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Dark Parts
Songs like
Dark Parts
by
Meg Washington
Based on a tempo of (+/- 10%) and a similar genre
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Alex Lahey
I Don’t Get Invited To Parties Anymore
142 bpm • A Maj • 04:08 • -7.1db
12% Popularity • 57% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
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Meg Washington
Dark Parts
142 bpm • C Maj • 02:59 • -4.91db
19% Popularity • 63% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Rowena Wise
F**ked Up Over You
142 bpm • F Maj • 03:22 • -5.68db
15% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Isabella Manfredi
Jealousy
142 bpm • G# Maj • 03:36 • -4.12db
12% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Preatures
Lip Balm
142 bpm • D Maj • 02:17 • -3.62db
12% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The Grates
Burn Bridges
142 bpm • E Maj • 02:26 • -3db
26% Popularity • 61% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Clare Bowditch
When The Lights Went Down
142 bpm • E min • 03:21 • -5.24db
15% Popularity • 41% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Alex Lahey
Isabella
141 bpm • G# Maj • 03:37 • -6.47db
9% Popularity • 55% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Sahara Beck
Don't Overthink It
143 bpm • A# min • 03:24 • -5.07db
12% Popularity • 66% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
33% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Bessie Turner
Down 2
141 bpm • A Maj • 03:28 • -8.03db
16% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Grates
Carve Your Name
143 bpm • E Maj • 02:48 • -3.17db
16% Popularity • 67% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Ainslie Wills
Mountains
143 bpm • C# Maj • 03:47 • -12.02db
10% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Bryde
Silence
141 bpm • G# Maj • 03:40 • -9.88db
12% Popularity • 48% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Meg Washington
Yellow & Blue
141 bpm • F min • 03:42 • -6.94db
13% Popularity • 52% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Cry Club
Robert Smith
140 bpm • B min • 03:12 • -4.6db
12% Popularity • 28% Danceability • 77% Energy • 29% Liveness
9% Instrumentalness • 65% Positiveness
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The Big Moon
Holy Roller
144 bpm • G# min • 04:08 • -8.59db
19% Popularity • 56% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The Grates
Sweet Dreams
140 bpm • E Maj • 04:03 • -4.79db
16% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Zuzu
Get Off
144 bpm • F# Maj • 03:20 • -3.61db
17% Popularity • 52% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Overcoats
YJSTS
140 bpm • C# min • 03:31 • -5.62db
11% Popularity • 56% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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Meg Washington
Spanish Temper
140 bpm • F Maj • 04:09 • -6.93db
13% Popularity • 48% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Cry Club
One Step
140 bpm • F# Maj • 04:04 • -4.32db
8% Popularity • 42% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 34% Positiveness
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Odette
Feverbreak
140 bpm • G min • 04:17 • -8.79db
18% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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E^ST
GET THROUGH
144 bpm • D Maj • 02:47 • -5.46db
10% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Rowena Wise
To Pretend
144 bpm • G Maj • 03:30 • -8.17db
11% Popularity • 51% Danceability • 45% Energy • 42% Liveness
0% Instrumentalness • 17% Positiveness
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Electric Fields
From Little Things Big Things Grow
140 bpm • A min • 05:13 • -9.94db
21% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Bertie Blackman
Television
145 bpm • D Maj • 03:26 • -6.82db
20% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Clare Bowditch
You Look So Good
145 bpm • C# min • 04:08 • -6.54db
16% Popularity • 32% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Middle Kids
Run With You
145 bpm • F# Maj • 03:25 • -6.02db
20% Popularity • 48% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Grates
Turn Me On
145 bpm • B Maj • 03:26 • -5.19db
26% Popularity • 46% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Stellie
How Do We Look So Good?
