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Songs like
Dat
by
Pluto Shervington
Based on a tempo of (+/- 10%) and a similar genre
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Ken Lazarus
Hail the Man
87 bpm • F# Maj • 03:13 • -12.84db
11% Popularity • 77% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Pluto Shervington
Teach Your Children
87 bpm • D Maj • 03:34 • -6.98db
5% Popularity • 77% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 91% Positiveness
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The Kingstonians
Mix It Up
87 bpm • C Maj • 02:42 • -10.49db
22% Popularity • 86% Danceability • 46% Energy • 9% Liveness
25% Instrumentalness • 84% Positiveness
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Prince Buster
Judge Dread
87 bpm • E min • 03:49 • -1.42db
8% Popularity • 82% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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The Techniques
You Don't Care
87 bpm • D# Maj • 02:06 • -8.95db
31% Popularity • 82% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Audrey Hall
Smile
87 bpm • G Maj • 03:30 • -8.19db
23% Popularity • 71% Danceability • 54% Energy • 55% Liveness
0% Instrumentalness • 81% Positiveness
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Nitty Gritty
Sweet Reggae Music
87 bpm • G Maj • 03:37 • -9db
25% Popularity • 80% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Pluto Shervington
Dat
87 bpm • D Maj • 03:56 • -13db
28% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Fab 5
Shaving Cream
87 bpm • D Maj • 03:30 • -12.51db
17% Popularity • 75% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Prince Buster
Shaking up Orange Street
87 bpm • C# Maj • 02:46 • -9.96db
19% Popularity • 73% Danceability • 46% Energy • 6% Liveness
2% Instrumentalness • 55% Positiveness
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The Techniques
Queen Majesty
88 bpm • C# Maj • 03:12 • -15.29db
27% Popularity • 68% Danceability • 23% Energy • 11% Liveness
61% Instrumentalness • 53% Positiveness
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Johnny Nash
Cupid
88 bpm • C Maj • 03:23 • -6.86db
27% Popularity • 66% Danceability • 46% Energy • 84% Liveness
0% Instrumentalness • 66% Positiveness
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Ken Parker
Help Me Make It Through the Night (Shake...
88 bpm • G Maj • 02:31 • -12.03db
21% Popularity • 70% Danceability • 50% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Pluto Shervington
Dat
87 bpm • D Maj • 03:51 • -11.13db
4% Popularity • 88% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Claudette Miller
Tonight is the Night
88 bpm • D Maj • 02:52 • -7.33db
17% Popularity • 76% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Prince Buster
Rough Rider
86 bpm • D min • 03:11 • -11db
27% Popularity • 88% Danceability • 48% Energy • 8% Liveness
44% Instrumentalness • 82% Positiveness
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The Techniques
You Don't Care (You'll Want Me Back)
86 bpm • A# Maj • 02:40 • -8.86db
27% Popularity • 78% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Rupie Edwards
Leggo Skanga
88 bpm • G# Maj • 02:50 • -9.56db
24% Popularity • 83% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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The Ethiopians
Train to Skaville
88 bpm • G# Maj • 02:57 • -12.53db
49% Popularity • 79% Danceability • 26% Energy • 35% Liveness
55% Instrumentalness • 56% Positiveness
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Johnny Nash
Cupid
88 bpm • C Maj • 03:24 • -4.85db
10% Popularity • 63% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 52% Positiveness
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Ready When You Ready
Six Street
86 bpm • C Maj • 03:27 • -10.1db
15% Popularity • 82% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Prince Buster
Judge Dread
88 bpm • C Maj • 03:38 • -7.99db
35% Popularity • 80% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 90% Positiveness
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Pluto Shervington
Some Guys Have All the Luck
88 bpm • C# min • 03:41 • -9.4db
4% Popularity • 83% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Dobby Dobson
Endlessly
88 bpm • A# min • 03:41 • -5.15db
19% Popularity • 86% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Rudies
Patches
86 bpm • B Maj • 02:56 • -8.13db
7% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Phyllis Dillon
Win or Lose
86 bpm • F Maj • 02:37 • -7db
13% Popularity • 75% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Barry Biggs
Love Come Down
88 bpm • F min • 03:53 • -5.07db
14% Popularity • 82% Danceability • 62% Energy • 22% Liveness
1% Instrumentalness • 85% Positiveness
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Little Roy
Hardest Fighter
88 bpm • B min • 03:11 • -8.13db
12% Popularity • 85% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Tenor Saw
Golden Hen
86 bpm • A Maj • 03:45 • -5.82db
32% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Justin Hinds
If It's Love You Need
88 bpm • G# Maj • 03:21 • -12.08db
11% Popularity • 76% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Barbara Jones
Just Don't Want To Be Lonely
86 bpm • D min • 02:55 • -6.25db
27% Popularity • 68% Danceability • 61% Energy • 45% Liveness
0% Instrumentalness • 87% Positiveness
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Phyllis Dillon
One Life to Live, One Life to Give (aka ...
