Songs like Dancing Doll by Art Adams
Based on a tempo of (+/- 10%) and a similar genre
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Chrome Daddies
Hear My Plea
115 bpm • A Maj • 02:12 • -8.07db
14% Popularity • 64% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 64% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Pat Capocci
Automobile Blues
115 bpm • G Maj • 02:37 • -7.85db
27% Popularity • 85% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 85% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Art Adams
Flat Foot Sam
115 bpm • F Maj • 02:54 • -6.74db
0% Popularity • 62% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 62% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Pat Cupp
I Guess It's Meant That Way
115 bpm • F Maj • 02:26 • -6.19db
9% Popularity • 67% Danceability • 94% Energy • 73% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 67% Danceability • 94% Energy • 73% Liveness
0% Instrumentalness • 92% Positiveness
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Don Willis
Boppin' High School Baby
116 bpm • B Maj • 02:32 • -6.27db
10% Popularity • 52% Danceability • 84% Energy • 39% Liveness
34% Instrumentalness • 66% Positiveness
10% Popularity • 52% Danceability • 84% Energy • 39% Liveness
34% Instrumentalness • 66% Positiveness
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Jan & Dean
Jennie Lee (Jan & Arnie)
114 bpm • A Maj • 02:02 • -5.15db
18% Popularity • 48% Danceability • 92% Energy • 33% Liveness
12% Instrumentalness • 86% Positiveness
18% Popularity • 48% Danceability • 92% Energy • 33% Liveness
12% Instrumentalness • 86% Positiveness
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Vernon Taylor
Your Lovin' Man
114 bpm • G Maj • 01:54 • -7.54db
6% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
6% Popularity • 60% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Bennett & The Sparkletones
Little Turtle
117 bpm • G Maj • 02:02 • -6.46db
6% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
6% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Art Adams
Rock Crazy Baby
115 bpm • D Maj • 01:55 • -6.09db
0% Popularity • 44% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 44% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Sonny Burgess
Thunderbird
117 bpm • A Maj • 02:20 • -7.59db
3% Popularity • 40% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 40% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Ed Bruce
Rock Boppin' Baby
113 bpm • E Maj • 02:16 • -10.36db
7% Popularity • 69% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 69% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Ersel Hickey
Goin' Down That Road
113 bpm • A Maj • 01:50 • -9.38db
17% Popularity • 60% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 60% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Clay
You Look That Good to Me
113 bpm • A Maj • 01:35 • -9.18db
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 49% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Marvin Rainwater
Baby Don't Go
112 bpm • G Maj • 02:07 • -8.45db
10% Popularity • 61% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 61% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Art Adams
Dancing Doll
115 bpm • D Maj • 01:53 • -9.95db
0% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Howie Stange
Real Gone Daddy
118 bpm • G# Maj • 01:52 • -7.13db
10% Popularity • 83% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 83% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Ray Campi
Caterpillar
112 bpm • F Maj • 01:58 • -10.04db
15% Popularity • 59% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 59% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Hayden Thompson
Love My Baby - Remastered 2022
118 bpm • A Maj • 02:09 • -7.99db
12% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 69% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Carl Mann
Rockin' Love
112 bpm • A Maj • 02:30 • -7.27db
11% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Pat Capocci
Jitters
112 bpm • B min • 02:53 • -6.1db
25% Popularity • 72% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 72% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Art Adams
Dancing Doll
115 bpm • D Maj • 01:57 • -4.39db
5% Popularity • 48% Danceability • 94% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
5% Popularity • 48% Danceability • 94% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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The Collins Kids
Just Because - Remastered
118 bpm • A Maj • 01:55 • -6.53db
12% Popularity • 79% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Jack Earls
Let's Bop
112 bpm • A min • 01:55 • -10.31db
6% Popularity • 60% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 60% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Warren Smith
Got Love If You Want It
118 bpm • A Maj • 02:10 • -9db
17% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 72% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Fontaine
Nothin' Shakin'
119 bpm • A# Maj • 02:55 • -7db
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Dean Beard
Rock Around The Town
119 bpm • D Maj • 02:19 • -8.64db
9% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Art Adams
Dancing Doll
114 bpm • D Maj • 01:58 • -5.51db
0% Popularity • 46% Danceability • 92% Energy • 18% Liveness
7% Instrumentalness • 87% Positiveness
0% Popularity • 46% Danceability • 92% Energy • 18% Liveness
7% Instrumentalness • 87% Positiveness
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Johnny Carroll
Wild Wild Women
119 bpm • F# min • 02:02 • -5db
14% Popularity • 80% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 80% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Alton and Jimmy
I Just Don't Know
119 bpm • E Maj • 02:09 • -8db
1% Popularity • 62% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 62% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Jim Beasley & The Charmers
Caught Roped and Tied
111 bpm • G Maj • 02:06 • -5.94db
20% Popularity • 62% Danceability • 91% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
20% Popularity • 62% Danceability • 91% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
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The Planet Rockers
Trouble Up The Road
111 bpm • A Maj • 02:48 • -7.28db
9% Popularity • 76% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 76% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Ronnie Self
Big Town
