Songs like Day Dream by Erica Lindsay
Based on a tempo of (+/- 10%) and a similar genre
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Duma
Red Land
117 bpm • F Maj • 05:52 • -12.15db
11% Popularity • 54% Danceability • 38% Energy • 10% Liveness
21% Instrumentalness • 21% Positiveness
11% Popularity • 54% Danceability • 38% Energy • 10% Liveness
21% Instrumentalness • 21% Positiveness
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Benny Golson
Blue Walk - Snapshot - theme
117 bpm • D# Maj • 00:57 • -12.48db
25% Popularity • 50% Danceability • 26% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
25% Popularity • 50% Danceability • 26% Energy • 10% Liveness
73% Instrumentalness • 49% Positiveness
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Niclas Knudsen Trio
Reformation
117 bpm • F Maj • 03:38 • -14.48db
17% Popularity • 64% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 68% Positiveness
17% Popularity • 64% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 68% Positiveness
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Makoto Ozone
The Park Hopper
117 bpm • D Maj • 06:27 • -13.33db
13% Popularity • 60% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
13% Popularity • 60% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Triogram
Angular Descent
117 bpm • D# min • 06:35 • -12.39db
26% Popularity • 47% Danceability • 42% Energy • 19% Liveness
74% Instrumentalness • 42% Positiveness
26% Popularity • 47% Danceability • 42% Energy • 19% Liveness
74% Instrumentalness • 42% Positiveness
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Henrik Hallberg
The First and the Last Tango
117 bpm • A Maj • 07:48 • -21.53db
18% Popularity • 60% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
18% Popularity • 60% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Spirale
Oh No
117 bpm • E min • 03:57 • -12.07db
12% Popularity • 41% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
12% Popularity • 41% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
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Wajdi Riahi
Choral Stambeli
117 bpm • G min • 03:21 • -17.53db
12% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
12% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Klas Lindquist Nonet
Nilsie
117 bpm • G# Maj • 04:51 • -14.16db
11% Popularity • 43% Danceability • 18% Energy • 32% Liveness
86% Instrumentalness • 29% Positiveness
11% Popularity • 43% Danceability • 18% Energy • 32% Liveness
86% Instrumentalness • 29% Positiveness
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Melissa Aldana
A Story
118 bpm • C# Maj • 06:08 • -16.64db
37% Popularity • 54% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
37% Popularity • 54% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
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Ben Allison
She Insists
116 bpm • E min • 04:54 • -16.8db
16% Popularity • 66% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
16% Popularity • 66% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Peter Beets
Etude No 12
118 bpm • F# Maj • 03:45 • -13.6db
12% Popularity • 52% Danceability • 50% Energy • 20% Liveness
40% Instrumentalness • 59% Positiveness
12% Popularity • 52% Danceability • 50% Energy • 20% Liveness
40% Instrumentalness • 59% Positiveness
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Erica Lindsay
Night of Roses
116 bpm • C Maj • 07:00 • -8.67db
0% Popularity • 34% Danceability • 64% Energy • 63% Liveness
20% Instrumentalness • 28% Positiveness
0% Popularity • 34% Danceability • 64% Energy • 63% Liveness
20% Instrumentalness • 28% Positiveness
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Doctor 3
Il tempo di morire
116 bpm • C min • 03:26 • -12.82db
20% Popularity • 55% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
20% Popularity • 55% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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TwoTwo
Crossing Borders
118 bpm • C min • 07:35 • -9.91db
8% Popularity • 46% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
8% Popularity • 46% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Hector Tejedo
This is For Me
116 bpm • B Maj • 08:05 • -9.72db
11% Popularity • 47% Danceability • 46% Energy • 18% Liveness
