Songs like De Curtis: Torna a Surriento (Arr. Chiaramello) by Ernesto de Curtis
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Vorrei spiegarvi, oh Dio, K.418
98 bpm • A Maj • 06:38 • -18.41db
27% Popularity • 30% Danceability • 8% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 30% Danceability • 8% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Voices of Spring Waltz, Op. 410
99 bpm • C min • 06:57 • -22.38db
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Albert Ketèlbey
In a Chinese Temple-Garden
97 bpm • D Maj • 06:52 • -22db
8% Popularity • 18% Danceability • 11% Energy • 43% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 43% Liveness
84% Instrumentalness • 8% Positiveness
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Franz Lehár
Die lustige Witwe / Act 2: Vilja-Lied
97 bpm • G Maj • 05:57 • -22.68db
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
99 bpm • A# Maj • 09:09 • -19.52db
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Teresa Berganza
"Habanera: Canta Y No Llores" (Don Gil D...
97 bpm • A# Maj • 02:23 • -7db
20% Popularity • 21% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 21% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Émile Waldteufel
Estudiantina, Waltz, Op. 191
99 bpm • D Maj • 06:46 • -15.28db
22% Popularity • 37% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 56% Positiveness
22% Popularity • 37% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 56% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Katia Ricciarelli
A. Vucchella
96 bpm • F Maj • 02:04 • -14.24db
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 12% Positiveness
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A.M.P.
Barcarola ("La Vita È Bella")
100 bpm • D Maj • 03:28 • -19db
31% Popularity • 22% Danceability • 16% Energy • 39% Liveness
86% Instrumentalness • 24% Positiveness
31% Popularity • 22% Danceability • 16% Energy • 39% Liveness
86% Instrumentalness • 24% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture
97 bpm • E Maj • 06:47 • -22.02db
12% Popularity • 33% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 21% Positiveness
12% Popularity • 33% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 21% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: Cielo e mar!
96 bpm • D# Maj • 04:23 • -16.56db
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Strauss Festival Orchestra
Rosen Aus Dem Suden (Roses From The Sout...
100 bpm • F Maj • 08:24 • -19db
16% Popularity • 34% Danceability • 10% Energy • 7% Liveness
68% Instrumentalness • 33% Positiveness
16% Popularity • 34% Danceability • 10% Energy • 7% Liveness
68% Instrumentalness • 33% Positiveness
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Luis Bacalov
Il Postino - Guitar And Bandoneon Versio...
100 bpm • A Maj • 03:12 • -19db
38% Popularity • 43% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
38% Popularity • 43% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
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Luis Cobos
Valse brindisi - Remasterizado
100 bpm • D Maj • 08:24 • -19.87db
8% Popularity • 32% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 32% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Orchestra of the Vienna Opera
Vals No. 2
96 bpm • C min • 03:37 • -10.62db
33% Popularity • 40% Danceability • 40% Energy • 6% Liveness
96% Instrumentalness • 46% Positiveness
33% Popularity • 40% Danceability • 40% Energy • 6% Liveness
96% Instrumentalness • 46% Positiveness
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Leonard Bernstein
Bernstein / Arr. Schifrin: Around the Wo...
96 bpm • D Maj • 00:54 • -18.17db
24% Popularity • 48% Danceability • 43% Energy • 96% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 48% Danceability • 43% Energy • 96% Liveness
0% Instrumentalness • 66% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Act I: Piano, p...
100 bpm • G Maj • 02:57 • -28db
14% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ernesto de Curtis
Non ti scordar di me
100 bpm • G Maj • 03:49 • -15.97db
0% Popularity • 22% Danceability • 17% Energy • 12% Liveness
48% Instrumentalness • 5% Positiveness
0% Popularity • 22% Danceability • 17% Energy • 12% Liveness
48% Instrumentalness • 5% Positiveness
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Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tommaso Giordani
Caro mio ben (Arr. Marriner)
96 bpm • D Maj • 03:11 • -18.61db
8% Popularity • 22% Danceability • 17% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
8% Popularity • 22% Danceability • 17% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Yuri Sazonoff & Jerry Caringi
La Boheme: "Musetta's Waltz"
96 bpm • A Maj • 02:59 • -21.04db
11% Popularity • 26% Danceability • 8% Energy • 18% Liveness
67% Instrumentalness • 28% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 18% Liveness
67% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
96 bpm • A Maj • 03:19 • -13db
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Anna Moffo
Verdi: La Traviata: Un di, felice, etere...
95 bpm • F Maj • 03:17 • -15.55db
13% Popularity • 32% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
13% Popularity • 32% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Edvard Grieg
Norwegian Peasant Dances, Op. 72
95 bpm • D Maj • 02:19 • -19.12db
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 30% Positiveness
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Frédéric Chopin
Polonesa Heroica
95 bpm • G# Maj • 06:40 • -22db
26% Popularity • 33% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
26% Popularity • 33% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Albert Ketèlbey
In a Monastery Garden
102 bpm • F Maj • 05:28 • -26db
11% Popularity • 14% Danceability • 6% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 6% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
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Barbara Hendricks
Ave Maria (Ellen's Gesang) D.839
102 bpm • A# Maj • 06:15 • -24.42db
25% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 5% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
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Franz Lehár
Lehár / Arr. Schifrin: Around the World...
