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Danny Boy
Songs like
Danny Boy
by
The Concordia Choir
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Pierluigi da Palestrina
Sicut cervus
79 bpm • G# Maj • 02:50 • -25.6db
24% Popularity • 8% Danceability • 10% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Geirr Tveitt
Geirr Tveitt / Håkon Berge: Vé no velk...
79 bpm • C# min • 02:40 • -19.79db
8% Popularity • 19% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Cantus
For the Beauty of the Earth (Live for Br...
79 bpm • B Maj • 03:05 • -15.66db
9% Popularity • 19% Danceability • 27% Energy • 24% Liveness
5% Instrumentalness • 7% Positiveness
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Leo Sowerby
Come, Risen Lord: Come, risen Lord
79 bpm • A# Maj • 03:06 • -26db
7% Popularity • 17% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 9% Positiveness
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Strathclyde University Chamber Choir
Ye Banks And Braes
79 bpm • G# Maj • 02:46 • -20db
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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The Concordia Choir
Danny Boy
79 bpm • E Maj • 04:02 • -28db
22% Popularity • 8% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Lorica Of St. Patrick
79 bpm • G# min • 03:59 • -18.55db
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
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Thomas Tallis
If Ye Love Me
79 bpm • F Maj • 02:28 • -34.11db
31% Popularity • 16% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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The London Fox Taize Choir
Kyrie Eleison
79 bpm • D min • 03:23 • -19.93db
29% Popularity • 10% Danceability • 10% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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John Goss
Praise, my soul, the King of heaven
79 bpm • D Maj • 02:21 • -21db
13% Popularity • 14% Danceability • 18% Energy • 15% Liveness
55% Instrumentalness • 22% Positiveness
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William Henry Monk
Abide with Me
79 bpm • D# Maj • 04:40 • -27.87db
6% Popularity • 17% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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The Concordia Choir
Tenting On The Old Campground
79 bpm • A Maj • 06:42 • -31.29db
5% Popularity • 7% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Mia Makaroff
Spes
78 bpm • G Maj • 04:26 • -22.72db
17% Popularity • 21% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield
Exultate Justi in Domino
78 bpm • F# Maj • 02:06 • -21.03db
10% Popularity • 28% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Phoenix Chamber Choir
Let my Love be Heard
80 bpm • E Maj • 05:13 • -24.57db
21% Popularity • 8% Danceability • 5% Energy • 16% Liveness
59% Instrumentalness • 3% Positiveness
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Vocal Arts Nashville
Through Love to Light
78 bpm • E Maj • 02:24 • -11.57db
10% Popularity • 22% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Cantus
Eatnemen Vuelie
80 bpm • D Maj • 03:13 • -19.04db
23% Popularity • 16% Danceability • 10% Energy • 10% Liveness
11% Instrumentalness • 9% Positiveness
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The Concordia Choir
Ain't Got Time to Die
80 bpm • G min • 02:31 • -21.69db
25% Popularity • 33% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Georg Ebeling
Franconia "Blest Are the Pure in Heart"
80 bpm • A Maj • 01:59 • -32db
19% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
20% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Benedictines of Mary, Queen of Apostles
Holy God, We Praise Thy Name
80 bpm • F Maj • 03:17 • -21.13db
43% Popularity • 28% Danceability • 8% Energy • 11% Liveness
27% Instrumentalness • 12% Positiveness
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Nathan J. Arnold
Psalm 25: Make Me To Know Your Ways (Voc...
80 bpm • D Maj • 05:02 • -13.98db
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Giovanni Pierluigi da Palestrina
Sicut cervus
78 bpm • G# Maj • 06:23 • -28db
32% Popularity • 13% Danceability • 8% Energy • 7% Liveness
9% Instrumentalness • 6% Positiveness
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The Concordia Choir
Be Not Afraid
80 bpm • E Maj • 04:58 • -17.38db
2% Popularity • 12% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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The Celebration Choir
Dear Lord And Father Of Mankind
80 bpm • D# Maj • 04:15 • -18.77db
26% Popularity • 15% Danceability • 17% Energy • 11% Liveness
7% Instrumentalness • 28% Positiveness
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Jake Runestad
I Will Lift Mine Eyes
78 bpm • C# Maj • 04:10 • -21db
16% Popularity • 10% Danceability • 7% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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The London National Philharmonic Orchestra. Arranged and Conducted By Lex De Azevedo.