82% Instrumentalness • 34% Positiveness
11% Popularity • 47% Danceability • 46% Energy • 18% Liveness
82% Instrumentalness • 34% Positiveness
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Klas Lindquist Nonet
Swells
118 bpm • C Maj • 03:49 • -15.34db
12% Popularity • 43% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 19% Positiveness
12% Popularity • 43% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 19% Positiveness
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Nicole McCabe
Tight Grip
116 bpm • C Maj • 08:57 • -9.05db
21% Popularity • 42% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 42% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Juraj Stanik Trio
Chasin' Joe
118 bpm • C Maj • 03:36 • -15.29db
9% Popularity • 43% Danceability • 50% Energy • 19% Liveness
74% Instrumentalness • 51% Positiveness
9% Popularity • 43% Danceability • 50% Energy • 19% Liveness
74% Instrumentalness • 51% Positiveness
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Tim Chernikoff
Before You Ask
116 bpm • A Maj • 08:46 • -12.94db
7% Popularity • 45% Danceability • 39% Energy • 29% Liveness
90% Instrumentalness • 16% Positiveness
7% Popularity • 45% Danceability • 39% Energy • 29% Liveness
90% Instrumentalness • 16% Positiveness
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Erica Lindsay
Gotta Get to It
118 bpm • C Maj • 11:16 • -8.04db
0% Popularity • 35% Danceability • 89% Energy • 92% Liveness
7% Instrumentalness • 34% Positiveness
0% Popularity • 35% Danceability • 89% Energy • 92% Liveness
7% Instrumentalness • 34% Positiveness
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Eberhard Budziat
Song for My Father
116 bpm • C Maj • 07:51 • -13.08db
8% Popularity • 41% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
8% Popularity • 41% Danceability • 23% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
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Douglas Brown
The Last Thing I Heard Was a Bb
116 bpm • F min • 05:06 • -14.42db
11% Popularity • 46% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 64% Positiveness
11% Popularity • 46% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 64% Positiveness
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Travis Reuter
#15
119 bpm • A min • 05:06 • -11.8db
0% Popularity • 41% Danceability • 62% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
0% Popularity • 41% Danceability • 62% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Susanne Alt
Bel Air Bop
119 bpm • D min • 05:34 • -8db
13% Popularity • 51% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 42% Positiveness
13% Popularity • 51% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 42% Positiveness
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David Whitman
Nees Plees
119 bpm • D# Maj • 05:37 • -6.58db
15% Popularity • 47% Danceability • 62% Energy • 16% Liveness
85% Instrumentalness • 64% Positiveness
15% Popularity • 47% Danceability • 62% Energy • 16% Liveness
85% Instrumentalness • 64% Positiveness
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Erica Lindsay
Seriously
116 bpm • F Maj • 09:08 • -9.03db
0% Popularity • 29% Danceability • 92% Energy • 69% Liveness
43% Instrumentalness • 29% Positiveness
0% Popularity • 29% Danceability • 92% Energy • 69% Liveness
43% Instrumentalness • 29% Positiveness
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Banksia Trio
MASKS
119 bpm • D Maj • 05:16 • -15.63db
9% Popularity • 50% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 36% Positiveness
9% Popularity • 50% Danceability • 46% Energy • 8% Liveness
88% Instrumentalness • 36% Positiveness
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Flash Pig
Yumeji's Theme
115 bpm • C min • 03:35 • -15.22db
19% Popularity • 59% Danceability • 16% Energy • 15% Liveness
6% Instrumentalness • 19% Positiveness
19% Popularity • 59% Danceability • 16% Energy • 15% Liveness
6% Instrumentalness • 19% Positiveness
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Patrick Booth
In the Still Silence
119 bpm • B Maj • 06:24 • -13.1db
8% Popularity • 37% Danceability • 36% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Prism Quartet
Reflections: II. El Atardecer by Pablo N...
