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Daybreak - Remastered 2002
Songs like
Daybreak - Remastered 2002
by
Paul Whiteman
Based on a tempo of (+/- 10%) and a similar genre
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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George Olsen
Bye Bye Blackbird
111 bpm • G# Maj • 03:05 • -16db
20% Popularity • 83% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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Billy Cotton & His Band
Puttin' On The Ritz
111 bpm • D# Maj • 03:02 • -19.73db
12% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
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Paul Whiteman
Lonesome in the Moonlight
111 bpm • F Maj • 02:47 • -18.32db
1% Popularity • 49% Danceability • 13% Energy • 19% Liveness
65% Instrumentalness • 43% Positiveness
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Ben Selvin & His Orchestra
I Wonder Where My Baby Is Tonight
111 bpm • D Maj • 03:05 • -8.02db
14% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
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Carroll Gibbons
A Lovely Way to Spend an Evening
111 bpm • D min • 03:26 • -9.8db
16% Popularity • 41% Danceability • 26% Energy • 33% Liveness
3% Instrumentalness • 39% Positiveness
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Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
9% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
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Gene Goldkette
I`m Looking Over A Four Leaf Clover
111 bpm • A# Maj • 03:14 • -13db
17% Popularity • 77% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 90% Positiveness
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Abe Lyman's California Orchestra
Shake That Thing
111 bpm • G min • 03:02 • -11db
14% Popularity • 73% Danceability • 54% Energy • 60% Liveness
85% Instrumentalness • 94% Positiveness
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Paul Whiteman
Laughing Marionette
111 bpm • G# Maj • 03:21 • -14.48db
1% Popularity • 62% Danceability • 26% Energy • 4% Liveness
82% Instrumentalness • 66% Positiveness
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Red McKenzie
I Can't Get Started with You
111 bpm • F Maj • 02:58 • -12.7db
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Bill Brown and His Brownies
Hot Lips
110 bpm • F Maj • 02:49 • -9.14db
11% Popularity • 69% Danceability • 66% Energy • 12% Liveness
45% Instrumentalness • 90% Positiveness
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Jean Goldkette & His Orchestra
In My Merry Oldsmobile
111 bpm • D Maj • 02:32 • -11db
27% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
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Fletcher Henderson & His Orchestra
Henderson Stomp
112 bpm • D Maj • 02:50 • -11.36db
9% Popularity • 61% Danceability • 44% Energy • 29% Liveness
88% Instrumentalness • 93% Positiveness
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Irving Aaronson and His Commanders
Crazy Words - Crazy Tune (Vo-Do-De-O)
112 bpm • D# Maj • 02:50 • -12db
11% Popularity • 79% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Whiteman
Georgie Porgie
111 bpm • A# min • 02:28 • -15.51db
1% Popularity • 64% Danceability • 15% Energy • 36% Liveness
2% Instrumentalness • 62% Positiveness
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Don Redman
After Sundown (11-14-33)
112 bpm • B Maj • 02:56 • -20.46db
7% Popularity • 55% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 36% Positiveness
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Isham Jones And His Orchestra
I Ain't Lazy, I'm Just Dreamin'
112 bpm • C Maj • 03:33 • -11.99db
16% Popularity • 65% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Red Nichols and His Big Ten
At Last I'm Happy
110 bpm • D# Maj • 02:50 • -9.8db
11% Popularity • 69% Danceability • 33% Energy • 5% Liveness
38% Instrumentalness • 85% Positiveness
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Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
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Jack Payne
I Can't Believe That You're in Love With...
