Songs like Danza Húngara, No. 5 by Cacho Tirao
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Symphony No. 33 in B-Flat Major, K. 319:...
138 bpm • A# Maj • 02:55 • -25.19db
34% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
34% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Cacho Tirao
Danza HĂşngara, No. 5
138 bpm • A Maj • 02:47 • -12db
18% Popularity • 46% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 46% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
137 bpm • A min • 02:23 • -25.23db
2% Popularity • 21% Danceability • 10% Energy • 33% Liveness
2% Instrumentalness • 15% Positiveness
2% Popularity • 21% Danceability • 10% Energy • 33% Liveness
2% Instrumentalness • 15% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: No. 5 in F-S...
139 bpm • G min • 02:38 • -16.61db
19% Popularity • 41% Danceability • 20% Energy • 18% Liveness
20% Instrumentalness • 54% Positiveness
19% Popularity • 41% Danceability • 20% Energy • 18% Liveness
20% Instrumentalness • 54% Positiveness
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Hamburg Symphony Orchestra
El Invierno: Concierto NÂş4 En Fa Menor
137 bpm • D# Maj • 09:55 • -17.78db
45% Popularity • 36% Danceability • 29% Energy • 40% Liveness
75% Instrumentalness • 7% Positiveness
45% Popularity • 36% Danceability • 29% Energy • 40% Liveness
75% Instrumentalness • 7% Positiveness
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Violines Magicos
Ojos Negros
137 bpm • G min • 03:38 • -10.9db
12% Popularity • 34% Danceability • 27% Energy • 13% Liveness
30% Instrumentalness • 14% Positiveness
12% Popularity • 34% Danceability • 27% Energy • 13% Liveness
30% Instrumentalness • 14% Positiveness
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Orquesta SinfĂłnica Y Coro De La RAI De Roma
SinfonĂa
136 bpm • D Maj • 04:22 • -14db
19% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
19% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Henry Salomon y su Orquesta
Si Yo Fuera Rico - De: " El Violinista e...
137 bpm • C Maj • 02:47 • -15.39db
43% Popularity • 39% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
43% Popularity • 39% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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Wolfgang Amadeus Mozart
Serenata No. 13 Para Cuerdas, Pequeña S...
136 bpm • G Maj • 05:49 • -17.65db
37% Popularity • 51% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 40% Positiveness
37% Popularity • 51% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 40% Positiveness
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Cacho Tirao
Milonga Triste
140 bpm • A min • 03:31 • -7.19db
1% Popularity • 43% Danceability • 46% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
1% Popularity • 43% Danceability • 46% Energy • 10% Liveness
94% Instrumentalness • 49% Positiveness
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Hamburg Symphony Orchestra
La Primavera: Concierto NÂş1 En Mi Mayor
140 bpm • C Maj • 10:22 • -16db
45% Popularity • 30% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
45% Popularity • 30% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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101 Strings Orchestra
MUSETTA'S WALTZ
136 bpm • F# min • 02:43 • -11.95db
30% Popularity • 16% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
30% Popularity • 16% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Paul de Senneville
Canto A Mi Madre
136 bpm • C min • 02:48 • -16.76db
35% Popularity • 41% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
35% Popularity • 41% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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AntonĂn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
140 bpm • C# Maj • 07:13 • -12db
21% Popularity • 19% Danceability • 40% Energy • 15% Liveness
9% Instrumentalness • 20% Positiveness
21% Popularity • 19% Danceability • 40% Energy • 15% Liveness
9% Instrumentalness • 20% Positiveness
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Richard Clayderman
Lettre à ma Mère
135 bpm • F min • 02:44 • -13.38db
49% Popularity • 46% Danceability • 21% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
49% Popularity • 46% Danceability • 21% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
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Pop Strings Orchestra
El Padrino
141 bpm • F min • 03:08 • -9db
34% Popularity • 61% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
34% Popularity • 61% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Hamburg Symphony Orchestra
Pavana para una infanta difunta
136 bpm • G Maj • 07:01 • -34.34db
19% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
19% Popularity • 16% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Orquesta SinfĂłnica De Eslovaquia
Rapsodia Hungara No 2
141 bpm • C# Maj • 09:23 • -17.53db
23% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 42% Danceability • 25% Energy • 7% Liveness
93% Instrumentalness • 17% Positiveness
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Olivier Toussaint
"A" Como Amar
135 bpm • B min • 03:18 • -15.29db
36% Popularity • 40% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
36% Popularity • 40% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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George Frideric Handel
ClavecĂn Suite No. 5 en Mi Mayor, HWV 4...
