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Dancing Lucinda
Songs like
Dancing Lucinda
by
The Nadas
Based on a tempo of (+/- 10%) and a similar genre
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The Nadas
At the Edge
164 bpm • E Maj • 04:11 • -5.35db
3% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Skatman Meredith
Remain In Me
164 bpm • D# Maj • 03:39 • -13.5db
19% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Tanner Sovereign
Song of U.S
164 bpm • D Maj • 03:12 • -10.24db
8% Popularity • 46% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Stephan Vericain
Give Me Rose
163 bpm • G Maj • 02:30 • -8.89db
11% Popularity • 48% Danceability • 79% Energy • 46% Liveness
16% Instrumentalness • 66% Positiveness
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Grantham Heloise
Sweet And Uncomplaining You
165 bpm • D# Maj • 03:25 • -11.62db
16% Popularity • 59% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Old Man Luedecke
Dreadful Wind and Rain
165 bpm • G Maj • 01:49 • -6.71db
24% Popularity • 57% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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The Nadas
Asleep at the Wheel
163 bpm • D# Maj • 03:06 • -7.8db
3% Popularity • 45% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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The Bacon Brothers
Losing The Night
165 bpm • D Maj • 04:04 • -7.2db
11% Popularity • 48% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Gimlet Project
Catechism Suite
162 bpm • E Maj • 05:39 • -5.36db
18% Popularity • 41% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Skatman Meredith
Canyon
162 bpm • G Maj • 04:42 • -8.79db
8% Popularity • 37% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Corliss
Thick as Thieves
168 bpm • A Maj • 02:58 • -6.73db
14% Popularity • 46% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Shawn Santalucia
Dying to Live (Remastered)
167 bpm • F Maj • 03:40 • -8db
8% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Overserved Again
Frostbite
168 bpm • F# Maj • 04:54 • -10.66db
20% Popularity • 54% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Joe Firstman
Breaking All the Ground
168 bpm • A Maj • 04:24 • -4.12db
8% Popularity • 46% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Divine Nation
Light Never Dies
160 bpm • A Maj • 04:19 • -17.24db
12% Popularity • 72% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Clay Connor
Have We Had Enough
160 bpm • A Maj • 03:44 • -7.1db
1% Popularity • 47% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Joe Gow
Go Ahead, Celebrate
160 bpm • C# Maj • 03:43 • -4.56db
8% Popularity • 35% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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JC Miller
Cajun Waltz
160 bpm • A Maj • 05:55 • -7.4db
16% Popularity • 44% Danceability • 71% Energy • 10% Liveness
22% Instrumentalness • 19% Positiveness
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Grantham Heloise
Where Am I
168 bpm • F Maj • 04:12 • -14.55db
16% Popularity • 51% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Tom Scully
We'll Do Right
160 bpm • F# Maj • 03:06 • -10.53db
10% Popularity • 63% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Stephen Chivers
That Smile
160 bpm • G Maj • 04:06 • -6.23db
8% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Nadas
When You Leave
160 bpm • D# Maj • 04:18 • -8.53db
2% Popularity • 46% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Dooley
Like Nobody's Business
160 bpm • E min • 02:52 • -10.93db
12% Popularity • 69% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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David Charles Swinson
Never Been One to Ask for Much
160 bpm • C# Maj • 04:06 • -6.26db
19% Popularity • 54% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Truth & Salvage Co.
