Songs like Dance of the Computers by Jason Farnham
Based on a tempo of (+/- 10%) and a similar genre
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Jason Farnham
Dance of the Computers
105 bpm • G Maj • 01:54 • -15.84db
0% Popularity • 85% Danceability • 62% Energy • 15% Liveness
2% Instrumentalness • 63% Positiveness
0% Popularity • 85% Danceability • 62% Energy • 15% Liveness
2% Instrumentalness • 63% Positiveness
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Jim Chappell
Otherwise
105 bpm • D min • 03:09 • -18.21db
28% Popularity • 52% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 52% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Ann Sweeten
Looking Back
106 bpm • C Maj • 05:09 • -15.53db
21% Popularity • 33% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
21% Popularity • 33% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Maria Paloma
Fault in the Stars
106 bpm • D Maj • 02:37 • -20db
21% Popularity • 54% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
21% Popularity • 54% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Ballet L'école
Quicker Tendu - Minuet 2
106 bpm • G Maj • 01:01 • -25.2db
49% Popularity • 55% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 84% Positiveness
49% Popularity • 55% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 84% Positiveness
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Jason Farnham
Moonbeams - Acoustic
104 bpm • G Maj • 04:31 • -13db
24% Popularity • 41% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 15% Positiveness
24% Popularity • 41% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 15% Positiveness
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William Rhapsody
Rest in My Arms - Relaxing Music for Tra...
106 bpm • D Maj • 02:41 • -24db
26% Popularity • 62% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
26% Popularity • 62% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 22% Positiveness
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Paul Michael Meredith
Daybreak
103 bpm • D Maj • 04:15 • -19.14db
16% Popularity • 35% Danceability • 27% Energy • 97% Liveness
86% Instrumentalness • 11% Positiveness
16% Popularity • 35% Danceability • 27% Energy • 97% Liveness
86% Instrumentalness • 11% Positiveness
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Royal Wedding Orchestra
Liszt - Nocturne n.3 Classic Love Song
103 bpm • C min • 04:21 • -22.3db
27% Popularity • 48% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
27% Popularity • 48% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 23% Positiveness
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Spacemusic
Settling In
108 bpm • A Maj • 02:24 • -14.4db
13% Popularity • 53% Danceability • 8% Energy • 19% Liveness
88% Instrumentalness • 18% Positiveness
13% Popularity • 53% Danceability • 8% Energy • 19% Liveness
88% Instrumentalness • 18% Positiveness
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Tami Briggs
Let There Be Peace on Earth
108 bpm • C Maj • 04:16 • -26db
9% Popularity • 40% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
9% Popularity • 40% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Open Sound
Fairies
108 bpm • E min • 02:34 • -22.39db
18% Popularity • 63% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 67% Positiveness
18% Popularity • 63% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 67% Positiveness
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Laura Silberberg
Suite pour orchestre No 3: Air sur la co...
