Songs like Das Rheingold, Scene 3: Zittre und zage, gezähmtes Heer by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Wagner: Tristan und Isolde, Act 2: "So s...
99 bpm • D Maj • 07:44 • -13.9db
1% Popularity • 19% Danceability • 37% Energy • 69% Liveness
19% Instrumentalness • 4% Positiveness
1% Popularity • 19% Danceability • 37% Energy • 69% Liveness
19% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Alexander Borodin
Prince Igor / Act 2: Dance of the Polovt...
100 bpm • F Maj • 02:10 • -25db
18% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
40% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
40% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Rigoletto: Overture (Preludio)
101 bpm • G Maj • 03:19 • -20.89db
19% Popularity • 19% Danceability • 2% Energy • 3% Liveness
69% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 2% Energy • 3% Liveness
69% Instrumentalness • 4% Positiveness
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Giacomo Meyerbeer
Meyerbeer: Les Huguenots: Et maintenant ...
97 bpm • C# Maj • 05:18 • -14db
29% Popularity • 29% Danceability • 58% Energy • 67% Liveness
6% Instrumentalness • 23% Positiveness
29% Popularity • 29% Danceability • 58% Energy • 67% Liveness
6% Instrumentalness • 23% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 1: "Durch Gottes ...
99 bpm • A# Maj • 03:37 • -14db
1% Popularity • 26% Danceability • 45% Energy • 28% Liveness
1% Instrumentalness • 27% Positiveness
1% Popularity • 26% Danceability • 45% Energy • 28% Liveness
1% Instrumentalness • 27% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Cum mortuis i...
102 bpm • B Maj • 02:08 • -43.23db
32% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
38% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Richard Wagner
Rienzi: Overture
99 bpm • D Maj • 11:35 • -12.6db
26% Popularity • 20% Danceability • 34% Energy • 69% Liveness
93% Instrumentalness • 9% Positiveness
26% Popularity • 20% Danceability • 34% Energy • 69% Liveness
93% Instrumentalness • 9% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "No...
94 bpm • F Maj • 05:34 • -21.33db
6% Popularity • 36% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
6% Popularity • 36% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Tuileries...
105 bpm • D# min • 01:16 • -32.39db
30% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
30% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
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Georges Bizet
Carmen Suite No. 1: I. Prelude
95 bpm • A# Maj • 01:29 • -22db
25% Popularity • 17% Danceability • 9% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 9% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Market-pl...
106 bpm • D# Maj • 01:29 • -18.76db
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
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Georges Bizet
Carmen Suite No. 2: 1. Marche des contre...
106 bpm • C min • 04:13 • -27.19db
17% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
17% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90 / Act III: Mi...
92 bpm • E Maj • 06:15 • -13.86db
25% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Witches' Chorus. Che fac...
92 bpm • A min • 07:46 • -19.66db
15% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: "Viktor...
107 bpm • G Maj • 04:51 • -15.94db
19% Popularity • 46% Danceability • 32% Energy • 71% Liveness
4% Instrumentalness • 26% Positiveness
19% Popularity • 46% Danceability • 32% Energy • 71% Liveness
4% Instrumentalness • 26% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Wagner
Parsifal / Act 3: "Wie dünkt mich doch ...
92 bpm • B Maj • 02:56 • -25.85db
17% Popularity • 18% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Qu...
91 bpm • B min • 01:33 • -15db
28% Popularity • 44% Danceability • 45% Energy • 46% Liveness
87% Instrumentalness • 32% Positiveness
28% Popularity • 44% Danceability • 45% Energy • 46% Liveness
87% Instrumentalness • 32% Positiveness
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Giuseppe Verdi
Requiem: VI. Rex Tremendae
108 bpm • C min • 03:35 • -21.62db
27% Popularity • 21% Danceability • 15% Energy • 28% Liveness
3% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 15% Energy • 28% Liveness
3% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 2: "Do...
90 bpm • A# Maj • 07:11 • -15.16db
9% Popularity • 22% Danceability • 19% Energy • 39% Liveness
20% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 19% Energy • 39% Liveness
20% Instrumentalness • 8% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 1: "Wer hier im G...
98 bpm • A Maj • 05:00 • -18.91db
1% Popularity • 27% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
1% Popularity • 27% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Si ridesta in ciel...
91 bpm • G# Maj • 01:37 • -15.2db
35% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
35% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Jacques Offenbach
La vie parisienne: Overture
89 bpm • F Maj • 05:18 • -17db
21% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
21% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
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Gustav Mahler
Symphony No. 4 in G Major: IV. Sehr beha...
110 bpm • E Maj • 08:44 • -26.74db
13% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Richard Wagner
The Flying Dutchman: Ouverture
98 bpm • G Maj • 10:31 • -19db
7% Popularity • 16% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act III: "Bella figlia dell'...
