Songs like D'Anglebert: Variations sur les folies d'Espagne by Jean-Henri d'Anglebert
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Philippe Rameau
Pieces de clavecin: Suite in A Minor - m...
135 bpm • G# Maj • 02:59 • -21.4db
8% Popularity • 29% Danceability • 18% Energy • 19% Liveness
7% Instrumentalness • 35% Positiveness
8% Popularity • 29% Danceability • 18% Energy • 19% Liveness
7% Instrumentalness • 35% Positiveness
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George Frideric Handel
Organ Concerto No. 14 in A Major, HWV 29...
135 bpm • F min • 01:25 • -37.57db
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Pièces pour clavecin, Book 1 (17...
135 bpm • A# min • 06:11 • -16.11db
10% Popularity • 27% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 27% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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James Oswald
Airs for the Autumn: Night Shade: I. Ari...
135 bpm • C# Maj • 01:09 • -13.75db
21% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Francesco Carlos de S. Joseph
Obra de 5° tom
135 bpm • B Maj • 04:01 • -20.88db
10% Popularity • 25% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Unknown
Balletti di Venezia: VII. Adagio
135 bpm • F# Maj • 02:40 • -33.08db
8% Popularity • 26% Danceability • 1% Energy • 18% Liveness
45% Instrumentalness • 15% Positiveness
8% Popularity • 26% Danceability • 1% Energy • 18% Liveness
45% Instrumentalness • 15% Positiveness
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Jean-Henri d'Anglebert
Suite No. 3 in D Minor: Variations sur l...
135 bpm • B Maj • 09:18 • -13.18db
1% Popularity • 31% Danceability • 43% Energy • 5% Liveness
89% Instrumentalness • 56% Positiveness
1% Popularity • 31% Danceability • 43% Energy • 5% Liveness
89% Instrumentalness • 56% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
15% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
15% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Mrs Philarmonica
Sonata terza in G minor, Parte Prima: IV...
134 bpm • B min • 01:11 • -17.25db
11% Popularity • 40% Danceability • 18% Energy • 6% Liveness
73% Instrumentalness • 84% Positiveness
11% Popularity • 40% Danceability • 18% Energy • 6% Liveness
73% Instrumentalness • 84% Positiveness
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Jacques Duphly
Courante La Boucon
136 bpm • A# min • 04:06 • -18.48db
11% Popularity • 20% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
11% Popularity • 20% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Francesco Geminiani
Cello Sonata in D Minor, Op. 5 No. 2, H....
136 bpm • C# min • 02:19 • -21.2db
9% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
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Jean-Marie Leclair
Trio Sonata in D Minor, Op. 4, No. 1: II...
133 bpm • D Maj • 02:30 • -18.62db
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
9% Popularity • 28% Danceability • 3% Energy • 7% Liveness
4% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in G Major...
133 bpm • F# Maj • 03:09 • -14.88db
1% Popularity • 35% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 84% Positiveness
1% Popularity • 35% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 84% Positiveness
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Georg Philipp Telemann
Ouverture burlesque in B-Flat Major, TWV...
137 bpm • A Maj • 04:06 • -19.1db
8% Popularity • 32% Danceability • 23% Energy • 18% Liveness
33% Instrumentalness • 56% Positiveness
8% Popularity • 32% Danceability • 23% Energy • 18% Liveness
33% Instrumentalness • 56% Positiveness
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Mrs Philarmonica
Sonata quarta in B minor, Parte Prima: I...
134 bpm • F min • 01:38 • -20.42db
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in A Minor - m...
137 bpm • G# min • 01:41 • -20.71db
11% Popularity • 22% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
11% Popularity • 22% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
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Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: IV. G...
137 bpm • B Maj • 01:27 • -15.49db
9% Popularity • 27% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
9% Popularity • 27% Danceability • 49% Energy • 11% Liveness
96% Instrumentalness • 68% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul et ba...
137 bpm • D# min • 03:20 • -18.77db
12% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Georg Philipp Telemann
Fantasia in D Major, TWV 33: 4: II. Dolc...
