Songs like Dead Girl Walking by Barrett Wilbert Weed
Based on a tempo of (+/- 10%) and a similar genre
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Barrett Wilbert Weed
Dead Girl Walking
106 bpm • D# Maj • 03:24 • -6.5db
64% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Mandy Moore
Crossing the Line
106 bpm • A# Maj • 02:42 • -6.61db
47% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jeremy Jordan
Moving Too Fast
106 bpm • F Maj • 04:04 • -7.72db
43% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Depp
A Little Priest
106 bpm • F# Maj • 05:15 • -14.69db
33% Popularity • 53% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 53% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Borle
Chip on My Shoulder
105 bpm • G# Maj • 08:50 • -15.16db
48% Popularity • 67% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 67% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Leslie Odom Jr.
Dear Theodosia
107 bpm • A Maj • 03:04 • -10.48db
66% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
66% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Jorge Rivera-Herrans
Just a Man
107 bpm • F Maj • 02:30 • -7.75db
67% Popularity • 31% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 31% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Eric William Morris
Be More Chill - Pt. 2
105 bpm • E Maj • 02:13 • -7db
30% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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George Salazar
Andy's Song
105 bpm • A Maj • 03:56 • -12.03db
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Blue Kid
The Dismemberment Song
107 bpm • C# min • 04:36 • -3.61db
49% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 54% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Will Wood
The Main Character
108 bpm • C Maj • 04:25 • -4.33db
61% Popularity • 64% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 64% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Daniel Huttlestone
Your Fault
104 bpm • A Maj • 01:57 • -11db
50% Popularity • 88% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
50% Popularity • 88% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Erika Henningsen
It Roars
107 bpm • A# Maj • 03:31 • -5db
52% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Rachel Bay Jones
Anybody Have a Map?
108 bpm • G Maj • 02:26 • -6.37db
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Jessica Keenan Wynn
Yo Girl
104 bpm • C# Maj • 01:46 • -8.71db
54% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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The Guy Who Didn't Like Musicals Cast
The Guy Who Didn't Like Musicals
108 bpm • G# Maj • 04:05 • -8.24db
41% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Chris McCarrell
The Last Day of Summer
104 bpm • B Maj • 03:35 • -9.07db
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Mother Mother
Problems
104 bpm • C# Maj • 03:27 • -3.65db
66% Popularity • 63% Danceability • 85% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
66% Popularity • 63% Danceability • 85% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
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George Salazar
Broadway, Here I Come!
104 bpm • A Maj • 04:40 • -14db
26% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Rachel Bay Jones
Good For You
108 bpm • D# Maj • 03:05 • -4.69db
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Evan Todd
Blue
108 bpm • F# min • 02:47 • -5.2db
54% Popularity • 76% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 76% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Eric William Morris
The Pitiful Children
104 bpm • G# Maj • 03:49 • -4.72db
40% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Linda Eder
Bring on the Men - 2007 Remaster
108 bpm • C# min • 05:08 • -8.49db
27% Popularity • 44% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 44% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Original StarKid Cast of Twisted
If I Believed
108 bpm • D Maj • 01:57 • -9db
35% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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The Taxpayers
I Love You Like An Alcoholic
108 bpm • E min • 03:35 • -6.49db
66% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
66% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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SIX
Get Down
103 bpm • C# Maj • 04:43 • -9.84db
50% Popularity • 84% Danceability • 58% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 84% Danceability • 58% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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Kristin Chenoweth
My New Philosophy
103 bpm • A Maj • 02:56 • -12.27db
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Will Connolly
Voices in My Head
109 bpm • G Maj • 04:18 • -6db
33% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Christian Borle
A Tight-Knit Family / Love Is Blind
109 bpm • D Maj • 05:59 • -7db
41% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Jay Armstrong Johnson
Leave Luanne
103 bpm • D min • 07:33 • -6.05db
39% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Miller
Break a Branch
110 bpm • G Maj • 03:19 • -12.16db
17% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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SIX
