Songs like Days Have Gone By by John Fahey
Based on a tempo of (+/- 10%) and a similar genre
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Pearls Before Swine
Images of April
98 bpm • D Maj • 02:36 • -14.14db
29% Popularity • 36% Danceability • 29% Energy • 12% Liveness
41% Instrumentalness • 34% Positiveness
29% Popularity • 36% Danceability • 29% Energy • 12% Liveness
41% Instrumentalness • 34% Positiveness
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John Fahey
Days Have Gone By
98 bpm • E min • 02:52 • -16.13db
22% Popularity • 28% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
22% Popularity • 28% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 60% Positiveness
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Connie Converse
Johnny's Brother
98 bpm • C Maj • 02:44 • -19.6db
28% Popularity • 46% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 52% Positiveness
28% Popularity • 46% Danceability • 7% Energy • 11% Liveness
9% Instrumentalness • 52% Positiveness
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Elizabeth Cotten
Street Blues
98 bpm • G Maj • 02:17 • -21.33db
24% Popularity • 33% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 71% Positiveness
24% Popularity • 33% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 71% Positiveness
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Nora Brown
Cumberland Gap
98 bpm • F Maj • 01:08 • -24.81db
41% Popularity • 51% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
41% Popularity • 51% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 73% Positiveness
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Hayden Pedigo
Some Kind of Shepherd
98 bpm • F Maj • 04:38 • -16.53db
14% Popularity • 30% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 30% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Jack Rose
Blessed Be The Name Of The Lord
98 bpm • C# Maj • 05:02 • -11.79db
11% Popularity • 20% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
11% Popularity • 20% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Mississippi John Hurt
Boys, You're Welcome
98 bpm • G Maj • 03:01 • -19db
35% Popularity • 59% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 59% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Harry Taussig
Water Verses
99 bpm • B Maj • 01:50 • -16.2db
29% Popularity • 46% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
29% Popularity • 46% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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John Fahey
John Henry Variations
97 bpm • D# Maj • 05:40 • -17.19db
19% Popularity • 32% Danceability • 31% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
19% Popularity • 32% Danceability • 31% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
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Robbie Basho
Lost Lagoon Suite - Instrumental
99 bpm • A# Maj • 12:11 • -9.88db
12% Popularity • 24% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
12% Popularity • 24% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Elizabeth Cotten
Wilson rag
97 bpm • F min • 01:40 • -17.77db
45% Popularity • 40% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 92% Positiveness
45% Popularity • 40% Danceability • 42% Energy • 10% Liveness
81% Instrumentalness • 92% Positiveness
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Kinloch Nelson
Tone Poem
97 bpm • B Maj • 02:32 • -15.06db
13% Popularity • 18% Danceability • 28% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 28% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Jack Rose
Luck In The Valley
97 bpm • C Maj • 02:20 • -7.44db
12% Popularity • 53% Danceability • 53% Energy • 19% Liveness
79% Instrumentalness • 25% Positiveness
12% Popularity • 53% Danceability • 53% Energy • 19% Liveness
79% Instrumentalness • 25% Positiveness
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Mimi And Richard Farina
Hamish - Instrumental
99 bpm • B Maj • 01:51 • -13.93db
11% Popularity • 45% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
11% Popularity • 45% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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John Fahey
Brenda's Blues
97 bpm • D# Maj • 01:47 • -5.44db
18% Popularity • 52% Danceability • 72% Energy • 12% Liveness
94% Instrumentalness • 98% Positiveness
18% Popularity • 52% Danceability • 72% Energy • 12% Liveness
94% Instrumentalness • 98% Positiveness
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Captain Beefheart & His Magic Band
Peon
97 bpm • C Maj • 02:22 • -17.77db
18% Popularity • 60% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
18% Popularity • 60% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Elizabeth Cotten
Honey baby your papa cares for you
99 bpm • F Maj • 02:15 • -28.47db
29% Popularity • 30% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
29% Popularity • 30% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Mississippi John Hurt
Poor Boy, Long Ways From Home
97 bpm • C Maj • 02:14 • -23db
34% Popularity • 54% Danceability • 22% Energy • 11% Liveness
5% Instrumentalness • 90% Positiveness
34% Popularity • 54% Danceability • 22% Energy • 11% Liveness
5% Instrumentalness • 90% Positiveness
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Jack Rose
Blues For Percy Danforth
97 bpm • C Maj • 07:36 • -7.36db
8% Popularity • 23% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
8% Popularity • 23% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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Kevin Ayers
Whatevershebringswesing - 1999 Remaster
97 bpm • C Maj • 08:13 • -15db
25% Popularity • 43% Danceability • 25% Energy • 11% Liveness
55% Instrumentalness • 26% Positiveness
25% Popularity • 43% Danceability • 25% Energy • 11% Liveness
55% Instrumentalness • 26% Positiveness
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Alexander 'Skip' Spence
Weighted Down (The Prison Song)
99 bpm • A Maj • 06:24 • -21.81db
21% Popularity • 43% Danceability • 11% Energy • 21% Liveness
15% Instrumentalness • 11% Positiveness
21% Popularity • 43% Danceability • 11% Energy • 21% Liveness
15% Instrumentalness • 11% Positiveness
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James Blackshaw
The Cloud Of Unknowing
100 bpm • A Maj • 10:55 • -9.54db
9% Popularity • 14% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 48% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Elizabeth Cotten
Sweet bye and bye / What a friend we hav...
100 bpm • D# Maj • 03:02 • -25.24db
26% Popularity • 40% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
26% Popularity • 40% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 41% Positiveness
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Nathan Salsburg
Bold Ruler's Joys
100 bpm • D Maj • 02:17 • -15.55db
42% Popularity • 54% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
42% Popularity • 54% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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Jack Rose
Kensington Blues
97 bpm • E Maj • 03:35 • -6db
28% Popularity • 22% Danceability • 64% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 64% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Bridget St John
Barefeet and Hot Pavements
100 bpm • F Maj • 02:45 • -20.09db
14% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sun City Girls
The Vinegar Stroke
96 bpm • D# Maj • 01:57 • -8.85db
13% Popularity • 40% Danceability • 76% Energy • 45% Liveness
93% Instrumentalness • 92% Positiveness
13% Popularity • 40% Danceability • 76% Energy • 45% Liveness
93% Instrumentalness • 92% Positiveness
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Sandy Bull
Last Date
100 bpm • C Maj • 02:35 • -14.21db
22% Popularity • 52% Danceability • 62% Energy • 68% Liveness
60% Instrumentalness • 66% Positiveness
22% Popularity • 52% Danceability • 62% Energy • 68% Liveness
60% Instrumentalness • 66% Positiveness
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North Americans
Alice Lake
96 bpm • C min • 02:53 • -29.02db
41% Popularity • 54% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
41% Popularity • 54% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Minutemen
Cohesion
96 bpm • G Maj • 01:56 • -22.88db
40% Popularity • 39% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
40% Popularity • 39% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Jack Rose
Flirtin' With The Undertaker
100 bpm • A Maj • 02:25 • -9.78db
19% Popularity • 26% Danceability • 55% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
19% Popularity • 26% Danceability • 55% Energy • 32% Liveness
89% Instrumentalness • 66% Positiveness
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John Fahey
Give Me Cornbread When I'm Hungry
96 bpm • C# Maj • 03:08 • -16.51db
24% Popularity • 38% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
24% Popularity • 38% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Bridget St John
Many Happy Returns
100 bpm • B Maj • 02:16 • -13.84db
14% Popularity • 44% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
14% Popularity • 44% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Penguin Cafe Orchestra
Zopf: In A Sydney Motel - 2008 Digital R...