Call Back
169 bpm • A# Maj • 03:10 • -6.54db
10% Popularity • 33% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Low Lonesome Sound
Cortland County Line
170 bpm • C Maj • 03:48 • -9.55db
22% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Dantri
90s Bills
170 bpm • F min • 02:47 • -7.11db
13% Popularity • 41% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Moss Meredith
She Built Us a Home
170 bpm • G Maj • 03:51 • -11.42db
14% Popularity • 31% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Simeon Ball
Anna my love
170 bpm • A Maj • 03:32 • -6.62db
10% Popularity • 44% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Rock Johnson
I Have Imagined
170 bpm • A# Maj • 01:44 • -7.07db
9% Popularity • 47% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Nadas
Hold On
158 bpm • C Maj • 04:49 • -5.77db
5% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Wkndr
Doing Okay
170 bpm • G# Maj • 03:48 • -2.76db
10% Popularity • 51% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Cha0sb0y
Reason We Breathe
170 bpm • G Maj • 03:37 • -7.11db
29% Popularity • 53% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Moss Meredith
Taste of Honey
170 bpm • D Maj • 03:23 • -14.06db
14% Popularity • 34% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 21% Positiveness
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Reid Schoenfelder
Atlantis
170 bpm • E Maj • 04:35 • -11.28db
9% Popularity • 48% Danceability • 75% Energy • 10% Liveness
41% Instrumentalness • 48% Positiveness
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The Matt Eckberg Band
Back To Start
170 bpm • G Maj • 03:36 • -10.33db
14% Popularity • 30% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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The Nadas
Trust Fall
158 bpm • D Maj • 04:12 • -10.8db
3% Popularity • 49% Danceability • 56% Energy • 14% Liveness
3% Instrumentalness • 24% Positiveness
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Thomas DeSha
If I Were A
158 bpm • F# Maj • 03:55 • -12.57db
27% Popularity • 36% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Kerosene Drifters
Oh Gloria
171 bpm • C# Maj • 04:05 • -8.04db
8% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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JC Miller
Ride the Wide Countryside
172 bpm • D Maj • 06:11 • -5.59db
19% Popularity • 44% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Scott Baker
Fathers & Sons
172 bpm • A Maj • 03:21 • -12.89db
10% Popularity • 41% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Jason White
Red Ragtop
156 bpm • G Maj • 04:38 • -8.24db
8% Popularity • 58% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Nadas
Biscuits and Gravy
171 bpm • A# Maj • 03:00 • -9db
2% Popularity • 41% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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David Charles Swinson
Tonight, As I Lie Here Sleeping
172 bpm • G Maj • 03:21 • -20.71db
19% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Gordonville, U.S.A.
Every Day Is a War
156 bpm • D Maj • 02:50 • -9.63db
9% Popularity • 52% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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JC Miller
No Stranger to Lonesome
156 bpm • G Maj • 05:47 • -7.11db
15% Popularity • 49% Danceability • 69% Energy • 10% Liveness
4% Instrumentalness • 51% Positiveness
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Meeting Of Important People
Broken-Down Storefront
155 bpm • G Maj • 02:52 • -12.8db
7% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Julian Taylor
Ben McCulloch
173 bpm • G Maj • 04:07 • -14.32db
8% Popularity • 43% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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The Nadas
Templeton Rye
156 bpm • G# Maj • 03:21 • -7.61db
13% Popularity • 54% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Floating Men
The Fire Escape
155 bpm • G Maj • 03:16 • -8.72db
18% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Matias and the Canyons
Echoes of the Canyon
155 bpm • A min • 03:43 • -7.41db
14% Popularity • 56% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Grantham Heloise
Rock Salt
174 bpm • E Maj • 03:28 • -16.73db
16% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Porch Hounds
Blue River
155 bpm • F Maj • 05:19 • -11.17db
11% Popularity • 46% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Superscum
Where This River Ends
154 bpm • D Maj • 03:49 • -7.03db
9% Popularity • 41% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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The Nadas
Henry James
155 bpm • C Maj • 04:07 • -12.81db
5% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Bill Ozee
Unbiased
154 bpm • G Maj • 02:27 • -24.43db
27% Popularity • 39% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Martin Zellar
Time and Time Again
176 bpm • F Maj • 04:16 • -9.89db
13% Popularity • 49% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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John Terch
Home Of Dirt
176 bpm • C Maj • 02:04 • -12db
19% Popularity • 47% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Dylan Ruane
Pass it Down
153 bpm • A Maj • 03:15 • -10.05db
13% Popularity • 40% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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The Floating Men
Pink Champagne
153 bpm • E Maj • 04:24 • -8.5db
8% Popularity • 58% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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The Nadas
Far Away
176 bpm • C Maj • 04:04 • -4.04db
2% Popularity • 39% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Stanley Hessel
How Do You Solve Problems Like Ours
152 bpm • F# Maj • 01:56 • -12.98db