102 bpm • G Maj • 02:37 • -18.59db
31% Popularity • 26% Danceability • 20% Energy • 97% Liveness
3% Instrumentalness • 32% Positiveness
31% Popularity • 26% Danceability • 20% Energy • 97% Liveness
3% Instrumentalness • 32% Positiveness
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Georges Bizet
Les Pêcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
18% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
18% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Ermes Alessandro Mario
Santa Lucia luntana (Arr. Chiaramello)
102 bpm • E Maj • 05:45 • -16.61db
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
38% Popularity • 26% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Guadalupe Pineda
O Mio Babbino Caro - Giacomo Puccini / G...
94 bpm • G# Maj • 02:22 • -11db
33% Popularity • 25% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
33% Popularity • 25% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Luis Bacalov
Milonga del Poeta
102 bpm • C min • 01:16 • -12.58db
42% Popularity • 35% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
42% Popularity • 35% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
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Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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Leo Nucci
Lasciami cantare una canzone
94 bpm • D Maj • 05:36 • -13.83db
8% Popularity • 23% Danceability • 22% Energy • 13% Liveness
10% Instrumentalness • 10% Positiveness
8% Popularity • 23% Danceability • 22% Energy • 13% Liveness
10% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 2: "Porg...
103 bpm • D# Maj • 03:57 • -21.41db
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
93 bpm • E Maj • 07:07 • -13db
26% Popularity • 35% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
26% Popularity • 35% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
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Renata Tebaldi
Gala Sequence
93 bpm • G Maj • 05:06 • -20.61db
14% Popularity • 25% Danceability • 15% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 25% Danceability • 15% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. M. Mavisakalian)
93 bpm • D min • 03:39 • -8.82db
0% Popularity • 24% Danceability • 43% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
0% Popularity • 24% Danceability • 43% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
15% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Tito Schipa
O sole mio
104 bpm • A# Maj • 02:34 • -14db
16% Popularity • 38% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 38% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Salvatore Cardillo
Catari', Catari' (Core 'ngrato)
93 bpm • D# Maj • 04:59 • -12.68db
15% Popularity • 21% Danceability • 22% Energy • 35% Liveness
3% Instrumentalness • 11% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 35% Liveness
3% Instrumentalness • 11% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "L'amour es...
104 bpm • D Maj • 04:17 • -23.98db
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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OperaBabes
Casta Diva
104 bpm • F Maj • 05:24 • -14db
20% Popularity • 20% Danceability • 22% Energy • 14% Liveness
10% Instrumentalness • 6% Positiveness
20% Popularity • 20% Danceability • 22% Energy • 14% Liveness
10% Instrumentalness • 6% Positiveness
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Astor Piazzolla
Astor Piazzolla: Oblivion
92 bpm • C min • 03:04 • -17db
16% Popularity • 24% Danceability • 24% Energy • 16% Liveness
30% Instrumentalness • 30% Positiveness
16% Popularity • 24% Danceability • 24% Energy • 16% Liveness
30% Instrumentalness • 30% Positiveness
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The Slovak Philharmonic Orchestra, Libor Pesek
Symphony No 40: Molto Allegro
104 bpm • G min • 07:51 • -18db
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Waldo De Los RÃos
Handel: Messiah, HWV 56, Pt. 2, Scene 7:...
92 bpm • D Maj • 04:24 • -8.51db
22% Popularity • 39% Danceability • 48% Energy • 11% Liveness
80% Instrumentalness • 52% Positiveness
22% Popularity • 39% Danceability • 48% Energy • 11% Liveness
80% Instrumentalness • 52% Positiveness
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Tomaso Albinoni
Albinoni / Arr. Giazotto: Adagio in G Mi...
104 bpm • C min • 08:13 • -18.77db
28% Popularity • 16% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 14% Energy • 15% Liveness
87% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Sinfonia
92 bpm • E Maj • 07:02 • -17.8db
23% Popularity • 37% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 34% Positiveness
23% Popularity • 37% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 34% Positiveness
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Orquesta Concierto de Viena
Rosas del Sur
92 bpm • A# Maj • 02:28 • -13db
39% Popularity • 32% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 52% Positiveness
39% Popularity • 32% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 52% Positiveness
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Salvatore Cardillo
Core 'ngrato: Core 'ngrato - Remastered ...
