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Dancing in the Dark - triple j Like A Version
Songs like
Dancing in the Dark - triple j Like A Version
by
The Temper Trap
Based on a tempo of (+/- 10%) and a similar genre
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The Temper Trap
Dancing in the Dark - triple j Like A Ve...
147 bpm • B Maj • 03:14 • -6db
39% Popularity • 56% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Bernard Fanning
Wash Me Clean
147 bpm • F Maj • 02:36 • -11.13db
36% Popularity • 48% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Whitlams
Buy Now Pay Later (Charlie No.2)
147 bpm • A# min • 03:46 • -13.87db
35% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Ball Park Music
Surrender
148 bpm • C# Maj • 02:59 • -8.09db
32% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Something For Kate
Blue Bird
148 bpm • G# Maj • 03:51 • -3.65db
21% Popularity • 38% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Methyl Ethel
Cry Me a River - triple j Like A Version
148 bpm • G# min • 05:07 • -7.24db
37% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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LANKS
Numb - triple j Like a Version
148 bpm • D min • 04:12 • -13.89db
27% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mansionair
Seasons (Waiting on You) - triple j Like...
146 bpm • G# min • 02:58 • -9.91db
27% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Whitlams
Royal In The Afternoon
148 bpm • A min • 02:58 • -4.54db
32% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Bluejuice
Shock
146 bpm • D Maj • 02:40 • -3.59db
15% Popularity • 56% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Ocean Alley
Baby Come Back - triple j Like A Version
149 bpm • G# Maj • 04:49 • -9.13db
56% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Kim Churchill
Fighter
145 bpm • F# Maj • 03:17 • -8.53db
29% Popularity • 69% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
38% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The Rions
Night Light
149 bpm • D min • 03:49 • -4.34db
53% Popularity • 53% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Ruby Fields
Redneck Lullaby
145 bpm • G# Maj • 03:23 • -11db
29% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Luca Brasi
How to Make Gravy (Triple J Like a Versi...
145 bpm • G# min • 04:23 • -6.55db
37% Popularity • 24% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Bad//Dreems
Black Fella/Whitefella - triple j Like A...
150 bpm • F Maj • 04:25 • -7.97db
31% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Bluejuice
S.O.S.
150 bpm • D Maj • 03:03 • -5.71db
24% Popularity • 49% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Cub Sport
Come On Mess Me Up
150 bpm • E Maj • 03:23 • -5.6db
51% Popularity • 33% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Allday
Big Yellow Taxi - triple j Like A Versio...
150 bpm • E Maj • 02:49 • -8.28db
37% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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The Whitlams
No Aphrodisiac
150 bpm • D min • 04:19 • -8.27db
48% Popularity • 36% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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The Moving Stills
My Delirium - triple j Like A Version
150 bpm • A min • 04:05 • -7.55db
39% Popularity • 46% Danceability • 73% Energy • 24% Liveness
7% Instrumentalness • 52% Positiveness
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Tyne-James Organ
Better Than This
150 bpm • B Maj • 03:48 • -5.44db
27% Popularity • 52% Danceability • 86% Energy • 14% Liveness
19% Instrumentalness • 52% Positiveness
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Birds Of Tokyo
Without Me - triple j Like A Version
143 bpm • C# Maj • 03:24 • -11db
37% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Philadelphia Grand Jury
The Good News
151 bpm • A# Maj • 02:59 • -3.86db
24% Popularity • 69% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Rions
Halfway Out
143 bpm • G min • 03:18 • -5db
39% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
48% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Drapht
Robbery - triple j Like A Version
143 bpm • G# Maj • 03:40 • -10.15db
28% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Spacey Jane
Straightfaced
143 bpm • C Maj • 03:38 • -5db
46% Popularity • 48% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Jordie Lane
For Everyone
143 bpm • C Maj • 04:21 • -9db
28% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gretta Ray
The Deepest Sighs, the Frankest Shadows ...