89 bpm • C# Maj • 04:15 • -14.82db
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 26% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
110 bpm • D min • 07:41 • -19.03db
25% Popularity • 31% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 31% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Tannhäuser, WWV 70 / Act I: "Zu dir wal...
88 bpm • G min • 05:57 • -28db
5% Popularity • 14% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Giuseppe Verdi
La traviata / Act III: "Prendi, quest'è...
88 bpm • C# Maj • 03:51 • -20.94db
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Gustav Mahler
Symphony No. 3 in D Minor: V. Lustig im ...
111 bpm • F Maj • 04:18 • -23.21db
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
► Preview
Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
► Preview
Richard Strauss
Ein Heldenleben, Op. 40, TrV. 190: I. De...
111 bpm • D# Maj • 04:23 • -14db
11% Popularity • 23% Danceability • 28% Energy • 28% Liveness
91% Instrumentalness • 12% Positiveness
11% Popularity • 23% Danceability • 28% Energy • 28% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Richard Wagner
Wagner: Lohengrin, Act 3: "Treulich gef�...
88 bpm • A# Maj • 04:11 • -28.05db
2% Popularity • 15% Danceability • 4% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
2% Popularity • 15% Danceability • 4% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
► Preview
Slovak Radio Symphony Orchestra
Die Meistersinger Von Nurnberg (The Mast...
112 bpm • G Maj • 02:28 • -17db
24% Popularity • 19% Danceability • 20% Energy • 13% Liveness
76% Instrumentalness • 11% Positiveness
24% Popularity • 19% Danceability • 20% Energy • 13% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Paul Hindemith
Mathis Der Maler, 6th Tableau, Scene 1: ...
87 bpm • G min • 03:34 • -22.76db
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 22% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
46% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
46% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
21% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90 / Act II: "O ...
88 bpm • G# Maj • 04:49 • -17.61db
8% Popularity • 20% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 19% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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AntonÃn Dvořák
Requiem, Op. 89, B. 165, Pt. 1: III. Die...
87 bpm • A# min • 02:11 • -16db
8% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XXI. Libera me,...
113 bpm • C Maj • 06:23 • -17db
17% Popularity • 27% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 27% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • F Maj • 01:19 • -27db
30% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
30% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act 3: "Atmest du ni...
98 bpm • A# Maj • 04:49 • -21db
4% Popularity • 28% Danceability • 15% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 28% Danceability • 15% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
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Nikolai Rimsky-Korsakov
The Tsar's Bride - original version Tsar...
114 bpm • D Maj • 07:07 • -18.63db
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
114 bpm • F min • 06:43 • -15.17db
19% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Sanctus
114 bpm • F Maj • 02:43 • -14db
15% Popularity • 33% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 21% Positiveness
15% Popularity • 33% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 21% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
86 bpm • F Maj • 03:10 • -34db
29% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 1% Energy • 7% Liveness
38% Instrumentalness • 3% Positiveness
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Richard Wagner
Die Meistersinger von Nurnberg (The Mast...
101 bpm • C Maj • 17:06 • -19db
19% Popularity • 27% Danceability • 17% Energy • 24% Liveness
59% Instrumentalness • 16% Positiveness
19% Popularity • 27% Danceability • 17% Energy • 24% Liveness
59% Instrumentalness • 16% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: II. A...
85 bpm • C# Maj • 09:21 • -25.65db
13% Popularity • 9% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act 2: Cortigiani, vil razza...
86 bpm • C# Maj • 04:27 • -14.86db
23% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
85 bpm • D# Maj • 06:05 • -20.46db
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "Dahin zog's...
96 bpm • E min • 02:27 • -14.38db
1% Popularity • 34% Danceability • 38% Energy • 38% Liveness
6% Instrumentalness • 16% Positiveness
1% Popularity • 34% Danceability • 38% Energy • 38% Liveness
6% Instrumentalness • 16% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act II: (...
116 bpm • D Maj • 07:59 • -15db
16% Popularity • 36% Danceability • 35% Energy • 10% Liveness
47% Instrumentalness • 16% Positiveness
16% Popularity • 36% Danceability • 35% Energy • 10% Liveness
47% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Requiem: I. Requiem Aeternam
85 bpm • A min • 09:09 • -29db
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Hans Hotter
Der Ring des Nibelungen: Das Rheingold: ...
84 bpm • D# Maj • 03:47 • -28db
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
84 bpm • C# Maj • 06:20 • -22.6db
4% Popularity • 11% Danceability • 7% Energy • 18% Liveness
6% Instrumentalness • 3% Positiveness
4% Popularity • 11% Danceability • 7% Energy • 18% Liveness
6% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
102 bpm • F# Maj • 04:49 • -17.75db
0% Popularity • 25% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness