Songs like De la Muerte Libre by Friedrich Nietzsche
Based on a tempo of (+/- 10%) and a similar genre
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Friedrich Nietzsche
De la Muerte Libre
83 bpm • D Maj • 07:30 • -15.35db
8% Popularity • 62% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 62% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Georg Christoph Lichtenberg
Lichtenberg: SudelbĂĽcher, 13. Kapitel.3...
83 bpm • C# Maj • 03:18 • -21.59db
0% Popularity • 77% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 77% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Lili Boulanger
D'un vieux jardin
83 bpm • D Maj • 03:30 • -30db
28% Popularity • 41% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 41% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
57% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Franz Schubert
Schubert: Fischerweise, Op. 96 No. 4, D....
83 bpm • D Maj • 03:21 • -19.57db
7% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Friedrich Nietzsche
De los Sublimes
83 bpm • D Maj • 06:48 • -15.86db
5% Popularity • 60% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 60% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Dmitri Shostakovich
String Quartet No. 1 in C Major, Op. 49:...
83 bpm • A Maj • 04:34 • -24.53db
10% Popularity • 28% Danceability • 3% Energy • 10% Liveness
61% Instrumentalness • 7% Positiveness
10% Popularity • 28% Danceability • 3% Energy • 10% Liveness
61% Instrumentalness • 7% Positiveness
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Claude Debussy
Suite bergamasque, L.75: 2. Menuet
83 bpm • E min • 03:55 • -31.75db
26% Popularity • 35% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
26% Popularity • 35% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 19% Positiveness
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Georg Christoph Lichtenberg
Lichtenberg: SudelbĂĽcher, 13. Kapitel.2...
83 bpm • C# Maj • 03:09 • -21.86db
0% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
47% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
47% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Agnus Dei
83 bpm • D Maj • 04:13 • -29db
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich Nietzsche
De los Despreciadores del Cuerpo
82 bpm • D Maj • 05:56 • -19db
11% Popularity • 66% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 66% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Fanny Mendelssohn
Piano Sonata in G Minor: I. Allegro molt...
82 bpm • D Maj • 03:56 • -22db
10% Popularity • 31% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
10% Popularity • 31% Danceability • 16% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
26% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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Bedřich Smetana
Treasury of Melodies, JB 1:49: III. Fina...
82 bpm • G Maj • 02:13 • -22.62db
18% Popularity • 53% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
18% Popularity • 53% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 84% Positiveness
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Dmitri Shostakovich
String Quartet No. 15 in E-Flat Minor, O...
84 bpm • D# min • 04:43 • -26.45db
22% Popularity • 13% Danceability • 2% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 2% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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2mørVs
The Murderers Of All Murderers
81 bpm • E min • 03:05 • -10.56db
3% Popularity • 69% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 69% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Friedrich Nietzsche
De las Tres Transformaciones
82 bpm • A Maj • 06:46 • -16db
13% Popularity • 69% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 69% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 2 in G Maj...
81 bpm • C min • 03:04 • -38.04db
38% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
38% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Aria. Agnus De...
81 bpm • B min • 05:00 • -26db
39% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
39% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 2 in ...
85 bpm • D min • 01:40 • -22.77db
22% Popularity • 34% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
22% Popularity • 34% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Alexander Scriabin
Piano Sonata No. 1 in F minor, Op. 6: 1....
85 bpm • F min • 06:34 • -19.84db
4% Popularity • 27% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
4% Popularity • 27% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: I. Allegro ...
81 bpm • E min • 03:27 • -22db
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
20% Popularity • 23% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
81 bpm • C min • 06:37 • -30db
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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CĂ©sar Franck
Sonata for Violin and Piano in A: 1. All...
85 bpm • F# min • 06:16 • -25.02db
13% Popularity • 22% Danceability • 4% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
23% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Piano Quartet No. 1 in C Minor, Op. 15: ...
81 bpm • F min • 09:30 • -17db
14% Popularity • 22% Danceability • 15% Energy • 11% Liveness
68% Instrumentalness • 8% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 11% Liveness
68% Instrumentalness • 8% Positiveness
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Friedrich Nietzsche
De las Tarántulas
85 bpm • D Maj • 09:29 • -15db
6% Popularity • 62% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 62% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Frédéric Chopin
Fantasy on Polish Airs, Op. 13: Largo no...
81 bpm • A Maj • 04:55 • -33.71db
50% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: Keyboard Trio in G Major, Hob. XV...
81 bpm • E Maj • 06:20 • -24.31db
8% Popularity • 16% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 11% Liveness
14% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
52% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
52% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Claude Debussy
Cello Sonata in D Minor, L. 135: I. Prol...