135 bpm • E Maj • 02:40 • -6.09db
0% Popularity • 50% Danceability • 57% Energy • 15% Liveness
63% Instrumentalness • 96% Positiveness
0% Popularity • 50% Danceability • 57% Energy • 15% Liveness
63% Instrumentalness • 96% Positiveness
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Waldo De Los RĂos
SinfonĂa nÂş 5 - Mendelssohn
141 bpm • G min • 02:52 • -7.42db
21% Popularity • 26% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
21% Popularity • 26% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Juan España
Ravel Bolero
135 bpm • A Maj • 03:09 • -20.11db
16% Popularity • 45% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
16% Popularity • 45% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Orquesta Concierto de Viena
Las Verdes y Bellas Campinas
141 bpm • C# Maj • 03:14 • -15.84db
29% Popularity • 30% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 40% Positiveness
29% Popularity • 30% Danceability • 22% Energy • 17% Liveness
53% Instrumentalness • 40% Positiveness
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Violines Magicos
Intermezzo
134 bpm • F Maj • 03:41 • -8.65db
9% Popularity • 21% Danceability • 35% Energy • 12% Liveness
50% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 35% Energy • 12% Liveness
50% Instrumentalness • 6% Positiveness
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Manuel de Falla
El amor brujo: Danza ritual del fuego, p...
141 bpm • G Maj • 03:54 • -19.01db
33% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 24% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
142 bpm • A# Maj • 02:08 • -24.16db
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Waldo De Los RĂos
Nabucco, Act III: Va pensiero, Coro de e...
141 bpm • C Maj • 04:46 • -8db
31% Popularity • 39% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
31% Popularity • 39% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492: Overture
134 bpm • D Maj • 04:28 • -24db
28% Popularity • 35% Danceability • 4% Energy • 21% Liveness
80% Instrumentalness • 14% Positiveness
28% Popularity • 35% Danceability • 4% Energy • 21% Liveness
80% Instrumentalness • 14% Positiveness
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Oldřich Vlček
Piano Sonata No. 11 in A Major, K. 331: ...
143 bpm • D Maj • 02:43 • -15.91db
17% Popularity • 56% Danceability • 17% Energy • 22% Liveness
80% Instrumentalness • 64% Positiveness
17% Popularity • 56% Danceability • 17% Energy • 22% Liveness
80% Instrumentalness • 64% Positiveness
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Violines Magicos
El Choclo
143 bpm • D min • 02:11 • -8db
22% Popularity • 26% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 33% Positiveness
22% Popularity • 26% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 33% Positiveness
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Cacho Tirao
Romance (Juegos Prohibidos)
143 bpm • E min • 02:27 • -13.53db
16% Popularity • 38% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
16% Popularity • 38% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Johannes Brahms
Danza Hungara NÂş5
143 bpm • G min • 02:57 • -15.94db
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
41% Popularity • 33% Danceability • 16% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Waldo De Los RĂos
El barbero de Sevilla, Act I: Largo al f...
135 bpm • C Maj • 05:00 • -6.25db
17% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Manuel de Falla
El Amor Brujo: Danza Ritual del Fuego
133 bpm • E min • 04:14 • -22.91db
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
25% Popularity • 30% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Preludio en Do Mayor, BWV Anh. 846,1
143 bpm • B Maj • 02:04 • -17.19db
16% Popularity • 29% Danceability • 39% Energy • 10% Liveness
98% Instrumentalness • 73% Positiveness
16% Popularity • 29% Danceability • 39% Energy • 10% Liveness
98% Instrumentalness • 73% Positiveness
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Sergio Golwarz
Las Hojas Muertas
133 bpm • E min • 03:08 • -6db
33% Popularity • 27% Danceability • 50% Energy • 12% Liveness
58% Instrumentalness • 32% Positiveness
33% Popularity • 27% Danceability • 50% Energy • 12% Liveness
58% Instrumentalness • 32% Positiveness
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Hollywood Symphony Orchestra
A Midsummer Night's Dream - Wedding Marc...
