Songs like Das Wort ward Fleisch by Johann Topff
Based on a tempo of (+/- 10%) and a similar genre
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Johann Topff
Das Wort ward Fleisch
95 bpm • C Maj • 02:51 • -19.49db
0% Popularity • 64% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 35% Positiveness
0% Popularity • 64% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 35% Positiveness
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The Choral Arts Society Of Washington
Here We Come a-Wassailing (Arr. J. Rutte...
95 bpm • E Maj • 03:51 • -26.05db
15% Popularity • 18% Danceability • 9% Energy • 32% Liveness
86% Instrumentalness • 30% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 32% Liveness
86% Instrumentalness • 30% Positiveness
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The Eden Symphony Orchestra
In Dulci Jubilo - Instrumental
95 bpm • F Maj • 02:09 • -18.86db
7% Popularity • 30% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 53% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 53% Positiveness
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Roger Wilcock & The London Fox Players
Carol of the Bells - Wilhousky
95 bpm • G min • 01:26 • -21db
5% Popularity • 46% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
5% Popularity • 46% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Monkey
The White Skeleton Demon
95 bpm • D min • 01:34 • -10.17db
9% Popularity • 18% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 6% Liveness
93% Instrumentalness • 5% Positiveness
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Traditional
Kommet, ihr Hirten
96 bpm • A Maj • 01:07 • -21.48db
8% Popularity • 39% Danceability • 3% Energy • 6% Liveness
83% Instrumentalness • 8% Positiveness
8% Popularity • 39% Danceability • 3% Energy • 6% Liveness
83% Instrumentalness • 8% Positiveness
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Bartholomäus Gesius
Befiehl du deine Wege
94 bpm • A min • 02:49 • -14.91db
10% Popularity • 20% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Bilder einer Ausstellung: Promenade I
96 bpm • F Maj • 01:28 • -14.05db
24% Popularity • 36% Danceability • 18% Energy • 75% Liveness
91% Instrumentalness • 29% Positiveness
24% Popularity • 36% Danceability • 18% Energy • 75% Liveness
91% Instrumentalness • 29% Positiveness
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Antonio de Cabezón
Cabezón: Tiento II del cuarto tono
94 bpm • A min • 02:49 • -21.25db
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
11% Popularity • 17% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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John Adams
Adams: El Niño: I Sing of a Maiden
96 bpm • D# Maj • 06:18 • -21.72db
9% Popularity • 32% Danceability • 20% Energy • 13% Liveness
70% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 20% Energy • 13% Liveness
70% Instrumentalness • 13% Positiveness
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George Frideric Handel
Messiah, HWV 56: No. 25, Chorus "And wit...
96 bpm • F min • 01:49 • -18.56db
7% Popularity • 22% Danceability • 18% Energy • 23% Liveness
95% Instrumentalness • 39% Positiveness
7% Popularity • 22% Danceability • 18% Energy • 23% Liveness
95% Instrumentalness • 39% Positiveness
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Pietro Pellegrini
Concerto C-Dur: I. Tempo ordinario
94 bpm • G Maj • 01:58 • -13db
10% Popularity • 31% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 53% Positiveness
10% Popularity • 31% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 53% Positiveness
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Giovanni Gabrieli
Canzon V
94 bpm • F Maj • 02:51 • -24.48db
2% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
2% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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The St. Olaf Choir
Ezekiel Saw de Wheel (Arr. W.L. Dawson f...
94 bpm • D# Maj • 02:57 • -21.46db
13% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 39% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Christopher Tin
Baba Yetu Vater Unser
96 bpm • D# Maj • 02:55 • -20.31db
11% Popularity • 36% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
11% Popularity • 36% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Canadian Brass
Hark the Herald Angels Sing
94 bpm • G# Maj • 02:34 • -15db
8% Popularity • 27% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
8% Popularity • 27% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Thoinot Arbeau
Ding Dong Merrily On High
94 bpm • A# Maj • 02:19 • -14.62db
8% Popularity • 44% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 44% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Classic Brass jürgen Gröblehner
Rondeau
97 bpm • A# Maj • 01:33 • -13.95db
17% Popularity • 54% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
17% Popularity • 54% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
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Samuel Scheidt
Battle Suite: III. Gailliard Battaglia
93 bpm • G Maj • 01:39 • -16.27db
15% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
15% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Sonata No. 13 (arr. E...
97 bpm • G min • 02:26 • -18db
19% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
19% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
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Michael Praetorius
Det är en ros utsprungen: Es ist ein Ro...
