Songs like Dangerous Electro Times by Jan Cyrka
Based on a tempo of (+/- 10%) and a similar genre
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Marco Sfogli
Memories
100 bpm • E Maj • 03:37 • -8db
22% Popularity • 55% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
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Jan Cyrka
Grinder
100 bpm • D Maj • 02:44 • -5.74db
1% Popularity • 51% Danceability • 95% Energy • 18% Liveness
89% Instrumentalness • 65% Positiveness
1% Popularity • 51% Danceability • 95% Energy • 18% Liveness
89% Instrumentalness • 65% Positiveness
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Patrik Carlsson
T-Zone Rhythm
100 bpm • D Maj • 04:42 • -3.87db
15% Popularity • 49% Danceability • 84% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
15% Popularity • 49% Danceability • 84% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Lari Basilio
Far More
100 bpm • G min • 03:57 • -10.4db
23% Popularity • 70% Danceability • 47% Energy • 10% Liveness
71% Instrumentalness • 34% Positiveness
23% Popularity • 70% Danceability • 47% Energy • 10% Liveness
71% Instrumentalness • 34% Positiveness
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Nili Brosh
Eli
100 bpm • C# min • 03:33 • -5.87db
21% Popularity • 43% Danceability • 96% Energy • 34% Liveness
86% Instrumentalness • 36% Positiveness
21% Popularity • 43% Danceability • 96% Energy • 34% Liveness
86% Instrumentalness • 36% Positiveness
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Jack Thammarat
Mr.frontman
100 bpm • C# min • 03:46 • -8db
21% Popularity • 43% Danceability • 84% Energy • 31% Liveness
74% Instrumentalness • 43% Positiveness
21% Popularity • 43% Danceability • 84% Energy • 31% Liveness
74% Instrumentalness • 43% Positiveness
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Marco Sfogli
The 12th Hour
100 bpm • A Maj • 04:43 • -7db
33% Popularity • 43% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
33% Popularity • 43% Danceability • 84% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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Jan Cyrka
Retaliate
100 bpm • G Maj • 04:18 • -6.26db
4% Popularity • 27% Danceability • 96% Energy • 37% Liveness
76% Instrumentalness • 18% Positiveness
4% Popularity • 27% Danceability • 96% Energy • 37% Liveness
76% Instrumentalness • 18% Positiveness
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Igor Paspalj
Stuck In A Loop
100 bpm • E min • 02:15 • -10.64db
27% Popularity • 62% Danceability • 65% Energy • 7% Liveness
76% Instrumentalness • 89% Positiveness
27% Popularity • 62% Danceability • 65% Energy • 7% Liveness
76% Instrumentalness • 89% Positiveness
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Lari Basilio
Esperanza
100 bpm • E Maj • 04:18 • -7.98db
24% Popularity • 55% Danceability • 68% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 55% Danceability • 68% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Maarten Ouweneel
The Roaring Twenties
100 bpm • C# Maj • 04:58 • -10.14db
15% Popularity • 70% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
15% Popularity • 70% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
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Mattias IA Eklundh
Minor Swing
100 bpm • A Maj • 03:05 • -6.47db
23% Popularity • 67% Danceability • 76% Energy • 45% Liveness
2% Instrumentalness • 77% Positiveness
23% Popularity • 67% Danceability • 76% Energy • 45% Liveness
2% Instrumentalness • 77% Positiveness
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John Petrucci
In The Moment - Live
100 bpm • E min • 06:27 • -9.19db
20% Popularity • 19% Danceability • 54% Energy • 70% Liveness
54% Instrumentalness • 19% Positiveness
20% Popularity • 19% Danceability • 54% Energy • 70% Liveness
54% Instrumentalness • 19% Positiveness
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Thomas Blug
Roots
100 bpm • A Maj • 04:03 • -12db
16% Popularity • 68% Danceability • 46% Energy • 27% Liveness
54% Instrumentalness • 64% Positiveness
16% Popularity • 68% Danceability • 46% Energy • 27% Liveness
54% Instrumentalness • 64% Positiveness