144 bpm • C Maj • 05:20 • -16db
20% Popularity • 36% Danceability • 21% Energy • 36% Liveness
89% Instrumentalness • 24% Positiveness
20% Popularity • 36% Danceability • 21% Energy • 36% Liveness
89% Instrumentalness • 24% Positiveness
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Orquesta Filarmonica de Rumania
El Murcielago
144 bpm • G Maj • 01:52 • -10db
29% Popularity • 28% Danceability • 23% Energy • 15% Liveness
65% Instrumentalness • 24% Positiveness
29% Popularity • 28% Danceability • 23% Energy • 15% Liveness
65% Instrumentalness • 24% Positiveness
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Orquesta de Cámara Promúsica de Málaga
Pequeña Serenata Nocturna. Allegro
132 bpm • D Maj • 06:03 • -11.88db
29% Popularity • 37% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 39% Positiveness
29% Popularity • 37% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Jacques Offenbach: Les contes d'Hoffmann...
132 bpm • D Maj • 03:35 • -33db
24% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
24% Popularity • 22% Danceability • 1% Energy • 29% Liveness
41% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Preludio I en Do Mayor, Vol. 1, BWV 846
144 bpm • A Maj • 02:09 • -17db
11% Popularity • 28% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
11% Popularity • 28% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 66% Positiveness
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Pedro Ibanez
Sérénade (Schubert)
132 bpm • D min • 03:50 • -18.25db
14% Popularity • 50% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
14% Popularity • 50% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Obertura De Guillermo Tell (Final)
145 bpm • E Maj • 03:42 • -10.91db
42% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
42% Popularity • 41% Danceability • 60% Energy • 13% Liveness
8% Instrumentalness • 53% Positiveness
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Felix Mendelssohn
Mendelssohn: Symphony No. 4 in A Major, ...
131 bpm • D min • 03:35 • -8.76db
19% Popularity • 32% Danceability • 50% Energy • 29% Liveness
92% Instrumentalness • 51% Positiveness
19% Popularity • 32% Danceability • 50% Energy • 29% Liveness
92% Instrumentalness • 51% Positiveness
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Christian Petzold
Minueto en Sol Mayor, BWV Anh. 114
131 bpm • F# Maj • 01:32 • -14.27db
27% Popularity • 52% Danceability • 25% Energy • 7% Liveness
68% Instrumentalness • 93% Positiveness
27% Popularity • 52% Danceability • 25% Energy • 7% Liveness
68% Instrumentalness • 93% Positiveness
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Orquesta FilarmĂłnica De Hamburgo
SinfonĂa No. 7 in A Major, Op. 92: II. ...
131 bpm • E min • 08:51 • -20db
14% Popularity • 27% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Antonio Lauro
Valse Venezolano No. 3
146 bpm • E min • 02:05 • -16.65db
13% Popularity • 44% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 70% Positiveness
13% Popularity • 44% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 70% Positiveness
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Waldo De Los RĂos
Concierto para violĂn y orquesta en re ...
