134 bpm • A Maj • 03:13 • -5.32db
10% Popularity • 42% Danceability • 99% Energy • 75% Liveness
21% Instrumentalness • 52% Positiveness
10% Popularity • 42% Danceability • 99% Energy • 75% Liveness
21% Instrumentalness • 52% Positiveness
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Deolinda
Desavindos
142 bpm • D Maj • 02:44 • -13.6db
32% Popularity • 38% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 38% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Silence 4
My Friends
142 bpm • A Maj • 03:59 • -7.19db
35% Popularity • 75% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 75% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 85% Positiveness
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Rádio Macau
Cidade fantasma
142 bpm • G Maj • 04:12 • -16db
22% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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António Variações
Anjinho da guarda
133 bpm • C Maj • 04:53 • -6db
27% Popularity • 53% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 53% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Clã
Vamos esta noite
133 bpm • F# min • 03:23 • -6.09db
7% Popularity • 65% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 65% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Humanos
Na lama
142 bpm • A Maj • 02:47 • -5db
23% Popularity • 58% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 58% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Cabecas No Ar
Jesus no secundário
143 bpm • B min • 03:04 • -5.3db
13% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Ban
Rosa, Flor
133 bpm • G Maj • 03:51 • -11.19db
10% Popularity • 57% Danceability • 64% Energy • 11% Liveness
36% Instrumentalness • 68% Positiveness
10% Popularity • 57% Danceability • 64% Energy • 11% Liveness
36% Instrumentalness • 68% Positiveness
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Rádio Macau
Entre as Memórias e o Sonho
143 bpm • F Maj • 03:42 • -7.44db
14% Popularity • 61% Danceability • 61% Energy • 10% Liveness
6% Instrumentalness • 61% Positiveness
14% Popularity • 61% Danceability • 61% Energy • 10% Liveness
6% Instrumentalness • 61% Positiveness
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Luís Represas
Da Próxima Vez
133 bpm • D Maj • 04:31 • -10.19db
29% Popularity • 67% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 67% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Deolinda
O Fado Não É Mau
133 bpm • D min • 01:54 • -7db
28% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 70% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Gisela João
O Senhor Extraterrestre
143 bpm • C Maj • 03:24 • -4db
31% Popularity • 56% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 56% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Doce
Amanhã De Manhã
132 bpm • D Maj • 02:59 • -6.45db
44% Popularity • 67% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 67% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 72% Positiveness
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Hands On Approach
My Wonder Moon
133 bpm • G Maj • 03:37 • -11db
36% Popularity • 63% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 63% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Grupo De Baile
Patchouly
132 bpm • E min • 04:12 • -12.62db
26% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Clã
O sorriso de Gioconda
132 bpm • C Maj • 03:22 • -9.5db
3% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 61% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Susana Félix
Mais olhos (que barriga)
144 bpm • C Maj • 03:12 • -6.42db
20% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Carlos Paião
Cinderela
132 bpm • A Maj • 04:14 • -5.66db
41% Popularity • 68% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 68% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Linda Martini
Amor Combate
144 bpm • A min • 04:50 • -5.06db
27% Popularity • 42% Danceability • 84% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
27% Popularity • 42% Danceability • 84% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Os Azeitonas
Pessoas
144 bpm • D Maj • 04:56 • -7.65db
17% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 69% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Rui Veloso
Sei De Uma Camponesa
132 bpm • D Maj • 03:07 • -9.86db
35% Popularity • 72% Danceability • 54% Energy • 28% Liveness
2% Instrumentalness • 92% Positiveness
35% Popularity • 72% Danceability • 54% Energy • 28% Liveness
2% Instrumentalness • 92% Positiveness
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Clã
Amigos de quem
132 bpm • C# Maj • 03:31 • -6.22db
4% Popularity • 58% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 58% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Silence 4
To Give
144 bpm • G Maj • 04:00 • -11.33db
31% Popularity • 54% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 54% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Doce
É Demais
132 bpm • G# min • 03:03 • -7.24db
32% Popularity • 79% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 79% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Diabo Na Cruz
Tão Lindo
145 bpm • F min • 02:16 • -8.7db
28% Popularity • 61% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 61% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Trabalhadores Do Comércio
Chamem A Pulíssia
145 bpm • A min • 03:16 • -5.83db
21% Popularity • 60% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 60% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Mesa
Esquecimento
145 bpm • G Maj • 04:17 • -4.42db
8% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Clã
Melancholia
132 bpm • A Maj • 04:29 • -12.18db
4% Popularity • 64% Danceability • 40% Energy • 18% Liveness
27% Instrumentalness • 27% Positiveness
4% Popularity • 64% Danceability • 40% Energy • 18% Liveness
27% Instrumentalness • 27% Positiveness
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A Fúria Do Açúcar
Eu Gosto É Do Verão
145 bpm • F# Maj • 03:20 • -7.92db
37% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Despe E Siga
Bué de Baldas
145 bpm • G min • 03:19 • -9.36db
19% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Filarmonica Gil
Deixa-te ficar em minha casa
145 bpm • E Maj • 03:21 • -11db
27% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Márcia
Cabra-cega
131 bpm • C# min • 05:01 • -9.33db
15% Popularity • 94% Danceability • 53% Energy • 7% Liveness
24% Instrumentalness • 75% Positiveness
15% Popularity • 94% Danceability • 53% Energy • 7% Liveness
24% Instrumentalness • 75% Positiveness
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GNR
Impressões digitais
131 bpm • C Maj • 04:07 • -13.68db
22% Popularity • 80% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 80% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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Deolinda
Contado Ninguém Acredita
145 bpm • A Maj • 03:50 • -8.55db
20% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 61% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Sitiados
Vida De Marinheiro
145 bpm • A Maj • 03:34 • -7.63db
33% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 63% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Clã
A doença do bem
145 bpm • B min • 04:04 • -7.96db
3% Popularity • 33% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 33% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
