Songs like dancing in the kitchen by Zachary Knowles
Based on a tempo of (+/- 10%) and a similar genre
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Zachary Knowles
dancing in the kitchen
126 bpm • D Maj • 02:57 • -8.47db
46% Popularity • 82% Danceability • 65% Energy • 53% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 82% Danceability • 65% Energy • 53% Liveness
0% Instrumentalness • 97% Positiveness
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LANY
get away
126 bpm • A# min • 03:05 • -7.17db
51% Popularity • 67% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 67% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Sam MacPherson
Backseat (All I Got)
126 bpm • A# Maj • 02:33 • -7.06db
38% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 77% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Nova Moura
Sleeping in the Rain
126 bpm • G# min • 04:12 • -10.69db
28% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Emery
Mid July
126 bpm • A min • 03:05 • -9.45db
30% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
54% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Zachary Knowles
dancing in the kitchen (acoustic)
126 bpm • D Maj • 02:49 • -9db
21% Popularity • 81% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 81% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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CaRter
To My Youth
127 bpm • F Maj • 02:54 • -10.67db
14% Popularity • 57% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 57% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Dillon Davis
Friends With Feelings
125 bpm • E Maj • 03:27 • -14.31db
27% Popularity • 47% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 47% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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POLYDRIVE
Not Me Anymore
125 bpm • C min • 03:22 • -9db
29% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 70% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Fly By Midnight
Love Me Like a Friend
125 bpm • F# min • 03:22 • -5.57db
53% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Christian French
head first
127 bpm • F# min • 02:34 • -6.22db
56% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Zachary Knowles
slow down my thoughts
127 bpm • C# min • 03:51 • -8.36db
50% Popularity • 73% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 73% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Miller
Ross And Rachel
124 bpm • A Maj • 03:12 • -6.61db
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Gavin Haley
Low Beams
124 bpm • B Maj • 02:35 • -7.44db
29% Popularity • 78% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 78% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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INTRN
Seams
128 bpm • A# Maj • 02:25 • -12db
37% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 80% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Phil Good
Everything's Good
124 bpm • G# Maj • 03:03 • -4.24db
47% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
47% Popularity • 88% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Christian French
crowded room
125 bpm • B min • 02:52 • -6.59db
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Zachary Knowles
Melodies
128 bpm • G# Maj • 04:33 • -11.01db
10% Popularity • 74% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 74% Danceability • 33% Energy • 66% Liveness
0% Instrumentalness • 26% Positiveness
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Chris James
Not Angry
124 bpm • F min • 03:19 • -12.42db
61% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 85% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Liam Tully
When She's High
124 bpm • F min • 04:15 • -5db
42% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Rence
Go!
123 bpm • G Maj • 02:08 • -2.78db
0% Popularity • 67% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 67% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Ruel
Painkiller
129 bpm • F Maj • 03:33 • -6.51db
67% Popularity • 68% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
67% Popularity • 68% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Christian French
paper thin
124 bpm • C# Maj • 03:30 • -7.65db
31% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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dee holt
Picture
129 bpm • C# Maj • 02:36 • -8db
52% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
52% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Zachary Knowles
i had a dream i was falling
127 bpm • E Maj • 04:50 • -9.66db
27% Popularity • 94% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 94% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ori Rose
A.S.A.G.
123 bpm • G# Maj • 03:07 • -6.01db
42% Popularity • 74% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 74% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Sydney Rose
Things That Don’t Exist
123 bpm • C# Maj • 02:48 • -10.73db
28% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sody
Bedroom Ceiling - Ouse Remix
123 bpm • F# Maj • 03:25 • -8db
24% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tarn PK
Cheap Ecstasy
130 bpm • A Maj • 03:48 • -7.63db
23% Popularity • 63% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 63% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Abe Parker
numb
130 bpm • B Maj • 04:06 • -4.59db
22% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Zachary Knowles
WRONG SIDE
125 bpm • D Maj • 02:37 • -8.2db
21% Popularity • 80% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 80% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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david hugo
Die Right Here
130 bpm • C# Maj • 02:07 • -4.14db
56% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
56% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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nodisco.
