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David's Lamentation
Songs like
David's Lamentation
by
William Billings
Based on a tempo of (+/- 10%) and a similar genre
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The Shaar Hashomayim Synagogue Choir
L’cha Adonai
112 bpm • D min • 01:56 • -16.87db
9% Popularity • 23% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Luke Mayernik
Mandatum Novum
112 bpm • A Maj • 07:36 • -19.05db
14% Popularity • 24% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: Jesu, Lover of My Soul (Hollings...
111 bpm • D# Maj • 00:56 • -24.02db
23% Popularity • 16% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Dale Warland Singers
Wayfarin' Stranger
111 bpm • C Maj • 04:06 • -27db
8% Popularity • 23% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 6% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
13% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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The University Of Utah Singers
Set Me As A Seal
111 bpm • D Maj • 02:37 • -20.93db
14% Popularity • 25% Danceability • 15% Energy • 9% Liveness
18% Instrumentalness • 10% Positiveness
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John Ireland
Communion Service in C Major: Kyrie
113 bpm • C Maj • 01:04 • -32db
36% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Percy Whitlock
Psalm 137 "By the Waters of Babylon"
113 bpm • A min • 01:51 • -35db
13% Popularity • 22% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Southwestern Seminary Oratorio Chorus
Awake The Harp
110 bpm • D Maj • 02:10 • -16.07db
17% Popularity • 47% Danceability • 38% Energy • 28% Liveness
66% Instrumentalness • 70% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Come, Holy Ghost, Our Souls Inspire
110 bpm • D# Maj • 02:24 • -36db
15% Popularity • 17% Danceability • 3% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Tapestry Chamber Singers
Upon This Path
110 bpm • F Maj • 02:25 • -23.96db
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
40% Instrumentalness • 8% Positiveness
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William Billings
Billings: David's Lamentation
109 bpm • A min • 01:49 • -21.39db
4% Popularity • 31% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Truro Cathedral Choir
Nôtre Père, Op. 14
115 bpm • F Maj • 01:27 • -31.62db
18% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Gary W. Yoder
The Golden Rule
109 bpm • D Maj • 01:10 • -22.27db
15% Popularity • 38% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IV. Sanctus
109 bpm • G min • 03:01 • -19.35db
8% Popularity • 16% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Studentenkoor Gica
Hear my Prayer, O Lord, my God
115 bpm • A# min • 02:22 • -23.16db
0% Popularity • 22% Danceability • 18% Energy • 69% Liveness
3% Instrumentalness • 12% Positiveness
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Jane Hawes
Wondrous Love (Reprise) - Epilogue
115 bpm • G Maj • 01:32 • -21.82db
1% Popularity • 23% Danceability • 9% Energy • 11% Liveness
8% Instrumentalness • 12% Positiveness
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William Billings
Chesterfield
109 bpm • D# min • 02:31 • -29.4db
0% Popularity • 20% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 13% Positiveness
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Giovanni Croce
Laudans exultet gaudio per doppio coro, ...
116 bpm • F Maj • 03:17 • -18.34db
9% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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Jake Runestad
The Hope of Loving: No. 2, Wild Forces
116 bpm • G Maj • 02:01 • -17db
12% Popularity • 29% Danceability • 21% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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St Cyprian's Episcopal Singers
Saint Patrick's Breastplate
116 bpm • G min • 06:34 • -22.54db
8% Popularity • 17% Danceability • 13% Energy • 17% Liveness
41% Instrumentalness • 22% Positiveness
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Patrick Vu
I Believe
108 bpm • C# Maj • 04:02 • -21.84db
7% Popularity • 16% Danceability • 10% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
108 bpm • D Maj • 04:56 • -24.84db
10% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
14% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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William Billings
I am the Rose of Sharon
108 bpm • C# min • 04:04 • -21.76db
7% Popularity • 35% Danceability • 13% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Jane Hawes
Home - the Third Word
116 bpm • A min • 00:53 • -14.29db
2% Popularity • 25% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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St. Symeon Orthodox Church Octet
Hypakoe (Kontakion of Pascha)
116 bpm • F# Maj • 01:52 • -18db
23% Popularity • 21% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 14% Positiveness
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William Moore
Holy Manna
108 bpm • A Maj • 02:19 • -20.92db
8% Popularity • 30% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Carl Martin Reinthaler
Gloriosa dicta sunt
107 bpm • D Maj • 01:59 • -22.1db
8% Popularity • 21% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Thomas Morley
I Love, Alas, I Love Thee
107 bpm • G Maj • 01:32 • -23db
13% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The Coventry Singers
Now May He Who from the Dead
117 bpm • C Maj • 01:20 • -13.4db
16% Popularity • 26% Danceability • 27% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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William Billings
Who is this that cometh from Edom?