108 bpm • D Maj • 02:53 • -22.41db
27% Popularity • 47% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
27% Popularity • 47% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Paul Michael Meredith
Softly
107 bpm • F Maj • 04:15 • -16.71db
14% Popularity • 49% Danceability • 23% Energy • 39% Liveness
96% Instrumentalness • 20% Positiveness
14% Popularity • 49% Danceability • 23% Energy • 39% Liveness
96% Instrumentalness • 20% Positiveness
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Jim Chappell
Jeremy's Loss
108 bpm • G Maj • 01:48 • -20.97db
21% Popularity • 26% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 26% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Laura Sullivan
Coral Castle
108 bpm • D Maj • 07:22 • -18.52db
19% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
19% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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クラシックバレエ クラブ
Balances 4/4 for Ballet Class
109 bpm • D Maj • 01:29 • -14.93db
24% Popularity • 37% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 72% Positiveness
24% Popularity • 37% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 72% Positiveness
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Jason Farnham
21st Century Waltz
101 bpm • D Maj • 03:26 • -15.91db
0% Popularity • 46% Danceability • 17% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
0% Popularity • 46% Danceability • 17% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
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Royal Wedding Orchestra
Enchanted River
109 bpm • C Maj • 03:14 • -24db
31% Popularity • 33% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
31% Popularity • 33% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Paul Michael Meredith
Gentle Breeze
102 bpm • D Maj • 03:34 • -19.36db
25% Popularity • 39% Danceability • 17% Energy • 75% Liveness
91% Instrumentalness • 38% Positiveness
25% Popularity • 39% Danceability • 17% Energy • 75% Liveness
91% Instrumentalness • 38% Positiveness
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Jennifer Haines
Softly And Tenderly
109 bpm • G# Maj • 03:13 • -17db
13% Popularity • 42% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
13% Popularity • 42% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
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Jane Leslie
Flowing Waters
109 bpm • D# Maj • 03:49 • -23.23db
34% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
34% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Solomon Keal
Memories
109 bpm • G Maj • 04:04 • -25db
12% Popularity • 41% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
12% Popularity • 41% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 11% Positiveness
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Jason Farnham
Summer In Athens, Ohio
109 bpm • D Maj • 04:00 • -11.15db
21% Popularity • 45% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
21% Popularity • 45% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
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Relaxing Piano Group
Fulfilling Life
109 bpm • C Maj • 05:07 • -19.94db
17% Popularity • 35% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
17% Popularity • 35% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 5% Positiveness
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Paul Michael Meredith
Companion
108 bpm • D Maj • 04:37 • -17.11db
15% Popularity • 35% Danceability • 24% Energy • 26% Liveness
83% Instrumentalness • 22% Positiveness
15% Popularity • 35% Danceability • 24% Energy • 26% Liveness
83% Instrumentalness • 22% Positiveness
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Fiona Joy Hawkins
Escarpment Dreaming
110 bpm • E min • 03:25 • -21db
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Kevin Kern
Wending Our Way Home
110 bpm • D# Maj • 04:31 • -16.55db
21% Popularity • 61% Danceability • 23% Energy • 19% Liveness
86% Instrumentalness • 26% Positiveness
21% Popularity • 61% Danceability • 23% Energy • 19% Liveness
86% Instrumentalness • 26% Positiveness
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Solomon Keal
Surrender
109 bpm • A min • 05:48 • -19db
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
32% Popularity • 45% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Craig Riley
This Perfect Moment - Self Awareness and...
110 bpm • A# Maj • 02:53 • -20db
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Paul Michael Meredith
Walk In The Sun
110 bpm • C Maj • 05:26 • -16.13db
13% Popularity • 42% Danceability • 24% Energy • 22% Liveness
83% Instrumentalness • 29% Positiveness
13% Popularity • 42% Danceability • 24% Energy • 22% Liveness
83% Instrumentalness • 29% Positiveness
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Fiona Joy Hawkins
Portrait of a Waterfall Reprise
110 bpm • D Maj • 03:10 • -22.59db
16% Popularity • 35% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
16% Popularity • 35% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Isaac Shepard
Bonfires at Doheny
100 bpm • D Maj • 03:20 • -23.32db
47% Popularity • 56% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
47% Popularity • 56% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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David Lanz
A Song of Soul
100 bpm • F Maj • 03:50 • -18.18db
9% Popularity • 36% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
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Kevin Kern
I am Always Right Here
100 bpm • C# Maj • 03:34 • -15.74db
24% Popularity • 58% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 24% Positiveness
24% Popularity • 58% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 24% Positiveness
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Craig Riley
Change of Pace - Deep Sleep and Complete...