152 bpm • C# Maj • 05:14 • -10.65db
30% Popularity • 49% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Tyne-James Organ
I’ll Get By
152 bpm • D# min • 03:01 • -5.61db
15% Popularity • 60% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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The Temper Trap
Need Your Love - Accoustic
142 bpm • D# Maj • 02:52 • -10.78db
18% Popularity • 54% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ball Park Music
Exactly How You Are
141 bpm • A Maj • 03:36 • -5.66db
45% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Abbe May
Pony - triple j Like A Version
141 bpm • F# Maj • 04:23 • -6.64db
29% Popularity • 68% Danceability • 38% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Mansionair
Still Dont Know My Name - triple j Like ...
153 bpm • F Maj • 03:11 • -9.39db
27% Popularity • 32% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lime Cordiale
Robbery
153 bpm • D# min • 03:43 • -7.56db
63% Popularity • 68% Danceability • 75% Energy • 18% Liveness
10% Instrumentalness • 88% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Jungle Giants
Domesticated Man
141 bpm • A# Maj • 03:07 • -4.33db
42% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Boo Seeka
Does This Last
141 bpm • B Maj • 03:32 • -7.07db
36% Popularity • 45% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Didirri
I Can't Get Last Night Out Of My Head
154 bpm • C Maj • 03:15 • -12.28db
35% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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John Butler
Thou Shalt Not Steal
154 bpm • E Maj • 04:50 • -7.82db
27% Popularity • 36% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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The Kooks
She Moves In Her Own Way
153 bpm • G Maj • 02:49 • -5.36db
72% Popularity • 41% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Ruby Fields
Song About A Boy
154 bpm • F Maj • 03:49 • -4.57db
31% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Tyne-James Organ
Overtime
154 bpm • F Maj • 03:25 • -6.29db
14% Popularity • 63% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Pond
Rain - triple j Like a Version
154 bpm • B min • 03:43 • -9.35db
33% Popularity • 51% Danceability • 80% Energy • 27% Liveness
1% Instrumentalness • 58% Positiveness
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Tim Minchin
Exactly How You Are - triple j Like A Ve...
140 bpm • A Maj • 03:19 • -8.51db
31% Popularity • 38% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Cousin Tony's Brand New Firebird
Melbourne Bitter
140 bpm • G Maj • 03:53 • -7.26db
32% Popularity • 53% Danceability • 84% Energy • 32% Liveness
82% Instrumentalness • 62% Positiveness
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Spacey Jane
Lots of Nothing
140 bpm • A Maj • 03:16 • -6.51db
58% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ruby Fields
Dinosaurs
154 bpm • A# Maj • 03:52 • -9db
47% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tyne-James Organ
Not Ready For Love
140 bpm • C# min • 03:16 • -3db
32% Popularity • 49% Danceability • 96% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Evermore
Running
140 bpm • F# Maj • 04:23 • -4.7db
49% Popularity • 41% Danceability • 77% Energy • 5% Liveness
3% Instrumentalness • 20% Positiveness
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Triple One
Time After Time - triple j Like A Versio...
140 bpm • G# Maj • 04:18 • -8.81db
43% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Whitlams
Fall for You
155 bpm • F min • 03:47 • -8.86db
32% Popularity • 56% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Missy Higgins
The Special Two
139 bpm • D Maj • 04:25 • -9.66db
49% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Gang of Youths
Let Me Down Easy
139 bpm • D Maj • 05:19 • -6.88db
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
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Beddy Rays
Better In Blak - triple j Like A Version
156 bpm • C# min • 03:00 • -12.19db
36% Popularity • 31% Danceability • 72% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Evermore
It’s Too Late
139 bpm • G# min • 03:55 • -4.91db
49% Popularity • 54% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Didirri
Bird Sounds
156 bpm • D min • 03:26 • -11.45db
34% Popularity • 43% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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The Grogans
You Really Got Me - triple j Like A Vers...
139 bpm • D Maj • 02:15 • -7.11db
38% Popularity • 44% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Jack Davies and The Bush Chooks
Rosemary Mushrooms
156 bpm • G# Maj • 06:18 • -4.88db
30% Popularity • 38% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Missy Higgins
Carry You
138 bpm • G# Maj • 03:14 • -11.72db
37% Popularity • 45% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Faker
Are You Magnetic?
138 bpm • D Maj • 03:50 • -3.87db
28% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
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King Stingray
Yellow - triple j Like A Version
157 bpm • B Maj • 05:21 • -10.12db
42% Popularity • 21% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ball Park Music
All I Want is You
138 bpm • C Maj • 03:29 • -8db
41% Popularity • 51% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Teenage Dads
Video Killed the Radio Star - triple j L...
