Songs like Day of Show by Skullcrusher
Based on a tempo of (+/- 10%) and a similar genre
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Runnner
Ur Name on a Grain of Rice
150 bpm • C Maj • 05:01 • -8db
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Skullcrusher
Day of Show
150 bpm • F# Maj • 04:15 • -10db
32% Popularity • 39% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 18% Positiveness
32% Popularity • 39% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 18% Positiveness
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Okay Kaya
Overstimulated
151 bpm • C Maj • 02:36 • -9.36db
31% Popularity • 40% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 40% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Langkamer
Polly You Should See Me Now
148 bpm • D# Maj • 02:25 • -17.59db
37% Popularity • 59% Danceability • 24% Energy • 11% Liveness
59% Instrumentalness • 25% Positiveness
37% Popularity • 59% Danceability • 24% Energy • 11% Liveness
59% Instrumentalness • 25% Positiveness
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Babehoven
Stapling
148 bpm • C# Maj • 02:41 • -11.48db
19% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ada Lea
my love 4 u is real
148 bpm • D Maj • 04:31 • -6.48db
17% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Land of Talk
A/B Futures
148 bpm • C# min • 03:39 • -8.92db
24% Popularity • 35% Danceability • 68% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
24% Popularity • 35% Danceability • 68% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Eliza McLamb
Older
147 bpm • B min • 04:36 • -12.56db
31% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
31% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
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Great Grandpa
English Garden
147 bpm • B Maj • 02:40 • -11.14db
34% Popularity • 51% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 51% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Bess Atwell
Dolly
147 bpm • A# min • 02:55 • -13.78db
36% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Skullcrusher
Farm
154 bpm • F Maj • 04:43 • -14db
37% Popularity • 44% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 7% Positiveness
37% Popularity • 44% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 7% Positiveness
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SASAMI
Free
154 bpm • D Maj • 04:30 • -15.41db
24% Popularity • 47% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 47% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Slow Pulp
Falling Apart
146 bpm • B Maj • 02:46 • -7.84db
63% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
63% Popularity • 67% Danceability • 56% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Charlie Martin
Sadie
146 bpm • F Maj • 03:33 • -8.03db
17% Popularity • 58% Danceability • 49% Energy • 16% Liveness
68% Instrumentalness • 57% Positiveness
17% Popularity • 58% Danceability • 49% Energy • 16% Liveness
68% Instrumentalness • 57% Positiveness
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Hannah Cohen
Old Bruiser
146 bpm • F# min • 04:04 • -14.48db
19% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 63% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Johanna Warren
Bed of Nails
145 bpm • G# Maj • 04:28 • -11.67db
16% Popularity • 31% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 31% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Wye Oak
Walk Soft
145 bpm • A Maj • 03:58 • -10.42db
17% Popularity • 32% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 32% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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girlpuppy
As Much As I Can
155 bpm • F Maj • 03:28 • -8.12db
27% Popularity • 63% Danceability • 68% Energy • 8% Liveness
49% Instrumentalness • 82% Positiveness
27% Popularity • 63% Danceability • 68% Energy • 8% Liveness
49% Instrumentalness • 82% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Runnner
Sublet
155 bpm • G Maj • 02:50 • -9.12db
34% Popularity • 40% Danceability • 48% Energy • 20% Liveness
68% Instrumentalness • 16% Positiveness
34% Popularity • 40% Danceability • 48% Energy • 20% Liveness
68% Instrumentalness • 16% Positiveness
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Ada Lea
the party
144 bpm • C min • 02:55 • -16.22db
28% Popularity • 59% Danceability • 19% Energy • 48% Liveness
19% Instrumentalness • 24% Positiveness
28% Popularity • 59% Danceability • 19% Energy • 48% Liveness
19% Instrumentalness • 24% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Kississippi
Dogmas
143 bpm • B Maj • 02:03 • -12db
45% Popularity • 44% Danceability • 32% Energy • 11% Liveness
31% Instrumentalness • 22% Positiveness
45% Popularity • 44% Danceability • 32% Energy • 11% Liveness
31% Instrumentalness • 22% Positiveness
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Hana Vu
Maker
143 bpm • E min • 03:32 • -14db
29% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Adrianne Lenker
two reverse
143 bpm • C# Maj • 03:33 • -15.4db
54% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
54% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Alice Phoebe Lou
Driveby
143 bpm • D Maj • 03:44 • -8.93db
39% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
42% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jamie B.
