Songs like Danube Waves Waltz - Waves Of The Danube - Flots Du Danube - Donauwellen-Walzer (Exklusive Neuaufnahme - Waltz - Wiener Walzer) by Alfred Hause
Based on a tempo of (+/- 10%) and a similar genre
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Francis Dupont
Zambezi
93 bpm • C Maj • 02:32 • -11db
30% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
30% Popularity • 55% Danceability • 75% Energy • 36% Liveness
86% Instrumentalness • 86% Positiveness
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Tony Hatch
Memories of Summer
93 bpm • D Maj • 03:10 • -12.62db
38% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
38% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
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Alfred Hause
Danube Waves Waltz - Waves Of The Danube...
93 bpm • A min • 03:14 • -12.41db
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
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Dioni Velazquez
Otoño Sin Final - Instrumental Version
93 bpm • A# Maj • 03:15 • -14.58db
31% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
31% Popularity • 68% Danceability • 31% Energy • 9% Liveness
65% Instrumentalness • 32% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Enrique Ugarte
Moulin Rouge
93 bpm • D# Maj • 02:58 • -8.15db
37% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
33% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
33% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Caravelli
Theme From Love Story
94 bpm • A min • 04:09 • -7db
30% Popularity • 23% Danceability • 41% Energy • 15% Liveness
12% Instrumentalness • 9% Positiveness
30% Popularity • 23% Danceability • 41% Energy • 15% Liveness
12% Instrumentalness • 9% Positiveness
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Alfred Hause
Etüde Nr. 3 E-Dur - Exklusive Neuaufnah...
92 bpm • E Maj • 03:37 • -14.39db
13% Popularity • 38% Danceability • 36% Energy • 34% Liveness
81% Instrumentalness • 20% Positiveness
13% Popularity • 38% Danceability • 36% Energy • 34% Liveness
81% Instrumentalness • 20% Positiveness
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Cantovano and His Orchestra
Porque Te Vas
92 bpm • F min • 02:08 • -12db
38% Popularity • 75% Danceability • 45% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
38% Popularity • 75% Danceability • 45% Energy • 9% Liveness
85% Instrumentalness • 94% Positiveness
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Norman Candler
Beautiful Dreamer - Remastered
92 bpm • C Maj • 02:40 • -8db
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
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Enrique Chia
Bella Cubana
92 bpm • C min • 02:42 • -12.61db
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
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Alessio Busanel And His Orchestra
Core N Grato
92 bpm • D# Maj • 05:20 • -20.76db
15% Popularity • 13% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Orquesta Concierto de Viena
Rosas del Sur
92 bpm • A# Maj • 02:28 • -13db
39% Popularity • 32% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 52% Positiveness
39% Popularity • 32% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 52% Positiveness
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Alfred Hause
Menuett A.D. Notenbüchlein Der Anna Mag...
92 bpm • G Maj • 02:49 • -9.66db
10% Popularity • 30% Danceability • 38% Energy • 15% Liveness
93% Instrumentalness • 41% Positiveness
10% Popularity • 30% Danceability • 38% Energy • 15% Liveness
93% Instrumentalness • 41% Positiveness
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Jeff Steinberg
Time To Say Goodbye
94 bpm • G Maj • 03:44 • -13.47db
31% Popularity • 30% Danceability • 23% Energy • 15% Liveness
72% Instrumentalness • 20% Positiveness
31% Popularity • 30% Danceability • 23% Energy • 15% Liveness
72% Instrumentalness • 20% Positiveness
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The Gino Marinello Orchestra
Le professionel
94 bpm • F# min • 03:27 • -14.89db
26% Popularity • 44% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
26% Popularity • 44% Danceability • 21% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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Caravelli
Dio Como Ti Amo
95 bpm • D min • 03:37 • -12.49db
21% Popularity • 18% Danceability • 28% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
21% Popularity • 18% Danceability • 28% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
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L Russel Brown
Tie A Yellow Ribbon Round The Old Oak Tr...