86 bpm • F Maj • 02:33 • -11.02db
35% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Shorty The President
President Mash Up the Resident
85 bpm • G# min • 02:49 • -5.46db
15% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
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Clancy Eccles
Fattie Fattie
89 bpm • G# min • 02:42 • -9.56db
27% Popularity • 73% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Dandy Livingstone
Don't Break Your Promise
85 bpm • F min • 02:52 • -12.11db
30% Popularity • 85% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Slim Smith
People Get Ready
89 bpm • G Maj • 02:37 • -6.75db
38% Popularity • 77% Danceability • 42% Energy • 10% Liveness
5% Instrumentalness • 89% Positiveness
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The Uniques
My Conversation
85 bpm • C# Maj • 03:27 • -14db
36% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
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Bobek BZR
Klasyczny R.A.P.
89 bpm • G Maj • 02:45 • -4.97db
0% Popularity • 78% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Ethiopians
The Whip
85 bpm • A# Maj • 03:01 • -8.75db
30% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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The Techniques
Travelling Man
85 bpm • E min • 02:29 • -11.44db
27% Popularity • 74% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Ken Lazarus
No More Heartaches
85 bpm • A# Maj • 02:12 • -15.42db
19% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Barbara Jones
Just When I Needed You Most
89 bpm • C# Maj • 03:25 • -6.35db
30% Popularity • 74% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Pluto Shervington
I Shot the Sheriff
85 bpm • D min • 03:54 • -15.88db
6% Popularity • 80% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Pam Hall
Young Heart Run Free
85 bpm • A Maj • 03:45 • -6.35db
25% Popularity • 70% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Slim Smith
My Conversation
85 bpm • C# Maj • 03:27 • -12db
19% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Techniques
Queen Majesty
85 bpm • C Maj • 03:32 • -11.67db
26% Popularity • 68% Danceability • 32% Energy • 8% Liveness
4% Instrumentalness • 54% Positiveness
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Justin Hinds
Mighty Redeemer (Pt. 1)
90 bpm • G Maj • 02:31 • -9.11db
29% Popularity • 87% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Judge Dread
Big Seven
84 bpm • C# Maj • 03:21 • -6.87db
29% Popularity • 85% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Ken Parker
The Three Bells (Jimmy Brown)
84 bpm • G Maj • 02:27 • -10.16db
30% Popularity • 67% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Jackie Edwards
In Paradise
84 bpm • B Maj • 02:55 • -7.72db
22% Popularity • 67% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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Pluto Shervington
Bend Down
84 bpm • D Maj • 02:30 • -15.34db
4% Popularity • 74% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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The Techniques
I Wish It Would Rain
85 bpm • A# Maj • 02:22 • -9.26db
34% Popularity • 79% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Dobby Dobson
Loving Pauper
84 bpm • G Maj • 03:18 • -8db
18% Popularity • 74% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
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Sandra Cross
Country Living
84 bpm • G Maj • 04:46 • -14.35db
24% Popularity • 78% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Nash
Hold Me Tight
90 bpm • D# min • 02:42 • -9db
33% Popularity • 78% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Jackie Edwards
Too Experienced
84 bpm • F# min • 02:56 • -6.09db
13% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Pluto Shervington
Knotty Dread
90 bpm • G Maj • 02:58 • -16.88db
5% Popularity • 88% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Tinga Stewart
Play De Music
84 bpm • A Maj • 03:11 • -10.62db
15% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Dobby Dobson
Loving Pauper
84 bpm • G Maj • 03:15 • -5.42db
17% Popularity • 79% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Audrey Hall
One Dance Won't Do
91 bpm • C Maj • 03:50 • -7db
26% Popularity • 91% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy London
I Am Your Puppet
84 bpm • A# min • 03:40 • -21db
16% Popularity • 81% Danceability • 24% Energy • 3% Liveness
4% Instrumentalness • 80% Positiveness
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Jackie Edwards
Before The Next Teardrop Falls
90 bpm • C# Maj • 03:32 • -5.57db
10% Popularity • 74% Danceability • 61% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Pluto Shervington
Letter from Miami
84 bpm • G Maj • 02:50 • -15.62db
13% Popularity • 86% Danceability • 44% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Barry Biggs
Just My Imagination
91 bpm • C Maj • 03:56 • -5db
19% Popularity • 71% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
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Michigan & Smiley
Nice Up The Dance
83 bpm • A# min • 04:58 • -12db
16% Popularity • 73% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Los Rolands
Johnny Dollar