137 bpm • C# min • 01:05 • -19.91db
9% Popularity • 35% Danceability • 20% Energy • 5% Liveness
9% Instrumentalness • 47% Positiveness
9% Popularity • 35% Danceability • 20% Energy • 5% Liveness
9% Instrumentalness • 47% Positiveness
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Louis-Antoine Dornel
Trio Sonata in B Minor, Op. 3, No. 3: IV...
138 bpm • A# Maj • 03:14 • -17.76db
7% Popularity • 21% Danceability • 20% Energy • 16% Liveness
53% Instrumentalness • 19% Positiveness
7% Popularity • 21% Danceability • 20% Energy • 16% Liveness
53% Instrumentalness • 19% Positiveness
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Jean-Henri d'Anglebert
Suite No. 1 in G Major: Courante I
138 bpm • F# Maj • 03:47 • -14.97db
0% Popularity • 26% Danceability • 39% Energy • 17% Liveness
84% Instrumentalness • 55% Positiveness
0% Popularity • 26% Danceability • 39% Energy • 17% Liveness
84% Instrumentalness • 55% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
132 bpm • F# Maj • 03:34 • -18.49db
19% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
19% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Mrs Philarmonica
Sonata terza in G minor, Parte Prima: II...
132 bpm • D Maj • 01:36 • -22.09db
14% Popularity • 16% Danceability • 7% Energy • 25% Liveness
46% Instrumentalness • 6% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 25% Liveness
46% Instrumentalness • 6% Positiveness
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Lecce
Raposas e Barracudas
132 bpm • A# Maj • 03:00 • -24.53db
14% Popularity • 23% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 23% Positiveness
14% Popularity • 23% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 23% Positiveness
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Marin Marais
Troisième suite in F Major: No. 8, Chac...
131 bpm • E Maj • 03:15 • -14.93db
8% Popularity • 28% Danceability • 28% Energy • 13% Liveness
29% Instrumentalness • 49% Positiveness
8% Popularity • 28% Danceability • 28% Energy • 13% Liveness
29% Instrumentalness • 49% Positiveness
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William Boyce
Symphony No. 5 in D Major, Op. 2, "St. C...
131 bpm • C# Maj • 01:37 • -20.34db
28% Popularity • 47% Danceability • 7% Energy • 8% Liveness
98% Instrumentalness • 54% Positiveness
28% Popularity • 47% Danceability • 7% Energy • 8% Liveness
98% Instrumentalness • 54% Positiveness
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Jean-Henri d'Anglebert
Suite No. 4 in D Major: Tombeau de Monsi...
132 bpm • C# Maj • 05:35 • -16.54db
1% Popularity • 34% Danceability • 27% Energy • 32% Liveness
88% Instrumentalness • 54% Positiveness
1% Popularity • 34% Danceability • 27% Energy • 32% Liveness
88% Instrumentalness • 54% Positiveness
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Carl Philipp Emanuel Bach
Harpsichord Concerto No. 1 in F Major, W...
132 bpm • E min • 04:30 • -20.98db
10% Popularity • 37% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 37% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Nicola Matteis
Preludio in ostination: Passagio rotto
131 bpm • F# min • 01:09 • -16.8db
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Henry Purcell
Fantazia V, Z. 736
139 bpm • E Maj • 04:09 • -17.03db
8% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
8% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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Anglebert
Des Pièces de Claveçin, Livre premier:...