Elvis Died
142 bpm • F Maj • 03:37 • -8.59db
8% Popularity • 34% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 21% Positiveness
8% Popularity • 34% Danceability • 46% Energy • 8% Liveness
78% Instrumentalness • 21% Positiveness
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Kacey Johansing
All of Me
142 bpm • E Maj • 03:33 • -6.94db
15% Popularity • 59% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
15% Popularity • 59% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ada Lea
damn
142 bpm • G# min • 04:21 • -9db
40% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Jana Horn
Optimism
142 bpm • A Maj • 01:59 • -13.19db
39% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Frankie Cosmos
One Year Stand
158 bpm • B Maj • 02:35 • -17db
46% Popularity • 38% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 29% Positiveness
46% Popularity • 38% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 29% Positiveness
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Better Oblivion Community Center
Didn't Know What I Was In For
141 bpm • D Maj • 04:03 • -11db
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Hannah Cohen
Return Room
141 bpm • A Maj • 04:28 • -18db
18% Popularity • 31% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
18% Popularity • 31% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
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Slow Pulp
Idaho
141 bpm • A Maj • 04:05 • -7db
48% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 54% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Johanna Warren
Only the Truth
142 bpm • C Maj • 04:58 • -14.93db
13% Popularity • 34% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Snail Mail
Deep Sea
140 bpm • C# Maj • 04:42 • -6.01db
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
43% Popularity • 29% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 12% Positiveness
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Ada Lea
partner
140 bpm • D Maj • 03:45 • -9.32db
21% Popularity • 57% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 51% Positiveness
21% Popularity • 57% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 51% Positiveness
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Runnner
Snowplow
140 bpm • D Maj • 02:41 • -10.71db
41% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
41% Popularity • 60% Danceability • 34% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Great Grandpa
Rosalie
140 bpm • E Maj • 02:39 • -7.77db
29% Popularity • 29% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 29% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Slow Pulp
At It Again
140 bpm • E Maj • 02:03 • -5.4db
45% Popularity • 36% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 36% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Sour Widows
Bathroom Stall
140 bpm • A Maj • 05:40 • -13.87db
19% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Buck Meek
Swan Dive
139 bpm • C Maj • 01:26 • -13.68db
31% Popularity • 48% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
31% Popularity • 48% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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skirts
Remember
140 bpm • A Maj • 03:03 • -9db
19% Popularity • 51% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 51% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Runnner
Awash
140 bpm • D Maj • 03:09 • -10db
27% Popularity • 50% Danceability • 48% Energy • 31% Liveness
24% Instrumentalness • 21% Positiveness
27% Popularity • 50% Danceability • 48% Energy • 31% Liveness
24% Instrumentalness • 21% Positiveness
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Adrianne Lenker
I Still Hear You
139 bpm • A Maj • 03:26 • -16db
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Charlie Martin
Swirl - Piano Version
139 bpm • G# Maj • 02:54 • -11.33db
14% Popularity • 24% Danceability • 19% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
14% Popularity • 24% Danceability • 19% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
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Slow Pulp
Gone 2
139 bpm • D# Maj • 02:54 • -9.15db
43% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 64% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Babehoven
Pockets
139 bpm • D Maj • 03:32 • -10.36db
26% Popularity • 47% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
26% Popularity • 47% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
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Charlie Hickey
Count The Stairs
139 bpm • F Maj • 04:00 • -9.42db
18% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 54% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Free Cake For Every Creature
Christina's World
139 bpm • C Maj • 01:53 • -14.76db
37% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Adrianne Lenker
Ringing Bells
139 bpm • C Maj • 03:49 • -17db
40% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
40% Popularity • 53% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Sadurn
snake
138 bpm • C# Maj • 04:33 • -8.75db
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Twain
Noon
139 bpm • F Maj • 04:24 • -16.88db
27% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Al Menne
Kill Me
138 bpm • B Maj • 03:45 • -10.74db
33% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 66% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Bess Atwell
All You Can Do
163 bpm • C# min • 03:04 • -8.73db
39% Popularity • 36% Danceability • 62% Energy • 7% Liveness
10% Instrumentalness • 44% Positiveness
39% Popularity • 36% Danceability • 62% Energy • 7% Liveness
10% Instrumentalness • 44% Positiveness
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Harrison Whitford
Secret Garden
138 bpm • F# Maj • 02:51 • -11.51db
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Mia Joy
See Us
138 bpm • A# Maj • 02:10 • -14.29db
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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Route 500
I'll Play You Out
138 bpm • E Maj • 02:44 • -13.07db
9% Popularity • 62% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
9% Popularity • 62% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 62% Positiveness
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Skullcrusher
Cloudy Shoes
138 bpm • F Maj • 04:38 • -13.26db
16% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tomberlin
Seventeen
138 bpm • G Maj • 04:31 • -9.95db
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Japanese Breakfast
This House
164 bpm • G Maj • 03:02 • -9db
38% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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skirts
Always
164 bpm • D Maj • 04:02 • -9.15db
28% Popularity • 42% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 58% Positiveness
28% Popularity • 42% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 58% Positiveness
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Daneshevskaya
Ocean Breeze
137 bpm • G# Maj • 03:38 • -10.19db
32% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Free Cake For Every Creature
Shake It Out
137 bpm • A Maj • 03:51 • -11.53db
31% Popularity • 56% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
31% Popularity • 56% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
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Bedouine
All My Trials
137 bpm • G Maj • 02:30 • -15.46db
22% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Mia Joy
Alive
137 bpm • A Maj • 01:08 • -19.43db
38% Popularity • 29% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 29% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Adrianne Lenker
Jonathan
137 bpm • B Maj • 02:08 • -14.24db
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Slow Pulp
Track
165 bpm • C Maj • 03:34 • -8.28db
35% Popularity • 43% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 43% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Haley Blais
Someone Called While You Were Out
165 bpm • C Maj • 02:29 • -6db
28% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Land of Talk
Diaphanous
136 bpm • B min • 04:28 • -11.75db
16% Popularity • 40% Danceability • 38% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
16% Popularity • 40% Danceability • 38% Energy • 11% Liveness
24% Instrumentalness • 12% Positiveness
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Phoebe Bridgers
Chinese Satellite (Copycat Killer Versio...