As the Dew from Heaven Distilling
78 bpm • A Maj • 03:42 • -13.23db
26% Popularity • 9% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Glory
80 bpm • A# Maj • 01:57 • -14db
32% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi
78 bpm • A Maj • 01:57 • -21db
28% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Paul Mealor
De Profundis
80 bpm • A Maj • 04:06 • -28db
17% Popularity • 15% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
15% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Kim André Arnesen
Even When He Is Silent
78 bpm • B Maj • 05:46 • -23.57db
23% Popularity • 9% Danceability • 9% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
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Harvard University Choir
Come, Thou Fount of Every Blessing
78 bpm • D# Maj • 02:07 • -17.88db
26% Popularity • 17% Danceability • 22% Energy • 13% Liveness
42% Instrumentalness • 23% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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The Concordia Choir
Lux Aurumque
78 bpm • C# min • 04:28 • -22.05db
6% Popularity • 10% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Thomas Tallis
If Ye Love Me
81 bpm • F Maj • 02:12 • -25db
15% Popularity • 18% Danceability • 10% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness
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Bliss
Let The Lower Lights Be Burning
81 bpm • A# Maj • 02:35 • -22.87db
11% Popularity • 18% Danceability • 16% Energy • 28% Liveness
56% Instrumentalness • 12% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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The National Lutheran Choir
The Lord Bless You and Keep You
77 bpm • C Maj • 02:17 • -33.96db
25% Popularity • 7% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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The Concordia Choir
Abendlied
77 bpm • C# Maj • 03:47 • -21.92db
19% Popularity • 24% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Steven Houser
On This Day, O Beautiful Mother
81 bpm • D Maj • 04:53 • -21db
25% Popularity • 11% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 17% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Dora Garcidueñas
Sketch for Acappella (For Vocal Quartet)
77 bpm • A# min • 02:55 • -8.24db
9% Popularity • 17% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Jenny
77 bpm • B Maj • 03:40 • -24.27db
14% Popularity • 10% Danceability • 6% Energy • 18% Liveness
30% Instrumentalness • 4% Positiveness
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The Concordia Choir
Pater Noster
81 bpm • A Maj • 04:47 • -26.03db
5% Popularity • 20% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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The National Lutheran Choir
The Battle of Jericho
77 bpm • F min • 02:33 • -21.45db
26% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Dear Lord And Father
81 bpm • D# Maj • 03:47 • -31db
21% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
22% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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The Concordia Choir
Bow Down Thine Ear
77 bpm • D Maj • 03:14 • -20.08db
1% Popularity • 9% Danceability • 20% Energy • 12% Liveness
49% Instrumentalness • 5% Positiveness
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Lori True
May the Road Rise to Meet You
81 bpm • C Maj • 03:48 • -11.57db
30% Popularity • 28% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Richard Shephard
A New Commandment
77 bpm • E Maj • 01:02 • -27.73db
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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William Henry Monk
Abide with me
77 bpm • D# Maj • 03:44 • -26.88db
15% Popularity • 16% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Michael John Trotta
Ubi Caritas
81 bpm • D Maj • 02:32 • -21.4db
11% Popularity • 12% Danceability • 11% Energy • 31% Liveness
44% Instrumentalness • 7% Positiveness
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Angel City Chorale
Song of Peace (Finlandia)
81 bpm • E Maj • 02:58 • -24db
11% Popularity • 22% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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The Concordia Choir
Wanting Memories
81 bpm • F# Maj • 04:32 • -32db
20% Popularity • 26% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Cantus
Simple Gifts
81 bpm • A Maj • 03:29 • -27db
15% Popularity • 16% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Kim André Arnesen
Stabat Mater dolorosa
81 bpm • B min • 04:14 • -29.04db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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The Choir of St George's Chapel, Windsor Castle
Thy Hand, O God, Has Guided
77 bpm • D Maj • 03:02 • -13db
21% Popularity • 12% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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Hughes
Guide Me O Thou Great Redeemer
81 bpm • A# Maj • 02:26 • -15db
20% Popularity • 18% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Concordia Choir
Wana Baraka
81 bpm • D Maj • 03:38 • -22.29db
31% Popularity • 8% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Alma redemptoris mater
82 bpm • D# Maj • 02:57 • -27.57db
11% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Voice Male
Abide With Me!