92 bpm • D# Maj • 03:28 • -11.42db
20% Popularity • 19% Danceability • 48% Energy • 95% Liveness
3% Instrumentalness • 28% Positiveness
20% Popularity • 19% Danceability • 48% Energy • 95% Liveness
3% Instrumentalness • 28% Positiveness
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Ernesto de Curtis
Non ti scordar di me (Arr. Langley)
92 bpm • G Maj • 03:46 • -16.59db
4% Popularity • 21% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
4% Popularity • 21% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
105 bpm • B Maj • 05:00 • -18.91db
23% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 30% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
29% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
29% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Francesco Paolo Tosti
'A vucchella - Live
92 bpm • F Maj • 02:41 • -23.59db
19% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
20% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
21% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
Non ti scordar di me
105 bpm • G Maj • 03:09 • -12.24db
0% Popularity • 27% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 27% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
91 bpm • C Maj • 01:48 • -21db
25% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Leonard Bernstein
West Side Story: Somewhere
91 bpm • E Maj • 03:13 • -22.76db
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
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Gran Orquesta Sinfonica
El Último Romántico: "Bella Enamorada"
91 bpm • E Maj • 04:05 • -12.86db
13% Popularity • 42% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 42% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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George Frideric Handel
Rinaldo, HWV 7, Act II, Scene 4: Aria "L...
106 bpm • E Maj • 04:03 • -19.21db
30% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Tito Schipa
Torna A Surriento
91 bpm • F Maj • 03:03 • -17db
10% Popularity • 26% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 26% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Georges Bizet
Carmen, Act I: Habanera. L'amour est un ...
107 bpm • E min • 04:51 • -21db
13% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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All Angels
Offenbach: Barcarolle
90 bpm • D Maj • 03:25 • -10.52db
45% Popularity • 18% Danceability • 27% Energy • 22% Liveness
34% Instrumentalness • 8% Positiveness
45% Popularity • 18% Danceability • 27% Energy • 22% Liveness
34% Instrumentalness • 8% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Teodoro Cottrau
Santa Lucia
90 bpm • D# Maj • 04:15 • -13.07db
8% Popularity • 26% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 26% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Waldo De Los RÃos
La traviata
107 bpm • C Maj • 03:39 • -10db
28% Popularity • 24% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
28% Popularity • 24% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Jerónimo Giménez
"La tarántula e un bicho"
108 bpm • C Maj • 01:32 • -19.52db
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
21% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
30% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Albert Ketèlbey
In a Persian Market
108 bpm • D min • 06:46 • -23db
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 9% Positiveness
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Ernesto de Curtis
Ti voglio tanto bene (Arr. E. Monti for ...
89 bpm • D Maj • 02:57 • -15db
0% Popularity • 24% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 9% Positiveness
0% Popularity • 24% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 9% Positiveness
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Manuel Penella
Don Gil de Alcalá: "Acto II": Todas las...
89 bpm • A# Maj • 02:20 • -14db
22% Popularity • 21% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 21% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Eduardo di Capua
Di Capua, Mazzucchi: O Sole Mio
89 bpm • G Maj • 04:38 • -10.42db
32% Popularity • 23% Danceability • 32% Energy • 76% Liveness
26% Instrumentalness • 32% Positiveness
32% Popularity • 23% Danceability • 32% Energy • 76% Liveness
26% Instrumentalness • 32% Positiveness
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Narciso Yepes
Jeux interdits (Romance)
109 bpm • A min • 02:23 • -26.93db
29% Popularity • 70% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
29% Popularity • 70% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 23% Positiveness
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Jerónimo Giménez
La tempranica: La tarantula e un bicho m...
109 bpm • C Maj • 01:43 • -16.49db
13% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Orquesta Concierto de Viena
Las Verdes y Bellas Campiñas
88 bpm • A# Maj • 02:30 • -13db
40% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
40% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Ernesto de Curtis
Non ti scordar di me
108 bpm • A min • 03:14 • -12.9db
0% Popularity • 26% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 26% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Les Pêcheurs de perles, Act 1: "...
88 bpm • D# Maj • 05:26 • -18db
21% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
21% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Zurab Sotkilava
Tosca, Act 1: "Recondita armonia"
88 bpm • F Maj • 02:47 • -9.23db
15% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 22% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Giovacchino Forzano
Gianni Schicchi: Oh! Mio Babbino Caro
88 bpm • G# Maj • 02:08 • -11.68db
23% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Cesare Andrea Bixio
Vivere
109 bpm • D Maj • 03:28 • -10.85db
20% Popularity • 37% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 37% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 50% Positiveness
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Ernesto de Curtis
Non ti scordar di me
89 bpm • E Maj • 03:46 • -14.83db
1% Popularity • 25% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
1% Popularity • 25% Danceability • 20% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
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Waldo De Los RÃos
Aida, Act II: Marcha triunfal
88 bpm • D# Maj • 02:58 • -6.95db
27% Popularity • 41% Danceability • 49% Energy • 3% Liveness
30% Instrumentalness • 62% Positiveness
27% Popularity • 41% Danceability • 49% Energy • 3% Liveness
30% Instrumentalness • 62% Positiveness
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Luis Cobos
Nessun dorma - finale - Remasterizado
88 bpm • G Maj • 06:51 • -14.74db
9% Popularity • 16% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Strauss II
Vienna Blood Waltz, Op. 354
110 bpm • C Maj • 07:48 • -16db
30% Popularity • 33% Danceability • 18% Energy • 20% Liveness
71% Instrumentalness • 23% Positiveness
30% Popularity • 33% Danceability • 18% Energy • 20% Liveness
71% Instrumentalness • 23% Positiveness