110 bpm • B Maj • 02:31 • -15.85db
17% Popularity • 66% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Ted Weems
You're the Cream in My Coffee
110 bpm • D# Maj • 03:04 • -10.66db
12% Popularity • 74% Danceability • 49% Energy • 17% Liveness
39% Instrumentalness • 81% Positiveness
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Jelly Roll Morton
Wolverine Blues
110 bpm • D# Maj • 03:25 • -13.01db
20% Popularity • 57% Danceability • 51% Energy • 14% Liveness
91% Instrumentalness • 91% Positiveness
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Russ Morgan and His Orchestra
Moonlight Serenade
112 bpm • F Maj • 03:12 • -11.73db
19% Popularity • 33% Danceability • 32% Energy • 41% Liveness
86% Instrumentalness • 49% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Paul Whiteman
Evening Star
110 bpm • F# Maj • 02:57 • -19.13db
2% Popularity • 50% Danceability • 14% Energy • 78% Liveness
5% Instrumentalness • 33% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
14% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Lew Stone & His Band
Seein' Is Believin'
113 bpm • D min • 03:12 • -29db
11% Popularity • 43% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 51% Positiveness
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Abe Lyman's California Orchestra
Shake That Thing
113 bpm • F min • 02:57 • -10.58db
21% Popularity • 75% Danceability • 50% Energy • 30% Liveness
84% Instrumentalness • 97% Positiveness
► Preview
Bob Crosby & His Orchestra
Sugar Foot Stomp
109 bpm • C Maj • 02:23 • -8.41db
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Werner Müller & His Orchestra
Teddy Bears’ Picnic
113 bpm • C Maj • 03:02 • -11.94db
7% Popularity • 58% Danceability • 28% Energy • 10% Liveness
61% Instrumentalness • 67% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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The New Yorkers
Music and Moonlight
113 bpm • F min • 02:33 • -11.95db
13% Popularity • 65% Danceability • 58% Energy • 32% Liveness
90% Instrumentalness • 64% Positiveness
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B. A. Rolfe & His Lucky Strike Orchestra
Makin' Whoopee!
109 bpm • G Maj • 03:17 • -12.4db
15% Popularity • 86% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 81% Positiveness
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Claude Hopkins Orchestra
Washington Squabble
109 bpm • C Maj • 03:04 • -17.43db
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
20% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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The Golden Gate Orchestra
Dusting The Donkey - aka "The Pay-Off"
113 bpm • C Maj • 03:01 • -12.59db
8% Popularity • 80% Danceability • 45% Energy • 18% Liveness
90% Instrumentalness • 90% Positiveness
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Harry Roy and His Orchestra
Okay Toots
113 bpm • F Maj • 02:33 • -23db
11% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
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Fletcher Henderson & His Orchestra
Sing, Sing, Sing (With a Swing)
109 bpm • E min • 02:32 • -13.33db
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
► Preview
The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
► Preview
The Charleston Chasers
Someday Sweetheart
108 bpm • F Maj • 03:18 • -16.21db
8% Popularity • 82% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Bob Crosby
Don'T Say Goodbye
114 bpm • A min • 01:43 • -9db
26% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
► Preview
The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
► Preview
Sam Wooding
The Wedding of the Painted Doll
108 bpm • D# Maj • 02:46 • -17db
19% Popularity • 82% Danceability • 31% Energy • 18% Liveness
16% Instrumentalness • 66% Positiveness
► Preview
Jean Goldkette & His Orchestra
Sunday
108 bpm • G# Maj • 03:03 • -12.02db
8% Popularity • 88% Danceability • 30% Energy • 11% Liveness
12% Instrumentalness • 81% Positiveness
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Ben Selvin
I Wonder Where My Baby Is Tonight
114 bpm • G Maj • 03:01 • -16db
13% Popularity • 89% Danceability • 25% Energy • 6% Liveness
81% Instrumentalness • 96% Positiveness
► Preview
Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
► Preview
Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Guy Lombardo & His Royal Canadians
Charmaine
108 bpm • F Maj • 03:03 • -14.48db
16% Popularity • 35% Danceability • 15% Energy • 20% Liveness
20% Instrumentalness • 37% Positiveness
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Irving Aaronson and His Commanders
Do You Believe in Dreams?
108 bpm • G# Maj • 02:57 • -12db
12% Popularity • 56% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
Bunny Berigan
In the Dark
114 bpm • A min • 02:47 • -11.13db
12% Popularity • 54% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
► Preview
Sidney Bechet
When The Sun Sets Down South
114 bpm • F min • 03:08 • -11db
28% Popularity • 51% Danceability • 30% Energy • 8% Liveness
39% Instrumentalness • 55% Positiveness
► Preview
Ted Lewis
On the Sunny Side of the Street
108 bpm • D# Maj • 03:34 • -17.87db
12% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
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George Olsen
Who?