82 bpm • G# Maj • 03:11 • -13.29db
34% Popularity • 22% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Michael John Trotta
I Shall See
77 bpm • E Maj • 03:38 • -28db
19% Popularity • 9% Danceability • 3% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Cape Town Camerata
Loch Lomond
76 bpm • G# Maj • 04:04 • -27.47db
11% Popularity • 20% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Randall Thompson
Alleluia
82 bpm • D Maj • 05:20 • -26db
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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The Concordia Choir
Hvad Est Du Dog Skjøn
81 bpm • A Maj • 05:50 • -28.76db
1% Popularity • 9% Danceability • 7% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Roger Emerson
Shoshone Love Song
76 bpm • G# Maj • 02:52 • -20.5db
13% Popularity • 26% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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James Mulholland
A Red, Red Rose
82 bpm • D Maj • 04:11 • -28db
12% Popularity • 11% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Praise My Soul
76 bpm • D Maj • 02:53 • -21.23db
20% Popularity • 8% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Sjaella
Ubi Caritas
82 bpm • A# min • 03:19 • -24.47db
29% Popularity • 28% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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David Dickau
i carry your heart with me
82 bpm • E Maj • 05:12 • -26.49db
9% Popularity • 17% Danceability • 10% Energy • 68% Liveness
12% Instrumentalness • 13% Positiveness
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The Concordia Choir
Vidi Aquam
81 bpm • G# min • 04:14 • -33db
25% Popularity • 8% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Michael John Trotta
Behold How Good
76 bpm • G Maj • 03:28 • -26db
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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John Stainer
The Crucifixion: Chorus: God so loved th...
76 bpm • D Maj • 03:39 • -28.75db
17% Popularity • 13% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Nicolas Fayolle
Peace To Love
76 bpm • C# Maj • 02:47 • -17.76db
30% Popularity • 22% Danceability • 13% Energy • 14% Liveness
65% Instrumentalness • 9% Positiveness
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San Francisco Conservatory Chamber Orchestra
The Awakening
76 bpm • E Maj • 06:54 • -15db
7% Popularity • 15% Danceability • 19% Energy • 68% Liveness
42% Instrumentalness • 5% Positiveness
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The Concordia Choir
Lord, Now Lettest Thou (Nunc Dimittis)
82 bpm • F# Maj • 03:41 • -27.81db
3% Popularity • 8% Danceability • 4% Energy • 8% Liveness
41% Instrumentalness • 3% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Rochester College A Cappella Chorus
Daniel, Daniel, Servant of the Lord
82 bpm • B min • 02:21 • -17db
17% Popularity • 33% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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John Rutter
God be in my head
82 bpm • E Maj • 01:33 • -30.22db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Margaret Rizza
Let Your Beauty
82 bpm • E min • 04:27 • -21.18db
22% Popularity • 15% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Benedictines of Mary, Queen of Apostles
O Salutaris
82 bpm • D# Maj • 01:13 • -21.6db
40% Popularity • 22% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
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Cantus
Finlandia-Hymni
76 bpm • A Maj • 02:08 • -23.12db
20% Popularity • 11% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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OCP Session Choir
O God Beyond All Praising
82 bpm • A# Maj • 02:18 • -11.5db
35% Popularity • 24% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Kammerkoor Head Ööd Vend
Muusika
83 bpm • F Maj • 02:37 • -30.67db
30% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Cantus
How Can I Keep from Singing? (Live for B...
76 bpm • C Maj • 02:55 • -18.99db
11% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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John Repulski
Exsultet
76 bpm • G min • 05:43 • -23.18db
16% Popularity • 15% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
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Ola Gjeilo
The Ground
83 bpm • D# Maj • 03:41 • -29db
27% Popularity • 10% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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St. Michael's Singers
Were You There When They Crucified My Lo...
83 bpm • E Maj • 04:27 • -22.63db
17% Popularity • 15% Danceability • 12% Energy • 15% Liveness
78% Instrumentalness • 4% Positiveness
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Danny Boy