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Dances for Harp and Orchestra, L. 103: 2. Danse pr...
Songs like
Dances for Harp and Orchestra, L. 103: 2. Danse profane
by
Lavinia Meijer
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
142 bpm • G Maj • 06:28 • -30.75db
34% Popularity • 14% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 2...
142 bpm • G Maj • 04:39 • -21.07db
52% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto for 2 Cellos, Strings and Conti...
141 bpm • G min • 03:02 • -15.73db
32% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Paul Lewis
Rosa Mundi
141 bpm • C min • 03:37 • -20db
35% Popularity • 14% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Maud Geffray
A Gentleman's Honor
141 bpm • A min • 04:07 • -14.11db
5% Popularity • 26% Danceability • 39% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Astor Piazzolla
Lo que vendrá
140 bpm • E min • 03:25 • -12.13db
6% Popularity • 43% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 22% Positiveness
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Adolphus Hailstork
3 Spirituals for Orchestra: No. 2. Kum B...
140 bpm • D min • 02:50 • -37.57db
62% Popularity • 14% Danceability • 0% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel / Arr. Grainger: Miroirs, M. 43: V...
140 bpm • C# Maj • 05:27 • -28.18db
20% Popularity • 16% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Sophie Hutchings
Billow Gently
139 bpm • G min • 03:15 • -26db
30% Popularity • 29% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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Maud Geffray
Artificial Moonlight
141 bpm • A min • 07:45 • -10.65db
6% Popularity • 47% Danceability • 57% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Alexandra Streliski
Plus tôt
145 bpm • D Maj • 02:47 • -21db
28% Popularity • 34% Danceability • 25% Energy • 10% Liveness
96% Instrumentalness • 55% Positiveness
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Lavinia Meijer
The Arts and the Hours
141 bpm • C# Maj • 04:22 • -24.29db
18% Popularity • 42% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Carel Kraayenhof
Ñata blanca
139 bpm • D Maj • 03:54 • -17.56db
5% Popularity • 41% Danceability • 12% Energy • 76% Liveness
0% Instrumentalness • 41% Positiveness
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Maurice Ravel
Antar (After N. Rimsky-Korsakov): No. 7....
138 bpm • F Maj • 01:05 • -34db
63% Popularity • 15% Danceability • 1% Energy • 29% Liveness
86% Instrumentalness • 4% Positiveness
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Nico Muhly
Quiet Music
137 bpm • E min • 03:53 • -33.83db
11% Popularity • 37% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Maud Geffray
Under the Sky
140 bpm • A min • 05:00 • -12.31db
6% Popularity • 30% Danceability • 45% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Lavinia Meijer
Nostalgie du pays
144 bpm • G min • 01:54 • -26.57db
20% Popularity • 39% Danceability • 8% Energy • 7% Liveness
94% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
55% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
47% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Marcel Grandjany
Fantaisie sur un Thème de Haydn, Op. 31
135 bpm • G Maj • 07:38 • -28.06db
21% Popularity • 22% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Frederick Delius
Florida Suite: By the River
133 bpm • D# Maj • 07:09 • -27.38db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Tomorrow's Song
133 bpm • F Maj • 03:05 • -36db
46% Popularity • 44% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 17% Positiveness
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Lavinia Meijer
Le onde
150 bpm • D Maj • 04:13 • -26.12db
28% Popularity • 25% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Charles Aznavour
For me Formidable & Formidable
132 bpm • E min • 05:14 • -13.5db
6% Popularity • 50% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
51% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
42% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Philip Glass
Etude No. 9
153 bpm • F min • 03:28 • -23.85db
19% Popularity • 40% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Reinhold Glière
Impromptu for Harp
131 bpm • G# Maj • 04:00 • -26db
18% Popularity • 38% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Lavinia Meijer
Gnossienne No. 2
133 bpm • D min • 02:06 • -34.15db
21% Popularity • 42% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Adès
Colette
131 bpm • C# Maj • 04:09 • -25.18db
38% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Astor Piazzolla
Histoire du Tango: Bordel 1900
155 bpm • A Maj • 04:02 • -12.7db
5% Popularity • 68% Danceability • 35% Energy • 7% Liveness
42% Instrumentalness • 61% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Lavinia Meijer
I Giorni
153 bpm • D Maj • 05:51 • -23.56db
30% Popularity • 33% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Philip Glass
Koyaanisqatsi
129 bpm • D min • 04:10 • -28.06db
20% Popularity • 52% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Ennio Morricone
Love Theme From "Cinema Paradiso" (Arr. ...
129 bpm • A# Maj • 04:21 • -17.17db
24% Popularity • 20% Danceability • 25% Energy • 13% Liveness
47% Instrumentalness • 5% Positiveness
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Luke Howard
Dappled Light
129 bpm • A# min • 04:11 • -21db
48% Popularity • 22% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 9% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier: Book I, BWV 8...
129 bpm • C Maj • 02:17 • -42db
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Lavinia Meijer
Night on the Balcony
130 bpm • C min • 02:42 • -32.21db
33% Popularity • 38% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Nils Frahm
In the Sky and on the Ground
128 bpm • C# Maj • 02:08 • -29.61db
18% Popularity • 50% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 16% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Lavinia Meijer
Nuvole bianche
127 bpm • G# Maj • 05:04 • -23.54db
26% Popularity • 32% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Sinfonia No. 7 in D Minor, MWV N7: I. Al...
125 bpm • F Maj • 05:01 • -21db
0% Popularity • 41% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 43% Positiveness
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Philip Glass
Etude No. 8
124 bpm • A min • 05:05 • -28.03db
16% Popularity • 36% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Michel Legrand
The Thomas Crown Affair: Les moulins de ...
124 bpm • D min • 04:12 • -25.11db
6% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Giya Kancheli
Piano Piece No. 23
162 bpm • F Maj • 01:23 • -35.74db
41% Popularity • 25% Danceability • 0% Energy • 7% Liveness
97% Instrumentalness • 10% Positiveness
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Isaac Albéniz
Mallorca (Barcarola), Op. 202
124 bpm • F min • 06:14 • -27.05db
21% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Lavinia Meijer
La Valse des monstres
123 bpm • B min • 03:34 • -22.56db
29% Popularity • 35% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 34% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
The Swan
123 bpm • G Maj • 02:54 • -18.17db
63% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Michel Legrand
Les Parapluies de Cherbourg: Je ne pourr...
123 bpm • B min • 05:22 • -19.03db
5% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Four Seasons Variation (Arr. for Piano f...
164 bpm • C# Maj • 02:01 • -27db
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Jacques Ibert
6 Pièces pour harpe à pédales: II. Sc...
123 bpm • C# Maj • 03:26 • -28.16db
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Prelude in C Major, BWV 846
122 bpm • C Maj • 02:28 • -27db
50% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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G. I. Gurdjieff
Song of the Fisherwomen
122 bpm • D min • 02:19 • -22.51db
29% Popularity • 60% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Sheku Kanneh-Mason
Myfanwy (Arr. for Solo Cello)
121 bpm • G Maj • 03:39 • -23.89db
45% Popularity • 22% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Anitra's Dan...
168 bpm • E min • 03:22 • -32db
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Dvorák / Transc. Lenaerts: Rusalka, Op....
168 bpm • F# Maj • 05:53 • -26.4db
46% Popularity • 30% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
170 bpm • G# Maj • 05:43 • -33db
43% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Adagio in G Minor (Arr. for Harp and Orc...
175 bpm • C min • 05:00 • -16.16db
54% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Konstantia Gourzi
wind whispers, Op. 85: II. floating leaf
175 bpm • F min • 02:17 • -38db
33% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Florence Beatrice Price
Adoration (Arr. Gray for Violin and Orch...
176 bpm • D Maj • 03:41 • -31.02db
40% Popularity • 9% Danceability • 5% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
62% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K. 467...
179 bpm • F Maj • 07:13 • -28db
63% Popularity • 14% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
177 bpm • C min • 06:02 • -39db
52% Popularity • 16% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
177 bpm • A Maj • 06:20 • -19.82db
4% Popularity • 16% Danceability • 6% Energy • 17% Liveness
88% Instrumentalness • 18% Positiveness
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Philip Glass
Glassworks: Opening
213 bpm • D# Maj • 07:44 • -39.51db
49% Popularity • 7% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Dances for Harp and Orchestra, L. 103: 2. Danse pr...