145 bpm • G min • 04:16 • -9.41db
14% Popularity • 20% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
14% Popularity • 20% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Antonio Carillo
Como llora una estrella
131 bpm • A min • 03:58 • -22db
20% Popularity • 41% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
20% Popularity • 41% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
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Chamin Correa
Zorba el Griego, Pt. 1
146 bpm • D Maj • 04:01 • -8.3db
37% Popularity • 46% Danceability • 62% Energy • 7% Liveness
93% Instrumentalness • 59% Positiveness
37% Popularity • 46% Danceability • 62% Energy • 7% Liveness
93% Instrumentalness • 59% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
44% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Cacho Tirao
Caminito
130 bpm • B min • 02:38 • -19.36db
6% Popularity • 53% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
6% Popularity • 53% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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Michele Garruti
La vita Ă© bella
130 bpm • D Maj • 03:10 • -19.48db
29% Popularity • 58% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
29% Popularity • 58% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Waldo De Los RĂos
El Trovador, Act II: Coro de ZĂngaros
130 bpm • G Maj • 03:19 • -9.27db
17% Popularity • 46% Danceability • 56% Energy • 7% Liveness
42% Instrumentalness • 55% Positiveness
17% Popularity • 46% Danceability • 56% Energy • 7% Liveness
42% Instrumentalness • 55% Positiveness
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Gerardo Matos RodrĂguez
La cumparsita: La Cumparsita
130 bpm • E min • 03:21 • -21.83db
23% Popularity • 43% Danceability • 11% Energy • 22% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 43% Danceability • 11% Energy • 22% Liveness
90% Instrumentalness • 64% Positiveness
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Blas Galindo
Sones de Mariachi
130 bpm • G Maj • 07:02 • -16.43db
18% Popularity • 29% Danceability • 30% Energy • 10% Liveness
57% Instrumentalness • 31% Positiveness
18% Popularity • 29% Danceability • 30% Energy • 10% Liveness
57% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Marcha Turca KV.331
130 bpm • D Maj • 02:55 • -10db
29% Popularity • 73% Danceability • 38% Energy • 9% Liveness
75% Instrumentalness • 66% Positiveness
29% Popularity • 73% Danceability • 38% Energy • 9% Liveness
75% Instrumentalness • 66% Positiveness
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Cacho Tirao
Triunfal
130 bpm • G Maj • 03:43 • -15.98db
1% Popularity • 55% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 33% Positiveness
1% Popularity • 55% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 33% Positiveness
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Manuel Cubedo
Romance Anonimo
147 bpm • E min • 01:33 • -26.58db
20% Popularity • 29% Danceability • 10% Energy • 16% Liveness
88% Instrumentalness • 18% Positiveness
20% Popularity • 29% Danceability • 10% Energy • 16% Liveness
88% Instrumentalness • 18% Positiveness
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Orquesta Escuela de Tango
La Cumparsita
129 bpm • G min • 03:55 • -13.83db
11% Popularity • 53% Danceability • 21% Energy • 5% Liveness
67% Instrumentalness • 60% Positiveness
11% Popularity • 53% Danceability • 21% Energy • 5% Liveness
67% Instrumentalness • 60% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: II...
148 bpm • C Maj • 01:47 • -24.26db
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
20% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Las bodas de FĂgaro, K. 492: Obertura
129 bpm • D Maj • 03:25 • -9.72db
14% Popularity • 40% Danceability • 65% Energy • 33% Liveness
91% Instrumentalness • 57% Positiveness
14% Popularity • 40% Danceability • 65% Energy • 33% Liveness
91% Instrumentalness • 57% Positiveness
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Cacho Tirao
Unicornio
129 bpm • C min • 03:52 • -16.14db
4% Popularity • 48% Danceability • 22% Energy • 11% Liveness
48% Instrumentalness • 44% Positiveness
4% Popularity • 48% Danceability • 22% Energy • 11% Liveness
48% Instrumentalness • 44% Positiveness
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Leroy Anderson
The Typewriter - La Maquina De Escribir
128 bpm • G Maj • 01:58 • -17.71db
31% Popularity • 61% Danceability • 17% Energy • 8% Liveness
33% Instrumentalness • 82% Positiveness
31% Popularity • 61% Danceability • 17% Energy • 8% Liveness
33% Instrumentalness • 82% Positiveness
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Georges Bizet
Carmen, WD 31, Act I: Prelude
128 bpm • D min • 04:00 • -15db
26% Popularity • 31% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
26% Popularity • 31% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5, Op. 73 "Emperor": ...