120 bpm • A Maj • 02:14 • -9db
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 83% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Art Adams
Dancing Doll
114 bpm • A# min • 01:50 • -4.7db
0% Popularity • 70% Danceability • 98% Energy • 39% Liveness
2% Instrumentalness • 79% Positiveness
0% Popularity • 70% Danceability • 98% Energy • 39% Liveness
2% Instrumentalness • 79% Positiveness
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Eddie Bond
Slip, slip, slippin' in
111 bpm • D Maj • 02:10 • -6db
23% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Kip Tyler & His Flips
Ooh Yeah Baby
110 bpm • G Maj • 02:27 • -6.49db
24% Popularity • 52% Danceability • 90% Energy • 18% Liveness
1% Instrumentalness • 92% Positiveness
24% Popularity • 52% Danceability • 90% Energy • 18% Liveness
1% Instrumentalness • 92% Positiveness
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Sanford Clark
Lonesome for a Letter
110 bpm • G Maj • 01:52 • -8.34db
16% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 69% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Don Deal
Don't Push
110 bpm • F# Maj • 02:16 • -6.9db
21% Popularity • 64% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 64% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Ronnie Self
I Ain't Goin' Nowhere
110 bpm • F Maj • 02:42 • -10.46db
8% Popularity • 70% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 70% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Benny Joy
Button Nose
121 bpm • B min • 02:50 • -5db
10% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 68% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Art Adams
Blue Suede Shoes
114 bpm • F min • 01:45 • -4.79db
0% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Round Up Boys
I'm On My Way
109 bpm • E Maj • 02:18 • -7db
16% Popularity • 73% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 73% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Luman
Guitar Picker
122 bpm • E Maj • 02:20 • -3.16db
7% Popularity • 70% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 70% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Carroll
Crazy, Crazy Lovin'
122 bpm • A Maj • 02:17 • -7db
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 80% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Eddie Bond
Blue, blue day
109 bpm • E Maj • 01:46 • -8.71db
15% Popularity • 73% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 73% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Powers
Mama Rock
108 bpm • E min • 01:59 • -9.24db
13% Popularity • 47% Danceability • 65% Energy • 17% Liveness
86% Instrumentalness • 63% Positiveness
13% Popularity • 47% Danceability • 65% Energy • 17% Liveness
86% Instrumentalness • 63% Positiveness
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Art Adams
Rock Crazy Baby
116 bpm • F min • 02:18 • -4.7db
11% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Don Woody
Morse Code
123 bpm • E Maj • 02:28 • -8db
10% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 89% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Billy Lee Riley
I Want You Baby
108 bpm • A Maj • 01:52 • -9.54db
21% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Grady Martin
All I Can Do Is Cry
108 bpm • G min • 02:05 • -4.35db
23% Popularity • 73% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 73% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Alvis Wayne
Don't Mean Maybe Baby
108 bpm • A Maj • 02:21 • -7.82db
8% Popularity • 53% Danceability • 90% Energy • 17% Liveness
2% Instrumentalness • 71% Positiveness
8% Popularity • 53% Danceability • 90% Energy • 17% Liveness
2% Instrumentalness • 71% Positiveness
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Lee Denson
Red Hot Rockin’ Blues
123 bpm • G# Maj • 02:19 • -1.85db
16% Popularity • 62% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 62% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Art Adams
Down in Tennessee
116 bpm • A Maj • 02:15 • -6.72db
0% Popularity • 48% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 48% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Charlie Feathers
Tongue-Tied Jill
107 bpm • F Maj • 01:58 • -5.6db
19% Popularity • 76% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Bond
Boo Bop Da Caa Caa
107 bpm • A Maj • 01:53 • -7.65db
10% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Rockin' Ryan & The Real Goners
Please Tease Louise
124 bpm • A Maj • 02:16 • -4db
10% Popularity • 73% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 73% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Jack Scott
Leroy
106 bpm • A Maj • 02:09 • -11db
23% Popularity • 64% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
23% Popularity • 64% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Curtis Gordon
Draggin'
106 bpm • C Maj • 01:46 • -5db
20% Popularity • 54% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 54% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Art Adams
Indian Joe - Extended Version
117 bpm • F min • 02:15 • -5.25db
0% Popularity • 54% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 54% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Wages
Miss Pearl
106 bpm • G Maj • 02:34 • -9.97db
11% Popularity • 54% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 54% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Bond
Here comes the train
107 bpm • D Maj • 01:36 • -5.86db
23% Popularity • 77% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 77% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Charlie Feathers
Tongue-Tied Jill
106 bpm • F Maj • 01:53 • -10db
9% Popularity • 76% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 76% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby Lee Trammell
Shirley Lee
106 bpm • A Maj • 01:47 • -6.6db
30% Popularity • 64% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
30% Popularity • 64% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Johnny Carroll
Hot Rock
106 bpm • E min • 02:17 • -7.06db
21% Popularity • 85% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 85% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Art Adams
Rock Crazy Baby - Extended Version
118 bpm • F min • 02:16 • -4.71db
0% Popularity • 67% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 67% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Campi
Rockabilly Music
125 bpm • A Maj • 01:56 • -8db
25% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Eddie Bond
Monkey And The Baboon - D