136 bpm • A# Maj • 03:30 • -13.67db
40% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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IAN SWEET
Dumb Driver
136 bpm • D Maj • 03:09 • -6.47db
22% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Charlie Martin
Madison
136 bpm • G# Maj • 03:01 • -10.48db
22% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 64% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Fenne Lily
Birthday
166 bpm • G# Maj • 04:30 • -8.78db
27% Popularity • 28% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
27% Popularity • 28% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Laura Stevenson
Don't Think About Me
136 bpm • A Maj • 02:54 • -7.42db
30% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 34% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Harrison Whitford
Meclizine
136 bpm • F Maj • 05:46 • -12.37db
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Skullcrusher
Words Come Back - Cover
136 bpm • D Maj • 04:00 • -12.1db
21% Popularity • 25% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Charlotte Cornfield
In My Corner
135 bpm • C min • 03:44 • -10.07db
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Runnner
bike again
135 bpm • F Maj • 03:04 • -14.17db
34% Popularity • 52% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
34% Popularity • 52% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Ada Lea
woman, here
135 bpm • E Maj • 03:26 • -9.83db
18% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Slow Pulp
New Media
135 bpm • C Maj • 03:11 • -6.83db
46% Popularity • 71% Danceability • 75% Energy • 14% Liveness
9% Instrumentalness • 72% Positiveness
46% Popularity • 71% Danceability • 75% Energy • 14% Liveness
9% Instrumentalness • 72% Positiveness
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Lala Lala
DIVER
135 bpm • C Maj • 03:01 • -9.13db
31% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Skullcrusher
Pass Through Me
135 bpm • F# Maj • 02:24 • -10.31db
30% Popularity • 44% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
30% Popularity • 44% Danceability • 37% Energy • 9% Liveness
5% Instrumentalness • 30% Positiveness
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Adrianne Lenker
Row
167 bpm • C Maj • 01:51 • -13.79db
48% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Runnner
New Sublet
135 bpm • F Maj • 03:01 • -13.79db
23% Popularity • 63% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 63% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Pleasure Systems
Thru Your Eyes
135 bpm • A min • 03:56 • -15.66db
14% Popularity • 68% Danceability • 20% Energy • 24% Liveness
29% Instrumentalness • 34% Positiveness
14% Popularity • 68% Danceability • 20% Energy • 24% Liveness
29% Instrumentalness • 34% Positiveness
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Slow Pulp
Montana
135 bpm • G# Maj • 03:20 • -8.21db
46% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
46% Popularity • 55% Danceability • 41% Energy • 12% Liveness
5% Instrumentalness • 17% Positiveness
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Bedouine
It Wasn't Me
135 bpm • A Maj • 04:07 • -12db
30% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Helena Deland
Swimmer
135 bpm • F Maj • 03:33 • -15.27db
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Mia Joy
Freak
135 bpm • A# min • 02:52 • -15.05db
31% Popularity • 36% Danceability • 20% Energy • 11% Liveness
50% Instrumentalness • 20% Positiveness
31% Popularity • 36% Danceability • 20% Energy • 11% Liveness
50% Instrumentalness • 20% Positiveness
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Sadurn
white shirt
134 bpm • E Maj • 02:59 • -18.31db
24% Popularity • 52% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
24% Popularity • 52% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
