Songs like Das Land des Lächelns, Act II, Scene 3: Meine Liebe, deine Liebe, die sind beide gleich (Mi, Gustl) by Franz Lehár
Based on a tempo of (+/- 10%) and a similar genre
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Franz Lehár
Der Graf von Luxemburg, Act II Scene 1: ...
84 bpm • A Maj • 04:15 • -21.93db
0% Popularity • 28% Danceability • 8% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 28% Danceability • 8% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
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Rudolf Schock
Erinnerung an Sorrent
84 bpm • C Maj • 02:25 • -10db
11% Popularity • 27% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 27% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Carl Zeller
Der Vogelhändler: Schenkt man sich Rose...
84 bpm • A# Maj • 02:51 • -14.4db
18% Popularity • 17% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 17% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Nicolai Gedda
Der Zigeunerbaron, Act I: Als flotter Ge...
84 bpm • C Maj • 02:56 • -13db
14% Popularity • 32% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 32% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Franz Lehár
Das Land des Lächelns / Act 2: Ich möc...
84 bpm • F Maj • 01:51 • -13.6db
3% Popularity • 28% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 28% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
28% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore: "Una furtiva lacrima"
84 bpm • A# min • 05:25 • -11.52db
7% Popularity • 20% Danceability • 38% Energy • 90% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 38% Energy • 90% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
23% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Vincent Scotto
Scotto / Arr. Schifrin: Around the World...
85 bpm • C min • 02:00 • -19.37db
32% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
32% Popularity • 24% Danceability • 25% Energy • 85% Liveness
44% Instrumentalness • 26% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
84 bpm • G Maj • 01:00 • -27.88db
1% Popularity • 47% Danceability • 12% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 47% Danceability • 12% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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Richard Tauber
Das Land des Lächelns - II
85 bpm • C# Maj • 03:46 • -14.62db
10% Popularity • 20% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 20% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Franz Schubert
Schubert: Wiegenlied, Op. 98 No. 2, D. 4...
85 bpm • F# Maj • 02:59 • -37.26db
27% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
8% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Emmerich Kálmán
Gräfin Mariza, IEK 4: Komm mit nach Var...
85 bpm • F Maj • 04:02 • -10.59db
10% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: II. Cujus animam ...
85 bpm • G# Maj • 06:16 • -23db
16% Popularity • 22% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Chœur des ...
85 bpm • E Maj • 02:10 • -26.58db
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La Bohème, Act I: O soave fanciulla (Ro...
83 bpm • C Maj • 04:00 • -19db
19% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
31% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
31% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Eduard Strauss
Wer tanzt mit? Polka schnell, Op. 251
83 bpm • D Maj • 02:08 • -17.03db
21% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 68% Positiveness
21% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 68% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
85 bpm • A Maj • 02:40 • -12.62db
5% Popularity • 42% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 42% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Georges Bizet
Les Pêcheurs de perles: Prelude
83 bpm • G Maj • 02:07 • -26.46db
16% Popularity • 8% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
16% Popularity • 8% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
83 bpm • C Maj • 04:03 • -22.52db
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Charles Gounod
Faust: Faust, Act I: Avant de quitter ce...
86 bpm • D# Maj • 04:14 • -12.07db
17% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
17% Popularity • 19% Danceability • 32% Energy • 12% Liveness
31% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
83 bpm • C Maj • 04:05 • -18.65db
1% Popularity • 36% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 36% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Eduard Künneke
Der Vetter aus Dingsda: Strahlender Mond...
82 bpm • G Maj • 03:11 • -16db
15% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Ich liebe dich, WoO 123
82 bpm • F Maj • 02:09 • -23db
21% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
17% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
21% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
21% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Franz Lehár
Es lebt eine Vilja (Vilja-Lied aus "Die ...
86 bpm • G Maj • 06:12 • -18.81db
0% Popularity • 24% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 24% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Cielo, a...
82 bpm • G Maj • 02:08 • -24.25db
13% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Chor der Deutschen Oper Berlin
Der Fliegende Holländer: Steuermann, la...