100 bpm • B Maj • 02:42 • -15.41db
26% Popularity • 71% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
26% Popularity • 71% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
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Paul Michael Meredith
Amber Dawn
110 bpm • D min • 04:03 • -17.19db
23% Popularity • 50% Danceability • 21% Energy • 18% Liveness
80% Instrumentalness • 39% Positiveness
23% Popularity • 50% Danceability • 21% Energy • 18% Liveness
80% Instrumentalness • 39% Positiveness
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Simplicity
The Prayer
100 bpm • C Maj • 03:02 • -15.86db
22% Popularity • 44% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 43% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 43% Positiveness
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Jason Farnham
Symphony of Goodbyes
100 bpm • A Maj • 02:38 • -18.87db
1% Popularity • 21% Danceability • 7% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
1% Popularity • 21% Danceability • 7% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
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Joe Bongiorno
Once a Child
111 bpm • C Maj • 03:01 • -26.19db
30% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
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Kevin Kern
A Gentle Whisper
100 bpm • F# min • 04:01 • -20.59db
20% Popularity • 41% Danceability • 7% Energy • 34% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 34% Liveness
92% Instrumentalness • 10% Positiveness
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Craig Riley
A Living Dream - Deep Relaxation and Hea...
100 bpm • A Maj • 03:11 • -16.98db
23% Popularity • 57% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 36% Positiveness
23% Popularity • 57% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 36% Positiveness
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Paul Michael Meredith
Shadow and Light
100 bpm • F Maj • 05:20 • -16.52db
18% Popularity • 36% Danceability • 20% Energy • 40% Liveness
85% Instrumentalness • 24% Positiveness
18% Popularity • 36% Danceability • 20% Energy • 40% Liveness
85% Instrumentalness • 24% Positiveness
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Simplicity
Natural White Noise
111 bpm • E min • 05:59 • -16.72db
21% Popularity • 17% Danceability • 22% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 22% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
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Jason Farnham
Santa Ynez
111 bpm • D# Maj • 04:04 • -12.54db
3% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
3% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
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Martin Jacoby
In Limerence
99 bpm • G min • 02:26 • -21.47db
20% Popularity • 41% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
20% Popularity • 41% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Kevin Kern
Blossom on the Wind
100 bpm • F# min • 03:59 • -16.33db
16% Popularity • 32% Danceability • 13% Energy • 36% Liveness
59% Instrumentalness • 13% Positiveness
16% Popularity • 32% Danceability • 13% Energy • 36% Liveness
59% Instrumentalness • 13% Positiveness
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Greg Maroney
Wind Chimes
99 bpm • B Maj • 03:34 • -16.81db
11% Popularity • 24% Danceability • 22% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 22% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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クラシックバレエ クラブ
Assembles 12/8
111 bpm • A Maj • 01:27 • -16.85db
17% Popularity • 39% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
17% Popularity • 39% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Air and Simple Gifts
Bach Musette
111 bpm • A Maj • 02:06 • -20.91db
26% Popularity • 54% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 83% Positiveness
26% Popularity • 54% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 83% Positiveness
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Carly Reese
Alba
99 bpm • E Maj • 02:53 • -23.34db
35% Popularity • 53% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
35% Popularity • 53% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Meditation Nation
Crystal Structure
112 bpm • A min • 01:21 • -23.11db
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 89% Positiveness
26% Popularity • 46% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 89% Positiveness
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Ballet L'école
Tendu - Turkish March for Ballet Class
112 bpm • D Maj • 02:21 • -20db
37% Popularity • 57% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 68% Positiveness
37% Popularity • 57% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 68% Positiveness
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Joe Bongiorno
Face to Face
99 bpm • C# Maj • 04:02 • -22.13db
20% Popularity • 46% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
20% Popularity • 46% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Greg Maroney
Spring Breeze
112 bpm • D# Maj • 04:01 • -15.79db
11% Popularity • 25% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
11% Popularity • 25% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Ann Sweeten