130 bpm • B min • 05:32 • -19.85db
0% Popularity • 28% Danceability • 38% Energy • 32% Liveness
88% Instrumentalness • 19% Positiveness
0% Popularity • 28% Danceability • 38% Energy • 32% Liveness
88% Instrumentalness • 19% Positiveness
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Jean-Henri d'Anglebert
Suite No. 1 in G Major: Courante II
131 bpm • F# Maj • 01:52 • -13.33db
1% Popularity • 38% Danceability • 46% Energy • 17% Liveness
9% Instrumentalness • 88% Positiveness
1% Popularity • 38% Danceability • 46% Energy • 17% Liveness
9% Instrumentalness • 88% Positiveness
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Jean-Féry Rebel
12 Violin Sonatas, Sonata in E Minor, No...
130 bpm • A# Maj • 01:38 • -14.29db
8% Popularity • 32% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 30% Positiveness
8% Popularity • 32% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 30% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
140 bpm • C# min • 01:36 • -28.8db
14% Popularity • 31% Danceability • 14% Energy • 13% Liveness
80% Instrumentalness • 38% Positiveness
14% Popularity • 31% Danceability • 14% Energy • 13% Liveness
80% Instrumentalness • 38% Positiveness
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Marin Marais
Quatrième suite in A Minor: No. 7, Muze...
130 bpm • G# Maj • 01:05 • -20.98db
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
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![Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Heinrich Ignaz Franz von Biber
Violin Sonata No. 1 in A Major, C. 138: ...
129 bpm • D# Maj • 01:05 • -25.63db
20% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
20% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
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Jean-Henri d'Anglebert
Suite No. 5 in C Major: Courante
140 bpm • F# Maj • 02:24 • -14.09db
0% Popularity • 24% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 57% Positiveness
0% Popularity • 24% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 57% Positiveness
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François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: VII. Te...
141 bpm • C# Maj • 02:41 • -28db
9% Popularity • 38% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
9% Popularity • 38% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Georg Philipp Telemann
Telemann: Ouverture-Suite for Recorder a...
141 bpm • A min • 02:36 • -23.7db
23% Popularity • 63% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
23% Popularity • 63% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
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Carl Philipp Emanuel Bach
Harpsichord Concerto No. 2 in D Major, W...
129 bpm • C# Maj • 06:19 • -16.41db
7% Popularity • 35% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 73% Positiveness
7% Popularity • 35% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 73% Positiveness
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Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Louis-Antoine Dornel
Suitte en Trio No. 3 in E Minor, Op. 1: ...
142 bpm • D# min • 01:45 • -19.71db
17% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
17% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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François Couperin
Concert Royal No. 2 in D: III. Air tendr...
141 bpm • C# min • 03:40 • -17.28db
7% Popularity • 27% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 31% Positiveness
7% Popularity • 27% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 31% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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Carl Friedrich Abel
Allegretto in A Major
129 bpm • G# Maj • 04:43 • -28.4db
9% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
9% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
141 bpm • A Maj • 03:01 • -24.58db
16% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
16% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
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Musici di San Marco
Concerto, D-Major, For Strings And Organ...
128 bpm • C# Maj • 02:15 • -20.69db
9% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
9% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
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António Pereira da Costa
Concerto VIII in C Minor: IV. Adagio
128 bpm • C min • 01:04 • -18.73db
7% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
7% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Johann Bernhard Bach
Overture In G Minor: I. Ouverture
128 bpm • G Maj • 04:36 • -28.52db
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Jean-Henri d'Anglebert
Suite No. 4 in D Major: Courante II
128 bpm • C# Maj • 01:49 • -11.71db
0% Popularity • 44% Danceability • 51% Energy • 4% Liveness
92% Instrumentalness • 87% Positiveness
0% Popularity • 44% Danceability • 51% Energy • 4% Liveness
92% Instrumentalness • 87% Positiveness
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Anthony Holborne
Galliard Heigh Ho Holiday
143 bpm • G# Maj • 01:30 • -22.35db
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: II. C...
128 bpm • F# Maj • 01:46 • -17.69db
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
11% Popularity • 28% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 44% Positiveness
► Preview
Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Monsieur de Sainte-Colombe
Concert XLIV
127 bpm • F Maj • 06:16 • -24.76db
8% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
8% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Joseph Haydn
Baryton Trio in G Major, Hob. XI:67: III...
143 bpm • F# Maj • 01:27 • -19.96db
16% Popularity • 36% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 62% Positiveness
16% Popularity • 36% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 62% Positiveness
► Preview
Jean-Henri d'Anglebert
Suite No. 5 in C Major: Gaillarde
128 bpm • B Maj • 05:58 • -15.33db
0% Popularity • 30% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
0% Popularity • 30% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
► Preview
James Oswald
Airs for the Winter: Golden Rod: II. Mus...
