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Dancin' In The Moonlight
Songs like
Dancin' In The Moonlight (feat. Lauren Alaina)
by
Chris Lane
Based on a tempo of (+/- 10%) and a similar genre
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
59% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Drew Green
She Got That
122 bpm • C Maj • 02:37 • -5.48db
48% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
36% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Deana Carter
Strawberry Wine - 2021 Version
122 bpm • B Maj • 05:19 • -6.09db
35% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Spencer Crandall
Didn't Do
122 bpm • B Maj • 03:17 • -2.35db
45% Popularity • 65% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Niko Moon
EASY TONIGHT
122 bpm • F# Maj • 02:55 • -6.57db
47% Popularity • 80% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Lane
Howdy
122 bpm • F# Maj • 03:39 • -5.89db
25% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Kelsea Ballerini
Blindsided (Yeah, Sure, Okay)
122 bpm • C Maj • 02:47 • -5.62db
59% Popularity • 68% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
66% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Kassi Ashton
Drive You Out Of My Mind
123 bpm • C# min • 03:32 • -2.5db
59% Popularity • 66% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Brian Kelley
See You Next Summer
121 bpm • G# Maj • 02:37 • -4.35db
58% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Carrie Underwood
Crazy Angels
121 bpm • F# min • 02:36 • -5db
44% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
48% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Chase Rice
Bad Day To Be A Cold Beer
124 bpm • E Maj • 03:03 • -4.28db
44% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
61% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
54% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
57% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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BRELAND
Natural
124 bpm • F Maj • 02:41 • -4.21db
41% Popularity • 67% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
73% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Levi Hummon
Good Riddance
120 bpm • A Maj • 02:22 • -5.3db
52% Popularity • 67% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Dylan Marlowe
When I Look Back
120 bpm • B Maj • 02:59 • -5db
49% Popularity • 57% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Lauren Alaina
Thicc As Thieves
120 bpm • G Maj • 02:59 • -2.41db
47% Popularity • 69% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Jordan Davis
Damn Good Time
120 bpm • G# Maj • 02:41 • -6db
58% Popularity • 73% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kelsea Ballerini
HEARTFIRST
120 bpm • C Maj • 03:07 • -5db
56% Popularity • 66% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Brett Eldredge
Hideaway
124 bpm • G# Maj • 02:43 • -5.57db
42% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Corey Kent
Highways
125 bpm • A Maj • 03:24 • -6db
53% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Wallen
Dangerous
119 bpm • G Maj • 02:27 • -4.83db
72% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
76% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
72% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Nate Smith
Sleeve
126 bpm • C Maj • 04:21 • -6db
58% Popularity • 70% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Kyle Clark
Hope It's Hot Out
126 bpm • G# Maj • 02:47 • -6db
58% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Chris Young
Young Love & Saturday Nights
126 bpm • A Maj • 03:16 • -5.3db
48% Popularity • 53% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Jordan Davis
Midnight Crisis
126 bpm • A# Maj • 03:23 • -7db
46% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Dierks Bentley
Something Real
118 bpm • B Maj • 03:57 • -4.68db
51% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
46% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Kelsea Ballerini
Mountain With A View
118 bpm • A# Maj • 02:57 • -7.15db
58% Popularity • 44% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
47% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Tyler Hubbard
Back Then Right Now
127 bpm • G Maj • 03:21 • -4.42db
71% Popularity • 66% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Kane Brown
What Ifs (Remix)
126 bpm • F Maj • 03:11 • -4.98db
41% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Kameron Marlowe
Over Now
117 bpm • C# Maj • 03:41 • -4.31db
60% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Russell Dickerson
She Likes It
127 bpm • E Maj • 02:43 • -12db
61% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Lady A
What A Song Can Do
117 bpm • D# Maj • 03:41 • -5.41db
47% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jade Eagleson
Shakin' In Them Boots
117 bpm • F# Maj • 02:49 • -3.3db
46% Popularity • 59% Danceability • 93% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
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Keith Urban
Wild Hearts
117 bpm • E Maj • 03:02 • -4.14db
56% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Combs
Outrunnin' Your Memory
128 bpm • C# min • 04:14 • -3.42db
64% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Restless Road
Hometown Tonight
128 bpm • C min • 02:48 • -5.06db
36% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ashley Cooke
Sunday Morning Kinda Saturday Night