96 bpm • C Maj • 02:27 • -16.53db
29% Popularity • 41% Danceability • 23% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
29% Popularity • 41% Danceability • 23% Energy • 11% Liveness
9% Instrumentalness • 5% Positiveness
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Roy Harper
Forever
96 bpm • F# Maj • 03:32 • -19.79db
24% Popularity • 37% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 30% Positiveness
24% Popularity • 37% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 30% Positiveness
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The Clean
Holdin’ On
100 bpm • F Maj • 02:42 • -13.5db
29% Popularity • 59% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
29% Popularity • 59% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Jack Rose
Dusty Grass
100 bpm • D Maj • 04:55 • -14.54db
10% Popularity • 25% Danceability • 38% Energy • 17% Liveness
92% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 38% Energy • 17% Liveness
92% Instrumentalness • 9% Positiveness
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John Fahey
Sunflower River Blues
96 bpm • C Maj • 02:35 • -13.84db
39% Popularity • 45% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 25% Positiveness
39% Popularity • 45% Danceability • 31% Energy • 14% Liveness
92% Instrumentalness • 25% Positiveness
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Davy Graham
Fire In My Soul
100 bpm • D Maj • 01:50 • -18.88db
32% Popularity • 55% Danceability • 42% Energy • 11% Liveness
64% Instrumentalness • 36% Positiveness
32% Popularity • 55% Danceability • 42% Energy • 11% Liveness
64% Instrumentalness • 36% Positiveness
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Sandy Bull
Driftin'
96 bpm • A Maj • 05:56 • -17.16db
10% Popularity • 62% Danceability • 25% Energy • 34% Liveness
81% Instrumentalness • 69% Positiveness
10% Popularity • 62% Danceability • 25% Energy • 34% Liveness
81% Instrumentalness • 69% Positiveness
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Kath Bloom
Blues Song
96 bpm • C# Maj • 03:27 • -27.4db
12% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
12% Popularity • 48% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Kinloch Nelson
Kittens
101 bpm • E Maj • 03:21 • -16.75db
23% Popularity • 39% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 39% Danceability • 31% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Hayden Pedigo
Madrid
101 bpm • C Maj • 04:10 • -13.72db
16% Popularity • 22% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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John Fahey
The Siege Of Sevastopol - Bonus Track
100 bpm • E Maj • 01:19 • -9db
28% Popularity • 41% Danceability • 46% Energy • 33% Liveness
88% Instrumentalness • 68% Positiveness
28% Popularity • 41% Danceability • 46% Energy • 33% Liveness
88% Instrumentalness • 68% Positiveness
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Glenn Jones
Cléo Asleep
101 bpm • A Maj • 01:42 • -17.39db
29% Popularity • 53% Danceability • 20% Energy • 6% Liveness
75% Instrumentalness • 23% Positiveness
29% Popularity • 53% Danceability • 20% Energy • 6% Liveness
75% Instrumentalness • 23% Positiveness
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Nathan Salsburg
New Bold Ruler’s Joy
101 bpm • D# Maj • 02:28 • -10.74db
28% Popularity • 43% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
28% Popularity • 43% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 52% Positiveness
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Bill MacKay
Dragonfly
101 bpm • B min • 04:01 • -13.9db
16% Popularity • 54% Danceability • 27% Energy • 27% Liveness
85% Instrumentalness • 36% Positiveness
16% Popularity • 54% Danceability • 27% Energy • 27% Liveness
85% Instrumentalness • 36% Positiveness
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Pullman
To Hold Down a Shadow
101 bpm • F# Maj • 03:15 • -15.84db
14% Popularity • 48% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
14% Popularity • 48% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
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Hayden Pedigo
Horns
95 bpm • C Maj • 05:00 • -19.74db
18% Popularity • 18% Danceability • 14% Energy • 17% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 14% Energy • 17% Liveness
80% Instrumentalness • 3% Positiveness
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Robert Lester Folsom
Can't You See
102 bpm • E Maj • 02:33 • -8.04db
16% Popularity • 44% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
16% Popularity • 44% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Moondog
My Tiny Butterfly - Remastered 2000
102 bpm • C min • 01:14 • -17.37db
24% Popularity • 88% Danceability • 46% Energy • 8% Liveness
92% Instrumentalness • 97% Positiveness
24% Popularity • 88% Danceability • 46% Energy • 8% Liveness
92% Instrumentalness • 97% Positiveness
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John Fahey
John Henry Variations - Re-Recorded Vers...
101 bpm • D Maj • 05:13 • -18.41db
12% Popularity • 25% Danceability • 22% Energy • 12% Liveness
75% Instrumentalness • 24% Positiveness
12% Popularity • 25% Danceability • 22% Energy • 12% Liveness
75% Instrumentalness • 24% Positiveness
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Tim Buckley
I Never Asked to Be Your Mountain
102 bpm • G# Maj • 06:04 • -13db
29% Popularity • 26% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 26% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Captain Beefheart & His Magic Band
A Carrot Is As Close As A Rabbit Gets To...
