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Dark As Wine
Songs like
Dark As Wine
by
Jackson Patrick
Based on a tempo of (+/- 10%) and a similar genre
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Bombay Bicycle Club
Two Lives
132 bpm • F Maj • 02:43 • -11.96db
30% Popularity • 61% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Newcomers Club
Kindly Wasted
132 bpm • D Maj • 04:06 • -14.44db
10% Popularity • 63% Danceability • 41% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
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The Avett Brothers
We Americans
132 bpm • F Maj • 06:23 • -10.56db
24% Popularity • 63% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Aoife Scott
Homebird
132 bpm • C# Maj • 03:07 • -19db
12% Popularity • 67% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Norah Jones
Won't You Come and Sing For Me [From �...
132 bpm • F Maj • 04:28 • -12.57db
22% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Gentle Good
The Fisherman
132 bpm • F Maj • 05:11 • -11.41db
16% Popularity • 45% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Danielle Ate The Sandwich
Where the Good Ones Go
131 bpm • C# Maj • 03:14 • -12.26db
17% Popularity • 52% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Distant Cousins
Here & Now
133 bpm • F Maj • 02:32 • -12.32db
13% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Siobhan Miller
Bonny Light Horseman
133 bpm • C Maj • 05:12 • -12.68db
28% Popularity • 35% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Maya De Vitry
Dogs Run On
133 bpm • A# Maj • 03:36 • -16.81db
15% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Daniel Pearson
The Open Sea
131 bpm • A Maj • 04:55 • -14.31db
41% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Nefesh Mountain
Tree Of Life
131 bpm • G Maj • 02:49 • -13.34db
21% Popularity • 51% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Lake Poets
Your Face
134 bpm • A# Maj • 03:12 • -9.92db
29% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Staves
Wisely & Slow
130 bpm • A# Maj • 03:40 • -14.02db
27% Popularity • 41% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Cindy Kallet
Tide And The River Rising (Oars)
134 bpm • A# Maj • 03:22 • -18.69db
12% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Dessa
Annabelle
130 bpm • F Maj • 04:00 • -7.46db
15% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Germein
My Island Home
130 bpm • G Maj • 03:46 • -11.76db
15% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Hayde Bluegrass Orchestra
My Heart and Soul (On Love)
130 bpm • A# Maj • 03:17 • -11.31db
12% Popularity • 64% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Kate Rusby
High on a Hill
130 bpm • A# Maj • 04:33 • -11.76db
22% Popularity • 67% Danceability • 30% Energy • 12% Liveness
56% Instrumentalness • 47% Positiveness
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Brice Davis
Come Thou Fount Of Every Blessing
130 bpm • C# Maj • 03:00 • -7.16db
35% Popularity • 67% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Clementine Duo
A Thousand Years
130 bpm • A# Maj • 04:42 • -14db
38% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Maggie Clifford
Wait for Dawn
135 bpm • C Maj • 03:28 • -19.76db
20% Popularity • 53% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Svavar Knútur
Baby, would you marry me?
130 bpm • A# Maj • 04:42 • -13.39db
19% Popularity • 67% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Lyd Marie
Love Comes & Love Goes
135 bpm • A# Maj • 03:24 • -12.11db
10% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Donata
Warning Signs
129 bpm • C Maj • 01:39 • -15.36db
11% Popularity • 52% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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The New Basement Tapes
Duncan And Jimmy
129 bpm • G Maj • 04:09 • -7.12db
24% Popularity • 40% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Novo Amor
Ornaments
129 bpm • C Maj • 03:04 • -15db
53% Popularity • 32% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 15% Positiveness
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Judy Collins
Northwest Passage
135 bpm • A# Maj • 04:57 • -9.65db
10% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ira Wolf
Fickle Heart
135 bpm • C# Maj • 03:21 • -12db
42% Popularity • 62% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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The Furrow Collective
Every Day is Three
135 bpm • D Maj • 03:21 • -14.06db
10% Popularity • 58% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Bear McCreary
Outlander - The Skye Boat Song (Appalach...