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Reb Beach
Train of Thought
99 bpm • B min • 05:41 • -9.31db
19% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
19% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
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Mr. Fastfinger
Palma Driver (1984)
99 bpm • G min • 04:14 • -10.05db
23% Popularity • 63% Danceability • 63% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
23% Popularity • 63% Danceability • 63% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Cristiano Parato
Inside My Memory
101 bpm • A min • 04:13 • -6db
34% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
34% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
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Mattias IA Eklundh
Lisa's Passion for Heavy Metal
99 bpm • D min • 02:04 • -7.45db
28% Popularity • 57% Danceability • 78% Energy • 25% Liveness
46% Instrumentalness • 84% Positiveness
28% Popularity • 57% Danceability • 78% Energy • 25% Liveness
46% Instrumentalness • 84% Positiveness
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Michael Lee Firkins
Laughing Stacks
101 bpm • A Maj • 04:21 • -13.66db
20% Popularity • 44% Danceability • 67% Energy • 14% Liveness
80% Instrumentalness • 37% Positiveness
20% Popularity • 44% Danceability • 67% Energy • 14% Liveness
80% Instrumentalness • 37% Positiveness
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Thomas Blug
Still Alive
99 bpm • C# min • 03:27 • -12.61db
11% Popularity • 58% Danceability • 49% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
11% Popularity • 58% Danceability • 49% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
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Marco Sfogli
The Travel
101 bpm • D Maj • 00:53 • -7db
38% Popularity • 14% Danceability • 50% Energy • 17% Liveness
99% Instrumentalness • 11% Positiveness
38% Popularity • 14% Danceability • 50% Energy • 17% Liveness
99% Instrumentalness • 11% Positiveness
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George Lynch
I Will Remember
99 bpm • D# min • 04:18 • -7db
27% Popularity • 55% Danceability • 63% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
27% Popularity • 55% Danceability • 63% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
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David Henriksson & Daze Delight
Hail to Edward
102 bpm • E min • 01:46 • -6.43db
15% Popularity • 35% Danceability • 85% Energy • 74% Liveness
89% Instrumentalness • 71% Positiveness
15% Popularity • 35% Danceability • 85% Energy • 74% Liveness
89% Instrumentalness • 71% Positiveness
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Mattias IA Eklundh
Fletch Theme
101 bpm • B min • 03:47 • -8.58db
14% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 87% Positiveness
14% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 87% Positiveness
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Shawn Lane
Nine=101 (Bonus Track)
102 bpm • F# min • 04:26 • -8.57db
7% Popularity • 46% Danceability • 76% Energy • 36% Liveness
7% Instrumentalness • 35% Positiveness
7% Popularity • 46% Danceability • 76% Energy • 36% Liveness
7% Instrumentalness • 35% Positiveness
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Thomas Blug
Science Of Life
102 bpm • C# min • 06:10 • -8.88db
9% Popularity • 29% Danceability • 77% Energy • 23% Liveness
45% Instrumentalness • 14% Positiveness
9% Popularity • 29% Danceability • 77% Energy • 23% Liveness
45% Instrumentalness • 14% Positiveness
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Daniele Gottardo
Apocalypse Ape
102 bpm • E min • 04:55 • -8.3db
17% Popularity • 45% Danceability • 75% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
17% Popularity • 45% Danceability • 75% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Pete Thorn
All Is Not Lost
102 bpm • A min • 05:13 • -8.33db
13% Popularity • 46% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 46% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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The Aristocrats
Ohhhh Noooo
103 bpm • D Maj • 06:47 • -8.71db