102 bpm • C Maj • 01:38 • -16.2db
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
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Bridget St John
To B Without a Hitch
102 bpm • G# Maj • 03:07 • -17db
28% Popularity • 47% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
28% Popularity • 47% Danceability • 13% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Sir Richard Bishop
Elysium Number Five
94 bpm • A min • 02:02 • -11.87db
32% Popularity • 71% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
32% Popularity • 71% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Link Wray
Ice People
95 bpm • G# Maj • 03:03 • -12.82db
33% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
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John Fahey
My Grandfather's Clock
95 bpm • G Maj • 01:29 • -9.87db
27% Popularity • 66% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
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Simon Finn
Laughing 'Til Tomorrow
102 bpm • D Maj • 02:54 • -11.74db
14% Popularity • 55% Danceability • 23% Energy • 22% Liveness
17% Instrumentalness • 20% Positiveness
14% Popularity • 55% Danceability • 23% Energy • 22% Liveness
17% Instrumentalness • 20% Positiveness
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Six Organs Of Admittance
Words For Two
94 bpm • G Maj • 01:40 • -20.9db
47% Popularity • 43% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 62% Positiveness
47% Popularity • 43% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 62% Positiveness
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Felt
Indian Scriptures
102 bpm • A# Maj • 01:34 • -13.49db
33% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
33% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Sir Richard Bishop
Cross My Palm With Silver
102 bpm • A# min • 04:02 • -13.48db
14% Popularity • 32% Danceability • 36% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
14% Popularity • 32% Danceability • 36% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
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Mark Fry
La lune
102 bpm • C min • 00:59 • -25.89db
33% Popularity • 62% Danceability • 1% Energy • 11% Liveness
69% Instrumentalness • 25% Positiveness
33% Popularity • 62% Danceability • 1% Energy • 11% Liveness
69% Instrumentalness • 25% Positiveness
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Jonathan Richman
Twilight In Boston
102 bpm • G Maj • 04:12 • -26db
30% Popularity • 63% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 43% Positiveness
30% Popularity • 63% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 43% Positiveness
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Dylan Golden Aycock
Lord It Over
102 bpm • G Maj • 04:38 • -10.93db
15% Popularity • 30% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 14% Positiveness
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John Fahey
Requiem For John Hurt
102 bpm • C Maj • 05:10 • -13.8db
28% Popularity • 19% Danceability • 38% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 38% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
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Mimi And Richard Farina
Tommy Makem Fantasy - Instrumental
94 bpm • C# min • 01:33 • -13.66db
24% Popularity • 31% Danceability • 59% Energy • 7% Liveness
70% Instrumentalness • 80% Positiveness
24% Popularity • 31% Danceability • 59% Energy • 7% Liveness
70% Instrumentalness • 80% Positiveness
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Robbie Basho
Pasha - Vocal
94 bpm • C# min • 09:02 • -13.13db
9% Popularity • 24% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 24% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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North Americans
Grayling
94 bpm • D Maj • 03:07 • -22.67db
33% Popularity • 24% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
33% Popularity • 24% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Glenn Jones
June Too Soon, October All Over
103 bpm • D Maj • 03:21 • -13.89db
20% Popularity • 23% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
20% Popularity • 23% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Tia Blake
Jane, Jane
103 bpm • E min • 03:37 • -23db
35% Popularity • 67% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 52% Positiveness
35% Popularity • 67% Danceability • 12% Energy • 9% Liveness
20% Instrumentalness • 52% Positiveness
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Captain Beefheart & His Magic Band
One Red Rose That I Mean
103 bpm • A min • 01:52 • -20.02db
18% Popularity • 66% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 70% Positiveness
18% Popularity • 66% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 70% Positiveness
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John Fahey
Tell Her To Come Back Home
93 bpm • B Maj • 02:40 • -8.33db
21% Popularity • 33% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
21% Popularity • 33% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 72% Positiveness
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Hayden Pedigo
Jade Rhino
103 bpm • G Maj • 02:44 • -13.91db
19% Popularity • 28% Danceability • 25% Energy • 14% Liveness
74% Instrumentalness • 16% Positiveness
19% Popularity • 28% Danceability • 25% Energy • 14% Liveness
74% Instrumentalness • 16% Positiveness
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Bridget St John
Autumn Lullaby
93 bpm • D Maj • 03:01 • -18.32db
25% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ryley Walker
Rocks on Rainbow
104 bpm • G Maj • 01:45 • -13.43db
39% Popularity • 42% Danceability • 40% Energy • 16% Liveness
89% Instrumentalness • 90% Positiveness
39% Popularity • 42% Danceability • 40% Energy • 16% Liveness
89% Instrumentalness • 90% Positiveness
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Jackie O Motherfucker
Beautiful September
104 bpm • G Maj • 10:13 • -12.38db
10% Popularity • 40% Danceability • 42% Energy • 12% Liveness
79% Instrumentalness • 30% Positiveness
10% Popularity • 40% Danceability • 42% Energy • 12% Liveness
79% Instrumentalness • 30% Positiveness
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Chayns
Live with the Moon
93 bpm • A Maj • 03:06 • -8db
29% Popularity • 48% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
29% Popularity • 48% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
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John Fahey
Impressions Of Susan
93 bpm • D# Maj • 05:06 • -8.63db
29% Popularity • 28% Danceability • 57% Energy • 34% Liveness
83% Instrumentalness • 20% Positiveness
29% Popularity • 28% Danceability • 57% Energy • 34% Liveness
83% Instrumentalness • 20% Positiveness
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Elizabeth Cotten
Vastopol
104 bpm • F# Maj • 02:10 • -21.81db
36% Popularity • 38% Danceability • 21% Energy • 13% Liveness
96% Instrumentalness • 72% Positiveness
36% Popularity • 38% Danceability • 21% Energy • 13% Liveness
96% Instrumentalness • 72% Positiveness
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Fred Neil
Felicity
104 bpm • E min • 01:37 • -13.87db
29% Popularity • 50% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 50% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Fosson
Cosmic Hiccup
92 bpm • F Maj • 03:18 • -11.43db
12% Popularity • 33% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
12% Popularity • 33% Danceability • 42% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
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Six Organs Of Admittance
Awaken
104 bpm • C# Maj • 01:43 • -19.66db
22% Popularity • 58% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
22% Popularity • 58% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Loren Connors
Now Who Are These Guys?