107 bpm • E Maj • 06:05 • -21.63db
1% Popularity • 25% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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George Dyson
Magnificat in C Minor
118 bpm • C min • 02:58 • -23.51db
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introït
107 bpm • F Maj • 03:33 • -21.89db
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Lyle Stutzman
My God, How Endless
118 bpm • A# Maj • 01:54 • -26.81db
11% Popularity • 24% Danceability • 5% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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Frank Ticheli
There Will Be Rest
106 bpm • D# Maj • 06:05 • -28db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
118 bpm • G# Maj • 01:18 • -18.53db
12% Popularity • 17% Danceability • 9% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Dixit Maria
106 bpm • G Maj • 02:34 • -23.66db
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
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Leonard Bernstein
Mass: Warm-Up
106 bpm • C# Maj • 01:23 • -29.25db
12% Popularity • 58% Danceability • 18% Energy • 11% Liveness
55% Instrumentalness • 32% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: Jesus, the First and Last (St. O...
119 bpm • F Maj • 00:52 • -30.69db
12% Popularity • 23% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Luke Mayernik
O Redeemer
106 bpm • B min • 04:34 • -13.56db
9% Popularity • 21% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
10% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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William Billings
I am the Rose of Sharon
106 bpm • A Maj • 04:37 • -23.68db
1% Popularity • 34% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Sister Maria Therese Sokol, OCD
Canticle of Love
105 bpm • D Maj • 06:12 • -24db
9% Popularity • 21% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Benjamin Britten
Rejoice in the Lamb, Op. 30: II. Let Nim...
105 bpm • A# Maj • 01:19 • -23.84db
7% Popularity • 51% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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David Crown
Bogoroditse Devo - Live
119 bpm • F Maj • 02:48 • -23.9db
11% Popularity • 19% Danceability • 18% Energy • 66% Liveness
0% Instrumentalness • 7% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
16% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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University of King's College Chapel Choir
Christ Our Passover
105 bpm • C min • 04:13 • -15db
12% Popularity • 20% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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William Billings
Jordan
105 bpm • A Maj • 02:53 • -21.04db
3% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Studentenkoor Gica
O, praise the Lord of Heaven
120 bpm • E Maj • 04:13 • -22.7db
0% Popularity • 25% Danceability • 24% Energy • 30% Liveness
5% Instrumentalness • 20% Positiveness
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John Ireland
Communion Service in C Major: Benedictus...
105 bpm • C Maj • 01:17 • -25db
21% Popularity • 26% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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Gittan Glans
When Breathing like a Bird
120 bpm • D Maj • 01:57 • -23.06db
21% Popularity • 25% Danceability • 16% Energy • 12% Liveness
25% Instrumentalness • 22% Positiveness
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Sarah Quartel
The Birds' Lullaby - SATB
104 bpm • G Maj • 03:30 • -20db
8% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Jubilate Singers
The Day Thou Gavest Lord Is Ended
104 bpm • G# Maj • 01:47 • -18.62db
10% Popularity • 26% Danceability • 22% Energy • 10% Liveness
77% Instrumentalness • 27% Positiveness
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William Billings
There Is a Land of Pure Delight
120 bpm • A Maj • 01:49 • -14.14db
0% Popularity • 42% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bob Chilcott
St. John Passion, Part I: Hymn: It Is A ...
104 bpm • C Maj • 02:12 • -15.83db
12% Popularity • 15% Danceability • 28% Energy • 9% Liveness
58% Instrumentalness • 17% Positiveness
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Charles Villiers Stanford
Nunc dimittis in C
104 bpm • C Maj • 02:57 • -18.91db
7% Popularity • 15% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 5. Ah, Sun-...
104 bpm • F# Maj • 02:13 • -24db
23% Popularity • 16% Danceability • 6% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Thomas Beveridge
Chester (arr. T. Beveridge)
104 bpm • G Maj • 04:09 • -19.18db
0% Popularity • 54% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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The Redeemer Choir Austin Texas
The Son of God Goes Forth to War (DORIAN...