115 bpm • A# Maj • 03:31 • -15.48db
9% Popularity • 42% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 42% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 7% Positiveness
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Kaira
Driven
119 bpm • C# Maj • 06:57 • -8.14db
15% Popularity • 52% Danceability • 71% Energy • 20% Liveness
79% Instrumentalness • 52% Positiveness
15% Popularity • 52% Danceability • 71% Energy • 20% Liveness
79% Instrumentalness • 52% Positiveness
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Erica Lindsay
Day Dream
119 bpm • F Maj • 06:23 • -20.24db
0% Popularity • 43% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
0% Popularity • 43% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Banksia Trio
Messe 1
115 bpm • F Maj • 05:08 • -16.95db
9% Popularity • 47% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
9% Popularity • 47% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
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Carl Bagge
Stockholm Nights
115 bpm • D# Maj • 07:47 • -14.47db
21% Popularity • 52% Danceability • 36% Energy • 21% Liveness
4% Instrumentalness • 45% Positiveness
21% Popularity • 52% Danceability • 36% Energy • 21% Liveness
4% Instrumentalness • 45% Positiveness
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Chris Minh Doky
Son
119 bpm • B min • 05:47 • -22.38db
7% Popularity • 63% Danceability • 23% Energy • 8% Liveness
84% Instrumentalness • 35% Positiveness
7% Popularity • 63% Danceability • 23% Energy • 8% Liveness
84% Instrumentalness • 35% Positiveness
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Juan Pablo Vitali
Stellium II
119 bpm • C min • 01:33 • -21.94db
33% Popularity • 52% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
33% Popularity • 52% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Daniele Patton
The Nukes of Hazzard
115 bpm • D min • 05:28 • -12.61db
13% Popularity • 47% Danceability • 57% Energy • 28% Liveness
70% Instrumentalness • 54% Positiveness
13% Popularity • 47% Danceability • 57% Energy • 28% Liveness
70% Instrumentalness • 54% Positiveness
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Kevin Kastning
Levitation Opus 7
115 bpm • D Maj • 10:22 • -17.69db
9% Popularity • 52% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 19% Positiveness
9% Popularity • 52% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 19% Positiveness
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Jowee Omicil
Corbeau & Le Renard
119 bpm • D# min • 02:19 • -8.55db
12% Popularity • 64% Danceability • 44% Energy • 40% Liveness
74% Instrumentalness • 38% Positiveness
12% Popularity • 64% Danceability • 44% Energy • 40% Liveness
74% Instrumentalness • 38% Positiveness
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Alex Weitz
Odyssey
115 bpm • D# min • 04:18 • -12.59db
19% Popularity • 40% Danceability • 48% Energy • 11% Liveness
81% Instrumentalness • 57% Positiveness
19% Popularity • 40% Danceability • 48% Energy • 11% Liveness
81% Instrumentalness • 57% Positiveness
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Ole Amund Gjersvik
Fredag
119 bpm • D# min • 02:02 • -33.8db
12% Popularity • 53% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
12% Popularity • 53% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Anni Kiviniemi Trio
Atoms
115 bpm • C# Maj • 06:30 • -13.58db
9% Popularity • 44% Danceability • 47% Energy • 16% Liveness
76% Instrumentalness • 29% Positiveness
9% Popularity • 44% Danceability • 47% Energy • 16% Liveness
76% Instrumentalness • 29% Positiveness
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SFJAZZ Collective
One For Chick
114 bpm • D# min • 05:05 • -9.66db
9% Popularity • 50% Danceability • 52% Energy • 10% Liveness
48% Instrumentalness • 42% Positiveness
9% Popularity • 50% Danceability • 52% Energy • 10% Liveness
48% Instrumentalness • 42% Positiveness
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Cornelia Nilsson
That Was Recording, Right?