Unrelated
130 bpm • G# Maj • 03:19 • -8.24db
15% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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dempsey hope
commitment issues
130 bpm • F Maj • 02:50 • -11.64db
31% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Conor Matthews
Anyone's But Mine
130 bpm • B Maj • 03:15 • -4.7db
32% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 55% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Great Good Fine Ok
You Don’t Look at Me the Same
122 bpm • D Maj • 02:56 • -9db
37% Popularity • 72% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 72% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Zachary Knowles
good things
130 bpm • A# Maj • 03:07 • -10.99db
20% Popularity • 76% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 76% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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The Roosevelts
Trippin' on Your Love
122 bpm • A Maj • 03:02 • -6.85db
32% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Dunlap
Talk to You
122 bpm • G# min • 02:56 • -6db
41% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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sammy rash
summer&cigarettes
122 bpm • F min • 01:54 • -10.28db
62% Popularity • 83% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
62% Popularity • 83% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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LANY
bad news
122 bpm • F min • 03:30 • -9.49db
45% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 81% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Valley
sucks to see you doing better
122 bpm • C# Maj • 03:45 • -8db
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 74% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Zachary Knowles
blue bird
130 bpm • D# Maj • 03:41 • -8.97db
38% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Chris James
I Never Learned
122 bpm • F# Maj • 02:32 • -7db
42% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 87% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Yoste
Flaws
122 bpm • A# Maj • 02:57 • -9.01db
33% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Rence
Best Intentions
122 bpm • F# Maj • 02:22 • -2.37db
0% Popularity • 62% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 62% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Refs
Stories
122 bpm • G# min • 03:39 • -7.97db
38% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Valley
nevermind
131 bpm • A Maj • 02:56 • -8.04db
49% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Zachary Knowles
city
130 bpm • D Maj • 02:21 • -6db
36% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Zach Oliver
Seaside
131 bpm • C# Maj • 03:03 • -12.37db
39% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Alexander 23
She Loves Me
131 bpm • B min • 02:28 • -9db
32% Popularity • 86% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
32% Popularity • 86% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Jack Gray
I Got 3
121 bpm • D# Maj • 03:14 • -8db
47% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Sam MacPherson
Crash Course
132 bpm • C# Maj • 02:01 • -6db
58% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Conor Matthews
Wait For Me
132 bpm • A# Maj • 03:05 • -7.15db
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Zachary Knowles
for life
130 bpm • F# Maj • 03:31 • -11.08db
32% Popularity • 70% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 70% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Alexander 23
High School
120 bpm • F# Maj • 03:08 • -7.04db
38% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 54% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Neptune
Illusion
120 bpm • D Maj • 02:34 • -17.09db
21% Popularity • 52% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 43% Positiveness
21% Popularity • 52% Danceability • 29% Energy • 8% Liveness
42% Instrumentalness • 43% Positiveness
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sundial
i just want someone to love me
120 bpm • C Maj • 02:25 • -12.37db
50% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
50% Popularity • 91% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Zachary Knowles
ghost
130 bpm • E min • 03:10 • -10.22db
19% Popularity • 72% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 72% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Rence
Baby Blue
120 bpm • G Maj • 03:28 • -8.91db
51% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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NATIIVE
Reset
120 bpm • A Maj • 02:35 • -6.07db
27% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 68% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Ethan DeRose
Nighttime
120 bpm • C Maj • 04:40 • -13.29db
25% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
25% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Joshua Golden
heaven come
120 bpm • F Maj • 02:56 • -7.54db
44% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
44% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
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Neanderthal
Get Out of My Head
120 bpm • G Maj • 03:50 • -14db
24% Popularity • 62% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
24% Popularity • 62% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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Zachary Knowles
Honeydew
122 bpm • G Maj • 03:25 • -9.35db
37% Popularity • 71% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 66% Positiveness
37% Popularity • 71% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 66% Positiveness
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Devin Kennedy
Loose Change
120 bpm • B Maj • 02:43 • -14.7db
55% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 82% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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yaeow
Everything and More
120 bpm • G# min • 01:59 • -11.24db
25% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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McKenna Breinholt
Chicago
120 bpm • E Maj • 04:17 • -9.97db
34% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Rangga Jones
Favourite Things
120 bpm • A Maj • 02:53 • -8.29db
56% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ruel
Say
120 bpm • D# Maj • 03:47 • -8db
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 62% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Zachary Knowles
under the lights
121 bpm • F# min • 04:38 • -11.61db
17% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 72% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Julian
sydney
120 bpm • E Maj • 03:24 • -10.3db
27% Popularity • 60% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 60% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
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Aeris Roves
Running Thru 3AM
119 bpm • G# Maj • 03:29 • -6.7db
41% Popularity • 68% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 68% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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dempsey hope
baby blue
118 bpm • F# min • 03:20 • -9.12db
37% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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GUNNAR
One Night
118 bpm • C# min • 03:03 • -7db
40% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Zachary Knowles
kiss cam
132 bpm • A Maj • 02:43 • -7.5db
33% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Motel 7
It's Alright
118 bpm • E Maj • 02:30 • -9.28db
42% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
42% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
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Cody Lovaas
Why Can't I
135 bpm • E min • 02:57 • -4.98db
23% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 58% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Rence
Sometimes Things Just Fall Apart
118 bpm • C Maj • 02:39 • -7.47db
26% Popularity • 70% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 70% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
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Conor Matthews
Forever Right Now
118 bpm • F Maj • 02:21 • -5db
58% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Zachary Knowles
tendency to be a loner
120 bpm • G Maj • 03:16 • -8.86db
23% Popularity • 73% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 73% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Suriel Hess
About Love
118 bpm • C# Maj • 02:36 • -5.34db
49% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 66% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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david hugo
Sleep and Friends
118 bpm • G Maj • 02:54 • -8.24db
30% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Fly By Midnight
Automatic
135 bpm • G# Maj • 02:37 • -6.18db
59% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Millennial Club
summer nights
135 bpm • C# Maj • 03:33 • -8db
60% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Abe Parker
Seventeen
135 bpm • G Maj • 03:24 • -5.85db
26% Popularity • 72% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 72% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Zachary Knowles
NEVER ENOUGH
133 bpm • E Maj • 02:21 • -13.1db
18% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 63% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
53% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ben Kessler
Good Enough
136 bpm • C Maj • 02:50 • -11db
24% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
41% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Wldlfe
You Don't Love Me (Like You Used To)
117 bpm • F min • 04:26 • -8.5db
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
40% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Weston Estate
Close The Door
117 bpm • C min • 03:51 • -8.47db
45% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 62% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
