Songs like Dead Mom by Caleb Hyles
Based on a tempo of (+/- 10%) and a similar genre
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Annapantsu
Do What You Gotta Do
135 bpm • G Maj • 02:58 • -8.13db
28% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Gideon
Decked Out 2 (Mercy of The Cards)
135 bpm • C# min • 03:06 • -11.32db
34% Popularity • 71% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 71% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Rob Rokicki
Good Kid (Acoustic)
135 bpm • G# Maj • 03:25 • -9.21db
11% Popularity • 59% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 59% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Sanders
Rhythm Redux
135 bpm • B Maj • 01:20 • -8db
43% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Halfy & Winks
Nothing But Free
135 bpm • A min • 03:22 • -5.58db
33% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jorge Rivera-Herrans
Luck Runs Out
135 bpm • G# Maj • 03:01 • -8.19db
61% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Annapantsu
Smooth Criminal
135 bpm • A min • 02:06 • -7.24db
35% Popularity • 64% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 64% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Rachel Rose Mitchell
Hey Alice
135 bpm • C# min • 04:30 • -8db
33% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 55% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Gideon
The Buttercups
135 bpm • G min • 03:47 • -10.68db
27% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Amanda Fagan
You Were My Friend
135 bpm • D Maj • 03:08 • -12.2db
24% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 69% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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PattyCake
Batman - Whatever It Takes
135 bpm • A# min • 02:16 • -8.14db
12% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jorge Rivera-Herrans
Ruthlessness
135 bpm • E min • 04:22 • -5.58db
65% Popularity • 57% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 57% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 28% Positiveness
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Caleb Hyles
Dead Mom
135 bpm • D Maj • 03:03 • -6.93db
18% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 56% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Lewberger
Things Got Silly (Eating Chili at a Gay ...
134 bpm • C Maj • 03:00 • -5db
17% Popularity • 64% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 64% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Jon Cozart
Donald J Trumpilton
134 bpm • A min • 03:53 • -10.01db
15% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Markiplier
I Don't Wanna Be Free (Mark's Version)
134 bpm • A# Maj • 02:11 • -10db
47% Popularity • 58% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 58% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Write Out Loud
Android Ashley
136 bpm • E Maj • 04:19 • -12db
30% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 85% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Bife Seco
Me Encaixar
136 bpm • C min • 02:26 • -7.8db
8% Popularity • 66% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 66% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Chase Holfelder
My Way
137 bpm • F# min • 04:30 • -10.31db
33% Popularity • 40% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 40% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Rohini
Momma, She Knows
134 bpm • E min • 04:23 • -8.07db
11% Popularity • 49% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 49% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Random Encounters
The C+ Shanty: An Animal Crossing Song
133 bpm • C min • 02:22 • -10.84db
10% Popularity • 53% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 53% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Caleb Hyles
Let It Go
137 bpm • F min • 03:50 • -9.6db
24% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 48% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Andrew Underberg
Ready For This
137 bpm • C min • 03:29 • -4.87db
75% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
75% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Mandy Moore
Through It All
133 bpm • G Maj • 01:49 • -6.03db
34% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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RichaadEB
Life Will Change
133 bpm • F min • 04:23 • -7.01db
26% Popularity • 49% Danceability • 84% Energy • 75% Liveness
36% Instrumentalness • 44% Positiveness
26% Popularity • 49% Danceability • 84% Energy • 75% Liveness
36% Instrumentalness • 44% Positiveness
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Megan Hilty
Fragile Things
133 bpm • C# min • 02:29 • -8db
37% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Ginny Di
Melee Range
132 bpm • A Maj • 02:55 • -7.47db
29% Popularity • 71% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 71% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Chris McCarrell
Good Kid
138 bpm • G# Maj • 03:24 • -6.81db
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Thomas Borchert
The Man I Used to Be
132 bpm • C Maj • 03:09 • -10db
30% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
30% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
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Krystina Alabado
Goosebumps
132 bpm • G Maj • 03:55 • -9.41db
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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PattyCake
All I Ever Wanted (The Villains Lair)
138 bpm • C Maj • 03:26 • -4.69db
29% Popularity • 44% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 44% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Brian Stokes Mitchell
Elk Tour Suite, Pt. 3 & 4
138 bpm • A Maj • 03:07 • -11.48db
28% Popularity • 53% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 53% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Frankenstein World Premiere Cast
The Modern Prometheus
139 bpm • D min • 03:11 • -6db
26% Popularity • 38% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 38% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Jordan
Nothing Left to Lose
139 bpm • D Maj • 03:30 • -5.97db
52% Popularity • 36% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 36% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Random Encounters
Smarter Than You
140 bpm • G# Maj • 02:54 • -10.71db
34% Popularity • 36% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 36% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Andrew Underberg
More Than Anything
131 bpm • F# Maj • 03:13 • -7.55db
78% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
78% Popularity • 49% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Alisha Liston
Timekeeper's Heartbeat
140 bpm • F min • 03:32 • -12.25db
34% Popularity • 57% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 57% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Thomas Sanders
Crofters: The Musical
131 bpm • F Maj • 02:22 • -9.75db
25% Popularity • 58% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 58% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Ivy Robbins
Mad Yet
140 bpm • G# Maj • 03:49 • -7.12db
12% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Rokicki
The Wittlest Minotaur - Bonus Track
140 bpm • C Maj • 01:11 • -6db
31% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 75% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Blixemi
I'll Be Complete
140 bpm • A min • 04:51 • -4.67db
33% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Haft
Look At This!