114 bpm • G# Maj • 05:37 • -10.7db
22% Popularity • 45% Danceability • 62% Energy • 39% Liveness
50% Instrumentalness • 70% Positiveness
22% Popularity • 45% Danceability • 62% Energy • 39% Liveness
50% Instrumentalness • 70% Positiveness
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Bosse Broberg
Pys djungellopp
114 bpm • C# Maj • 10:11 • -9.61db
11% Popularity • 35% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 35% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Colijn Buis
Funktionality
114 bpm • B Maj • 06:30 • -11.21db
12% Popularity • 63% Danceability • 48% Energy • 8% Liveness
63% Instrumentalness • 52% Positiveness
12% Popularity • 63% Danceability • 48% Energy • 8% Liveness
63% Instrumentalness • 52% Positiveness
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Rob Brown Quartet
Wyoming Song
114 bpm • C# min • 11:02 • -13.6db
9% Popularity • 53% Danceability • 21% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
9% Popularity • 53% Danceability • 21% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
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Travis Reuter
Same Song
114 bpm • B Maj • 05:03 • -10.64db
16% Popularity • 45% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
16% Popularity • 45% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Peter Holmes
Beautiful Mistake
120 bpm • G min • 05:14 • -7.77db
7% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Marco Vezzoso
A Me Me Piace O Blues
120 bpm • D min • 03:57 • -11.18db
27% Popularity • 70% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 31% Positiveness
27% Popularity • 70% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 31% Positiveness
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Empirical
True Cost
114 bpm • A min • 05:51 • -11.68db
8% Popularity • 42% Danceability • 25% Energy • 10% Liveness
79% Instrumentalness • 22% Positiveness
8% Popularity • 42% Danceability • 25% Energy • 10% Liveness
79% Instrumentalness • 22% Positiveness
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Marshall Gilkes
Sugar Rush
120 bpm • F min • 06:45 • -9.26db
11% Popularity • 50% Danceability • 54% Energy • 10% Liveness
67% Instrumentalness • 67% Positiveness
11% Popularity • 50% Danceability • 54% Energy • 10% Liveness
67% Instrumentalness • 67% Positiveness
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Joris Teepe
Five Bears
114 bpm • D# Maj • 04:40 • -11.82db
8% Popularity • 31% Danceability • 38% Energy • 75% Liveness
95% Instrumentalness • 20% Positiveness
8% Popularity • 31% Danceability • 38% Energy • 75% Liveness
95% Instrumentalness • 20% Positiveness
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Èlia Lucas
Dreamin'
120 bpm • C Maj • 05:44 • -15.33db
9% Popularity • 52% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
9% Popularity • 52% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 30% Positiveness
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Kent Carter
Splinter
120 bpm • A Maj • 04:52 • -16.53db
8% Popularity • 51% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 77% Positiveness
8% Popularity • 51% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 77% Positiveness
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Lage Lund
Bad Acrobat
114 bpm • G# min • 06:21 • -17.38db
7% Popularity • 38% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
7% Popularity • 38% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Morten Haxholm
Whirl
120 bpm • C# Maj • 05:28 • -12.16db
18% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
18% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Max Ionata Quartet
Two Friends
114 bpm • F min • 04:26 • -4.55db
7% Popularity • 49% Danceability • 79% Energy • 7% Liveness
90% Instrumentalness • 79% Positiveness
7% Popularity • 49% Danceability • 79% Energy • 7% Liveness
90% Instrumentalness • 79% Positiveness
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Karim Blal
Chocolate Factory
114 bpm • D Maj • 04:06 • -20db
8% Popularity • 53% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 51% Positiveness
8% Popularity • 53% Danceability • 28% Energy • 7% Liveness
93% Instrumentalness • 51% Positiveness
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Kaira
In Memory of KG
120 bpm • A min • 05:01 • -13.72db
14% Popularity • 60% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
14% Popularity • 60% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Ron Horton
ML
114 bpm • F Maj • 09:10 • -9.37db
14% Popularity • 43% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 43% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Shun Ishiwaka
Dejavu #2
121 bpm • C# Maj • 01:20 • -18.81db
17% Popularity • 46% Danceability • 34% Energy • 10% Liveness
85% Instrumentalness • 89% Positiveness
17% Popularity • 46% Danceability • 34% Energy • 10% Liveness
85% Instrumentalness • 89% Positiveness
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Trish Clowes
Ashford Days
114 bpm • D Maj • 05:10 • -16.4db
7% Popularity • 52% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
7% Popularity • 52% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
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Sound of Duke
Things Ain't What They Used to Be
113 bpm • F min • 05:57 • -13.37db
10% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 52% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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David Friedman
3 + 1 = 5
121 bpm • F min • 05:51 • -13.68db
12% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
12% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
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David Ecker
Respite (Despite)
113 bpm • F min • 06:45 • -12.88db