97 bpm • F Maj • 02:26 • -30.44db
9% Popularity • 23% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
9% Popularity • 23% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
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Traditional
Good King Wenceslas
97 bpm • G# Maj • 01:15 • -15.03db
12% Popularity • 55% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 89% Positiveness
12% Popularity • 55% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 89% Positiveness
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Anonymous
Good King Wenceslas
92 bpm • G# Maj • 01:45 • -21.88db
7% Popularity • 46% Danceability • 4% Energy • 6% Liveness
86% Instrumentalness • 29% Positiveness
7% Popularity • 46% Danceability • 4% Energy • 6% Liveness
86% Instrumentalness • 29% Positiveness
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Johann Sebastian Bach
Toccata, Adagio and Fugue in C Major, BW...
98 bpm • C Maj • 04:43 • -18.41db
8% Popularity • 43% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 62% Positiveness
8% Popularity • 43% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 62% Positiveness
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Johann Georg Christian Störl
Sonata for Cornet and 3 Trombones
98 bpm • G Maj • 01:14 • -18.85db
12% Popularity • 42% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 67% Positiveness
12% Popularity • 42% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 67% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Canzon No. 17 (arr. E...
92 bpm • F Maj • 02:40 • -19db
12% Popularity • 32% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
12% Popularity • 32% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Linda Eder
Mass
92 bpm • D min • 01:29 • -17.64db
28% Popularity • 20% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Dynamedion
Monumental Cathedral
98 bpm • A min • 02:29 • -13.94db
15% Popularity • 25% Danceability • 23% Energy • 5% Liveness
91% Instrumentalness • 13% Positiveness
15% Popularity • 25% Danceability • 23% Energy • 5% Liveness
91% Instrumentalness • 13% Positiveness
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Canadian Brass
Jingle Bells
98 bpm • D min • 01:55 • -12.31db
12% Popularity • 67% Danceability • 32% Energy • 8% Liveness
85% Instrumentalness • 70% Positiveness
12% Popularity • 67% Danceability • 32% Energy • 8% Liveness
85% Instrumentalness • 70% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116, BB 123:...
91 bpm • D Maj • 06:03 • -27.36db
9% Popularity • 43% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
9% Popularity • 43% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
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Peter Breiner
Little Drummer Boy, "Carol of the Drum" ...
91 bpm • G Maj • 01:13 • -30.63db
27% Popularity • 19% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
26% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
26% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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John A. Behnke
Jesus Lives, the Victory's Won (Arr. By ...
99 bpm • C Maj • 01:46 • -14.87db
7% Popularity • 23% Danceability • 22% Energy • 26% Liveness
98% Instrumentalness • 22% Positiveness
7% Popularity • 23% Danceability • 22% Energy • 26% Liveness
98% Instrumentalness • 22% Positiveness
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Ludwig van Beethoven
Five Variations on "Daughter Zion": Vari...
99 bpm • D# Maj • 01:03 • -21db
8% Popularity • 25% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
8% Popularity • 25% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Canadian Brass
O Come All Ye Faithful & Joy to the Worl...
99 bpm • A# Maj • 02:41 • -15.05db
10% Popularity • 26% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
10% Popularity • 26% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Samuel Scheidt
Ich ruf zu dir, Herr Jesu Christ, SSWV 2...
99 bpm • D min • 01:18 • -31.91db
26% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
26% Popularity • 18% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Traditional
Deck the Halls with Boughs of Holly
99 bpm • F Maj • 01:06 • -14.13db
18% Popularity • 60% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 96% Positiveness
18% Popularity • 60% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 96% Positiveness
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Orquestra Sacra
28 - Para o céu marchemos
91 bpm • C Maj • 02:21 • -19.13db
28% Popularity • 31% Danceability • 8% Energy • 16% Liveness
89% Instrumentalness • 23% Positiveness
28% Popularity • 31% Danceability • 8% Energy • 16% Liveness
89% Instrumentalness • 23% Positiveness
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Anonymous
The first Nowell
99 bpm • F Maj • 02:35 • -22.04db
8% Popularity • 16% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 18% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 18% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon duodecimi toni...
100 bpm • C Maj • 03:04 • -21db
8% Popularity • 45% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
8% Popularity • 45% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
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Laestadian Lutheran Church
Come, Sweet Death (Komm, Süsser Tod)
90 bpm • D# Maj • 01:32 • -13.71db
12% Popularity • 14% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Delphin Strungk
Lass mich dein sein und bleiben
100 bpm • A min • 02:19 • -28.33db
9% Popularity • 24% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
9% Popularity • 24% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Arthur Bliss
Fanfare For The Lord Mayor Of London
90 bpm • A# Maj • 01:44 • -14db
10% Popularity • 42% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 42% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Petite messe solennelle, Gloria: IX. Cum...