138 bpm • A Maj • 03:13 • -9.28db
43% Popularity • 53% Danceability • 62% Energy • 8% Liveness
3% Instrumentalness • 35% Positiveness
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Great Gable
Fireflies - triple j Like A Version
157 bpm • A# Maj • 04:04 • -11.3db
33% Popularity • 34% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Mia Dyson
When The Moment Comes
157 bpm • A Maj • 03:20 • -4.74db
30% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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The Rions
Disassociation
137 bpm • E Maj • 04:08 • -5.83db
43% Popularity • 68% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The Whitlams
I Will Not Go Quietly
137 bpm • C Maj • 03:53 • -5.54db
29% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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The Dreggs
Simple Question
158 bpm • C min • 04:32 • -10.76db
37% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Kingswood
Say My Name - triple j Like A Version
137 bpm • C min • 04:04 • -5.86db
31% Popularity • 60% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Press Club
When You Were Young - triple j Like a Ve...
137 bpm • A min • 03:37 • -8.09db
31% Popularity • 31% Danceability • 78% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
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Ball Park Music
Everything Is Shit Except My Friendship ...
158 bpm • G Maj • 03:13 • -5.77db
34% Popularity • 50% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Ruby Fields
P Plates
158 bpm • C# Maj • 03:27 • -5db
44% Popularity • 50% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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The Terrys
Our Paradise
158 bpm • B min • 03:04 • -5.15db
51% Popularity • 52% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Corby
Miracle Love
136 bpm • G Maj • 04:22 • -8.05db
51% Popularity • 45% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Tones And I
Forever Young - triple j Like A Version
136 bpm • C Maj • 05:48 • -9.15db
43% Popularity • 42% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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The Whitlams
I Make Hamburgers
136 bpm • C Maj • 03:34 • -6.39db
36% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Tyne-James Organ
Stranger
136 bpm • E Maj • 04:19 • -5.18db
19% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Dreggs
Postcards
136 bpm • G Maj • 03:53 • -11.68db
47% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Something For Kate
Come Back Before I Come Back To My Sense...
136 bpm • D min • 03:34 • -3.73db
20% Popularity • 46% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Skegss
Here Comes Your Man - triple j Like a Ve...
136 bpm • D Maj • 03:39 • -5.48db
43% Popularity • 37% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Temper Trap
Trembling Hands
135 bpm • D min • 03:52 • -5.12db
9% Popularity • 25% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Bluejuice
Act Yr Age
135 bpm • D Maj • 03:20 • -3.71db
45% Popularity • 66% Danceability • 88% Energy • 24% Liveness
3% Instrumentalness • 97% Positiveness
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Beddy Rays
Better Weather
160 bpm • B Maj • 02:31 • -3.58db
44% Popularity • 35% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Ruby Fields
Kitchen
135 bpm • D# Maj • 04:53 • -4.92db
38% Popularity • 43% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Mickey Kojak
Parlez Vous Francais? - triple j Like A ...
134 bpm • B Maj • 03:50 • -11.36db
25% Popularity • 68% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Gengahr
Everything I Wanted - triple j Like A Ve...
135 bpm • A Maj • 04:09 • -7.61db
27% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Hope D
Toxic - triple j Like A Version
134 bpm • G# Maj • 04:04 • -11.22db
31% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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The Jungle Giants
Lights & Music - triple j Like A Version
134 bpm • A min • 04:17 • -5.56db
25% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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King Stingray
Get Me Out
134 bpm • G Maj • 04:03 • -5.72db
37% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Ruby Fields
R.E.G.O
135 bpm • D Maj • 02:59 • -3.57db
30% Popularity • 44% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kim Churchill
The Summer
134 bpm • E min • 02:46 • -6.51db
22% Popularity • 73% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Herd
Bodies - triple j Like a Version
162 bpm • D min • 04:10 • -6db
25% Popularity • 55% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Adam Newling
Morning Breath
162 bpm • C# Maj • 02:38 • -8.21db
33% Popularity • 44% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Dancing in the Dark - triple j Like A Version