104 bpm • B min • 05:20 • -34.13db
21% Popularity • 44% Danceability • 0% Energy • 13% Liveness
72% Instrumentalness • 10% Positiveness
21% Popularity • 44% Danceability • 0% Energy • 13% Liveness
72% Instrumentalness • 10% Positiveness
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John Fahey
Dvorak
103 bpm • G Maj • 03:40 • -22.09db
17% Popularity • 36% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 11% Positiveness
17% Popularity • 36% Danceability • 7% Energy • 14% Liveness
88% Instrumentalness • 11% Positiveness
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Elizabeth Cotten
Take Me Back to Baltimore
104 bpm • A# Maj • 01:59 • -17.5db
30% Popularity • 40% Danceability • 20% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
30% Popularity • 40% Danceability • 20% Energy • 15% Liveness
89% Instrumentalness • 86% Positiveness
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Jack Rose
Rappahanock River Rag (For William Moore...
104 bpm • E Maj • 02:46 • -5.18db
17% Popularity • 28% Danceability • 74% Energy • 25% Liveness
98% Instrumentalness • 39% Positiveness
17% Popularity • 28% Danceability • 74% Energy • 25% Liveness
98% Instrumentalness • 39% Positiveness
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Bill MacKay
I Heard Them Singing
104 bpm • B min • 02:17 • -12.9db
35% Popularity • 49% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
35% Popularity • 49% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
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Kath Bloom
Out in the Woods - Instrumental
92 bpm • C# Maj • 01:58 • -25.24db
9% Popularity • 34% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
9% Popularity • 34% Danceability • 4% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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The Red Krayola
Victory Garden (2011 Sonic Boom Remaster...
92 bpm • C Maj • 01:51 • -15.3db
19% Popularity • 57% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
19% Popularity • 57% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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John Fahey
Worried Blues
93 bpm • C# min • 02:20 • -16.07db
21% Popularity • 34% Danceability • 31% Energy • 26% Liveness
92% Instrumentalness • 66% Positiveness
21% Popularity • 34% Danceability • 31% Energy • 26% Liveness
92% Instrumentalness • 66% Positiveness
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Glenn Jones
Bergen County Farewell
105 bpm • C Maj • 03:34 • -11.85db
18% Popularity • 41% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
18% Popularity • 41% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 27% Positiveness
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Jack Rose
Tower Of Babel
104 bpm • F# Maj • 07:04 • -13.88db
8% Popularity • 29% Danceability • 27% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 29% Danceability • 27% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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Elizabeth Cotten
In the Sweet Bye and Bye
92 bpm • B Maj • 01:24 • -17.09db
28% Popularity • 42% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 82% Positiveness
28% Popularity • 42% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 82% Positiveness
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The Incredible String Band
The Half-Remarkable Question - 2010 Rema...
105 bpm • D Maj • 05:03 • -12.51db
17% Popularity • 42% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 42% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Six Organs Of Admittance
They Fixed The Broken Windmill Today
105 bpm • F Maj • 07:18 • -15.6db
25% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
25% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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John Fahey
When The Springtime Comes Again
92 bpm • D# Maj • 03:50 • -18db
26% Popularity • 48% Danceability • 15% Energy • 26% Liveness
83% Instrumentalness • 10% Positiveness
26% Popularity • 48% Danceability • 15% Energy • 26% Liveness
83% Instrumentalness • 10% Positiveness