100 bpm • F Maj • 05:33 • -21.26db
20% Popularity • 24% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
20% Popularity • 24% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
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Anonymous
I Saw Three Ships
90 bpm • G Maj • 02:13 • -19db
4% Popularity • 45% Danceability • 19% Energy • 13% Liveness
8% Instrumentalness • 61% Positiveness
4% Popularity • 45% Danceability • 19% Energy • 13% Liveness
8% Instrumentalness • 61% Positiveness
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Michael Praetorius
Musae Sinoniae IV: III. Es ist ein' Ros ...
90 bpm • F Maj • 01:00 • -28.46db
7% Popularity • 14% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
7% Popularity • 14% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Die Hornisten der Berliner Philharmoniker
Der Freischütz : Freischütz
90 bpm • C Maj • 04:40 • -19db
7% Popularity • 27% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
7% Popularity • 27% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Tomaso Albinoni
Trumpet Concerto in D Minor (Arr. G. Raa...
90 bpm • F Maj • 02:22 • -16db
16% Popularity • 15% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
16% Popularity • 15% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Traditional
The Holly and the Ivy (arr. A. Harris an...
90 bpm • G Maj • 02:37 • -22.9db
8% Popularity • 33% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 33% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Phillip Keveren
Fanfare / God of Our Fathers
101 bpm • F Maj • 00:59 • -10.71db
15% Popularity • 24% Danceability • 20% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
15% Popularity • 24% Danceability • 20% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
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Samuel Scheidt
Battle Suite: II. Courant
101 bpm • A min • 01:38 • -18.52db
11% Popularity • 44% Danceability • 14% Energy • 20% Liveness
94% Instrumentalness • 15% Positiveness
11% Popularity • 44% Danceability • 14% Energy • 20% Liveness
94% Instrumentalness • 15% Positiveness
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Eugen Reiche
Trombone Concerto No. 2 in A Major: I. A...
101 bpm • A Maj • 04:54 • -23.49db
7% Popularity • 23% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
7% Popularity • 23% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Toccata, Adagio and Fugue in C Major, BW...
89 bpm • D min • 03:30 • -24.44db
12% Popularity • 14% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Benjamin Britten
Friday Afternoons, Op. 7: Old Abram Brow...
101 bpm • C Maj • 04:23 • -30.53db
7% Popularity • 21% Danceability • 2% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 2% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Traditional
The First Noel
101 bpm • C Maj • 02:18 • -15.68db
9% Popularity • 22% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 22% Positiveness
9% Popularity • 22% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 22% Positiveness
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Giovanni Gabrieli
Canzon in echo a 12 (arr. E. Crees for b...
89 bpm • F Maj • 03:25 • -22.56db
9% Popularity • 38% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
9% Popularity • 38% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Richard Strauss
Wiener Philharmoniker Fanfare
89 bpm • D# Maj • 02:35 • -17db
12% Popularity • 30% Danceability • 28% Energy • 68% Liveness
90% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 28% Energy • 68% Liveness
90% Instrumentalness • 16% Positiveness
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Roger Harvey
Past 3 O’Clock
101 bpm • F Maj • 02:34 • -28.29db
13% Popularity • 47% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 30% Positiveness
13% Popularity • 47% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 30% Positiveness
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Joe Hisaishi
Doves and the Boy - from 'Castle in the ...
102 bpm • C Maj • 00:58 • -15.01db
36% Popularity • 37% Danceability • 10% Energy • 21% Liveness
94% Instrumentalness • 35% Positiveness
36% Popularity • 37% Danceability • 10% Energy • 21% Liveness
94% Instrumentalness • 35% Positiveness
► Preview
Modest Mussorgsky
Bilder einer Ausstellung: Promenade V
102 bpm • F Maj • 01:25 • -17.14db
12% Popularity • 49% Danceability • 11% Energy • 31% Liveness
80% Instrumentalness • 40% Positiveness
12% Popularity • 49% Danceability • 11% Energy • 31% Liveness
80% Instrumentalness • 40% Positiveness
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Benjamin Britten
Friday Afternoons, Op. 7: Begone, Dull C...
102 bpm • C Maj • 01:03 • -27.33db
7% Popularity • 53% Danceability • 3% Energy • 12% Liveness
55% Instrumentalness • 82% Positiveness
7% Popularity • 53% Danceability • 3% Energy • 12% Liveness
55% Instrumentalness • 82% Positiveness
► Preview
United States Air Force Band and Singing Sergeants
Ring, Christmas Bells: The Bells Of Chri...