19% Popularity • 58% Danceability • 65% Energy • 32% Liveness
75% Instrumentalness • 34% Positiveness
19% Popularity • 58% Danceability • 65% Energy • 32% Liveness
75% Instrumentalness • 34% Positiveness
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Mattias IA Eklundh
Apparatus
102 bpm • C# Maj • 03:38 • -6.48db
20% Popularity • 59% Danceability • 83% Energy • 41% Liveness
37% Instrumentalness • 76% Positiveness
20% Popularity • 59% Danceability • 83% Energy • 41% Liveness
37% Instrumentalness • 76% Positiveness
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Matteo Mancuso
Open Fields
97 bpm • A Maj • 06:27 • -14.44db
33% Popularity • 49% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
33% Popularity • 49% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Michael Lee Firkins
Hula Hoops
103 bpm • F Maj • 03:50 • -14.49db
11% Popularity • 35% Danceability • 62% Energy • 23% Liveness
26% Instrumentalness • 64% Positiveness
11% Popularity • 35% Danceability • 62% Energy • 23% Liveness
26% Instrumentalness • 64% Positiveness
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Thomas Blug
My House Is Green
97 bpm • G Maj • 04:02 • -6.4db
28% Popularity • 53% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 53% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Jan Cyrka
Greet the New Day
97 bpm • E Maj • 02:02 • -10.56db
3% Popularity • 70% Danceability • 44% Energy • 9% Liveness
40% Instrumentalness • 65% Positiveness
3% Popularity • 70% Danceability • 44% Energy • 9% Liveness
40% Instrumentalness • 65% Positiveness
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Jam Track Central
Seal the Feel
97 bpm • D min • 01:31 • -4.32db
35% Popularity • 44% Danceability • 90% Energy • 25% Liveness
82% Instrumentalness • 74% Positiveness
35% Popularity • 44% Danceability • 90% Energy • 25% Liveness
82% Instrumentalness • 74% Positiveness
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Mattias IA Eklundh
There's No Money in Jazz
98 bpm • D Maj • 02:00 • -5.46db
12% Popularity • 51% Danceability • 47% Energy • 22% Liveness
55% Instrumentalness • 58% Positiveness
12% Popularity • 51% Danceability • 47% Energy • 22% Liveness
55% Instrumentalness • 58% Positiveness
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Reb Beach
Cutting Loose
97 bpm • F# Maj • 03:28 • -4.4db
21% Popularity • 47% Danceability • 93% Energy • 34% Liveness
85% Instrumentalness • 63% Positiveness
21% Popularity • 47% Danceability • 93% Energy • 34% Liveness
85% Instrumentalness • 63% Positiveness
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John Petrucci
Glasgow Kiss
104 bpm • E Maj • 07:48 • -4.43db
40% Popularity • 18% Danceability • 95% Energy • 12% Liveness
89% Instrumentalness • 37% Positiveness
40% Popularity • 18% Danceability • 95% Energy • 12% Liveness
89% Instrumentalness • 37% Positiveness
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Michael Lee Firkins
Rain in the Tunnel
96 bpm • A Maj • 05:23 • -16db
23% Popularity • 49% Danceability • 66% Energy • 25% Liveness
71% Instrumentalness • 55% Positiveness
23% Popularity • 49% Danceability • 66% Energy • 25% Liveness
71% Instrumentalness • 55% Positiveness
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Nili Brosh
Solace
96 bpm • G Maj • 06:24 • -12.37db
12% Popularity • 54% Danceability • 56% Energy • 24% Liveness
86% Instrumentalness • 11% Positiveness
12% Popularity • 54% Danceability • 56% Energy • 24% Liveness
86% Instrumentalness • 11% Positiveness
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Jam Track Central
After the Rain
96 bpm • F# min • 01:46 • -6.8db
30% Popularity • 47% Danceability • 83% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
30% Popularity • 47% Danceability • 83% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
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Greg Howe
Push On
105 bpm • C min • 04:40 • -5.59db
20% Popularity • 46% Danceability • 84% Energy • 42% Liveness
92% Instrumentalness • 80% Positiveness
20% Popularity • 46% Danceability • 84% Energy • 42% Liveness
92% Instrumentalness • 80% Positiveness