128 bpm • D# Maj • 06:41 • -16.76db
4% Popularity • 34% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
4% Popularity • 34% Danceability • 14% Energy • 7% Liveness
89% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Guillermo Tell: Obertura
149 bpm • E Maj • 03:47 • -11.28db
22% Popularity • 33% Danceability • 79% Energy • 98% Liveness
77% Instrumentalness • 30% Positiveness
22% Popularity • 33% Danceability • 79% Energy • 98% Liveness
77% Instrumentalness • 30% Positiveness
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Musici Di San Lorenzo
Concerto For Flute And Orchestra: "La No...
128 bpm • G min • 01:11 • -15.12db
32% Popularity • 45% Danceability • 20% Energy • 9% Liveness
69% Instrumentalness • 39% Positiveness
32% Popularity • 45% Danceability • 20% Energy • 9% Liveness
69% Instrumentalness • 39% Positiveness
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Cacho Tirao
Taquito Militar
129 bpm • A min • 02:36 • -7.63db
6% Popularity • 60% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 61% Positiveness
6% Popularity • 60% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 61% Positiveness
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Waldo De Los RĂos
Madame Butterfly (Coro nocturno)
149 bpm • A# Maj • 03:51 • -7.44db
20% Popularity • 42% Danceability • 55% Energy • 9% Liveness
61% Instrumentalness • 53% Positiveness
20% Popularity • 42% Danceability • 55% Energy • 9% Liveness
61% Instrumentalness • 53% Positiveness
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Jorge Cardoso
Alfonsina y el Mar - Zamba
127 bpm • E min • 05:20 • -22.72db
17% Popularity • 43% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 43% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann, Op. 67: Belle nui...
150 bpm • D Maj • 02:37 • -15.01db
35% Popularity • 15% Danceability • 19% Energy • 18% Liveness
91% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 19% Energy • 18% Liveness
91% Instrumentalness • 7% Positiveness
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Ricardo Cobo
El choclo (arr. R. Cobo): El Choclo (arr...
127 bpm • D Maj • 04:09 • -26.94db
29% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
29% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
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Enrique Muñoz
Suite nÂş 1 para chelo: Preludio
127 bpm • D Maj • 03:06 • -21db
13% Popularity • 37% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 27% Positiveness
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Cacho Tirao
Minuet No. 2 en Sol Mayor
129 bpm • D Maj • 02:10 • -17db
18% Popularity • 55% Danceability • 11% Energy • 9% Liveness
26% Instrumentalness • 58% Positiveness
18% Popularity • 55% Danceability • 11% Energy • 9% Liveness
26% Instrumentalness • 58% Positiveness
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Carlos Moscardini
Milonga of Confusion
152 bpm • E min • 02:56 • -31.48db
28% Popularity • 27% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
28% Popularity • 27% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
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Orquesta FilarmĂłnica De Conciertos De Budapest
El Amor Brujo. Danza Ritual Del Fuego
126 bpm • E min • 04:22 • -19.95db
11% Popularity • 28% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Orquesta PhilarmĂłnica de Conciertos
El Vuelo del MoscardĂłn, Op.57 (De "Casi...
152 bpm • D min • 01:33 • -26db
33% Popularity • 33% Danceability • 8% Energy • 33% Liveness
85% Instrumentalness • 56% Positiveness
33% Popularity • 33% Danceability • 8% Energy • 33% Liveness
85% Instrumentalness • 56% Positiveness
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Enrico Chapela
Dan-Son
125 bpm • G Maj • 06:10 • -11db
19% Popularity • 63% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 38% Positiveness
19% Popularity • 63% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 38% Positiveness
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CĂ©sar PavĂłn Y Su VagĂłn
Tarantela Napolitana
125 bpm • E min • 01:45 • -10.26db
15% Popularity • 88% Danceability • 46% Energy • 7% Liveness
21% Instrumentalness • 86% Positiveness
15% Popularity • 88% Danceability • 46% Energy • 7% Liveness
21% Instrumentalness • 86% Positiveness
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Cacho Tirao
Hava Naguila
148 bpm • F Maj • 03:12 • -7.49db
1% Popularity • 44% Danceability • 40% Energy • 22% Liveness
77% Instrumentalness • 58% Positiveness
1% Popularity • 44% Danceability • 40% Energy • 22% Liveness
77% Instrumentalness • 58% Positiveness
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Georges Bizet
Carmen Suite No. 1: Prélude
125 bpm • D min • 03:51 • -11db
29% Popularity • 31% Danceability • 42% Energy • 34% Liveness
91% Instrumentalness • 38% Positiveness
29% Popularity • 31% Danceability • 42% Energy • 34% Liveness
91% Instrumentalness • 38% Positiveness
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Mariano Mores
Tanguera
124 bpm • F min • 02:56 • -14.25db
28% Popularity • 51% Danceability • 28% Energy • 25% Liveness
88% Instrumentalness • 31% Positiveness
28% Popularity • 51% Danceability • 28% Energy • 25% Liveness
88% Instrumentalness • 31% Positiveness
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Orquesta del Cine Infantil
Tchaikovsky: El Cascanueces - Danza Chin...