82 bpm • G Maj • 02:43 • -13db
12% Popularity • 47% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
12% Popularity • 47% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 2...
86 bpm • G Maj • 03:07 • -35db
15% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Franz Lehár
Meine Lippen, die küssen so heiss
83 bpm • E Maj • 05:38 • -16db
20% Popularity • 26% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Tosca / Act II: "Vissi d'arte, vissi d'a...
82 bpm • D# Maj • 03:26 • -18.6db
24% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph Hellmesberger, Jr.
Kleiner Anzeiger, Galopp, Op. 4
86 bpm • D# Maj • 02:26 • -16.37db
16% Popularity • 47% Danceability • 58% Energy • 19% Liveness
91% Instrumentalness • 84% Positiveness
16% Popularity • 47% Danceability • 58% Energy • 19% Liveness
91% Instrumentalness • 84% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess),...
86 bpm • D Maj • 02:40 • -12.52db
21% Popularity • 25% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 25% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Franz von Suppé
Pique Dame: Overture
82 bpm • D Maj • 07:51 • -14db
14% Popularity • 30% Danceability • 24% Energy • 68% Liveness
83% Instrumentalness • 12% Positiveness
14% Popularity • 30% Danceability • 24% Energy • 68% Liveness
83% Instrumentalness • 12% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Franz Lehár
Das Land des Lächelns / Act 2: Wer hat ...
85 bpm • D Maj • 04:26 • -12.76db
4% Popularity • 26% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 26% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Madama Butterfly / Act II: "Un bel dì v...
86 bpm • F# Maj • 04:31 • -17.25db
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
'T was Not the Wind
81 bpm • F Maj • 02:09 • -22db
19% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
86 bpm • A Maj • 03:04 • -15.54db
1% Popularity • 48% Danceability • 24% Energy • 20% Liveness
2% Instrumentalness • 28% Positiveness
1% Popularity • 48% Danceability • 24% Energy • 20% Liveness
2% Instrumentalness • 28% Positiveness
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Emmerich Kálmán
Gräfin Mariza - Operetta in 3 Acts: Kom...
81 bpm • D Maj • 02:09 • -13.71db
17% Popularity • 52% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 52% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Slovak Radio Symphony Orchestra
Gold Und Silber (Gold And Silver), Op. 7...
81 bpm • C Maj • 08:42 • -22.44db
30% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
30% Popularity • 18% Danceability • 6% Energy • 22% Liveness
94% Instrumentalness • 22% Positiveness
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Arthur Sullivan
Thespis: No. 3 Valse
87 bpm • G Maj • 01:17 • -24.91db
26% Popularity • 52% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
26% Popularity • 52% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
29% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Gustave Charpentier
"Depuis le jour"
87 bpm • G Maj • 05:17 • -20db
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Franz Lehár
Die Lustige Witwe / Akt 2: Introduktion,...
82 bpm • G Maj • 09:34 • -23db
2% Popularity • 23% Danceability • 15% Energy • 6% Liveness
4% Instrumentalness • 11% Positiveness
2% Popularity • 23% Danceability • 15% Energy • 6% Liveness
4% Instrumentalness • 11% Positiveness
► Preview
Hans Christian Lumbye
Britta Polka (1864)
87 bpm • A Maj • 02:34 • -19.56db
27% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
27% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
► Preview
Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
81 bpm • F Maj • 03:21 • -14.39db
7% Popularity • 24% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
30% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
18% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Gaetano Donizetti
Anna Bolena: Sinfonia (Overture)
87 bpm • A Maj • 07:23 • -17db
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Franz Lehár
Das Land des Lächelns / Act 1: Von Apfe...
82 bpm • C Maj • 03:57 • -14db
5% Popularity • 25% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
5% Popularity • 25% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
► Preview
Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
30% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Carlos Guastavino
La rosa y el sauce
81 bpm • F# min • 02:24 • -20db
15% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
11% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Franz Lehár
Paganini / Act 2: Girls Were Made To Lov...