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Jeff Kollman
Intimate Portrait
105 bpm • C min • 01:04 • -18.68db
32% Popularity • 47% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
32% Popularity • 47% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
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Jan Cyrka
Fight Nite
105 bpm • B min • 02:38 • -7.21db
4% Popularity • 45% Danceability • 98% Energy • 20% Liveness
92% Instrumentalness • 55% Positiveness
4% Popularity • 45% Danceability • 98% Energy • 20% Liveness
92% Instrumentalness • 55% Positiveness
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Andy Wood
City Life
105 bpm • G min • 02:56 • -4.97db
21% Popularity • 55% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
21% Popularity • 55% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
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Lari Basilio
It's Been a While
105 bpm • F# min • 03:10 • -14.01db
24% Popularity • 63% Danceability • 47% Energy • 11% Liveness
67% Instrumentalness • 22% Positiveness
24% Popularity • 63% Danceability • 47% Energy • 11% Liveness
67% Instrumentalness • 22% Positiveness
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Michael Lee Firkins
Cactus Cruz
105 bpm • G# min • 03:28 • -13.86db
17% Popularity • 54% Danceability • 79% Energy • 33% Liveness
91% Instrumentalness • 66% Positiveness
17% Popularity • 54% Danceability • 79% Energy • 33% Liveness
91% Instrumentalness • 66% Positiveness
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Marco Sfogli
Nothing Is Lost
95 bpm • B Maj • 05:31 • -6.3db
34% Popularity • 21% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
34% Popularity • 21% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
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Buckethead
Star Chasing
95 bpm • E min • 02:56 • -5.2db
37% Popularity • 64% Danceability • 64% Energy • 11% Liveness
56% Instrumentalness • 19% Positiveness
37% Popularity • 64% Danceability • 64% Energy • 11% Liveness
56% Instrumentalness • 19% Positiveness
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Jan Cyrka
Hope Fear and Faith
105 bpm • A min • 03:42 • -8.38db
22% Popularity • 42% Danceability • 47% Energy • 14% Liveness
55% Instrumentalness • 29% Positiveness
22% Popularity • 42% Danceability • 47% Energy • 14% Liveness
55% Instrumentalness • 29% Positiveness
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Mr. Fastfinger
Humble Moves
95 bpm • A Maj • 03:24 • -12.88db
22% Popularity • 63% Danceability • 76% Energy • 14% Liveness
82% Instrumentalness • 41% Positiveness
22% Popularity • 63% Danceability • 76% Energy • 14% Liveness
82% Instrumentalness • 41% Positiveness
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Lari Basilio
California Waves
105 bpm • G min • 03:53 • -8.22db
29% Popularity • 64% Danceability • 76% Energy • 10% Liveness
87% Instrumentalness • 73% Positiveness
29% Popularity • 64% Danceability • 76% Energy • 10% Liveness
87% Instrumentalness • 73% Positiveness
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Luca Mantovanelli
7.04
95 bpm • C Maj • 04:12 • -7.99db
22% Popularity • 53% Danceability • 82% Energy • 8% Liveness
63% Instrumentalness • 51% Positiveness
22% Popularity • 53% Danceability • 82% Energy • 8% Liveness
63% Instrumentalness • 51% Positiveness
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Martin Webb
I Said Come On
95 bpm • A Maj • 03:33 • -8.88db
3% Popularity • 56% Danceability • 90% Energy • 32% Liveness
92% Instrumentalness • 78% Positiveness
3% Popularity • 56% Danceability • 90% Energy • 32% Liveness
92% Instrumentalness • 78% Positiveness
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John Petrucci
Terminal Velocity
95 bpm • E Maj • 06:07 • -6.33db
37% Popularity • 47% Danceability • 97% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
37% Popularity • 47% Danceability • 97% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
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Shawn Lane
One Note at a Time
95 bpm • G# Maj • 03:30 • -7.36db
16% Popularity • 58% Danceability • 73% Energy • 21% Liveness