Get Down
103 bpm • E min • 04:13 • -9.91db
61% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Erika Henningsen
Do This Thing
102 bpm • G# Maj • 03:33 • -4.52db
46% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Sodikken
Misery Meat
110 bpm • C# Maj • 01:04 • -14.24db
73% Popularity • 83% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
73% Popularity • 83% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Christian Borle
The Thrill of First Love
102 bpm • G# Maj • 04:12 • -6.7db
49% Popularity • 61% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 61% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Molly Ranson
Carrie
110 bpm • D Maj • 04:09 • -5.11db
38% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Joriah Kwamé
Ordinary
110 bpm • E Maj • 03:20 • -7.36db
43% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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George Salazar
The Tree on the Hill
102 bpm • G Maj • 02:57 • -12.41db
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Varian
Ready As I'll Ever Be
110 bpm • D min • 02:03 • -5.03db
61% Popularity • 61% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 61% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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OR3O
All Eyes on Me
110 bpm • F min • 04:02 • -4.73db
63% Popularity • 56% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 56% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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Melanie Martinez
Show & Tell
110 bpm • E min • 03:35 • -5.64db
70% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Lea Michele
Mama Who Bore Me (Reprise) - Original Br...
102 bpm • E min • 01:15 • -5db
44% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Christian Borle
Hard to Be the Bard
110 bpm • C Maj • 03:58 • -6.51db
52% Popularity • 76% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 76% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking (Reprise)
110 bpm • G# Maj • 02:46 • -7.29db
59% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Penelope Scott
Sweet Hibiscus Tea
110 bpm • F Maj • 02:25 • -7.46db
59% Popularity • 66% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 66% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Donna Murphy
Mother Knows Best (Reprise)
111 bpm • C# Maj • 01:38 • -10.68db
61% Popularity • 55% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 55% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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The Dresden Dolls
My Alcoholic Friends
110 bpm • E min • 02:47 • -3.88db
71% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
71% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Christian Borle
This Had Better Come to a Stop
111 bpm • D Maj • 02:50 • -5db
43% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Underberg
It Starts With Sorry
111 bpm • F Maj • 01:30 • -6.85db
72% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
72% Popularity • 49% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Drew Gehling
It Only Takes a Taste
111 bpm • F# Maj • 03:08 • -12db
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Jessica Keenan Wynn
The Me Inside of Me
111 bpm • A# min • 05:15 • -9.33db
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Grace McLean
In My House
111 bpm • B min • 03:07 • -8.79db
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Eric William Morris
Be More Chill - Pt. 1
111 bpm • A Maj • 03:49 • -8.59db
33% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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'Falsettos' 2016 Broadway Company
Falsettoland / About Time
111 bpm • F min • 04:12 • -7.21db
41% Popularity • 56% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 56% Danceability • 48% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Lincoln
Saint Bernard
100 bpm • C# Maj • 01:43 • -11.01db
65% Popularity • 70% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
65% Popularity • 70% Danceability • 23% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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Andrew Underberg
More Than Anything - Reprise
111 bpm • F# Maj • 01:00 • -10.24db
72% Popularity • 33% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
72% Popularity • 33% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Nikki Blonsky
I Can Hear The Bells
112 bpm • C Maj • 04:14 • -6.56db
51% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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MARINA
The Family Jewels
112 bpm • D min • 04:05 • -5.27db
64% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
64% Popularity • 78% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Barrett Wilbert Weed
Apex Predator
112 bpm • C Maj • 03:13 • -4.39db
53% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 65% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Christian Borle
The Chess Game
101 bpm • D Maj • 03:33 • -8db
42% Popularity • 52% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 52% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Michelle Duffy
Shine a Light
112 bpm • A Maj • 02:31 • -4.96db