128 bpm • D Maj • 03:32 • -6.29db
45% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Megan Moroney
I'm Not Pretty
128 bpm • A# Maj • 03:01 • -5.56db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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ERNEST
Flower Shops
128 bpm • G Maj • 03:34 • -6db
72% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Urban
Street Called Main
117 bpm • G# Maj • 03:49 • -6db
45% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
50% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kip Moore
If I Was Your Lover
116 bpm • D Maj • 03:40 • -5.77db
50% Popularity • 60% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
63% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Erin Kinsey
Boys In Boots
116 bpm • F# Maj • 02:54 • -4.84db
44% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Kane Brown
I Can Feel It
116 bpm • D# min • 02:43 • -5.82db
73% Popularity • 53% Danceability • 87% Energy • 3% Liveness
1% Instrumentalness • 55% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
62% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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CHASE WRIGHT
Missing You
116 bpm • F# Maj • 02:48 • -4db
49% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Midland
Longneck Way To Go
129 bpm • F Maj • 03:08 • -4.91db
54% Popularity • 48% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Elle King
Lucky
129 bpm • E Maj • 03:14 • -5db
51% Popularity • 54% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Kylie Morgan
Independent With You
115 bpm • F# Maj • 02:42 • -3db
45% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
35% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
65% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
73% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
55% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Jackson Dean
Fearless - The Echo
130 bpm • D Maj • 03:36 • -6db
57% Popularity • 54% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Carly Pearce
we don't fight anymore
130 bpm • E Maj • 03:40 • -6.52db
73% Popularity • 62% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Chayce Beckham
Keeping Me Up All Night
130 bpm • A Maj • 03:29 • -4.43db
55% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ryan Hurd
Platonic
130 bpm • A# Maj • 02:31 • -7db
42% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Cole Swindell
Stereotype
130 bpm • G Maj • 03:42 • -5.42db
46% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Ingrid Andress
Feel Like This
130 bpm • G Maj • 03:16 • -5db
59% Popularity • 54% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Doleac
Don't It Sound Alright
130 bpm • G Maj • 03:38 • -4.92db
43% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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James Barker Band
On The Water
130 bpm • D Maj • 02:58 • -4.23db
43% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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George Birge
Mind On You
130 bpm • C# Maj • 02:57 • -4.02db
56% Popularity • 58% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Restless Road
Sundown Somewhere
114 bpm • B Maj • 02:42 • -4.13db
53% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Mitchell Tenpenny
To Us It Did
114 bpm • C Maj • 02:45 • -4.76db
50% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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Walker Hayes
U Gurl
114 bpm • D Maj • 02:32 • -5.07db
55% Popularity • 79% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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RaeLynn
Keep Up
114 bpm • F# Maj • 03:04 • -3db
49% Popularity • 66% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Lauren Alaina
It Was Me
114 bpm • F# Maj • 04:43 • -5.97db
23% Popularity • 37% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
67% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Mitchell Tenpenny
Happy and I Hate It
114 bpm • C Maj • 02:34 • -4.9db
51% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Chase Matthew
Love You Again
132 bpm • A# min • 02:53 • -5.32db
72% Popularity • 56% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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Steven Lee Olsen
Outta Yours
112 bpm • E Maj • 02:58 • -5db
52% Popularity • 59% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Hurd
Chasing After You
132 bpm • E Maj • 03:27 • -6.36db
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Niko Moon
DANCE WITH ME
112 bpm • F# Maj • 03:38 • -9.23db
43% Popularity • 82% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Mickey Guyton
Somethin' Bout You
112 bpm • E Maj • 02:36 • -3.41db
47% Popularity • 67% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Miranda Lambert
Strange
112 bpm • F# Maj • 03:31 • -6.98db
48% Popularity • 72% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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High Valley
Do This Life
112 bpm • A Maj • 03:02 • -3.92db
25% Popularity • 59% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
68% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Hunt
Water Under The Bridge
134 bpm • F Maj • 02:49 • -2.7db
63% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Tenille Arts
Last Time Last
111 bpm • A Maj • 03:03 • -3.54db
41% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Dancin' In The Moonlight