108 bpm • D# Maj • 03:25 • -13db
13% Popularity • 71% Danceability • 28% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
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Fletcher Henderson & His Orchestra
Copenhagen
114 bpm • A# Maj • 02:50 • -11db
10% Popularity • 67% Danceability • 46% Energy • 71% Liveness
60% Instrumentalness • 66% Positiveness
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Elmer Schoebel and His Orchestra
Copenhagen
115 bpm • A# Maj • 02:31 • -9.7db
12% Popularity • 85% Danceability • 38% Energy • 31% Liveness
91% Instrumentalness • 92% Positiveness
► Preview
The Pied Pipers
Pistol Packin Mamma
108 bpm • F# Maj • 02:40 • -11.78db
10% Popularity • 64% Danceability • 46% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Red Norvo
Remember
115 bpm • D Maj • 03:19 • -18.36db
18% Popularity • 53% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Kay Kyser
Who Wouldn't Love You
115 bpm • D# Maj • 02:41 • -13.19db
21% Popularity • 86% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
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Hal Kemp And His Orchestra
You're the Top
107 bpm • A Maj • 03:19 • -12db
10% Popularity • 81% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Ted Lewis
Clarinet Marmalade
107 bpm • F Maj • 03:11 • -11.41db
16% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
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Irving Aaronson and His Commanders
Hard to Get Gertie
115 bpm • F Maj • 02:43 • -10.62db
10% Popularity • 75% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
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Johnny Marvin
Happy Days Are Here Again
115 bpm • C Maj • 02:19 • -10db
27% Popularity • 79% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
24% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Eddie Cantor
I Love Me (I'm Wild About Myself)
107 bpm • F Maj • 02:57 • -15db
15% Popularity • 82% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
► Preview
Paul Whiteman
Sugar
107 bpm • G Maj • 03:13 • -10.95db
10% Popularity • 74% Danceability • 37% Energy • 33% Liveness
42% Instrumentalness • 79% Positiveness
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Ina Ray Hutton and Her Melodears
And I Still Do
107 bpm • D Maj • 02:31 • -13db
15% Popularity • 58% Danceability • 31% Energy • 24% Liveness
76% Instrumentalness • 83% Positiveness
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Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
► Preview
Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Eddie Lang
Good Little, Bad Little You
115 bpm • G Maj • 02:42 • -16db
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Crosby & The Bob Cats
Sugar Foot Stomp
107 bpm • C Maj • 03:05 • -10db
22% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
► Preview
Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
► Preview
Fanny Brice
Yes! We Have No Bananas
116 bpm • D Maj • 02:56 • -14.13db
2% Popularity • 78% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Russ Morgan and His Orchestra
Goodnight, My Beautiful
116 bpm • F Maj • 02:54 • -10.16db
31% Popularity • 46% Danceability • 35% Energy • 13% Liveness
40% Instrumentalness • 60% Positiveness
► Preview
Blue Barron & His Orchestra
Bluebirds in the Moonlight
116 bpm • F min • 02:45 • -11.01db
21% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
► Preview
Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
40% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
► Preview
Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
23% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Eva Taylor
Baby Won't You Please Come Home?
116 bpm • F Maj • 02:58 • -14.31db
21% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Al Friedman & his Orchestra
Building a Nest for Mary
106 bpm • F Maj • 03:10 • -8.57db
20% Popularity • 76% Danceability • 63% Energy • 6% Liveness
82% Instrumentalness • 95% Positiveness
► Preview
Paul Whiteman
I'd Rather Cry Over You
106 bpm • D# Maj • 02:41 • -15.91db
1% Popularity • 64% Danceability • 19% Energy • 59% Liveness
49% Instrumentalness • 70% Positiveness
► Preview
Henry Hall
It's Just the Time for Dancing
116 bpm • G Maj • 02:31 • -10db
24% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
► Preview
Henry Hall & The BBC Dance Orchestra
Hands Across the Table
106 bpm • A# min • 03:07 • -18db
13% Popularity • 33% Danceability • 16% Energy • 17% Liveness
79% Instrumentalness • 38% Positiveness
► Preview
Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
► Preview
Don Redman
I Wanna Be Loved (01-05-34)
116 bpm • G Maj • 02:58 • -8.29db
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
► Preview
Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
26% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
► Preview
Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
► Preview
New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
► Preview
Johnny Marvin
Angel
117 bpm • C Maj • 02:28 • -9db
10% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
► Preview
Connee Boswell
In the Middle of a Kiss
106 bpm • G Maj • 02:58 • -20.68db
12% Popularity • 32% Danceability • 8% Energy • 18% Liveness
12% Instrumentalness • 21% Positiveness
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Daybreak - Remastered 2002