94 bpm • F Maj • 03:06 • -10.78db
22% Popularity • 60% Danceability • 50% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
22% Popularity • 60% Danceability • 50% Energy • 21% Liveness
80% Instrumentalness • 74% Positiveness
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Vladimir Cosma
Thème de Nadia
95 bpm • A min • 02:43 • -16db
39% Popularity • 20% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 10% Positiveness
39% Popularity • 20% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 10% Positiveness
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Alfred Hause
Quartett Nr. 17 - Serenade
94 bpm • C Maj • 02:56 • -14db
14% Popularity • 32% Danceability • 38% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
14% Popularity • 32% Danceability • 38% Energy • 16% Liveness
18% Instrumentalness • 58% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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Ronnie Aldrich and his 2 pianos
You Only Live Twice
91 bpm • G# Maj • 02:41 • -12.53db
29% Popularity • 45% Danceability • 41% Energy • 14% Liveness
88% Instrumentalness • 31% Positiveness
29% Popularity • 45% Danceability • 41% Energy • 14% Liveness
88% Instrumentalness • 31% Positiveness
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Sergio Golwarz
Serenata De Schubert
91 bpm • D Maj • 03:39 • -10.58db
29% Popularity • 18% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
29% Popularity • 18% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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MelodÃas Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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Jeff Steinberg
O Mio Babbino Caro
95 bpm • D Maj • 03:53 • -15.26db
33% Popularity • 42% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
33% Popularity • 42% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Alfred Hause
Blue Gipsy Eyes
92 bpm • D min • 03:04 • -13db
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Anonymous
Serenata, "Rimpianto" (arr. for violin a...
91 bpm • D Maj • 04:35 • -14.41db
13% Popularity • 17% Danceability • 22% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 22% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Ion Ivanovici
The Danube Waves: Donauwellen, Walzer
95 bpm • C Maj • 05:26 • -18db
28% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
28% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
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Los Violines Románticos De Cuba
Adoro
91 bpm • F# min • 02:37 • -7db
34% Popularity • 34% Danceability • 54% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
34% Popularity • 34% Danceability • 54% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
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Brisbane Mandolin Ensemble
Una Sera A Napoli
91 bpm • D Maj • 09:58 • -11.69db
42% Popularity • 42% Danceability • 33% Energy • 11% Liveness
56% Instrumentalness • 32% Positiveness
42% Popularity • 42% Danceability • 33% Energy • 11% Liveness
56% Instrumentalness • 32% Positiveness
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Jeff Steinberg
Innamorata
95 bpm • F Maj • 03:14 • -13.85db
34% Popularity • 42% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
34% Popularity • 42% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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The Percy Faith Strings
Autumn Leaves
95 bpm • G min • 03:19 • -16.03db
25% Popularity • 20% Danceability • 27% Energy • 29% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 20% Danceability • 27% Energy • 29% Liveness
88% Instrumentalness • 7% Positiveness
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The Columbia Ballroom Orchestra
Fascination
91 bpm • C Maj • 02:27 • -16.72db
28% Popularity • 35% Danceability • 26% Energy • 17% Liveness
49% Instrumentalness • 8% Positiveness
28% Popularity • 35% Danceability • 26% Energy • 17% Liveness
49% Instrumentalness • 8% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
27% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Victor Silvester
Fascination (Waltz)
91 bpm • E min • 02:25 • -16.31db
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
43% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
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Lennart Axelsson
Sprich Zu Mir Von Liebe, Mariu
96 bpm • G Maj • 03:26 • -13db
17% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
17% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
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The Gino Marinello Orchestra
Put Your Head On My Shoulder
96 bpm • D# Maj • 02:13 • -13.64db
37% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
37% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
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Sergio Golwarz
La Vida En Rosa
90 bpm • D Maj • 02:53 • -6.6db
30% Popularity • 41% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 39% Positiveness
30% Popularity • 41% Danceability • 40% Energy • 10% Liveness
23% Instrumentalness • 39% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Mademoiselle de Paris
96 bpm • C Maj • 02:54 • -7.97db
27% Popularity • 50% Danceability • 53% Energy • 8% Liveness
33% Instrumentalness • 47% Positiveness
27% Popularity • 50% Danceability • 53% Energy • 8% Liveness
33% Instrumentalness • 47% Positiveness
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Glen Lucas
Only You
90 bpm • B Maj • 03:35 • -11db
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
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The Strings Of Paris
Sleep Shores
90 bpm • C Maj • 03:27 • -16db
44% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
44% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Hugo Strasser
Donauwellen (Wiener Walzer 60 T/M)
90 bpm • F Maj • 02:52 • -13.02db
22% Popularity • 69% Danceability • 30% Energy • 8% Liveness
84% Instrumentalness • 75% Positiveness
22% Popularity • 69% Danceability • 30% Energy • 8% Liveness
84% Instrumentalness • 75% Positiveness
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Francis Dupont
Il Silencio
96 bpm • A# Maj • 02:59 • -12db
33% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
33% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
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Das Orchester Claudius Alzner
Torna a Surriento
96 bpm • A Maj • 02:22 • -10db
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
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The Romantic Sound Orchestra
Liebestraum
90 bpm • C# min • 03:39 • -15.29db
10% Popularity • 38% Danceability • 13% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Diego De Cossio
Las Verdes Hojas del Verano
90 bpm • E min • 02:47 • -10.15db
42% Popularity • 44% Danceability • 36% Energy • 24% Liveness
78% Instrumentalness • 17% Positiveness
42% Popularity • 44% Danceability • 36% Energy • 24% Liveness
78% Instrumentalness • 17% Positiveness
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Orchestra of the Vienna Opera
Vals No. 2
96 bpm • C min • 03:37 • -10.62db
33% Popularity • 40% Danceability • 40% Energy • 6% Liveness
96% Instrumentalness • 46% Positiveness
33% Popularity • 40% Danceability • 40% Energy • 6% Liveness
96% Instrumentalness • 46% Positiveness
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Sergio Ortiz
Alguna Vez en el Tiempo / Rapsodia Sobre...