127 bpm • F# min • 01:03 • -11.02db
27% Popularity • 40% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 56% Positiveness
27% Popularity • 40% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 56% Positiveness
► Preview
Carlo Gesualdo
Canzon Francese del Principe
127 bpm • G# min • 04:45 • -27.98db
20% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
20% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Johann Jakob Froberger
Suite No. 12 in C Major, FbWV 612: I. Al...
143 bpm • F# Maj • 04:50 • -20db
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 25% Positiveness
9% Popularity • 32% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 25% Positiveness
► Preview
Pietro Locatelli
Sei Introduttioni teatrali, Op. 4, No. 4...
127 bpm • F# Maj • 01:02 • -18.44db
21% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: VII. Pre...
126 bpm • C# min • 02:07 • -16.39db
9% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Jean-Henri d'Anglebert
Suite No. 2 in G Minor: Sarabande
143 bpm • C# min • 02:29 • -14.87db
0% Popularity • 26% Danceability • 38% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
0% Popularity • 26% Danceability • 38% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
► Preview
Christoph Graupner
Partita GWV 150: IV. Sarabande
145 bpm • B min • 01:57 • -27db
13% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
13% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
► Preview
Diego Ortiz
Pass'emezzo moderno
144 bpm • F# Maj • 01:18 • -20.38db
21% Popularity • 40% Danceability • 22% Energy • 16% Liveness
84% Instrumentalness • 22% Positiveness
21% Popularity • 40% Danceability • 22% Energy • 16% Liveness
84% Instrumentalness • 22% Positiveness
► Preview
Carl Philipp Emanuel Bach
Harpsichord Concerto No. 1 in F Major, W...
126 bpm • E Maj • 07:09 • -15.95db
11% Popularity • 31% Danceability • 43% Energy • 65% Liveness
3% Instrumentalness • 58% Positiveness
11% Popularity • 31% Danceability • 43% Energy • 65% Liveness
3% Instrumentalness • 58% Positiveness
► Preview
Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
126 bpm • C# min • 03:46 • -25db
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Jean-Jacques-Baptiste Anet
Sonata for Violin and Continuo No. 11 in...
145 bpm • B min • 01:46 • -16.73db
7% Popularity • 29% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 29% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
125 bpm • C# Maj • 01:57 • -22.95db
7% Popularity • 24% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 54% Positiveness
7% Popularity • 24% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 54% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
15% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Louis-Nicolas Clérambault
Sonata No. 7 in E Minor "La magnifique":...
125 bpm • D min • 01:32 • -20db
17% Popularity • 26% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
17% Popularity • 26% Danceability • 7% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Bassoon Concerto in E Minor, RV 484: II....
125 bpm • B min • 04:25 • -25.21db
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
43% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
43% Instrumentalness • 9% Positiveness
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Ennemond Gaultier
Pièces de clavessin en manuscrits: Gigu...
146 bpm • F Maj • 01:47 • -14.08db
0% Popularity • 28% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 28% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
125 bpm • C# min • 02:22 • -26.78db
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
124 bpm • B Maj • 02:07 • -24.39db
16% Popularity • 44% Danceability • 11% Energy • 41% Liveness
79% Instrumentalness • 50% Positiveness
16% Popularity • 44% Danceability • 11% Energy • 41% Liveness
79% Instrumentalness • 50% Positiveness
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Mrs Philarmonica
Sonata terza in G minor, Parte Prima: II...
124 bpm • F# min • 01:25 • -16.5db
12% Popularity • 32% Danceability • 22% Energy • 9% Liveness
17% Instrumentalness • 62% Positiveness
12% Popularity • 32% Danceability • 22% Energy • 9% Liveness
17% Instrumentalness • 62% Positiveness
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George Frideric Handel
Sonata in D Major, Op. 1 No. 13, HWV 371...