140 bpm • G Maj • 02:40 • -10.74db
51% Popularity • 51% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 51% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Amanda Fagan
Play With Dynamite
140 bpm • F Maj • 03:34 • -13.82db
28% Popularity • 56% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 56% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Hailey Lain
Behind the Curtain
140 bpm • E min • 05:09 • -10.41db
30% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Caleb Hyles
Nothing Left to Lose
140 bpm • G Maj • 03:30 • -5.28db
24% Popularity • 34% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 34% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Alioof
Quackity vs Wilbur Soot
140 bpm • D Maj • 02:09 • -17.77db
15% Popularity • 81% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 81% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Blixemi
Chameleon
140 bpm • G# min • 03:45 • -9.45db
24% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 78% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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JayCL:M
CODE F.R.A.N.Z.
140 bpm • G# min • 02:47 • -7.13db
7% Popularity • 61% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 61% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Amanda Fagan
Please Don't Make Me Choose
140 bpm • C Maj • 04:05 • -16db
34% Popularity • 86% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 86% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Sam Haft
Moxxie's Bad Trip - Episode Version
130 bpm • G Maj • 04:50 • -5.41db
44% Popularity • 38% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 38% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jonathan Young
Savages
140 bpm • A min • 01:43 • -5.14db
38% Popularity • 29% Danceability • 95% Energy • 17% Liveness
15% Instrumentalness • 65% Positiveness
38% Popularity • 29% Danceability • 95% Energy • 17% Liveness
15% Instrumentalness • 65% Positiveness
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Neil Patrick Harris
I'm The Music Meister
140 bpm • F min • 05:54 • -7.74db
32% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Blixemi
Shifting Roots
140 bpm • C Maj • 03:22 • -9.04db
33% Popularity • 84% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 84% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Forest Rain
Join the Herd
140 bpm • C# min • 02:41 • -6.65db
31% Popularity • 58% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 58% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Christopher Escalante
A Thousand Years
140 bpm • A# Maj • 04:43 • -14.41db
17% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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SixteenInMono
Rivers in the Desert
130 bpm • G min • 05:17 • -6.15db
29% Popularity • 64% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 64% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Ivy Robbins
Heartless (Finale)
140 bpm • A min • 06:18 • -6.2db
12% Popularity • 42% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 42% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Judge & Jury
Disarm
130 bpm • F# Maj • 03:06 • -4.81db
38% Popularity • 48% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 48% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Blixemi
Another You
140 bpm • C Maj • 03:28 • -5.9db
28% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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PARANOiD DJ
Signals
130 bpm • C# min • 04:23 • -4.12db
42% Popularity • 53% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 53% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Jeremy Jordan
Live Again
130 bpm • B min • 02:49 • -7.44db
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • A# Maj • 05:54 • -8.71db
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Cast of Galavant
I Love You (As Much As Someone Like Me C...