96 bpm • C Maj • 02:57 • -15.86db
52% Popularity • 33% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
52% Popularity • 33% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Francis Dupont
Berlin Melodie
90 bpm • F Maj • 03:13 • -13db
23% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
23% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
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Tony Evans
The Sweetheart Tree - Waltz
90 bpm • F Maj • 02:53 • -12db
27% Popularity • 73% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
27% Popularity • 73% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Orquesta Filarmonica de Rumania
Vals de la Risa
90 bpm • C Maj • 01:34 • -14.77db
31% Popularity • 46% Danceability • 16% Energy • 20% Liveness
80% Instrumentalness • 48% Positiveness
31% Popularity • 46% Danceability • 16% Energy • 20% Liveness
80% Instrumentalness • 48% Positiveness
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Ronald Valentino
A Través de los Años
90 bpm • D# Maj • 02:53 • -10db
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
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World Sound Orchestra
Once Upon a Time in the West (Jill's The...
90 bpm • D Maj • 03:52 • -10.45db
28% Popularity • 12% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
27% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
27% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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Alfred Hause
Wine Woman And Song, Waltz op. 333 - Aim...
96 bpm • A# Maj • 02:40 • -12.91db
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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Living Strings
Faraway Places
96 bpm • A# Maj • 09:02 • -19db
22% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
22% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
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Diego De Cossio
Tema de Romeo y Julieta
90 bpm • E min • 03:16 • -10db
44% Popularity • 40% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
44% Popularity • 40% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Jorge Espinoza Y Su Violin
2 Mov. Concierto De aranjuez Frag
90 bpm • B min • 03:49 • -13.1db
41% Popularity • 13% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
41% Popularity • 13% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Jean Claude Borelly
The Sound of Silence
97 bpm • F Maj • 02:53 • -6.45db
32% Popularity • 52% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
32% Popularity • 52% Danceability • 54% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
33% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
33% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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The Percy Faith Strings
Theme from Gone with the Wind
97 bpm • G Maj • 03:41 • -14.72db
26% Popularity • 20% Danceability • 26% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 26% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
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Alfred Hause
Beautiful Dreamer
97 bpm • A# Maj • 02:49 • -10db
26% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
26% Popularity • 22% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 32% Positiveness
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Orquesta Romántica de La Habana
El Silencio
97 bpm • A# Maj • 03:04 • -14db
32% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
32% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
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Angel Roque
Alguien Canto
97 bpm • A min • 03:34 • -12.53db
39% Popularity • 53% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
39% Popularity • 53% Danceability • 42% Energy • 9% Liveness
89% Instrumentalness • 33% Positiveness
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Francis Dupont
Theme From 'Elvira Madigan'
98 bpm • F Maj • 03:35 • -19db
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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London Pops Orchestra
Godfather Finale
89 bpm • F min • 04:18 • -11.32db
22% Popularity • 23% Danceability • 38% Energy • 14% Liveness
83% Instrumentalness • 5% Positiveness
22% Popularity • 23% Danceability • 38% Energy • 14% Liveness
83% Instrumentalness • 5% Positiveness
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Carmen Cavallaro
Nocturne in E Flat Major Op.9 No.2 (Alte...