67% Instrumentalness • 60% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 21% Liveness
67% Instrumentalness • 60% Positiveness
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Brian Maillard
Follow Your Dreams
95 bpm • D Maj • 04:51 • -7db
11% Popularity • 48% Danceability • 74% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 74% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Cristiano Parato
Riding Giants
95 bpm • C min • 06:11 • -7.8db
28% Popularity • 59% Danceability • 71% Energy • 14% Liveness
90% Instrumentalness • 69% Positiveness
28% Popularity • 59% Danceability • 71% Energy • 14% Liveness
90% Instrumentalness • 69% Positiveness
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Markus Venehsalo
Projekt 13
95 bpm • G Maj • 04:11 • -6.04db
19% Popularity • 47% Danceability • 70% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
19% Popularity • 47% Danceability • 70% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Daniele Gottardo
My Favorite Things
95 bpm • A min • 02:45 • -16.65db
23% Popularity • 28% Danceability • 8% Energy • 16% Liveness
72% Instrumentalness • 20% Positiveness
23% Popularity • 28% Danceability • 8% Energy • 16% Liveness
72% Instrumentalness • 20% Positiveness
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Luca Mantovanelli
Circles
95 bpm • B min • 04:43 • -8db
23% Popularity • 33% Danceability • 90% Energy • 12% Liveness
74% Instrumentalness • 46% Positiveness
23% Popularity • 33% Danceability • 90% Energy • 12% Liveness
74% Instrumentalness • 46% Positiveness
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Clive Carroll
Boone Dog
106 bpm • A# min • 01:53 • -16.38db
24% Popularity • 61% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
24% Popularity • 61% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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Steve Smith
Nostalgia
95 bpm • C Maj • 01:56 • -23.37db
34% Popularity • 25% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
34% Popularity • 25% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Matteo Mancuso
Blues For John
106 bpm • A# Maj • 03:31 • -9.94db
33% Popularity • 53% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
33% Popularity • 53% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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Reb Beach
Little Robots
94 bpm • B Maj • 03:31 • -4.12db
12% Popularity • 49% Danceability • 91% Energy • 27% Liveness
92% Instrumentalness • 77% Positiveness
12% Popularity • 49% Danceability • 91% Energy • 27% Liveness
92% Instrumentalness • 77% Positiveness
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Neil Zaza
St. Valentine
94 bpm • C Maj • 03:12 • -8.19db
21% Popularity • 38% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 14% Positiveness
21% Popularity • 38% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 14% Positiveness
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Steve Vai
Building the Church
94 bpm • D Maj • 04:58 • -5.09db
32% Popularity • 46% Danceability • 72% Energy • 41% Liveness
73% Instrumentalness • 45% Positiveness
32% Popularity • 46% Danceability • 72% Energy • 41% Liveness
73% Instrumentalness • 45% Positiveness
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Frank Gambale
6.8 Shaker
94 bpm • F min • 05:52 • -8.77db
27% Popularity • 56% Danceability • 73% Energy • 32% Liveness
84% Instrumentalness • 66% Positiveness
27% Popularity • 56% Danceability • 73% Energy • 32% Liveness
84% Instrumentalness • 66% Positiveness
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Jake Willson
Breaking the Silence
94 bpm • G min • 05:48 • -10.07db
12% Popularity • 26% Danceability • 47% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 47% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Greg Howe
Button Up
107 bpm • G Maj • 06:15 • -8.41db
20% Popularity • 66% Danceability • 73% Energy • 27% Liveness
86% Instrumentalness • 41% Positiveness
20% Popularity • 66% Danceability • 73% Energy • 27% Liveness
86% Instrumentalness • 41% Positiveness
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Jam Track Central
Reloader
107 bpm • B min • 02:21 • -6.99db