83 bpm • D Maj • 03:36 • -12db
10% Popularity • 75% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Niney The Observer
Blood and Fire
83 bpm • G Maj • 03:08 • -16db
41% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Me & You
You Never Know What You've Got
91 bpm • C# min • 04:31 • -11.19db
19% Popularity • 82% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Pluto Shervington
Inna Your Room
83 bpm • A# Maj • 04:39 • -7.03db
4% Popularity • 66% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Three Tops
Do It Right
91 bpm • A# Maj • 02:28 • -13.36db
26% Popularity • 84% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Half Pint
Too Rude
83 bpm • D Maj • 03:19 • -7.75db
24% Popularity • 76% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Bob & Marcia
Ain't Nothing Like the Real Thing
91 bpm • C Maj • 02:30 • -9.83db
16% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The Sensations
I'll Never Fall in Love
83 bpm • A# min • 02:19 • -12db
14% Popularity • 71% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 68% Positiveness
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Cornell Campbell
The Duke Of Earl
91 bpm • B min • 03:33 • -6.92db
15% Popularity • 68% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Clancy Eccles
Sweet Jamaica
92 bpm • D# Maj • 02:56 • -12db
10% Popularity • 83% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Tyrone Taylor
Members Only
83 bpm • A Maj • 03:45 • -6db
25% Popularity • 75% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Half Pint
Winsome
83 bpm • D Maj • 03:20 • -11.68db
31% Popularity • 76% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Slim Smith
Rougher Yet
83 bpm • D# min • 03:06 • -7.74db
28% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Bob & Marcia
It's a Rockin' Good Way
91 bpm • G Maj • 03:06 • -10.51db
9% Popularity • 62% Danceability • 53% Energy • 23% Liveness
35% Instrumentalness • 62% Positiveness
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Tito Simon
This Monday Morning Feeling
92 bpm • D# Maj • 03:17 • -8.2db
26% Popularity • 85% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Dobby Dobson
Till I Kissed You
83 bpm • E min • 02:54 • -6.09db
16% Popularity • 85% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Joya Landis
Moonlight Lover
82 bpm • F Maj • 02:20 • -11.01db
25% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Melodians
You Don't Need Me
92 bpm • C# Maj • 03:10 • -10.88db
26% Popularity • 79% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Sophia George
Girlie Girlie
82 bpm • D# Maj • 03:06 • -7.7db
48% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Dennis Alcapone
Wake Up Jamaica
82 bpm • F Maj • 02:34 • -11.72db
22% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Merlene Webber
What Good Am I
82 bpm • F Maj • 03:04 • -12.01db
11% Popularity • 74% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Yellowman
Soldier Take Over
82 bpm • B min • 04:00 • -6.36db
10% Popularity • 84% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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The Tennors
Pressure and Slide
92 bpm • A Maj • 03:01 • -11.19db
30% Popularity • 86% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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J.C. Lodge
Telephone Love
82 bpm • G min • 03:49 • -14.19db
11% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Melodians
Come on Little Girl
82 bpm • G Maj • 02:15 • -7.56db
24% Popularity • 88% Danceability • 35% Energy • 9% Liveness
61% Instrumentalness • 82% Positiveness
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Tony Scott
What Am I To Do
92 bpm • C Maj • 03:09 • -10.65db
29% Popularity • 71% Danceability • 50% Energy • 12% Liveness
53% Instrumentalness • 96% Positiveness
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Desmond Dekker & The Aces
Intensified '68
82 bpm • A# Maj • 02:45 • -6.73db
34% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Pluto Shervington
Here I Am Baby
92 bpm • F min • 04:00 • -14.88db
3% Popularity • 74% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Ken Lazarus
Girl (Tell Me What to Do)
82 bpm • D Maj • 03:24 • -11.45db
10% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Prince Buster
Big Five
82 bpm • G Maj • 03:40 • -5.35db
13% Popularity • 75% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Cornell Campbell
I'll Mash You Down
82 bpm • F# min • 02:46 • -6db
33% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
► Preview
Janet Lee Davis
Baby, I've Been Missing You
82 bpm • F# min • 03:42 • -6.59db
38% Popularity • 70% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Pat Rhoden
Sweet Sunshine
82 bpm • A Maj • 02:49 • -16db
9% Popularity • 79% Danceability • 39% Energy • 8% Liveness
44% Instrumentalness • 59% Positiveness
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Pluto Shervington
No Joshua No
82 bpm • A Maj • 03:29 • -10.93db
7% Popularity • 81% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Federals
Penny for Your Song
82 bpm • G# Maj • 02:58 • -8.71db
17% Popularity • 83% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 86% Positiveness
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