98 bpm • A# Maj • 03:47 • -13.03db
15% Popularity • 39% Danceability • 20% Energy • 28% Liveness
80% Instrumentalness • 26% Positiveness
15% Popularity • 39% Danceability • 20% Energy • 28% Liveness
80% Instrumentalness • 26% Positiveness
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Alfred Hause
Sinfonie Nr. 40 - 1. Satz: Allegro Molto
97 bpm • G min • 04:17 • -13.92db
13% Popularity • 55% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
13% Popularity • 55% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 44% Positiveness
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Orquesta Concierto de Viena
Las Verdes y Bellas Campiñas
88 bpm • A# Maj • 02:30 • -13db
40% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
40% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Miguel Nacel
Amar y Vivir
98 bpm • C min • 02:47 • -16.47db
30% Popularity • 68% Danceability • 30% Energy • 9% Liveness
65% Instrumentalness • 37% Positiveness
30% Popularity • 68% Danceability • 30% Energy • 9% Liveness
65% Instrumentalness • 37% Positiveness
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Ronald Valentino
Nocturno en Mi Bemol
88 bpm • D# Maj • 04:47 • -7db
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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50 Guitars of Tommy Garrett
South of the Border
98 bpm • E min • 02:59 • -13db
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Gino Marinello Orchestra
Guantamanera
98 bpm • D Maj • 03:06 • -11db
41% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
41% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Alfred Hause
Children´s Dream
98 bpm • A min • 03:31 • -17.18db
15% Popularity • 28% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
15% Popularity • 28% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Orquesta Concierto de Viena
Danubio Azul
88 bpm • A# Maj • 02:30 • -13db
42% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
42% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Alessio Busanel And His Orchestra
L'Incontro
88 bpm • A# Maj • 05:44 • -19.19db
16% Popularity • 10% Danceability • 8% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 8% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Tol & Tol
Recuerdos De La Alhambra
88 bpm • A Maj • 03:18 • -15.57db
36% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
36% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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101 String Royal Orchestra
The Last Time I Saw Paris
88 bpm • A Maj • 01:42 • -11db
21% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
21% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
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Italian Mandolin Torna A Surriento
Musetta's Waltz
98 bpm • F Maj • 03:05 • -11db
40% Popularity • 49% Danceability • 44% Energy • 18% Liveness
10% Instrumentalness • 24% Positiveness
40% Popularity • 49% Danceability • 44% Energy • 18% Liveness
10% Instrumentalness • 24% Positiveness
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Alfred Hause
Nadia´s Theme
98 bpm • A min • 02:39 • -11db
33% Popularity • 42% Danceability • 31% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
33% Popularity • 42% Danceability • 31% Energy • 14% Liveness
89% Instrumentalness • 21% Positiveness
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Angel Roque
Momentos
88 bpm • G Maj • 03:59 • -11.67db
32% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
32% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Andre Kostelanetz & His Orchestra
Forget Domani
99 bpm • A Maj • 02:57 • -15db
35% Popularity • 37% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
35% Popularity • 37% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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Zantalino and his Orchestra
Greensleeves
88 bpm • F min • 02:58 • -10db
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Horst Jankowski
Charming Vienna
88 bpm • G Maj • 02:31 • -12db
33% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
33% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
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Botticelli
Don't Cry for Me Argentina
87 bpm • C# Maj • 03:50 • -19.07db
21% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
21% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
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Living Strings
Come to Capri
87 bpm • D min • 05:47 • -16db
29% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
29% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
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Henri Seroka
Waltz
87 bpm • F# min • 02:25 • -16db
52% Popularity • 37% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
52% Popularity • 37% Danceability • 18% Energy • 11% Liveness
54% Instrumentalness • 6% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Italian Mandolin Torna A Surriento
Come Back to Sorrento
99 bpm • C Maj • 02:05 • -11.11db
45% Popularity • 41% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
45% Popularity • 41% Danceability • 38% Energy • 12% Liveness
3% Instrumentalness • 50% Positiveness
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Kai Warner
As Time Goes By
100 bpm • D# Maj • 02:38 • -8.97db
30% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
30% Popularity • 46% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
26% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
26% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Caravelli
Moulin Rouge
100 bpm • G Maj • 02:48 • -15.46db
19% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
19% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
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MelodÃas Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
51% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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Nikos Ignatiadis
The Beginning
100 bpm • D Maj • 03:33 • -15db
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Alfred Hause
Bilitis
87 bpm • G Maj • 02:34 • -8db
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