29% Popularity • 52% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
29% Popularity • 52% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Neil Zaza
Baking @ 350 Degrees
94 bpm • F# Maj • 01:06 • -16.02db
27% Popularity • 22% Danceability • 43% Energy • 13% Liveness
93% Instrumentalness • 64% Positiveness
27% Popularity • 22% Danceability • 43% Energy • 13% Liveness
93% Instrumentalness • 64% Positiveness
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John Petrucci
Out Of The Blue
107 bpm • F min • 05:46 • -6.31db
34% Popularity • 34% Danceability • 71% Energy • 12% Liveness
75% Instrumentalness • 53% Positiveness
34% Popularity • 34% Danceability • 71% Energy • 12% Liveness
75% Instrumentalness • 53% Positiveness
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Lari Basilio
Revolution
107 bpm • A Maj • 03:44 • -5.21db
15% Popularity • 49% Danceability • 95% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
15% Popularity • 49% Danceability • 95% Energy • 18% Liveness
92% Instrumentalness • 33% Positiveness
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Philip Jewson
Beat Heat
107 bpm • G# min • 02:03 • -5.6db
1% Popularity • 68% Danceability • 96% Energy • 3% Liveness
79% Instrumentalness • 85% Positiveness
1% Popularity • 68% Danceability • 96% Energy • 3% Liveness
79% Instrumentalness • 85% Positiveness
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Shawn Lane
Kaiser Nancarrow
107 bpm • C# Maj • 04:43 • -9.31db
17% Popularity • 54% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
17% Popularity • 54% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Anika Nilles
Whitelines
93 bpm • F min • 03:12 • -6.42db
30% Popularity • 49% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 52% Positiveness
30% Popularity • 49% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 52% Positiveness
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Jan Cyrka
Daffodils and Diamonds
93 bpm • F Maj • 03:56 • -6.72db
0% Popularity • 59% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
0% Popularity • 59% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Neil Zaza
The Looking Glass
108 bpm • E Maj • 03:56 • -5.08db
26% Popularity • 43% Danceability • 88% Energy • 41% Liveness
94% Instrumentalness • 52% Positiveness
26% Popularity • 43% Danceability • 88% Energy • 41% Liveness
94% Instrumentalness • 52% Positiveness
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John Petrucci
Snake In My Boot
108 bpm • A Maj • 04:04 • -6.33db
34% Popularity • 52% Danceability • 86% Energy • 8% Liveness
83% Instrumentalness • 67% Positiveness
34% Popularity • 52% Danceability • 86% Energy • 8% Liveness
83% Instrumentalness • 67% Positiveness
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Philip Jewson
Sunshine Boulevard
108 bpm • C min • 02:14 • -10.44db
4% Popularity • 72% Danceability • 66% Energy • 25% Liveness
86% Instrumentalness • 61% Positiveness
4% Popularity • 72% Danceability • 66% Energy • 25% Liveness
86% Instrumentalness • 61% Positiveness
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Richie Kotzen
Circus Song
108 bpm • E Maj • 02:46 • -3.91db
20% Popularity • 57% Danceability • 87% Energy • 4% Liveness
76% Instrumentalness • 73% Positiveness
20% Popularity • 57% Danceability • 87% Energy • 4% Liveness
76% Instrumentalness • 73% Positiveness
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Jeff Kollman
Fat, Mean & Nasty
93 bpm • F min • 04:50 • -10.17db
19% Popularity • 59% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
19% Popularity • 59% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
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Jan Cyrka
Carefree Summer
108 bpm • F min • 01:39 • -6.6db
35% Popularity • 60% Danceability • 81% Energy • 22% Liveness
22% Instrumentalness • 57% Positiveness
35% Popularity • 60% Danceability • 81% Energy • 22% Liveness
22% Instrumentalness • 57% Positiveness
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Shawn Lane
Art Tatum
108 bpm • B Maj • 02:05 • -9.95db
16% Popularity • 62% Danceability • 73% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