88 bpm • G Maj • 04:29 • -18.55db
8% Popularity • 19% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 19% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Henry Purcell
Sound the Trumpets in F Major (Arr. for ...
102 bpm • F Maj • 01:54 • -22.89db
19% Popularity • 64% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 65% Positiveness
19% Popularity • 64% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 65% Positiveness
► Preview
John Rutter
5 Traditional Songs: No. 3. The British ...
102 bpm • F# Maj • 01:53 • -22.21db
9% Popularity • 54% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 54% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
St. Michael's Singers
The Day of Resurrection
102 bpm • D# Maj • 02:45 • -16.47db
8% Popularity • 35% Danceability • 15% Energy • 32% Liveness
76% Instrumentalness • 37% Positiveness
8% Popularity • 35% Danceability • 15% Energy • 32% Liveness
76% Instrumentalness • 37% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Arr. L. Karli...
88 bpm • F Maj • 01:39 • -20.39db
10% Popularity • 36% Danceability • 1% Energy • 20% Liveness
93% Instrumentalness • 20% Positiveness
10% Popularity • 36% Danceability • 1% Energy • 20% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Benjamin Britten
Ceremony of Carols, Op. 28: As Dew In Ap...
88 bpm • G# Maj • 01:07 • -25.78db
9% Popularity • 24% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
9% Popularity • 24% Danceability • 3% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Pieter Jan Leusink
U Zij De Glorie
88 bpm • D# Maj • 02:38 • -12.97db
15% Popularity • 11% Danceability • 26% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
15% Popularity • 11% Danceability • 26% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
► Preview
Orquestra Sacra
461 - Abrigado em Jesus
87 bpm • C Maj • 03:10 • -15.73db
23% Popularity • 20% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Heinrich Schütz
Die sieben Worte Jesu Christi am Kreuz, ...
103 bpm • F min • 01:29 • -25.84db
7% Popularity • 14% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
7% Popularity • 14% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
► Preview
The Oxford Trinity Choir
Gabriel's Message
103 bpm • G# min • 02:42 • -17.14db
7% Popularity • 20% Danceability • 25% Energy • 15% Liveness
3% Instrumentalness • 7% Positiveness
7% Popularity • 20% Danceability • 25% Energy • 15% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Gustav Holst
Bach - Fugue a la gigue in G Major (arr....
87 bpm • F Maj • 03:17 • -21.22db
6% Popularity • 51% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
6% Popularity • 51% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
► Preview
Irving Berlin
White Christmas
87 bpm • A# Maj • 03:58 • -28.39db
8% Popularity • 13% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Traditional
The First Nowell
87 bpm • D Maj • 01:11 • -22.82db
13% Popularity • 11% Danceability • 5% Energy • 46% Liveness
90% Instrumentalness • 23% Positiveness
13% Popularity • 11% Danceability • 5% Energy • 46% Liveness
90% Instrumentalness • 23% Positiveness
► Preview
Orquestra Sacra
124 - Vivo na graça
87 bpm • G Maj • 03:15 • -20.09db
24% Popularity • 12% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
24% Popularity • 12% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
John Williams
Exsultate Justi
104 bpm • A Maj • 05:02 • -19.2db
22% Popularity • 51% Danceability • 19% Energy • 30% Liveness
2% Instrumentalness • 43% Positiveness
22% Popularity • 51% Danceability • 19% Energy • 30% Liveness
2% Instrumentalness • 43% Positiveness
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Phillip Keveren
Lead Me to Calvary
104 bpm • D# Maj • 01:50 • -11.72db
21% Popularity • 29% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
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Jean-Joseph Mouret
Rondeau
87 bpm • C Maj • 01:47 • -11.78db
18% Popularity • 66% Danceability • 46% Energy • 8% Liveness
89% Instrumentalness • 90% Positiveness
18% Popularity • 66% Danceability • 46% Energy • 8% Liveness
89% Instrumentalness • 90% Positiveness
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Benjamin Britten
Friday Afternoons, Op. 7: Cuckoo!
87 bpm • C# Maj • 01:42 • -36.16db
30% Popularity • 15% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
30% Popularity • 15% Danceability • 1% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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George Frideric Handel
La Réjouissance
105 bpm • D Maj • 02:15 • -14.55db
11% Popularity • 64% Danceability • 39% Energy • 20% Liveness
90% Instrumentalness • 67% Positiveness
11% Popularity • 64% Danceability • 39% Energy • 20% Liveness
90% Instrumentalness • 67% Positiveness
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David Maslanka
Give Us This Day: I. —
86 bpm • A# Maj • 08:28 • -23db
25% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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John Williams
Exsultate justi
104 bpm • A Maj • 04:57 • -24.89db
9% Popularity • 50% Danceability • 11% Energy • 16% Liveness
64% Instrumentalness • 25% Positiveness
9% Popularity • 50% Danceability • 11% Energy • 16% Liveness
64% Instrumentalness • 25% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae (arr. T. Higgins for b...