145 bpm • F Maj • 04:05 • -8.34db
17% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Lanu
Fall - Acoustic
145 bpm • D Maj • 03:59 • -8.01db
1% Popularity • 42% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Cry Club
Nine Of Swords
145 bpm • F# min • 03:53 • -4db
23% Popularity • 44% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Meg Washington
Underground
145 bpm • A Maj • 03:46 • -10.22db
21% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lucia & The Best Boys
Good Girls Do Bad Things
145 bpm • C min • 02:45 • -2.78db
14% Popularity • 46% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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LPX
New Mood
139 bpm • E Maj • 03:44 • -5.56db
17% Popularity • 60% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 56% Positiveness
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The Preatures
Magick
146 bpm • C# Maj • 04:14 • -7.05db
21% Popularity • 56% Danceability • 65% Energy • 38% Liveness
1% Instrumentalness • 49% Positiveness
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Lanu
Fall - Hint Remix
145 bpm • B min • 06:16 • -6.23db
0% Popularity • 56% Danceability • 95% Energy • 87% Liveness
33% Instrumentalness • 12% Positiveness
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Swimming Girls
I Don't Wanna Get to Heaven
138 bpm • E Maj • 03:37 • -5.61db
8% Popularity • 54% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 75% Positiveness
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Cry Club
Two Hearts
145 bpm • A Maj • 03:39 • -4.87db
13% Popularity • 51% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Mac
Idiot
138 bpm • G Maj • 03:30 • -6.38db
1% Popularity • 85% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Middle Kids
Don’t Be Hiding
146 bpm • E Maj • 03:04 • -4.17db
33% Popularity • 47% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The Grates
Milk Eyes
138 bpm • E Maj • 03:29 • -3.38db
12% Popularity • 60% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Lanu
Fall
145 bpm • D Maj • 04:05 • -6.06db
6% Popularity • 57% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Meg Washington
Limitless
148 bpm • C Maj • 04:14 • -7.06db
16% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Ainslie Wills
Fear Of Missing Out
148 bpm • D Maj • 03:43 • -9.89db
15% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sloan Peterson
Nightmare
136 bpm • C min • 02:46 • -8.44db
22% Popularity • 85% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Honeyblood
She's A Nightmare
136 bpm • D Maj • 03:52 • -5.65db
19% Popularity • 68% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Maddy Jane
Fuck You, I'm a Good Person
136 bpm • C# Maj • 04:04 • -5.44db
9% Popularity • 52% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Lisa Mitchell
Zombie
136 bpm • G Maj • 03:36 • -9.69db
21% Popularity • 56% Danceability • 53% Energy • 11% Liveness
22% Instrumentalness • 55% Positiveness
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Meg Mac
Head Away
136 bpm • C Maj • 03:56 • -4.49db
20% Popularity • 56% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Something For Kate
Come Back Before I Come Back To My Sense...
136 bpm • D min • 03:34 • -3.73db
21% Popularity • 46% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Alex Lahey
Don’t Be So Hard On Yourself
149 bpm • C Maj • 04:18 • -5.34db
24% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Amy Shark
Baby Steps
135 bpm • F Maj • 03:11 • -5db
29% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Odette
I Miss You, I’m Sorry
149 bpm • B Maj • 03:16 • -5.78db
21% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Dan Sultan
Reaction
135 bpm • C Maj • 04:38 • -5.25db
28% Popularity • 55% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 41% Positiveness
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Meg Washington
Navy Blues
135 bpm • F# min • 03:36 • -5.21db
16% Popularity • 64% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Overcoats
Apathetic Boys
135 bpm • D Maj • 03:12 • -3.98db
9% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Middle Kids
Mistake
135 bpm • D Maj • 03:32 • -2.83db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Big Moon
It's Easy Then
135 bpm • F Maj • 03:44 • -8.61db
25% Popularity • 48% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Sloan Peterson
Here
150 bpm • D# Maj • 02:54 • -6.86db
20% Popularity • 25% Danceability • 78% Energy • 11% Liveness
68% Instrumentalness • 30% Positiveness
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Yorke
Thought I Could
135 bpm • B min • 03:24 • -6.2db
23% Popularity • 50% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Meg Washington
The Give
150 bpm • C Maj • 04:45 • -6.79db
15% Popularity • 40% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Gengahr
Everything I Wanted - triple j Like A Ve...