16% Popularity • 62% Danceability • 73% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Travis Larson Band
Double Tap
93 bpm • A min • 03:58 • -6.93db
15% Popularity • 54% Danceability • 77% Energy • 26% Liveness
84% Instrumentalness • 68% Positiveness
15% Popularity • 54% Danceability • 77% Energy • 26% Liveness
84% Instrumentalness • 68% Positiveness
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Mr. Fastfinger
Mammoth Steps
93 bpm • C Maj • 04:52 • -8.45db
14% Popularity • 52% Danceability • 76% Energy • 13% Liveness
83% Instrumentalness • 38% Positiveness
14% Popularity • 52% Danceability • 76% Energy • 13% Liveness
83% Instrumentalness • 38% Positiveness
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Luca Mantovanelli
Southern Men
92 bpm • C Maj • 05:13 • -9.52db
21% Popularity • 48% Danceability • 63% Energy • 14% Liveness
80% Instrumentalness • 14% Positiveness
21% Popularity • 48% Danceability • 63% Energy • 14% Liveness
80% Instrumentalness • 14% Positiveness
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Marco Sfogli
Corrosion
92 bpm • D Maj • 04:29 • -5.5db
31% Popularity • 42% Danceability • 90% Energy • 36% Liveness
75% Instrumentalness • 60% Positiveness
31% Popularity • 42% Danceability • 90% Energy • 36% Liveness
75% Instrumentalness • 60% Positiveness
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Jan Cyrka
Deranger
108 bpm • A Maj • 04:15 • -7.42db
3% Popularity • 57% Danceability • 95% Energy • 6% Liveness
86% Instrumentalness • 48% Positiveness
3% Popularity • 57% Danceability • 95% Energy • 6% Liveness
86% Instrumentalness • 48% Positiveness
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Shawn Lane
Trois Sept Cinq (Bonus Track)
92 bpm • G Maj • 04:19 • -7.12db
7% Popularity • 53% Danceability • 77% Energy • 12% Liveness
72% Instrumentalness • 51% Positiveness
7% Popularity • 53% Danceability • 77% Energy • 12% Liveness
72% Instrumentalness • 51% Positiveness
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Thomas Blug
Signs Of Live
92 bpm • E Maj • 03:52 • -9.74db
16% Popularity • 60% Danceability • 58% Energy • 13% Liveness
6% Instrumentalness • 45% Positiveness
16% Popularity • 60% Danceability • 58% Energy • 13% Liveness
6% Instrumentalness • 45% Positiveness
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Dave Martone
Bossa Dorado
92 bpm • D min • 03:42 • -7db
23% Popularity • 50% Danceability • 87% Energy • 10% Liveness
74% Instrumentalness • 58% Positiveness
23% Popularity • 50% Danceability • 87% Energy • 10% Liveness
74% Instrumentalness • 58% Positiveness
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Los Lobotomys
Mr. Botomy
92 bpm • C# Maj • 06:33 • -10.09db
13% Popularity • 29% Danceability • 67% Energy • 9% Liveness
64% Instrumentalness • 50% Positiveness
13% Popularity • 29% Danceability • 67% Energy • 9% Liveness
64% Instrumentalness • 50% Positiveness
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Greg Koch
Welchz Grape
109 bpm • D Maj • 07:04 • -4.64db
14% Popularity • 49% Danceability • 76% Energy • 13% Liveness
19% Instrumentalness • 64% Positiveness
14% Popularity • 49% Danceability • 76% Energy • 13% Liveness
19% Instrumentalness • 64% Positiveness
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Jan Cyrka
Darker Than Life
109 bpm • B Maj • 01:02 • -5.97db
35% Popularity • 46% Danceability • 94% Energy • 12% Liveness
83% Instrumentalness • 69% Positiveness
35% Popularity • 46% Danceability • 94% Energy • 12% Liveness
83% Instrumentalness • 69% Positiveness
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Kiko Loureiro
Dreamlike
92 bpm • D Maj • 03:49 • -6db
32% Popularity • 34% Danceability • 82% Energy • 11% Liveness
80% Instrumentalness • 47% Positiveness
32% Popularity • 34% Danceability • 82% Energy • 11% Liveness
80% Instrumentalness • 47% Positiveness
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Shawn Lane
Tri-7\5
92 bpm • C Maj • 04:19 • -8db
23% Popularity • 53% Danceability • 75% Energy • 16% Liveness
80% Instrumentalness • 50% Positiveness
23% Popularity • 53% Danceability • 75% Energy • 16% Liveness
80% Instrumentalness • 50% Positiveness