49% Popularity • 75% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
49% Popularity • 75% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Andrew Underberg
Respectless
101 bpm • C# min • 01:35 • -3.89db
80% Popularity • 56% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
80% Popularity • 56% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Tiffany Tatreau
What the World Needs
100 bpm • G# Maj • 03:03 • -9db
56% Popularity • 76% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 76% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Kelvin Moon Loh
No Control
100 bpm • D Maj • 03:16 • -6db
39% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Sophia Anne Caruso
Jump in the Line / Dead Mom - Reprise
112 bpm • C Maj • 02:05 • -6.16db
47% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan McCartan
I Don't Want You
100 bpm • C# Maj • 03:24 • -5.92db
7% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Will Wood
Love, Me Normally
113 bpm • F Maj • 05:44 • -7.26db
57% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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George Salazar
The Bro Duet
100 bpm • F# Maj • 03:11 • -16.54db
38% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Chaz Duffy
Talia
100 bpm • C# Maj • 03:44 • -14.71db
52% Popularity • 39% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 39% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Grey Henson
Revenge Party
100 bpm • G# Maj • 05:06 • -4.75db
60% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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'In The Heights' Original Broadway Company
Blackout
100 bpm • G min • 03:57 • -5.49db
41% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan McCartan
Meant to Be Yours
100 bpm • F# Maj • 03:25 • -6.92db
67% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Phillipa Soo
Burn
100 bpm • D Maj • 03:45 • -9.13db
68% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jorge Rivera-Herrans
Full Speed Ahead
113 bpm • D# Maj • 03:00 • -6.26db
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tammy Blanchard
Suddenly Seymour
99 bpm • G Maj • 03:45 • -9.78db
43% Popularity • 37% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 37% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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André De Shields
Road to Hell
99 bpm • G# Maj • 05:17 • -4.94db
36% Popularity • 51% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 51% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Anthony Warlow
I Need to Know
99 bpm • F# min • 03:42 • -7.94db
37% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Hunter Foster
Suddenly Seymour
99 bpm • A Maj • 03:37 • -7.95db
49% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Christopher Jackson
Cabinet Battle #2
99 bpm • B Maj • 02:22 • -9.12db
61% Popularity • 75% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 75% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Cameron Diaz
Little Girls
114 bpm • B min • 02:17 • -4.4db
56% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 77% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Jonathan Groff
Get This Right - Outtake
99 bpm • B min • 03:46 • -7.17db
51% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Barrett Wilbert Weed
Fight for Me
99 bpm • D# Maj • 02:35 • -9db
55% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
38% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Bell Bundy
Serious
114 bpm • C# Maj • 03:13 • -11.98db
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Lin-Manuel Miranda
We Know
114 bpm • B Maj • 02:22 • -10.38db
62% Popularity • 72% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 72% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Elijah Kelley
Without Love
98 bpm • A# Maj • 03:39 • -5db
53% Popularity • 58% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 58% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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George Salazar
Two-Player Game
114 bpm • D Maj • 03:45 • -6.49db
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Ed Helms
How Bad Can I Be?
98 bpm • A Maj • 02:52 • -5.38db
63% Popularity • 80% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
63% Popularity • 80% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Jamie Muscato
Meant to be Yours
98 bpm • F# min • 03:30 • -6.36db
59% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Leslie Kritzer
No Reason
98 bpm • F# Maj • 03:11 • -5.6db
49% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Mike Faist
Sincerely, Me
98 bpm • G Maj • 03:42 • -5.71db
61% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Schwartz
No Good Deed
115 bpm • B Maj • 03:31 • -6.77db
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 35% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Steven Universe
Stronger Than You
98 bpm • G# Maj • 02:52 • -7.17db
62% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 71% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Melanie Martinez
Tag, You're It
115 bpm • F min • 03:09 • -5.56db
76% Popularity • 56% Danceability • 84% Energy • 18% Liveness
2% Instrumentalness • 38% Positiveness
76% Popularity • 56% Danceability • 84% Energy • 18% Liveness
2% Instrumentalness • 38% Positiveness