124 bpm • C# Maj • 02:38 • -15.97db
11% Popularity • 53% Danceability • 43% Energy • 5% Liveness
7% Instrumentalness • 85% Positiveness
11% Popularity • 53% Danceability • 43% Energy • 5% Liveness
7% Instrumentalness • 85% Positiveness
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Henry Purcell
Minuet in A Minor, Z. 650 (Arr. M. Köll...
124 bpm • A min • 01:05 • -26.8db
21% Popularity • 46% Danceability • 10% Energy • 4% Liveness
28% Instrumentalness • 44% Positiveness
21% Popularity • 46% Danceability • 10% Energy • 4% Liveness
28% Instrumentalness • 44% Positiveness
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Andreas Oswald
Sonate für 2 Violinen, Viola da gamba u...
124 bpm • F# Maj • 04:21 • -17.65db
16% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
16% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
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Johann Caspar Ferdinand Fischer
Ariadne Musica: No. 2, Prelude & Fugue i...
124 bpm • C min • 01:34 • -24.4db
10% Popularity • 24% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 32% Positiveness
10% Popularity • 24% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 32% Positiveness
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Joseph Haydn
Baryton Trio in D Major, Hob. XI:113: II...
147 bpm • C# Maj • 02:33 • -22.52db
10% Popularity • 35% Danceability • 4% Energy • 12% Liveness
76% Instrumentalness • 50% Positiveness
10% Popularity • 35% Danceability • 4% Energy • 12% Liveness
76% Instrumentalness • 50% Positiveness
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Domenico Scarlatti
Scarlatti, D: Keyboard Sonata in G Minor...
123 bpm • F# min • 04:04 • -18.63db
2% Popularity • 35% Danceability • 41% Energy • 9% Liveness
51% Instrumentalness • 78% Positiveness
2% Popularity • 35% Danceability • 41% Energy • 9% Liveness
51% Instrumentalness • 78% Positiveness
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George Frideric Handel
Oboe Sonata in F Major, HWV 363a: III. A...
124 bpm • C# min • 02:13 • -22.34db
3% Popularity • 31% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 26% Positiveness
3% Popularity • 31% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 26% Positiveness
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Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Jean-Philippe Rameau
Suite in A Minor, RCT 1: V. Gigue
123 bpm • G# min • 02:32 • -15.61db
8% Popularity • 49% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 49% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Jean-Baptiste Quentin
2e Livre de Sonates à violon seul et ba...
123 bpm • D# min • 03:22 • -20.18db
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Nicola Matteis
Suite in A Minor: IV. Scaramuccia
149 bpm • G# min • 00:55 • -15.34db
11% Popularity • 44% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 90% Positiveness
11% Popularity • 44% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 90% Positiveness
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Johann Bernhard Bach
Ouverture in G Major: I. Ouverture
123 bpm • F Maj • 03:10 • -14.71db
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
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Tomaso Albinoni
Concerto for 2 Oboes, Strings and String...
149 bpm • C Maj • 01:05 • -21.57db
14% Popularity • 12% Danceability • 3% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 3% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
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Joseph Bodin de Boismortier
First Sonata, in D Major: I. Sicilienne
122 bpm • C Maj • 02:29 • -23.66db
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ä°zmir Barok
Sonata K. 9 D Minor - Allegretto
122 bpm • C# min • 03:23 • -22db
9% Popularity • 35% Danceability • 26% Energy • 4% Liveness
84% Instrumentalness • 65% Positiveness
9% Popularity • 35% Danceability • 26% Energy • 4% Liveness
84% Instrumentalness • 65% Positiveness
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Jean-Henri d'Anglebert
Suite No. 1 in G Major: Menuet
149 bpm • F# Maj • 01:06 • -13.39db
1% Popularity • 36% Danceability • 64% Energy • 14% Liveness
96% Instrumentalness • 70% Positiveness
1% Popularity • 36% Danceability • 64% Energy • 14% Liveness
96% Instrumentalness • 70% Positiveness
► Preview
Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness