Songs like Dancing in the Mist (feat. Colin Foulke) by Jeremy Arndt
Based on a tempo of (+/- 10%) and a similar genre
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Jeremy Nattagh
Dreamland
107 bpm • F# min • 05:40 • -21.56db
17% Popularity • 42% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
17% Popularity • 42% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Jeremy Arndt
Dancing in the Mist
107 bpm • C Maj • 03:58 • -24.09db
16% Popularity • 41% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 41% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Hang Massive
Boat Ride
107 bpm • C# min • 07:36 • -20.2db
35% Popularity • 80% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
35% Popularity • 80% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Handpan Mystic Flow
Soft Flow
107 bpm • C min • 01:32 • -22.46db
36% Popularity • 33% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 70% Positiveness
36% Popularity • 33% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 70% Positiveness
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Kumea Sound
Between You And Me
107 bpm • D min • 04:04 • -21.21db
24% Popularity • 40% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
24% Popularity • 40% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
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Tumbara
Om Peace
107 bpm • F# Maj • 04:58 • -22db
19% Popularity • 19% Danceability • 10% Energy • 9% Liveness
26% Instrumentalness • 2% Positiveness
19% Popularity • 19% Danceability • 10% Energy • 9% Liveness
26% Instrumentalness • 2% Positiveness
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Rainer Rabus & Friends
Dance of a Feather
107 bpm • F min • 03:20 • -15.9db
12% Popularity • 63% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
12% Popularity • 63% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 52% Positiveness
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Mark D'Ambrosio
Goodnight
107 bpm • E Maj • 02:07 • -22.67db
16% Popularity • 39% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
16% Popularity • 39% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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Kabeção
Sonhar No Sonho
107 bpm • D min • 09:16 • -16.6db
15% Popularity • 45% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
15% Popularity • 45% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
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Filippo Pigaiani
Inno alla Vita
107 bpm • G# Maj • 03:45 • -21.71db
14% Popularity • 38% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 30% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 30% Positiveness
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Alexandre Lora
Lullaby
107 bpm • B min • 03:55 • -19.52db
28% Popularity • 35% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
28% Popularity • 35% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Jeremy Arndt
Cedar Grove
107 bpm • C Maj • 07:29 • -29.18db
6% Popularity • 43% Danceability • 8% Energy • 38% Liveness
88% Instrumentalness • 40% Positiveness
6% Popularity • 43% Danceability • 8% Energy • 38% Liveness
88% Instrumentalness • 40% Positiveness
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Sergio Huerta
The Promised Land
106 bpm • D min • 03:17 • -20.33db
31% Popularity • 42% Danceability • 21% Energy • 40% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 42% Danceability • 21% Energy • 40% Liveness
90% Instrumentalness • 4% Positiveness
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Meghan Currie
We Breathe Out
108 bpm • D Maj • 09:55 • -17.07db
32% Popularity • 16% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Mark D'Ambrosio
The Weevil
106 bpm • E Maj • 05:37 • -22db
15% Popularity • 40% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 40% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Hang Massive
Heritage of Queens and Kings
108 bpm • C# Maj • 05:59 • -21.21db
37% Popularity • 68% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
37% Popularity • 68% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Maneesh de Moor
Medicine Blessing
108 bpm • C Maj • 04:57 • -18.24db
37% Popularity • 56% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 56% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Arndt
Going Home
108 bpm • G Maj • 04:40 • -31.29db
1% Popularity • 37% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
1% Popularity • 37% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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David Kuckhermann
Han Solo
108 bpm • D min • 03:42 • -15db
18% Popularity • 48% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 45% Positiveness
18% Popularity • 48% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 45% Positiveness
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OCNO
Didgerihang
106 bpm • D min • 07:56 • -17.87db
34% Popularity • 31% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
34% Popularity • 31% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Nadayana
Watersteps
108 bpm • A min • 06:58 • -31.36db
32% Popularity • 28% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
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Laura Inserra
Admiration (Live)
106 bpm • D Maj • 05:41 • -26.1db
10% Popularity • 52% Danceability • 13% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
10% Popularity • 52% Danceability • 13% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
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Jeremy Nattagh
Life Equinox, Pt. 2
108 bpm • F Maj • 04:11 • -20.69db
20% Popularity • 37% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 44% Positiveness
20% Popularity • 37% Danceability • 18% Energy • 13% Liveness
96% Instrumentalness • 44% Positiveness
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Jeremy Arndt
Nightshift
106 bpm • F# min • 06:59 • -24.4db
2% Popularity • 23% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 6% Positiveness
2% Popularity • 23% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 6% Positiveness
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Gary Stroutsos
Clouds
108 bpm • G min • 03:37 • -22.11db
41% Popularity • 36% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
41% Popularity • 36% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Animara
Wind
105 bpm • E min • 05:37 • -21.59db
12% Popularity • 60% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 53% Positiveness
12% Popularity • 60% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 53% Positiveness
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Nadayana
Towards the Light
106 bpm • E min • 06:49 • -28.62db
32% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Stevin McNamara
Journey to the Crystal Mountain (Part 1 ...