1% Popularity • 34% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 40% Positiveness
1% Popularity • 34% Danceability • 46% Energy • 12% Liveness
69% Instrumentalness • 40% Positiveness
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Jesse Emmoth
Amalia
113 bpm • G# Maj • 04:21 • -10.78db
4% Popularity • 39% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 54% Positiveness
4% Popularity • 39% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 54% Positiveness
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Armando Luongo
Nano Ballerino
113 bpm • F# Maj • 04:40 • -12.84db
14% Popularity • 51% Danceability • 44% Energy • 28% Liveness
93% Instrumentalness • 33% Positiveness
14% Popularity • 51% Danceability • 44% Energy • 28% Liveness
93% Instrumentalness • 33% Positiveness
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Cornelia Nilsson
East of the Sun and West of the Moon
121 bpm • G# Maj • 05:26 • -9.98db
17% Popularity • 45% Danceability • 52% Energy • 11% Liveness
14% Instrumentalness • 52% Positiveness
17% Popularity • 45% Danceability • 52% Energy • 11% Liveness
14% Instrumentalness • 52% Positiveness
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Kevin Kastning
Levitation Opus 9
113 bpm • E Maj • 07:04 • -19.94db
8% Popularity • 49% Danceability • 25% Energy • 28% Liveness
69% Instrumentalness • 33% Positiveness
8% Popularity • 49% Danceability • 25% Energy • 28% Liveness
69% Instrumentalness • 33% Positiveness
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Carl Bagge
Di Tre Re - 1st Movement
121 bpm • C Maj • 05:55 • -18.46db
17% Popularity • 46% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
17% Popularity • 46% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Erica Lindsay
Gratitude
121 bpm • F Maj • 07:59 • -16.6db
0% Popularity • 42% Danceability • 40% Energy • 10% Liveness
39% Instrumentalness • 29% Positiveness
0% Popularity • 42% Danceability • 40% Energy • 10% Liveness
39% Instrumentalness • 29% Positiveness
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XYQuartet
Spazio Angusto
122 bpm • G Maj • 06:52 • -15.97db
13% Popularity • 55% Danceability • 21% Energy • 10% Liveness
22% Instrumentalness • 10% Positiveness
13% Popularity • 55% Danceability • 21% Energy • 10% Liveness
22% Instrumentalness • 10% Positiveness
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Simon Spang-Hanssen
Dakar Paris
122 bpm • C# min • 06:15 • -8.66db
9% Popularity • 44% Danceability • 47% Energy • 8% Liveness
53% Instrumentalness • 50% Positiveness
9% Popularity • 44% Danceability • 47% Energy • 8% Liveness
53% Instrumentalness • 50% Positiveness
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Henning Ullén
Dragging
122 bpm • G Maj • 04:58 • -12.13db
10% Popularity • 47% Danceability • 39% Energy • 24% Liveness
18% Instrumentalness • 26% Positiveness
10% Popularity • 47% Danceability • 39% Energy • 24% Liveness
18% Instrumentalness • 26% Positiveness
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CAPTCHA
Follow the Detour
112 bpm • G Maj • 09:26 • -8.95db
13% Popularity • 44% Danceability • 50% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
13% Popularity • 44% Danceability • 50% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Kris Monson
No. 2 Hit
112 bpm • C# Maj • 07:15 • -15.01db
21% Popularity • 51% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 43% Positiveness
21% Popularity • 51% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 43% Positiveness
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Boyce Justice Griffith
Joe's Blues
112 bpm • F min • 07:37 • -13.83db
13% Popularity • 53% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 48% Positiveness
13% Popularity • 53% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 48% Positiveness
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Benny Golson
Killer Joe - Snapshot - tenor sax solo
122 bpm • C Maj • 01:05 • -13.27db
28% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
28% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 60% Positiveness
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Diego Rivera
Machete
122 bpm • F min • 04:53 • -10.22db
15% Popularity • 48% Danceability • 62% Energy • 16% Liveness
89% Instrumentalness • 75% Positiveness
15% Popularity • 48% Danceability • 62% Energy • 16% Liveness
89% Instrumentalness • 75% Positiveness
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Henning Ullén
Vallmo
112 bpm • E min • 04:13 • -14.11db
12% Popularity • 44% Danceability • 40% Energy • 22% Liveness
76% Instrumentalness • 45% Positiveness
12% Popularity • 44% Danceability • 40% Energy • 22% Liveness
76% Instrumentalness • 45% Positiveness
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Francesca Tandoi
Pink Walker
122 bpm • C Maj • 05:31 • -13.69db
8% Popularity • 50% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
8% Popularity • 50% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
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Dan Tepfer
Rygabag
122 bpm • D# Maj • 01:59 • -13.77db
12% Popularity • 51% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
12% Popularity • 51% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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César Cardoso
Interchange
112 bpm • F min • 04:49 • -11.45db
10% Popularity • 46% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
10% Popularity • 46% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Jon Lloyd Quartet
River
123 bpm • A min • 07:55 • -17.99db
9% Popularity • 46% Danceability • 24% Energy • 20% Liveness
93% Instrumentalness • 20% Positiveness
9% Popularity • 46% Danceability • 24% Energy • 20% Liveness
93% Instrumentalness • 20% Positiveness
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Ole Amund Gjersvik
SÃ¥nn Som Det!