Summer Tomorrows
99 bpm • F Maj • 04:13 • -17.03db
22% Popularity • 23% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
22% Popularity • 23% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Martin Jacoby
Blue Lines
112 bpm • F Maj • 02:26 • -28.81db
27% Popularity • 54% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 54% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Paul Michael Meredith
Full Bloom
112 bpm • C Maj • 03:27 • -15.39db
16% Popularity • 41% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
16% Popularity • 41% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
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David Lanz
Sunset over Nordland
99 bpm • G Maj • 04:12 • -22.04db
13% Popularity • 35% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
13% Popularity • 35% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
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Kevin Kern
Children at Play
98 bpm • C Maj • 05:07 • -14.45db
18% Popularity • 54% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
18% Popularity • 54% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Air and Simple Gifts
Little Minuet
112 bpm • G Maj • 01:48 • -18.78db
22% Popularity • 59% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 90% Positiveness
22% Popularity • 59% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 90% Positiveness
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蔣勳
日光。寂靜(樂曲)
112 bpm • F# Maj • 04:06 • -18db
10% Popularity • 71% Danceability • 18% Energy • 20% Liveness
93% Instrumentalness • 48% Positiveness
10% Popularity • 71% Danceability • 18% Energy • 20% Liveness
93% Instrumentalness • 48% Positiveness
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Jason Farnham
Enjoy the Journey
112 bpm • D Maj • 03:48 • -13.07db
0% Popularity • 66% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
0% Popularity • 66% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 43% Positiveness
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William Rhapsody
Flickering Candles - For Health and Well...
112 bpm • A# Maj • 02:30 • -27.47db
32% Popularity • 63% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 63% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Silvard
Forever Yours
98 bpm • D Maj • 04:26 • -14.51db
21% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 23% Energy • 10% Liveness
84% Instrumentalness • 21% Positiveness
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Paul Michael Meredith
Morning Mist
112 bpm • D Maj • 05:13 • -20.21db
21% Popularity • 47% Danceability • 22% Energy • 78% Liveness
86% Instrumentalness • 28% Positiveness
21% Popularity • 47% Danceability • 22% Energy • 78% Liveness
86% Instrumentalness • 28% Positiveness
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Maria Paloma
Fifty Shades of Purple
98 bpm • G Maj • 01:35 • -13.85db
19% Popularity • 48% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 41% Positiveness
19% Popularity • 48% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 41% Positiveness
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The Aardvark
Fur Elise
113 bpm • A min • 01:15 • -21db
48% Popularity • 40% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
48% Popularity • 40% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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ピアノ
ショパン - Nocturne
113 bpm • A# Maj • 01:20 • -23.33db
39% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
39% Popularity • 61% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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William Rhapsody
Images and Memories
113 bpm • A# Maj • 02:28 • -27.44db
34% Popularity • 64% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
34% Popularity • 64% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Reuben Correa
Searching for the Tranquil Garden
98 bpm • D Maj • 04:14 • -24.07db
14% Popularity • 41% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
14% Popularity • 41% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Tami Briggs
Peace Blessing
97 bpm • D# Maj • 03:47 • -29.23db
16% Popularity • 41% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
16% Popularity • 41% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Jason Farnham
Moonbeams
97 bpm • G Maj • 03:59 • -13.12db
0% Popularity • 61% Danceability • 49% Energy • 17% Liveness
91% Instrumentalness • 12% Positiveness
0% Popularity • 61% Danceability • 49% Energy • 17% Liveness
91% Instrumentalness • 12% Positiveness
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Steve Hall & Mary Beth Carlson
Solace
113 bpm • F Maj • 01:33 • -21.02db
10% Popularity • 54% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 31% Positiveness
10% Popularity • 54% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 31% Positiveness
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Jim Chappell
Waterside Smiles
97 bpm • C Maj • 02:12 • -21.74db
24% Popularity • 63% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 39% Positiveness
24% Popularity • 63% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 39% Positiveness
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William Rhapsody
A Ripple in Time - For Relaxation and So...