85 bpm • D min • 04:12 • -24.02db
14% Popularity • 21% Danceability • 3% Energy • 13% Liveness
80% Instrumentalness • 15% Positiveness
14% Popularity • 21% Danceability • 3% Energy • 13% Liveness
80% Instrumentalness • 15% Positiveness
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Viktor Stepanovych Kosenko
24 Children's Pieces, Op. 25: No. 15. Lu...
81 bpm • C# Maj • 01:49 • -34db
21% Popularity • 43% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 26% Positiveness
21% Popularity • 43% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 26% Positiveness
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Friedrich Nietzsche
Del Pasar de Largo
81 bpm • B min • 08:41 • -15.76db
3% Popularity • 62% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 62% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Franz Liszt
Chapelle de Guillaume Tell
81 bpm • C Maj • 06:10 • -20.51db
9% Popularity • 30% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
52% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
52% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Sonata No. 1 in F Major for Cello and Pi...
80 bpm • F Maj • 02:49 • -25.71db
15% Popularity • 28% Danceability • 1% Energy • 13% Liveness
98% Instrumentalness • 14% Positiveness
15% Popularity • 28% Danceability • 1% Energy • 13% Liveness
98% Instrumentalness • 14% Positiveness
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Tangolicious Ya
Ariba
80 bpm • F min • 01:08 • -18.21db
15% Popularity • 28% Danceability • 19% Energy • 12% Liveness
83% Instrumentalness • 36% Positiveness
15% Popularity • 28% Danceability • 19% Energy • 12% Liveness
83% Instrumentalness • 36% Positiveness
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Felix Blumenfeld
Etude De Concert In F Sharp Minor, Op. 2...
86 bpm • F# min • 04:35 • -23db
13% Popularity • 31% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 13% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 8% Liveness
87% Instrumentalness • 13% Positiveness
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Friedrich Nietzsche
Del Nuevo ĂŤdolo
86 bpm • D Maj • 07:27 • -16db
9% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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AntonĂn Dvořák
Violin Concerto in A Minor, Op. 53, B. 9...
80 bpm • F# min • 01:56 • -22.91db
17% Popularity • 39% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 44% Positiveness
17% Popularity • 39% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 44% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
37% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
37% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Georg Christoph Lichtenberg
Lichtenberg: SudelbĂĽcher, 11. Kapitel.3...
80 bpm • C# Maj • 03:14 • -21.94db
0% Popularity • 66% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
0% Popularity • 66% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Musica Clasica
Orquesta Clasica
80 bpm • F# Maj • 03:21 • -15.52db
18% Popularity • 38% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 39% Positiveness
18% Popularity • 38% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 39% Positiveness
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Olive the Otter Dog
In a Doleful Train
80 bpm • A# Maj • 01:28 • -25.88db
16% Popularity • 63% Danceability • 9% Energy • 8% Liveness
81% Instrumentalness • 13% Positiveness
16% Popularity • 63% Danceability • 9% Energy • 8% Liveness
81% Instrumentalness • 13% Positiveness
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DePaul Osaze
Be Mad Be Wild Be Different
86 bpm • D# min • 02:28 • -15.24db
14% Popularity • 24% Danceability • 13% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
14% Popularity • 24% Danceability • 13% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
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Giovanni Bottesini
Adagio melanconico ed appassionato (Eleg...
80 bpm • A min • 06:32 • -19.46db
8% Popularity • 15% Danceability • 10% Energy • 14% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 15% Danceability • 10% Energy • 14% Liveness
93% Instrumentalness • 19% Positiveness
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Maurice Ravel
Pavane Pour Une Infante DĂ©funte
80 bpm • E min • 06:21 • -29db
34% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
34% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
43% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
43% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Kommt, ihr To...
87 bpm • E min • 06:36 • -19.8db
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
48% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 3. Notturno
87 bpm • F# Maj • 04:01 • -28.67db
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Friedrich Nietzsche
La CanciĂłn del Baile
79 bpm • D Maj • 07:15 • -17db
6% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
6% Popularity • 59% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
64% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Georg Christoph Lichtenberg
Lichtenberg: SudelbĂĽcher, 12. Kapitel.2...
79 bpm • A Maj • 03:12 • -21.9db
0% Popularity • 67% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 67% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
87 bpm • D# Maj • 05:39 • -26db
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
CĂ©cile Chaminade
3 Romances sans paroles : No. 1, Souvena...
87 bpm • B min • 01:59 • -30db
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Johannes Brahms
Variations on a Theme by Robert Schumann...
79 bpm • A Maj • 01:20 • -33.53db
30% Popularity • 53% Danceability • 0% Energy • 8% Liveness
64% Instrumentalness • 9% Positiveness
30% Popularity • 53% Danceability • 0% Energy • 8% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Leoš Janáček
String Quartet No. 2 'Intimate Pages': S...
88 bpm • C# min • 05:27 • -19.84db
8% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
57% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
► Preview
Franz Schubert
Winterreise, Op. 89, D. 911: No. 4, Erst...
78 bpm • F min • 02:55 • -23.68db
8% Popularity • 17% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Frédéric Chopin
24 Preludes, Op. 28: Prelude No. 9 in E ...
78 bpm • E Maj • 01:28 • -20.16db
47% Popularity • 32% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 32% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Johann Ludwig Krebs
Krebs: Keyboard Partita No. 6 in E-Flat ...