105 bpm • C Maj • 02:55 • -17.58db
10% Popularity • 48% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
10% Popularity • 48% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
組曲「展覧会の絵」 プロムナ...
86 bpm • F Maj • 01:40 • -20db
28% Popularity • 34% Danceability • 2% Energy • 28% Liveness
81% Instrumentalness • 26% Positiveness
28% Popularity • 34% Danceability • 2% Energy • 28% Liveness
81% Instrumentalness • 26% Positiveness
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John Henry Hopkins
We Three Kings of Orient Are
86 bpm • G Maj • 01:21 • -19.09db
11% Popularity • 32% Danceability • 3% Energy • 37% Liveness
84% Instrumentalness • 18% Positiveness
11% Popularity • 32% Danceability • 3% Energy • 37% Liveness
84% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Concerto for Harpsichord in D Major, BWV...
105 bpm • D Maj • 02:07 • -20db
14% Popularity • 50% Danceability • 22% Energy • 19% Liveness
90% Instrumentalness • 70% Positiveness
14% Popularity • 50% Danceability • 22% Energy • 19% Liveness
90% Instrumentalness • 70% Positiveness
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Arautos do Evangelho
Adeste Fideles
86 bpm • A# Maj • 03:24 • -22.61db
9% Popularity • 19% Danceability • 10% Energy • 17% Liveness
51% Instrumentalness • 10% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 17% Liveness
51% Instrumentalness • 10% Positiveness
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The City of Prague Philharmonic Brass
Oh Come, All Ye Faithful
105 bpm • D Maj • 02:27 • -13.16db
21% Popularity • 38% Danceability • 8% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
21% Popularity • 38% Danceability • 8% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
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Jeremiah Clarke
Trumpet Voluntary (Arr. for Brass Ensemb...
105 bpm • D Maj • 03:00 • -15db
23% Popularity • 41% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
23% Popularity • 41% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Miguel Bernal Jiménez
Organ Concerto: I. Mester de Juglares
86 bpm • F Maj • 05:23 • -14db
12% Popularity • 16% Danceability • 25% Energy • 50% Liveness
74% Instrumentalness • 12% Positiveness
12% Popularity • 16% Danceability • 25% Energy • 50% Liveness
74% Instrumentalness • 12% Positiveness
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Anonymous
Royal Entry
85 bpm • A# Maj • 00:50 • -20.96db
7% Popularity • 70% Danceability • 14% Energy • 27% Liveness
89% Instrumentalness • 72% Positiveness
7% Popularity • 70% Danceability • 14% Energy • 27% Liveness
89% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach
Concerto for Harpsichord in D Major, BWV...
105 bpm • D Maj • 03:57 • -34db
14% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Traditional
Traditional: Les anges dans nos campagne...
106 bpm • C Maj • 02:57 • -14db
13% Popularity • 29% Danceability • 40% Energy • 7% Liveness
85% Instrumentalness • 16% Positiveness
13% Popularity • 29% Danceability • 40% Energy • 7% Liveness
85% Instrumentalness • 16% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae (arr. T. Higgins for b...
85 bpm • C Maj • 03:49 • -17.39db
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Canadian Brass
Ding Dong Merrily On High
85 bpm • A# Maj • 02:04 • -10.25db
12% Popularity • 44% Danceability • 18% Energy • 20% Liveness
90% Instrumentalness • 25% Positiveness
12% Popularity • 44% Danceability • 18% Energy • 20% Liveness
90% Instrumentalness • 25% Positiveness
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Heinrich Schütz
Die sieben Worte Jesu Christi am Kreuz, ...
106 bpm • F min • 01:18 • -25db
9% Popularity • 25% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
9% Popularity • 25% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
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George Frideric Handel
Gloria in Excelsis Deo
106 bpm • E Maj • 02:25 • -15db
14% Popularity • 22% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 14% Positiveness
14% Popularity • 22% Danceability • 33% Energy • 22% Liveness
90% Instrumentalness • 14% Positiveness
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Johann Pachelbel
Canon in D Major, P. 37
106 bpm • C Maj • 04:34 • -21.52db
19% Popularity • 32% Danceability • 8% Energy • 21% Liveness
85% Instrumentalness • 16% Positiveness
19% Popularity • 32% Danceability • 8% Energy • 21% Liveness
85% Instrumentalness • 16% Positiveness