12% Popularity • 53% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Reid Schoenfelder
Just Because
152 bpm • D Maj • 03:15 • -7.79db
33% Popularity • 44% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Martin Zellar
Something's Gotta Happen
177 bpm • G Maj • 04:02 • -6.63db
11% Popularity • 43% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Grantham Heloise
I Won't Stay
177 bpm • A# Maj • 04:08 • -14.24db
16% Popularity • 43% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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John Tiller
Last Goodbye
178 bpm • C Maj • 03:20 • -11.57db
29% Popularity • 52% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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The Nadas
Life Becomes Me
152 bpm • G Maj • 02:41 • -6.49db
11% Popularity • 53% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Doug Jaymes Friedman
The Sky Is Falling
178 bpm • G Maj • 03:51 • -6.8db
16% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Hendrix
In Doubt
178 bpm • G Maj • 03:46 • -6.44db
9% Popularity • 41% Danceability • 59% Energy • 37% Liveness
1% Instrumentalness • 43% Positiveness
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Clement Tennyson
Ancient Dawn
151 bpm • C Maj • 04:59 • -14.24db
30% Popularity • 54% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Schneider
You Be Alright
150 bpm • G Maj • 02:07 • -12.08db
21% Popularity • 49% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Acoustic Smoke
Point of View
150 bpm • D Maj • 04:03 • -10.25db
7% Popularity • 45% Danceability • 44% Energy • 11% Liveness
15% Instrumentalness • 42% Positiveness
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The Nadas
Feel Like Home
150 bpm • E Maj • 03:07 • -7.74db
11% Popularity • 50% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Porch Hounds
Highway Crawler
150 bpm • B Maj • 03:53 • -7.73db
10% Popularity • 51% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Kyle Wauchope
Not Even
150 bpm • F Maj • 02:57 • -9.27db
10% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Martin Zellar
A Thousand Little Things
150 bpm • C Maj • 03:26 • -5.43db
10% Popularity • 44% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Layton Howerton
Love from Heaven
150 bpm • A Maj • 04:17 • -12.09db
8% Popularity • 61% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 88% Positiveness
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Jason Greene
Kill The Caribou
150 bpm • A Maj • 03:21 • -10.81db
10% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jason Mayer
Here for a Good Time
150 bpm • G Maj • 03:37 • -7.04db
24% Popularity • 35% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Moore
Us/Them
150 bpm • D Maj • 02:02 • -12.37db
20% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Drunken Hearts
Never Say Goodbye
180 bpm • A# Maj • 03:24 • -10.57db
8% Popularity • 39% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Arturnium
Crushin Hard
180 bpm • D Maj • 04:37 • -10.67db
12% Popularity • 58% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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The Reeds
Always, Sometimes
180 bpm • A Maj • 04:52 • -11.93db
20% Popularity • 39% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Grantham Heloise
Tell Me Why
180 bpm • F Maj • 04:34 • -13.48db
16% Popularity • 40% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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The Nadas
If Everything Goes My Way
149 bpm • D Maj • 03:23 • -13.33db
1% Popularity • 43% Danceability • 56% Energy • 22% Liveness
16% Instrumentalness • 59% Positiveness
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Skatman Meredith
Blood on My Hands
181 bpm • D Maj • 04:19 • -11.32db
19% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Garrett Kirk
Old School
149 bpm • E Maj • 03:39 • -9.52db
13% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Eddie Robbins Band
290
148 bpm • G Maj • 05:48 • -8.96db
27% Popularity • 38% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 41% Positiveness
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Scott Baker
Those Eyes
148 bpm • G Maj • 04:50 • -14.73db
10% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Mark Castrillon
A Thousand Days
148 bpm • A Maj • 03:55 • -10.38db
8% Popularity • 46% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Joe Gow
Sweet Collapse
148 bpm • G Maj • 03:55 • -10.84db
14% Popularity • 57% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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WHO ARE YOU
Flesh and bones
148 bpm • C Maj • 04:09 • -9.47db
8% Popularity • 59% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Martin Zellar
Head West
148 bpm • G Maj • 02:52 • -7.5db
13% Popularity • 58% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Story Street
Revolution Day
148 bpm • A Maj • 03:05 • -6db
31% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Jewett
Too Fast
148 bpm • C Maj • 03:35 • -7.47db
15% Popularity • 47% Danceability • 66% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
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The Nadas
Recovering
182 bpm • E Maj • 04:10 • -8.78db
3% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Flying Raye
Matt's Song
182 bpm • G Maj • 02:49 • -8.49db
12% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Highway Company
High Time
147 bpm • D Maj • 04:01 • -4.6db
18% Popularity • 40% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 52% Positiveness
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The Porch Hounds
Old Ted
184 bpm • A# min • 03:29 • -10.7db
11% Popularity • 44% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Jason Greene
A Thousand To One
147 bpm • A Maj • 02:42 • -9.56db
10% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dancing Lucinda