113 bpm • D Maj • 01:33 • -18db
30% Popularity • 49% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 49% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Marco Gonella
Notturno No. 1
97 bpm • A Maj • 03:01 • -19.6db
16% Popularity • 35% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 35% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Steven Snow
Prelude in C (Babies First Classical)
97 bpm • C Maj • 02:44 • -21.81db
33% Popularity • 49% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
33% Popularity • 49% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Meditation Nation
Spiritual Healing
97 bpm • F Maj • 02:05 • -15.32db
25% Popularity • 28% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
25% Popularity • 28% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Tami Briggs
Surrounded by Angels
114 bpm • F Maj • 04:08 • -26.36db
12% Popularity • 32% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
12% Popularity • 32% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Jason Farnham
Enjoy The Silence
114 bpm • G# Maj • 04:20 • -6.68db
2% Popularity • 53% Danceability • 86% Energy • 52% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 53% Danceability • 86% Energy • 52% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Bongiorno
Somewhere Within
114 bpm • A# Maj • 05:23 • -23.46db
14% Popularity • 32% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Alessio De Franzoni
Congedo
114 bpm • F min • 03:02 • -21db
21% Popularity • 46% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
21% Popularity • 46% Danceability • 6% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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Wayne Gratz
White Winter Dusk
96 bpm • A# Maj • 03:07 • -22.71db
11% Popularity • 44% Danceability • 10% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
11% Popularity • 44% Danceability • 10% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
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Paul Michael Meredith
Water's Edge
114 bpm • F Maj • 04:04 • -15.64db
12% Popularity • 50% Danceability • 25% Energy • 97% Liveness
3% Instrumentalness • 23% Positiveness
12% Popularity • 50% Danceability • 25% Energy • 97% Liveness
3% Instrumentalness • 23% Positiveness
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Erik Satie
Gnossiennes: No. 2 - Avec étonnement
115 bpm • F Maj • 02:15 • -25.03db
19% Popularity • 48% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 48% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jason Farnham
Hallelujah
96 bpm • F Maj • 03:59 • -7.86db
1% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Mozart Consort
Quartet No. 15 in D Minor , K. 421: II. ...
96 bpm • D min • 03:49 • -25.38db
16% Popularity • 56% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
16% Popularity • 56% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 27% Positiveness
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Ann Sweeten
Ashes
96 bpm • C Maj • 03:18 • -18.42db
20% Popularity • 36% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
20% Popularity • 36% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Craig Austin
Innocent Heart - Inner Healing and Peace...
96 bpm • C# Maj • 04:44 • -22.93db
10% Popularity • 37% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
10% Popularity • 37% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Paul Michael Meredith
Child's Play
114 bpm • D Maj • 05:37 • -15.81db
20% Popularity • 51% Danceability • 26% Energy • 60% Liveness
51% Instrumentalness • 40% Positiveness
20% Popularity • 51% Danceability • 26% Energy • 60% Liveness
51% Instrumentalness • 40% Positiveness
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Martin Jacoby
Law Of Attraction
96 bpm • D# Maj • 03:40 • -18.07db
11% Popularity • 49% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
11% Popularity • 49% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Simplicity
Meditation Music
96 bpm • F Maj • 02:52 • -20db
39% Popularity • 50% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
39% Popularity • 50% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Robbins Island Music Group
Changing the World
96 bpm • A# Maj • 01:59 • -19.73db
17% Popularity • 42% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
17% Popularity • 42% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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David Lanz
Before The Last Leaf Falls
96 bpm • D Maj • 03:28 • -23.23db
36% Popularity • 57% Danceability • 8% Energy • 6% Liveness
85% Instrumentalness • 12% Positiveness
36% Popularity • 57% Danceability • 8% Energy • 6% Liveness
85% Instrumentalness • 12% Positiveness
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Jason Farnham
Piano of Apprehension
116 bpm • A# Maj • 02:24 • -14.46db
0% Popularity • 62% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
0% Popularity • 62% Danceability • 25% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