129 bpm • A min • 01:54 • -5db
30% Popularity • 52% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 52% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Thomas Borchert
I Will Be There
129 bpm • F min • 04:54 • -11.07db
36% Popularity • 33% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 33% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Sydney Shepherd
Living Dead
142 bpm • E Maj • 04:38 • -5.24db
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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PARANOiD DJ
Use Me up (Angel's Order)
130 bpm • G min • 04:20 • -7.5db
57% Popularity • 63% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 63% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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George Salazar
Prom Night 2208
142 bpm • F# Maj • 05:05 • -7.74db
14% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Varian
Let Me Make You Proud
142 bpm • C Maj • 02:07 • -6.28db
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Sanders
Recipe for Me
128 bpm • G# Maj • 05:42 • -8.78db
30% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 41% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Exit Mouse
This is (not) the end
128 bpm • G Maj • 02:41 • -11.07db
27% Popularity • 39% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 39% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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The Mechanisms
Drunk Space Pirate
128 bpm • D min • 04:05 • -6.31db
27% Popularity • 48% Danceability • 76% Energy • 94% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 76% Energy • 94% Liveness
0% Instrumentalness • 37% Positiveness
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Caleb Hyles
Addict
128 bpm • F min • 05:12 • -7.22db
39% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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RichaadEB
You Spin Me Round
128 bpm • C# min • 03:05 • -2.47db
23% Popularity • 49% Danceability • 97% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 49% Danceability • 97% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
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Melina KB
Playing Adult
128 bpm • F min • 02:05 • -6.43db
40% Popularity • 85% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 85% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Oh Geeez Not Again
Skincrawl
128 bpm • C# Maj • 03:55 • -7.63db
21% Popularity • 50% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 50% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Megan Hilty
Nowhere King Battle
128 bpm • A min • 02:07 • -9db
30% Popularity • 37% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 37% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Ryan Solis
Fiery Pits n' Giggles
127 bpm • F min • 02:19 • -5.52db
32% Popularity • 70% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 70% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Caleb Hyles
Poor Unfortunate Souls
127 bpm • G min • 03:12 • -6.15db
23% Popularity • 69% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 69% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Annapantsu
It's Raining Men
143 bpm • G min • 03:15 • -12.1db
30% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Melina KB
Let Me Explode
128 bpm • C min • 02:50 • -5.73db
30% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 76% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Sanders
The Bad Guy
144 bpm • D min • 03:32 • -4.55db
24% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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CG5 Covers
Into the Thick of It!
127 bpm • C min • 02:37 • -5.26db
25% Popularity • 63% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 63% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Kimiko Glenn
Hello Rainbow Road
126 bpm • C Maj • 02:27 • -7.62db
35% Popularity • 41% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 41% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Caleb Hyles
What's the Use of Feeling Blue?
126 bpm • C Maj • 02:25 • -12.82db
25% Popularity • 50% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 50% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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MandoPony
They Need a Monster
126 bpm • D Maj • 04:03 • -8db
32% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 62% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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PARANOiD DJ
Eyes on Me (Vox's Song)
145 bpm • A# min • 03:32 • -5.37db
56% Popularity • 57% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 57% Danceability • 90% Energy • 77% Liveness
0% Instrumentalness • 58% Positiveness
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Thomas Sanders
On the Borderline
145 bpm • G Maj • 04:49 • -7.36db
30% Popularity • 32% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 32% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Zach Callison
interlude II (Christie Only Knows)
126 bpm • F min • 01:38 • -17.13db
32% Popularity • 43% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 43% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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January Eyler
Do You Wanna Ride
145 bpm • F min • 01:43 • -10.8db
14% Popularity • 49% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 49% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Caleb Hyles
Speechless
126 bpm • F# min • 03:27 • -7.34db
17% Popularity • 54% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 54% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Avbyte
Wholock - The Musical
145 bpm • F Maj • 02:46 • -7.85db
9% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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PARANOiD DJ
Eyes on Me (P DJ Tech Dance Rework)
145 bpm • A# min • 05:54 • -8.9db
24% Popularity • 59% Danceability • 100% Energy • 6% Liveness
12% Instrumentalness • 7% Positiveness
24% Popularity • 59% Danceability • 100% Energy • 6% Liveness
12% Instrumentalness • 7% Positiveness
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Paul Shapera
Act 1: S3 - Annabel Raises the Dead
145 bpm • G Maj • 06:05 • -8db
23% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 56% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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brentalfloss
I Stardew
125 bpm • A Maj • 03:26 • -7.74db
15% Popularity • 87% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 87% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Nola Klop
Open Up Your Eyes
125 bpm • G min • 03:26 • -11.23db
10% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Caleb Hyles
Show Yourself
125 bpm • F# Maj • 04:16 • -6.39db
25% Popularity • 32% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 32% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Haft
You Got The Power (Millie's Big Show)
125 bpm • G# min • 02:08 • -1.76db
36% Popularity • 36% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 36% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 36% Positiveness