112 bpm • E min • 01:04 • -32.46db
23% Popularity • 58% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 37% Positiveness
23% Popularity • 58% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 37% Positiveness
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Erica Lindsay
Dreamer
123 bpm • G# Maj • 07:00 • -16.58db
0% Popularity • 33% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
0% Popularity • 33% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Marco Mezquida
Fellini
111 bpm • C# Maj • 02:45 • -11.29db
14% Popularity • 31% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 80% Positiveness
14% Popularity • 31% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 80% Positiveness
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David Whitman
Time Out
111 bpm • G Maj • 06:01 • -7.6db
15% Popularity • 48% Danceability • 54% Energy • 10% Liveness
79% Instrumentalness • 46% Positiveness
15% Popularity • 48% Danceability • 54% Energy • 10% Liveness
79% Instrumentalness • 46% Positiveness
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Ariel Invernizzi Oviedo
Once Around The Park
111 bpm • A# min • 06:35 • -17.47db
7% Popularity • 44% Danceability • 29% Energy • 14% Liveness
79% Instrumentalness • 18% Positiveness
7% Popularity • 44% Danceability • 29% Energy • 14% Liveness
79% Instrumentalness • 18% Positiveness
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Pablo Held
Scatoons Island
111 bpm • D Maj • 05:17 • -17.9db
7% Popularity • 46% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
7% Popularity • 46% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Cyrus Chestnut
Brother With the Mint Green Vine
111 bpm • G# Maj • 09:32 • -13.51db
11% Popularity • 45% Danceability • 29% Energy • 32% Liveness
89% Instrumentalness • 47% Positiveness
11% Popularity • 45% Danceability • 29% Energy • 32% Liveness
89% Instrumentalness • 47% Positiveness
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Steph Richards
Power Vibe
111 bpm • C# Maj • 07:00 • -13.25db
10% Popularity • 52% Danceability • 62% Energy • 17% Liveness
95% Instrumentalness • 37% Positiveness
10% Popularity • 52% Danceability • 62% Energy • 17% Liveness
95% Instrumentalness • 37% Positiveness
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Sebastián Chames
Pianist at the Park
111 bpm • C Maj • 06:45 • -14.11db
12% Popularity • 61% Danceability • 33% Energy • 11% Liveness
74% Instrumentalness • 54% Positiveness
12% Popularity • 61% Danceability • 33% Energy • 11% Liveness
74% Instrumentalness • 54% Positiveness
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Rasmus Sørensen
Mr. Day
111 bpm • F# min • 07:52 • -15.46db
18% Popularity • 47% Danceability • 40% Energy • 10% Liveness
40% Instrumentalness • 51% Positiveness
18% Popularity • 47% Danceability • 40% Energy • 10% Liveness
40% Instrumentalness • 51% Positiveness
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Mike Clark
In the House
123 bpm • A min • 06:01 • -9.84db
19% Popularity • 47% Danceability • 57% Energy • 38% Liveness
11% Instrumentalness • 57% Positiveness
19% Popularity • 47% Danceability • 57% Energy • 38% Liveness
11% Instrumentalness • 57% Positiveness
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Giuffre Zone
Cains
111 bpm • C# Maj • 05:05 • -13.49db
14% Popularity • 53% Danceability • 26% Energy • 47% Liveness
65% Instrumentalness • 28% Positiveness
14% Popularity • 53% Danceability • 26% Energy • 47% Liveness
65% Instrumentalness • 28% Positiveness