106 bpm • E Maj • 02:02 • -14db
12% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Clay
Sixteen Chicks
105 bpm • F# Maj • 01:59 • -9db
24% Popularity • 64% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 64% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Bob Thompson
Ain't We Got Fun
105 bpm • A Maj • 01:56 • -13.97db
9% Popularity • 67% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 67% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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The Wise Guyz
Do the Crab Bop
105 bpm • A min • 02:35 • -7.67db
20% Popularity • 73% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 73% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Art Adams
Local Interview with the Band 1959
112 bpm • C Maj • 03:15 • -10.74db
0% Popularity • 56% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 56% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Smith
Break Up
105 bpm • F Maj • 01:52 • -8.56db
29% Popularity • 64% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 64% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Ray Campi
Rockabilly Music
126 bpm • D Maj • 01:55 • -4.63db
13% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Hi-Voltage
Bop Billie Baby
105 bpm • C Maj • 02:29 • -6.32db
13% Popularity • 74% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 74% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Andy Starr
Give Me a Woman - Remastered
105 bpm • D Maj • 02:26 • -7db
9% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Dorsey Burnette
Great Shakin' Fever
105 bpm • E Maj • 02:06 • -7.88db
18% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Art Adams
Tear It Up
112 bpm • A# Maj • 02:53 • -7db
0% Popularity • 64% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 64% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Fury
Turn My Back On You
105 bpm • A Maj • 02:28 • -17.53db
20% Popularity • 70% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 70% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Sanford Clark
Every Minute of the Day
126 bpm • G Maj • 02:00 • -4.57db
9% Popularity • 70% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 70% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Ronnie Self
Ain't I'm a Dog
126 bpm • E Maj • 02:17 • -9.02db
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Tommy Sands
The Worryin' Kind
126 bpm • B min • 02:32 • -9db
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Deltas
As you like it
104 bpm • D Maj • 01:42 • -7.78db
14% Popularity • 61% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 61% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Art Adams
Shake Rattle and Roll
111 bpm • G min • 02:20 • -5.02db
0% Popularity • 50% Danceability • 92% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
0% Popularity • 50% Danceability • 92% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
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Ray Smith
Breakup
104 bpm • A# Maj • 01:53 • -4db
12% Popularity • 67% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 67% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Al Ferrier
Let's Go Boppin' Tonight
104 bpm • E Maj • 02:15 • -10.74db
16% Popularity • 42% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 42% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Curtis Gordon
Sittin' on Top
104 bpm • G Maj • 01:51 • -6.2db
14% Popularity • 69% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 69% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Sonny Burgess
We Wanna Boogie - Remastered 2022
104 bpm • E min • 02:24 • -6.49db
30% Popularity • 60% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 60% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny Carroll
Tryin' to Get to You
103 bpm • A Maj • 02:35 • -7.08db
8% Popularity • 62% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 62% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Art Adams
Is a Blue Bird Blue?
108 bpm • F Maj • 02:48 • -5.42db
0% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 68% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Sleepy LaBeef
Baby Let's Play House
103 bpm • E Maj • 02:07 • -9db
27% Popularity • 54% Danceability • 94% Energy • 11% Liveness
45% Instrumentalness • 94% Positiveness
27% Popularity • 54% Danceability • 94% Energy • 11% Liveness
45% Instrumentalness • 94% Positiveness
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Malcolm Yelvington
Yakety Yak
103 bpm • E Maj • 02:38 • -9.72db
25% Popularity • 82% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 82% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Benny Joy
Money Money
128 bpm • E Maj • 02:27 • -8db
14% Popularity • 69% Danceability • 96% Energy • 34% Liveness
83% Instrumentalness • 97% Positiveness
14% Popularity • 69% Danceability • 96% Energy • 34% Liveness
83% Instrumentalness • 97% Positiveness
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Sanford Clark
Usta Be My Baby
103 bpm • G Maj • 02:03 • -6.4db
11% Popularity • 60% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 60% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Mac Curtis
Grandaddy's Rockin'
103 bpm • A# Maj • 02:05 • -6.1db
22% Popularity • 87% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 87% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Art Adams
Good Rockin' Tonight
107 bpm • A Maj • 01:54 • -5.23db
0% Popularity • 67% Danceability • 91% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
0% Popularity • 67% Danceability • 91% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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Jack Earls
Slow Down
102 bpm • C# Maj • 02:19 • -7.95db
17% Popularity • 57% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
17% Popularity • 57% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Charlie Feathers
Nobody's Woman
102 bpm • D Maj • 02:16 • -7.4db
16% Popularity • 84% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 84% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Ray Campi
Rockabilly Rebel
129 bpm • A Maj • 03:20 • -5.57db
18% Popularity • 79% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 79% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Sanford Clark
Nine Pound Hammer
129 bpm • E Maj • 02:23 • -6db
11% Popularity • 66% Danceability • 93% Energy • 21% Liveness
25% Instrumentalness • 96% Positiveness
11% Popularity • 66% Danceability • 93% Energy • 21% Liveness
25% Instrumentalness • 96% Positiveness