121 bpm • B min • 02:21 • -16.18db
12% Popularity • 20% Danceability • 20% Energy • 16% Liveness
27% Instrumentalness • 23% Positiveness
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William Billings
David's Lamentation
120 bpm • A min • 01:03 • -11.97db
0% Popularity • 38% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Chilcott
The Isle is Full of Noises
104 bpm • A min • 01:59 • -24.95db
15% Popularity • 28% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Prima Luce
Help of Christians
104 bpm • B Maj • 01:59 • -19.29db
11% Popularity • 28% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Antonio Lotti
Lotti: Crucifixus a 8 voci
103 bpm • C min • 03:44 • -25.69db
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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Faith Builders Chorale
I Will Arise
102 bpm • A# min • 01:37 • -24.78db
7% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Kerensa Briggs
Preces
103 bpm • D Maj • 01:31 • -29.28db
9% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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William Billings
Richmond
104 bpm • A# min • 02:22 • -28.42db
0% Popularity • 28% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Indianapolis Children's Choir
Jubilate Deo: II. Ve adthdor vador
123 bpm • G Maj • 08:14 • -20.91db
8% Popularity • 18% Danceability • 14% Energy • 37% Liveness
17% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Duruflé: 4 Motets sur des thèmes grég...
101 bpm • D# Maj • 02:30 • -24.11db
13% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Montgomery Highschool Choir
Ta Na Solbici
101 bpm • G# Maj • 02:34 • -21.83db
12% Popularity • 28% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
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Monks Of The Abbey Of Notre Dame
Veni Veni Emmanuel
101 bpm • D# min • 05:26 • -18.78db
20% Popularity • 21% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Walter S. Hartley
Thanksgiving Hymn (arr. for band)
124 bpm • F Maj • 04:10 • -20.15db
0% Popularity • 27% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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William Billings
Chester/America
103 bpm • C min • 03:16 • -19.52db
1% Popularity • 42% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Sven-David Sandström
Four Songs of Love: I. Let Him Kiss Me
124 bpm • D# Maj • 02:00 • -33.16db
11% Popularity • 17% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Agnus Dei
125 bpm • E min • 05:05 • -26.37db
10% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
13% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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William Billings
Easter Anthem "The Lord is ris'n indeed"
103 bpm • A Maj • 03:19 • -21.02db
11% Popularity • 37% Danceability • 12% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Kevin Siegfried
Shaker Songs: IV. Lay Me Low
125 bpm • G Maj • 04:01 • -35.93db
7% Popularity • 17% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Bob Chilcott
Circlesong: Part III, Lover: Over the Wa...
126 bpm • G# Maj • 02:35 • -26.73db
8% Popularity • 24% Danceability • 5% Energy • 10% Liveness
75% Instrumentalness • 10% Positiveness
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William Dawson
Ain't A That Good News
100 bpm • F Maj • 01:57 • -15db
12% Popularity • 59% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Spiritual Singers
Ev'ry Time I Feel the Spirit
126 bpm • D# Maj • 01:54 • -25.3db
10% Popularity • 29% Danceability • 15% Energy • 22% Liveness
17% Instrumentalness • 31% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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William Billings
I Am the Rose of Sharon
102 bpm • A Maj • 04:14 • -23.61db
0% Popularity • 36% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Blackburn Cathedral Choir
Lord For the Years
126 bpm • C Maj • 04:12 • -22.46db
13% Popularity • 17% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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The Washington and Lee University Singers
Creator Alme Siderum
126 bpm • G# Maj • 04:22 • -23.02db
9% Popularity • 21% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Pedro de Cristo
Ay, mi Dios
126 bpm • G# Maj • 02:04 • -23.93db
11% Popularity • 31% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Richard L Van Oss
When Jesus Saw the Fishermen
99 bpm • C Maj • 01:26 • -22.7db
10% Popularity • 28% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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William Billings
Thanksgiving Anthem "O praise the Lord O...
101 bpm • F Maj • 04:26 • -22.46db
4% Popularity • 32% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Margaret Rizza
As Joseph Was a-Walking
99 bpm • D min • 03:30 • -21.66db
9% Popularity • 23% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Peter Hurford
Psalm 117 "O Praise the Lord, All Ye Hea...
127 bpm • E Maj • 01:10 • -15db
14% Popularity • 25% Danceability • 26% Energy • 12% Liveness
16% Instrumentalness • 8% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
15% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Jacob Hintze
At the Lamb's High Feast We Sing
98 bpm • D Maj • 03:22 • -21.8db
11% Popularity • 15% Danceability • 15% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
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William Billings
I am The Rose of Sharon
99 bpm • A Maj • 04:48 • -25.88db
0% Popularity • 33% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Tapestry Chamber Singers
Love the Lord
127 bpm • D# Maj • 01:56 • -23.38db
10% Popularity • 26% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 24% Positiveness
► Preview
Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
21% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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David's Lamentation