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Dear Baby
Songs like
Dear Baby
by
Jessie Mueller
Based on a tempo of (+/- 10%) and a similar genre
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Jessie Mueller
Dear Baby
130 bpm • F# Maj • 00:36 • -22.6db
39% Popularity • 60% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Erica Ito
Smile Away
130 bpm • D# Maj • 03:17 • -9.82db
22% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Original Cast of Amélie
Halfway (reprise)
130 bpm • B Maj • 01:03 • -18.8db
17% Popularity • 38% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Karen Olivo
It Won't Be Long Now - Radio Edit
130 bpm • D Maj • 03:01 • -8.92db
28% Popularity • 53% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
35% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jessie Mueller
Chains
130 bpm • C Maj • 01:44 • -5.28db
25% Popularity • 69% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Heidi Blickenstaff
Today and Ev'ry Day
129 bpm • A Maj • 06:57 • -8db
24% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Karen Olivo
It Won't Be Long Now
129 bpm • D Maj • 04:35 • -9.37db
42% Popularity • 59% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Kerry Butler
What's Wrong With Me? (Reprise)
129 bpm • C Maj • 01:50 • -8.37db
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Julia Lester
I Know Things Now
131 bpm • C Maj • 01:55 • -10.42db
34% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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John Cariani
To Thine Own Self
129 bpm • G min • 03:58 • -7.8db
36% Popularity • 63% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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The Original Broadway Cast Of School Of Rock
Here at Horace Green
129 bpm • D Maj • 02:04 • -9.3db
30% Popularity • 72% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Emily Padgett
If Your Father Were Here
128 bpm • B Maj • 02:49 • -14.65db
26% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
34% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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John Dossett
The Bottom Line (Reprise)
128 bpm • G Maj • 00:57 • -13.46db
39% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jessie Mueller
The Girl That I Am Now
132 bpm • B Maj • 02:13 • -7.1db
7% Popularity • 61% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Orfeh
Ireland - Reprise
128 bpm • D Maj • 00:55 • -8.72db
41% Popularity • 51% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Jane Krakowski
I Resolve
128 bpm • A# Maj • 02:16 • -8.01db
25% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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'Come From Away' Company
38 Planes
128 bpm • D min • 01:09 • -9.02db
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Jewelle Blackman
Nothing Changes
127 bpm • F min • 01:11 • -11.5db
46% Popularity • 56% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Christian Borle
Legally Blonde
127 bpm • G Maj • 03:30 • -14.45db
49% Popularity • 45% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jennifer Damiano
Superboy and the Invisible Girl
127 bpm • D Maj • 02:08 • -6.77db
41% Popularity • 62% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Original Cast of Amélie
Halfway
127 bpm • C Maj • 03:01 • -10.7db
20% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lin-Manuel Miranda
Alabanza
133 bpm • D Maj • 03:17 • -14.95db
33% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Reeve Carney
Epic I
127 bpm • F Maj • 03:12 • -11.52db
51% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
35% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Jessie Mueller
A Soft Place to Land
127 bpm • E Maj • 02:57 • -10.69db
45% Popularity • 49% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Lanning
God's Arms Are Always Open
126 bpm • G Maj • 04:55 • -9.87db
29% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Jennifer Damiano
Perfect for You
126 bpm • D Maj • 02:03 • -12.95db
34% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Sean Palmer as Prince Eric
Her Voice
134 bpm • D Maj • 03:15 • -17.71db
36% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Molly Gordon
The Key Is
126 bpm • G Maj • 02:48 • -8.49db
36% Popularity • 71% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Augie Haas
The Hokey Pokey
126 bpm • G Maj • 03:36 • -10.62db
5% Popularity • 78% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Bring It On: The Musical - Original Broadway Cast
We Ain't No Cheerleaders
126 bpm • C# Maj • 02:18 • -6.13db
34% Popularity • 85% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Rosario Dawson
Finale A
126 bpm • G Maj • 01:20 • -12.69db
36% Popularity • 49% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Reeve Carney
Epic II
135 bpm • F Maj • 02:26 • -6.83db
49% Popularity • 50% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Melanie Moore
Matchmaker
126 bpm • E Maj • 04:33 • -8.1db
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
Ever After
125 bpm • D Maj • 02:25 • -9.07db
35% Popularity • 64% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 92% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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The Original Broadway Cast Of School Of Rock
Faculty Quadrille
125 bpm • C Maj • 02:24 • -6.44db
28% Popularity • 64% Danceability • 58% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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Jessie Mueller
She Used to Be Mine
125 bpm • F# Maj • 04:20 • -8.57db
53% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Jeanine Tesori
Maps
125 bpm • G Maj • 02:32 • -15db
27% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Kimiko Glenn
Separate Ways
136 bpm • G Maj • 02:08 • -14.44db
29% Popularity • 36% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
30% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Anna Kendrick
A Miracle Would Happen / When You Come H...