78 bpm • D# Maj • 01:22 • -32.53db
21% Popularity • 46% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 75% Positiveness
21% Popularity • 46% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 75% Positiveness
► Preview
Jean Sibelius
4 Lyric Pieces, Op. 74: No. 2 Sanfter We...
78 bpm • F# Maj • 01:56 • -28db
40% Popularity • 28% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 28% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
BĂ©la BartĂłk
Allegro barbaro, BB 63: Allegro barbaro,...
88 bpm • B min • 02:49 • -20db
15% Popularity • 22% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Danke Timi Briggs
The Truth Lies in on the Lips of Dead
78 bpm • A# Maj • 02:06 • -16.96db
15% Popularity • 20% Danceability • 28% Energy • 39% Liveness
59% Instrumentalness • 28% Positiveness
15% Popularity • 20% Danceability • 28% Energy • 39% Liveness
59% Instrumentalness • 28% Positiveness
► Preview
LĂ©o Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
► Preview
Erik Satie
Je te veux
78 bpm • C Maj • 04:19 • -16.82db
17% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Stephen Heller
XV: Warrior's Song
89 bpm • D min • 01:45 • -14db
31% Popularity • 50% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 14% Positiveness
31% Popularity • 50% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 14% Positiveness
► Preview
Michael Tippett
String Quartet No.1: II. Lento cantabile...
89 bpm • C# Maj • 06:53 • -25db
8% Popularity • 14% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 3% Positiveness
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Georg Christoph Lichtenberg
Lichtenberg: SudelbĂĽcher, 15. Kapitel.2...
78 bpm • C# Maj • 03:05 • -21.1db
0% Popularity • 62% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 62% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Toccata in D Minor, BWV 913: I. —
89 bpm • C# min • 02:50 • -21.27db
13% Popularity • 26% Danceability • 22% Energy • 6% Liveness
43% Instrumentalness • 31% Positiveness
13% Popularity • 26% Danceability • 22% Energy • 6% Liveness
43% Instrumentalness • 31% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: Violin Sonata No. 3 in D Minor, ...
90 bpm • A Maj • 05:24 • -33.25db
16% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Violin Concerto “Distant light” (199...
90 bpm • C Maj • 01:45 • -21.91db
7% Popularity • 33% Danceability • 4% Energy • 33% Liveness
76% Instrumentalness • 13% Positiveness
7% Popularity • 33% Danceability • 4% Energy • 33% Liveness
76% Instrumentalness • 13% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
90 bpm • D Maj • 03:26 • -28db
8% Popularity • 22% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
90 bpm • C# min • 06:50 • -23.77db
9% Popularity • 14% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Tangolicious Ya
Lueca Tijuana
90 bpm • A min • 01:12 • -23db
15% Popularity • 67% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
15% Popularity • 67% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Georg Christoph Lichtenberg
Lichtenberg: SudelbĂĽcher, 10. Kapitel.3...
90 bpm • C# Maj • 03:06 • -22.05db
0% Popularity • 73% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 73% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Friedrich Nietzsche
Einleitung - III
76 bpm • A# min • 01:40 • -29.63db
19% Popularity • 43% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
19% Popularity • 43% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Eugène Ysaÿe
Sonata No.3 in D Minor, Op. 27 No. 3 : B...
91 bpm • D Maj • 07:31 • -16db
12% Popularity • 26% Danceability • 18% Energy • 6% Liveness
3% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 18% Energy • 6% Liveness
3% Instrumentalness • 7% Positiveness
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Claude Debussy
Nocturnes: No. 1. Nuages
76 bpm • C Maj • 08:17 • -43db
34% Popularity • 10% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
76 bpm • C# Maj • 05:38 • -24db
10% Popularity • 32% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
10% Popularity • 32% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Requiem In D Minor, K.626: 1. Introitus:...
76 bpm • D min • 05:24 • -20.43db
43% Popularity • 8% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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CĂ©sar Franck
Prélude, fugue et variation in B Minor,...
76 bpm • B min • 03:21 • -29db
13% Popularity • 42% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
13% Popularity • 42% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Friedrich Nietzsche
En el Monte de los Olivos
76 bpm • F# min • 08:54 • -16.64db
3% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 3 Auf dem Ta...
91 bpm • C Maj • 01:44 • -22db
37% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
37% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
► Preview
Franz Liszt
Romance oubliee
76 bpm • F# min • 04:49 • -32db
29% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Dichterliebe, Op. 48: X. Hör' ich das L...
76 bpm • G min • 01:55 • -27db
32% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Sergei Rachmaninoff
Morceaux de fantaisie, Op. 3: 5 Morceaux...
91 bpm • A Maj • 04:24 • -19db
35% Popularity • 42% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 42% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 2...
76 bpm • C# Maj • 04:08 • -28.42db
24% Popularity • 23% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