109 bpm • G# Maj • 04:25 • -19.52db
16% Popularity • 36% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
16% Popularity • 36% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 25% Positiveness
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Hang Massive
End of Sky
105 bpm • C# min • 08:17 • -21.52db
46% Popularity • 77% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 77% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Jeremy Arndt
River City
106 bpm • B min • 02:43 • -31.41db
2% Popularity • 72% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
2% Popularity • 72% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Shaman's Dream
Offerings
105 bpm • D min • 05:51 • -16.94db
20% Popularity • 60% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 60% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Kabeção
Land of Cole
109 bpm • D min • 06:33 • -17.56db
37% Popularity • 47% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 54% Positiveness
37% Popularity • 47% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 54% Positiveness
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Filippo Pigaiani
Sound Core
104 bpm • D Maj • 07:04 • -24.15db
18% Popularity • 37% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 5% Positiveness
18% Popularity • 37% Danceability • 7% Energy • 19% Liveness
90% Instrumentalness • 5% Positiveness
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Stevin McNamara
Greeting the Dawn, Pt. 1 (Alap)
109 bpm • G Maj • 06:01 • -20db
16% Popularity • 32% Danceability • 4% Energy • 8% Liveness
57% Instrumentalness • 14% Positiveness
16% Popularity • 32% Danceability • 4% Energy • 8% Liveness
57% Instrumentalness • 14% Positiveness
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Sergio Huerta
Free Time
110 bpm • A min • 01:43 • -14.52db
23% Popularity • 62% Danceability • 37% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
23% Popularity • 62% Danceability • 37% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
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Jeremy Arndt
Brighter Days
106 bpm • B Maj • 03:32 • -29.03db
6% Popularity • 39% Danceability • 3% Energy • 34% Liveness
92% Instrumentalness • 30% Positiveness
6% Popularity • 39% Danceability • 3% Energy • 34% Liveness
92% Instrumentalness • 30% Positiveness
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G.S. Sachdev
Cosmos
110 bpm • F Maj • 04:56 • -36.02db
39% Popularity • 16% Danceability • 0% Energy • 15% Liveness
95% Instrumentalness • 40% Positiveness
39% Popularity • 16% Danceability • 0% Energy • 15% Liveness
95% Instrumentalness • 40% Positiveness
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David Kuckhermann
The Voice of the Fallen Angels - Duo Ver...
104 bpm • D min • 09:10 • -17.86db
12% Popularity • 38% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 43% Positiveness
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Nadayana
Riding the Wind
110 bpm • F min • 09:39 • -26.21db
32% Popularity • 31% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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James Hood
Faerie God
110 bpm • C Maj • 01:33 • -25.31db
16% Popularity • 43% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 10% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 10% Positiveness
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Xumantra
Welcome to Arcturus
110 bpm • D Maj • 08:30 • -26db
14% Popularity • 56% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
14% Popularity • 56% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 29% Positiveness
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Jeremy Arndt
Lost in Time
109 bpm • F# min • 08:00 • -19.29db
2% Popularity • 29% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
2% Popularity • 29% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Dub Sutra
Minute of Monks
104 bpm • E Maj • 01:11 • -24.49db
46% Popularity • 19% Danceability • 2% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 2% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Garth Stevenson
Earth
110 bpm • C Maj • 05:04 • -17.4db
37% Popularity • 70% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
37% Popularity • 70% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Lars La Ville & Daniel Waples
Sunset In India
110 bpm • G min • 04:15 • -16.14db
37% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
37% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 53% Positiveness
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James Hood
Friendly Alien
110 bpm • A# Maj • 09:35 • -20.01db
11% Popularity • 63% Danceability • 38% Energy • 5% Liveness
87% Instrumentalness • 33% Positiveness
11% Popularity • 63% Danceability • 38% Energy • 5% Liveness
87% Instrumentalness • 33% Positiveness
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Pranayama Squad
On a Different River
110 bpm • A min • 03:51 • -20.83db
37% Popularity • 91% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 91% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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Jeremy Arndt
Mt. Helix
109 bpm • G# Maj • 03:39 • -20.24db
19% Popularity • 51% Danceability • 22% Energy • 12% Liveness
97% Instrumentalness • 87% Positiveness
19% Popularity • 51% Danceability • 22% Energy • 12% Liveness
97% Instrumentalness • 87% Positiveness
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Hang Drum Player
Samadhi / Meditative Consciousness
104 bpm • C Maj • 04:05 • -15.61db
18% Popularity • 50% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
18% Popularity • 50% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Johnny Whitehorse
White Horse Dreaming
110 bpm • D Maj • 06:09 • -19.64db
33% Popularity • 54% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
33% Popularity • 54% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Hang Drum Massive
Thingless Things
110 bpm • A min • 06:14 • -27.16db
20% Popularity • 38% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Salif Makeba
Soft Mind
104 bpm • F# min • 05:50 • -20.82db
31% Popularity • 68% Danceability • 2% Energy • 7% Liveness
78% Instrumentalness • 17% Positiveness
31% Popularity • 68% Danceability • 2% Energy • 7% Liveness
78% Instrumentalness • 17% Positiveness
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Garth Stevenson
Tuva
110 bpm • G Maj • 09:34 • -21.56db
34% Popularity • 16% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jeremy Arndt
Whispers of the Wind
104 bpm • C Maj • 06:06 • -27.83db
7% Popularity • 38% Danceability • 6% Energy • 35% Liveness
93% Instrumentalness • 24% Positiveness
7% Popularity • 38% Danceability • 6% Energy • 35% Liveness
93% Instrumentalness • 24% Positiveness
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Davide Swarup
Intermezzo 1
111 bpm • D min • 02:24 • -34.62db
49% Popularity • 59% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
49% Popularity • 59% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Colin Foulke
Octave Hop
111 bpm • C min • 05:23 • -33.6db
5% Popularity • 28% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
5% Popularity • 28% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Kate Stone
Snowflake
111 bpm • C# min • 07:12 • -25.45db
15% Popularity • 38% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
15% Popularity • 38% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 56% Positiveness
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Max Oro
Hang Canon
111 bpm • C# min • 04:11 • -17.78db
10% Popularity • 53% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 85% Positiveness
10% Popularity • 53% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 85% Positiveness
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Avi Adir
Hang to the Creek
111 bpm • D min • 08:39 • -17.28db
15% Popularity • 35% Danceability • 20% Energy • 23% Liveness
93% Instrumentalness • 23% Positiveness
15% Popularity • 35% Danceability • 20% Energy • 23% Liveness
93% Instrumentalness • 23% Positiveness
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Jeremy Arndt
Samadhi
104 bpm • E min • 03:36 • -23.78db
3% Popularity • 31% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
3% Popularity • 31% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Hang Playing Hedge Monkeys
This is Bindi
111 bpm • A# Maj • 06:19 • -23.06db
12% Popularity • 45% Danceability • 15% Energy • 36% Liveness
26% Instrumentalness • 44% Positiveness
12% Popularity • 45% Danceability • 15% Energy • 36% Liveness
26% Instrumentalness • 44% Positiveness
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Kabeção
Meliuba
103 bpm • A# min • 08:28 • -16.45db
13% Popularity • 46% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
13% Popularity • 46% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Stevin McNamara
Rising from Sleep - Dawn Flow
112 bpm • C# Maj • 07:00 • -22.3db
18% Popularity • 29% Danceability • 5% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 5% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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Laura Inserra
Tranquility (Live)
112 bpm • A min • 02:42 • -36.28db
13% Popularity • 40% Danceability • 5% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 40% Danceability • 5% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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Handpan Mystic Flow
Chilled Handpan Groove On The Streets
112 bpm • C min • 07:04 • -21.84db
31% Popularity • 41% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 58% Positiveness
31% Popularity • 41% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 58% Positiveness
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Jeremy Arndt
Sila
110 bpm • B Maj • 02:25 • -16.83db
6% Popularity • 68% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
6% Popularity • 68% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Hang Playing Hedge Monkeys
Ant Sandwich
112 bpm • A min • 03:31 • -17.99db
35% Popularity • 62% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
35% Popularity • 62% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Hang Drum Player
Handpan Deep Meditation
112 bpm • C min • 04:55 • -21.09db
33% Popularity • 64% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
33% Popularity • 64% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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OCNO
Ascensión
112 bpm • A# Maj • 04:15 • -18.42db
28% Popularity • 45% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
28% Popularity • 45% Danceability • 23% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
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Dante Bucci
Reminiscence
102 bpm • F Maj • 03:33 • -12.78db
35% Popularity • 51% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
35% Popularity • 51% Danceability • 26% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
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Handpan Mystic Flow
Empty Sky
112 bpm • D min • 02:23 • -23.07db
27% Popularity • 50% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
27% Popularity • 50% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
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Jeremy Arndt
Brainwaves
103 bpm • G# min • 04:19 • -20.87db
4% Popularity • 35% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
4% Popularity • 35% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Kate Stone
Whispering Creek
112 bpm • F# Maj • 08:01 • -26.85db
31% Popularity • 34% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
31% Popularity • 34% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Hang Drum Player
True Wellness
112 bpm • C min • 02:46 • -18.69db
22% Popularity • 56% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
22% Popularity • 56% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
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Ancestral Elephants
Egyptian Dreams
112 bpm • G# Maj • 04:32 • -13.29db
34% Popularity • 56% Danceability • 32% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 56% Danceability • 32% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Dante Bucci
Reminiscence
112 bpm • F Maj • 02:59 • -21.82db
20% Popularity • 56% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
20% Popularity • 56% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 33% Positiveness
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The Hang Drum Project
Square Mile
113 bpm • D min • 04:13 • -12.58db
25% Popularity • 66% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
25% Popularity • 66% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
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Jeremy Arndt
Adhitthāna
112 bpm • B Maj • 02:19 • -15.11db
4% Popularity • 57% Danceability • 29% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
4% Popularity • 57% Danceability • 29% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Quentin Kayser
Healing
102 bpm • G# Maj • 06:05 • -22.95db
19% Popularity • 36% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
19% Popularity • 36% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
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Jeremy Nattagh
Life Equinox, Pt. 1
101 bpm • D min • 04:53 • -20.41db
21% Popularity • 36% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
21% Popularity • 36% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 28% Positiveness
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Beautiful Chorus
Unity Consciousness
101 bpm • B min • 06:59 • -16.51db
21% Popularity • 18% Danceability • 23% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
21% Popularity • 18% Danceability • 23% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Kabeção
A Bucket of Thina
102 bpm • E min • 05:35 • -15.16db
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Shaman's Dream
Warming the Soul
113 bpm • C Maj • 09:29 • -17db
34% Popularity • 31% Danceability • 27% Energy • 82% Liveness
91% Instrumentalness • 10% Positiveness
34% Popularity • 31% Danceability • 27% Energy • 82% Liveness
91% Instrumentalness • 10% Positiveness
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Jeremy Arndt
Meditate
113 bpm • G# min • 08:17 • -22.8db
2% Popularity • 25% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
2% Popularity • 25% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Colin Foulke
Chance's Lullaby
101 bpm • F Maj • 02:23 • -30.95db
4% Popularity • 41% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 36% Positiveness
4% Popularity • 41% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 36% Positiveness
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Kate Stone
Singing Wok
113 bpm • A min • 03:27 • -16.73db
10% Popularity • 52% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
10% Popularity • 52% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
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Cellomano
Reflection
101 bpm • A min • 06:16 • -24.08db
33% Popularity • 41% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
33% Popularity • 41% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 26% Positiveness
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Kabeção
Calçadas
113 bpm • D min • 06:30 • -19.05db
23% Popularity • 41% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 32% Positiveness
23% Popularity • 41% Danceability • 21% Energy • 9% Liveness
95% Instrumentalness • 32% Positiveness
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Hang Drum Player
Drishti
114 bpm • A min • 02:45 • -23.67db
26% Popularity • 50% Danceability • 8% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
26% Popularity • 50% Danceability • 8% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
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Jeremy Arndt
A Walk in the Woods
113 bpm • B Maj • 04:30 • -18.87db
4% Popularity • 64% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
4% Popularity • 64% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 66% Positiveness
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Sergio Huerta
Frequencies
114 bpm • A min • 03:02 • -14.48db
15% Popularity • 65% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
15% Popularity • 65% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
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The Hang Drum Project
Cold Steel
100 bpm • F Maj • 03:53 • -15.23db
30% Popularity • 52% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 70% Positiveness
30% Popularity • 52% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 70% Positiveness
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Laura Inserra
Reflection (Live)
114 bpm • D min • 09:12 • -28.78db
16% Popularity • 51% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
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Kabeção
Zamarripa
100 bpm • F min • 08:50 • -19.32db
20% Popularity • 38% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
20% Popularity • 38% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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HandpanSolo
Contemplation
100 bpm • E min • 02:57 • -14.56db
23% Popularity • 74% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
23% Popularity • 74% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 50% Positiveness
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Jeremy Arndt
Satya
101 bpm • A min • 03:57 • -20db
9% Popularity • 69% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
9% Popularity • 69% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
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Sergio Huerta
Aquatic Waves
100 bpm • D min • 02:36 • -18.75db
21% Popularity • 60% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 49% Positiveness
21% Popularity • 60% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 49% Positiveness
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Wolfgang Ohmer
Balloon Ride
100 bpm • C min • 05:17 • -16.4db
25% Popularity • 51% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
25% Popularity • 51% Danceability • 12% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