124 bpm • A# Maj • 01:04 • -17.78db
22% Popularity • 45% Danceability • 33% Energy • 13% Liveness
37% Instrumentalness • 80% Positiveness
22% Popularity • 45% Danceability • 33% Energy • 13% Liveness
37% Instrumentalness • 80% Positiveness
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Banda Taurina de las Ventas
España Cañi
124 bpm • G Maj • 02:04 • -10.6db
29% Popularity • 46% Danceability • 54% Energy • 11% Liveness
41% Instrumentalness • 65% Positiveness
29% Popularity • 46% Danceability • 54% Energy • 11% Liveness
41% Instrumentalness • 65% Positiveness
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Aguilas de Oro
El Vuelo del Abejorro / Rimsky Kprsakov
154 bpm • D min • 01:32 • -20.32db
26% Popularity • 26% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
26% Popularity • 26% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 53% Positiveness
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Cacho Tirao
La Cumparsita
128 bpm • A min • 02:56 • -19.29db
4% Popularity • 53% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
4% Popularity • 53% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
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Georges Bizet
Carmen Suite: Entr'acte 3 (Arr. by Jan V...
123 bpm • C min • 02:11 • -6.95db
5% Popularity • 45% Danceability • 37% Energy • 15% Liveness
3% Instrumentalness • 70% Positiveness
5% Popularity • 45% Danceability • 37% Energy • 15% Liveness
3% Instrumentalness • 70% Positiveness
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La Orquesta Y Coros Del Festival De Praga
Obertura Caballeria Ligeria
123 bpm • A Maj • 06:51 • -19.95db
9% Popularity • 34% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
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Anonymous
Rigoletto, Act IV: La donna e mobile (ar...
155 bpm • A# Maj • 01:45 • -17db
43% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
43% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Gerardo Matos RodrĂguez
La Cumparsita (arr. for guitar)
123 bpm • E min • 03:11 • -25.85db
1% Popularity • 50% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
1% Popularity • 50% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Orquesta Festival De Praga
Danza HĂşngara - Alternate Mix
155 bpm • G min • 02:43 • -13.47db
26% Popularity • 29% Danceability • 24% Energy • 32% Liveness
73% Instrumentalness • 38% Positiveness
26% Popularity • 29% Danceability • 24% Energy • 32% Liveness
73% Instrumentalness • 38% Positiveness
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Cacho Tirao
Serenata Española
128 bpm • B min • 02:25 • -14.74db
14% Popularity • 53% Danceability • 28% Energy • 19% Liveness
65% Instrumentalness • 45% Positiveness
14% Popularity • 53% Danceability • 28% Energy • 19% Liveness
65% Instrumentalness • 45% Positiveness
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Jorge Morel
Milonga del viento
123 bpm • A min • 03:23 • -29db
25% Popularity • 27% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
25% Popularity • 27% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
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Orquesta Nacional
Mi Buenos Aires Querido - Por Una Cabeza
122 bpm • A Maj • 02:32 • -9.38db
22% Popularity • 52% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 74% Positiveness
22% Popularity • 52% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 74% Positiveness