124 bpm • D Maj • 05:19 • -7.43db
34% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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'Come From Away' Company
Blankets And Bedding
124 bpm • E min • 02:51 • -6.8db
44% Popularity • 63% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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James Moye
That Face
123 bpm • A Maj • 03:11 • -6.65db
26% Popularity • 60% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Christy Altomare
Once Upon a December (Reprise)
136 bpm • A min • 00:57 • -19.79db
38% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Flaherty
Finale / Oh, The Thinks You Can Think - ...
137 bpm • D Maj • 03:50 • -12.66db
28% Popularity • 42% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Jessie Mueller
So Far Away
137 bpm • D Maj • 01:42 • -7db
29% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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'Come From Away' Company
In The Bar / Heave Away
137 bpm • D Maj • 01:22 • -5db
42% Popularity • 58% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 82% Positiveness
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Susan Egan
Something There
123 bpm • D Maj • 05:27 • -23.98db
34% Popularity • 44% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
38% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
My Man, Your Boy
138 bpm • A min • 02:29 • -8db
32% Popularity • 35% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Lilli Cooper
There Was John
122 bpm • E Maj • 04:07 • -15db
23% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Joel Hatch
Screech In
138 bpm • G Maj • 04:03 • -6db
40% Popularity • 72% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Micaela Diamond
Do It Alone
122 bpm • B min • 02:18 • -9.34db
26% Popularity • 38% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Kimiko Glenn
When He Sees Me
122 bpm • A# Maj • 03:43 • -6.45db
63% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Original West End Cast of Everybody's Talking About Jamie
Over the Top
138 bpm • C Maj • 03:02 • -5db
34% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lindsay Mendez
Give Way
122 bpm • G# Maj • 03:21 • -10.81db
25% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Company
Full Disclosure - Part 2
139 bpm • C min • 01:09 • -7.38db
38% Popularity • 59% Danceability • 64% Energy • 50% Liveness
0% Instrumentalness • 96% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sierra Boggess as Ariel
Beyond My Wildest Dreams
121 bpm • F Maj • 03:03 • -20.01db
36% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Norbert Leo Butz
If I Didn't Believe in You
121 bpm • A# Maj • 04:59 • -13.07db
29% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Cool 7rack
Divinity
121 bpm • B Maj • 03:56 • -7.64db
7% Popularity • 54% Danceability • 71% Energy • 7% Liveness
40% Instrumentalness • 72% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
43% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
27% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Patina Miller
Bless Our Show
120 bpm • A min • 03:04 • -8.03db
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Legendary
120 bpm • F# min • 02:39 • -3db
36% Popularity • 63% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jessie Mueller
I Feel the Earth Move
120 bpm • G min • 02:03 • -4.43db
29% Popularity • 76% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Carmen Cusack
Unsuspecting Hearts
120 bpm • C# Maj • 03:11 • -5.9db
28% Popularity • 45% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Fankhauser
Seize The Day (Full Song With Dance Brea...
120 bpm • A# Maj • 06:39 • -9.51db
37% Popularity • 50% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Keala Settle
I Didn't Plan It
120 bpm • F# Maj • 02:39 • -3.94db
47% Popularity • 62% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Dear Baby