136 bpm • D Maj • 01:42 • -13.93db
28% Popularity • 37% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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The Lasses
Skye Boat Song
128 bpm • E Maj • 03:31 • -13.82db
10% Popularity • 32% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Lula Wiles
Leave Me Now
135 bpm • A# Maj • 04:30 • -12.23db
23% Popularity • 39% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Schuyler Kitchin
north of boston
128 bpm • A Maj • 03:30 • -14db
4% Popularity • 40% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Soil and The Seed Project
Always Forgive
136 bpm • A Maj • 02:23 • -9.26db
12% Popularity • 54% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Eleri Ward
Merrily We Roll Along
128 bpm • G Maj • 04:47 • -8.52db
19% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold - Acoustic
136 bpm • B Maj • 03:05 • -10.33db
15% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Lasses
The Tide
136 bpm • A# Maj • 03:56 • -10.76db
12% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Heron Valley
Another Day
128 bpm • D# Maj • 03:20 • -11db
8% Popularity • 55% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Luke and Charlotte Ritchie
Weightless
137 bpm • C# Maj • 03:32 • -13.47db
16% Popularity • 41% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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McKane Davis
Roots
128 bpm • D Maj • 03:56 • -11.33db
30% Popularity • 63% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Watkins
Take up Your Spade
137 bpm • D Maj • 03:25 • -9db
21% Popularity • 50% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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The Mae Trio
She Loves Me (When I Try)
127 bpm • C Maj • 03:21 • -9.59db
8% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Goodnight, Texas
Many Miles from Blacksburg
127 bpm • E Maj • 01:39 • -11db
28% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Brian Hillebert
Firelight
137 bpm • G Maj • 02:16 • -13.65db
10% Popularity • 55% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Bifrost Arts
Open Thou Mine Eyes
127 bpm • A Maj • 01:52 • -18.82db
28% Popularity • 44% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Cup O’Joe
Navigator
127 bpm • D Maj • 03:24 • -12.32db
15% Popularity • 48% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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The Brother Brothers
Bird in a Tree
127 bpm • C Maj • 02:29 • -4.66db
30% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ordinary Time
How Sweet the Name of Jesus Sounds
138 bpm • G Maj • 03:17 • -11.23db
10% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jason Mraz
Hello, You Beautiful Thing
138 bpm • D min • 03:32 • -10db
41% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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säje
Desert Song
138 bpm • D# Maj • 03:55 • -14db
37% Popularity • 35% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Rhiannon Giddens
Forever Young
138 bpm • G Maj • 04:21 • -11db
53% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Maes
Treat You Better
126 bpm • A Maj • 04:08 • -7.83db
22% Popularity • 61% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Buffalo Rose
I Give You the Morning
126 bpm • G Maj • 03:32 • -13.26db
16% Popularity • 63% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Amelia Curran
Tiny Glass Houses
126 bpm • E Maj • 03:22 • -10.81db
13% Popularity • 61% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Crane Wives
Tongues & Teeth
126 bpm • C Maj • 03:41 • -6.71db
62% Popularity • 62% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Rainbow Girls
Mt. Personal Legend
126 bpm • E Maj • 00:58 • -9.88db
13% Popularity • 38% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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The Foreign Landers
Traveler
126 bpm • G Maj • 03:37 • -11.2db
25% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Sons of Korah
Psalm 91
139 bpm • C# Maj • 06:45 • -16.97db
38% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ye Vagabonds
I Courted A Wee Girl
126 bpm • D# Maj • 04:33 • -13.75db
22% Popularity • 51% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Lasses
Lang Road Doon
139 bpm • D Maj • 04:24 • -12.13db
10% Popularity • 50% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Chris Brain
Rolling Wave
139 bpm • G Maj • 03:32 • -16.35db
13% Popularity • 42% Danceability • 16% Energy • 10% Liveness
13% Instrumentalness • 26% Positiveness
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Aoife O'Donovan
Bull Frogs Croon: ii. The Darkness
139 bpm • A# min • 03:31 • -12.39db
13% Popularity • 48% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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The Mae Trio
Back to the Shore
125 bpm • G Maj • 04:28 • -13.85db
11% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Well Pennies
If You Were Mine
125 bpm • G# Maj • 02:40 • -12.08db
21% Popularity • 57% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Hem
Horsey
125 bpm • B Maj • 03:34 • -13.26db
27% Popularity • 58% Danceability • 27% Energy • 9% Liveness
26% Instrumentalness • 24% Positiveness
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The Lasses
Undone in Sorrow
125 bpm • E min • 02:24 • -13db
8% Popularity • 60% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Hailaker
Iridesce
140 bpm • F Maj • 03:39 • -10.85db
27% Popularity • 40% Danceability • 33% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
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Craig Cardiff
Last Love Letter
140 bpm • F Maj • 04:12 • -13.35db
21% Popularity • 62% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Crane Wives
Unraveling
140 bpm • F Maj • 04:20 • -9.16db
44% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Stephen Pigram
World is Turning
140 bpm • G Maj • 03:19 • -8.79db
12% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Helena Kletch
Smile Big
140 bpm • F# min • 03:18 • -10.03db
12% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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The Fretless
Fall Away Blues
140 bpm • D Maj • 04:55 • -14.11db
8% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Staves
No Me, No You, No More
125 bpm • D Maj • 02:46 • -11.95db
29% Popularity • 28% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah Harmer
Uniform Grey
124 bpm • D# Maj • 03:43 • -9.28db
25% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Rumour Mill
Song for a Winter's Night
140 bpm • G Maj • 03:35 • -9.67db
11% Popularity • 57% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah Jarosz
I Can't Love You Now
124 bpm • F Maj • 02:34 • -10.41db
27% Popularity • 43% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Maes
Well Enough Alone
124 bpm • F Maj • 03:31 • -8.56db
16% Popularity • 64% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Joy Kills Sorrow
Books
141 bpm • A Maj • 03:32 • -17.34db
8% Popularity • 64% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jackie Oates
Con Amore La Mi Madre
124 bpm • B Maj • 03:32 • -13.16db
8% Popularity • 34% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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James Dunderman
Sing Me A Song
124 bpm • G# Maj • 02:44 • -11.86db
10% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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The Outside Track
Canadee-I-O
124 bpm • F Maj • 03:57 • -8.47db
13% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Crooked Still
Captain, Captain
141 bpm • C Maj • 02:42 • -11.77db
17% Popularity • 33% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Sarah Jarosz
Little Song
141 bpm • F# Maj • 02:48 • -15.75db
24% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Thile
Won't You Come and Sing for Me
141 bpm • F Maj • 04:07 • -22.76db
12% Popularity • 68% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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The Maes
Sweet as Honey
123 bpm • G Maj • 04:28 • -10.4db
22% Popularity • 65% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Railsplitters
Tilt-a-Whirl
123 bpm • A min • 03:16 • -8.56db
20% Popularity • 62% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Wildwood Kin
Signals
142 bpm • D Maj • 03:41 • -13.37db
8% Popularity • 45% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Spell Songs
Swifts
122 bpm • C Maj • 03:26 • -11.19db
15% Popularity • 46% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Oli Julian
He Waits, By The Riverside
122 bpm • G Maj • 02:13 • -18.33db
35% Popularity • 62% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Ginger & Pear
Pressed
142 bpm • C Maj • 02:21 • -12.39db
20% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Gabriel Kahane
Villanelles
122 bpm • G Maj • 03:07 • -13.72db
11% Popularity • 56% Danceability • 30% Energy • 24% Liveness
2% Instrumentalness • 52% Positiveness
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The Maes
Only Ever Growing
122 bpm • D Maj • 04:21 • -9.28db
13% Popularity • 70% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Maggie Rigby
Best Love in the Universe
122 bpm • E Maj • 03:31 • -11db
16% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jennah Barry
Slow Dance
143 bpm • C Maj • 03:07 • -13.98db
11% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ichthus Christian Fellowship
Feet Like a Deer
143 bpm • C Maj • 01:56 • -15.52db
16% Popularity • 70% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Christina Alden & Alex Patterson
Hunter
122 bpm • B Maj • 04:14 • -10.36db
8% Popularity • 44% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Cait Jamieson
all my cash
122 bpm • C Maj • 03:05 • -12.71db
8% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Malukah
Running From, Running From
143 bpm • A# Maj • 03:26 • -10db
11% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Rose Cousins
Good Enough
121 bpm • C Maj • 03:50 • -10.39db
10% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dark As Wine