82 bpm • D# Maj • 03:17 • -14.61db
1% Popularity • 22% Danceability • 23% Energy • 10% Liveness
16% Instrumentalness • 20% Positiveness
1% Popularity • 22% Danceability • 23% Energy • 10% Liveness
16% Instrumentalness • 20% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: "Au Mont Ida,...
88 bpm • F Maj • 03:54 • -13db
9% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 31% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Leonard Bernstein
West Side Story: XIIId. Somewhere
88 bpm • E Maj • 02:37 • -19.75db
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
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Rudolf Schock
O Mädchen, mein Mädchen
80 bpm • G Maj • 03:07 • -13.69db
16% Popularity • 30% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Chor der Deutschen Oper Berlin
Die Lombarden: O Signore, dal tetto nati...
80 bpm • C Maj • 03:46 • -22.25db
7% Popularity • 18% Danceability • 6% Energy • 7% Liveness
72% Instrumentalness • 11% Positiveness
7% Popularity • 18% Danceability • 6% Energy • 7% Liveness
72% Instrumentalness • 11% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Franz Lehár
The Merry Widow / Act 2: Duet: Love unsp...
86 bpm • G# Maj • 04:14 • -26.97db
6% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
27% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La bohème, SC 67, Act II: Quando men vo
88 bpm • F# min • 02:47 • -22.21db
26% Popularity • 31% Danceability • 13% Energy • 48% Liveness
20% Instrumentalness • 4% Positiveness
26% Popularity • 31% Danceability • 13% Energy • 48% Liveness
20% Instrumentalness • 4% Positiveness
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Rudolf Schock
Dein ist mein ganzes Herz (aus "Das Land...
80 bpm • C# Maj • 03:31 • -10.95db
12% Popularity • 18% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 18% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
88 bpm • G Maj • 04:07 • -28.68db
7% Popularity • 22% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
7% Popularity • 22% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
80 bpm • D Maj • 01:06 • -13db
18% Popularity • 20% Danceability • 23% Energy • 54% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 20% Danceability • 23% Energy • 54% Liveness
0% Instrumentalness • 28% Positiveness
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Franz Lehár
Der Graf von Luxemburg, Act I Scene 2: P...
82 bpm • A Maj • 03:45 • -25.98db
0% Popularity • 38% Danceability • 4% Energy • 84% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 38% Danceability • 4% Energy • 84% Liveness
0% Instrumentalness • 31% Positiveness
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Georges Bizet
Bizet: Les Pêcheurs de perles, Act 1: "...
88 bpm • D# Maj • 05:26 • -18db
20% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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スーザン・マカロック
歌劇「ホフマン物語」/舟歌 (�...
80 bpm • D Maj • 03:43 • -19.69db
10% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Anna Maria Kaufmann
Liebe du Himmel auf Erden
80 bpm • G Maj • 03:10 • -10.44db
9% Popularity • 17% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 17% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Chor der Deutschen Oper Berlin
Der Fliegende Holländer: Summ und Brumm...
80 bpm • A Maj • 03:52 • -16db
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
63% Instrumentalness • 15% Positiveness
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Franz Lehár
The Merry Widow / Act 2: Vilia Song: Let...
82 bpm • F# Maj • 06:37 • -21.64db
6% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
6% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 1: "Der Vo...
80 bpm • G Maj • 02:34 • -12.95db
9% Popularity • 52% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 52% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: Una furtiva l...
88 bpm • F min • 04:20 • -20db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Inessa Galante
La Forza Del Destino 1862: La Vergine de...
80 bpm • G Maj • 03:14 • -23db
9% Popularity • 14% Danceability • 7% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 17% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Emmerich Kálmán
Gräfin Mariza, Act I: "Komm Zigány" (T...
89 bpm • E Maj • 01:27 • -11db
18% Popularity • 23% Danceability • 29% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 23% Danceability • 29% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
20% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Franz Lehár
Giuditta / Act I: Freunde, das Leben ist...
81 bpm • D Maj • 03:18 • -13.04db
0% Popularity • 22% Danceability • 24% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
0% Popularity • 22% Danceability • 24% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