135 bpm • A Maj • 04:09 • -7.61db
27% Popularity • 34% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Johnny Hunter
Try As You May
150 bpm • D Maj • 03:16 • -6.69db
17% Popularity • 44% Danceability • 76% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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LPX
Give Up The Ghost
150 bpm • D Maj • 04:41 • -5.96db
11% Popularity • 51% Danceability • 76% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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Middle Kids
Cellophane (Brain)
150 bpm • C Maj • 03:30 • -6.6db
33% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Hotel
Loose Change
150 bpm • F# min • 03:57 • -3.24db
5% Popularity • 69% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sahara Beck
I Haven't Done A Thing Today
150 bpm • A Maj • 03:39 • -3.1db
12% Popularity • 52% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Ladyhawke
Colours In The Dark
150 bpm • E min • 03:17 • -4.21db
15% Popularity • 58% Danceability • 93% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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Coda Conduct
The Monologue
150 bpm • F min • 03:34 • -6.79db
15% Popularity • 83% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Gin Wigmore
Hangover Halo
150 bpm • C Maj • 03:55 • -3.41db
22% Popularity • 35% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Meg Washington
The Falling
134 bpm • C Maj • 04:38 • -12.24db
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Jungle Giants
Lights & Music - triple j Like A Version
134 bpm • A min • 04:17 • -5.56db
25% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Hope D
Toxic - triple j Like A Version
134 bpm • G# Maj • 04:04 • -11.22db
31% Popularity • 39% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Grates
Science Is Golden
151 bpm • B Maj • 02:57 • -3.88db
25% Popularity • 56% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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E^ST
FRESH OUT OF LOVE
151 bpm • A min • 02:50 • -8.92db
24% Popularity • 55% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Meg Washington
One Man Band
134 bpm • D min • 04:02 • -6.73db
11% Popularity • 67% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Bertie Blackman
You Kill Me
133 bpm • D Maj • 03:56 • -4.85db
16% Popularity • 44% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Ladyhawke
Guilty Love
133 bpm • E min • 03:00 • -4.54db
30% Popularity • 63% Danceability • 81% Energy • 34% Liveness
1% Instrumentalness • 51% Positiveness
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Cry Club
Obvious
133 bpm • A Maj • 03:22 • -4.67db
10% Popularity • 49% Danceability • 90% Energy • 25% Liveness
5% Instrumentalness • 50% Positiveness
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Jade Bird
Open up the Heavens
132 bpm • C Maj • 02:41 • -4.92db
27% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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E^ST
Heaven In My Mind
132 bpm • C Maj • 03:45 • -7.52db
18% Popularity • 81% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Tia Gostelow
State of Art
132 bpm • A min • 03:41 • -6.72db
16% Popularity • 51% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Meg Washington
Cement
133 bpm • D Maj • 03:35 • -4.43db
22% Popularity • 50% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Gretta Ray
Heal You in Time
132 bpm • G min • 03:56 • -12.81db
18% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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LPX
My Best
132 bpm • C# Maj • 02:47 • -5.6db
8% Popularity • 77% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Big Moon
Why
132 bpm • C# min • 03:29 • -8db
34% Popularity • 77% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Windley
Neighbours in the Morning
132 bpm • F Maj • 03:45 • -7.43db
11% Popularity • 73% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Miiesha
Blood Cells
132 bpm • G# min • 02:49 • -7.79db
18% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Lahey
Sucker For Punishment
153 bpm • F Maj • 02:30 • -5.04db
10% Popularity • 38% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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E^ST
FLIGHT PATH
131 bpm • C Maj • 02:45 • -8.71db
21% Popularity • 61% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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LPX
Red Queen
130 bpm • F Maj • 03:28 • -5.63db
8% Popularity • 60% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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The Big Moon
ADHD
153 bpm • A# Maj • 03:35 • -9.47db
18% Popularity • 41% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Ali Barter
Girlie Bits
153 bpm • E Maj • 03:11 • -6.5db
29% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Meg Washington
Clementine
155 bpm • F Maj • 03:05 • -8.05db
24% Popularity • 56% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Greta Stanley
Follow Suit
130 bpm • A min • 04:06 • -10.74db
11% Popularity • 67% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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E^ST
TALK DEEP
130 bpm • E Maj • 03:27 • -6.71db
35% Popularity • 69% Danceability • 87% Energy • 12% Liveness
3% Instrumentalness • 55% Positiveness
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Taylor Swift
I Can Do It With a Broken Heart
130 bpm • C Maj • 03:38 • -8.29db
85% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Dark Parts