Songs like Dear The Moon by Alva Graham
Based on a tempo of (+/- 10%) and a similar genre
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City and Colour
The Girl
109 bpm • A# Maj • 06:00 • -8db
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 40% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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TheOrionSound
House of Gold
109 bpm • C Maj • 02:46 • -10db
15% Popularity • 75% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 75% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lindsay Lou
On Your Side (OurVinyl Sessions)
109 bpm • B Maj • 03:16 • -13.7db
16% Popularity • 42% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 42% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Sarah Donner
The Motherf**king Pterodactyl
110 bpm • A Maj • 03:14 • -9db
13% Popularity • 59% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 59% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Dan Campbell
Devil Town
109 bpm • F Maj • 02:53 • -13.03db
12% Popularity • 37% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 37% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Twenty One Pilots
Friend, Please
110 bpm • G min • 04:12 • -9.17db
59% Popularity • 23% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 23% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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The National Parks
Hot Air Balloon
108 bpm • C# Maj • 03:19 • -13.41db
25% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 44% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Madame Macabre
La Seine
110 bpm • D min • 02:48 • -7.43db
47% Popularity • 58% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
47% Popularity • 58% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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The Format
A Mess to Be Made
110 bpm • G Maj • 03:27 • -5.69db
22% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Dan Sultan
Nali (Reprise)
110 bpm • C Maj • 00:55 • -7.46db
9% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 61% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Mipso
Captain's Daughter
110 bpm • F Maj • 03:34 • -11.16db
25% Popularity • 63% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 63% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jeannette Pires
Peace
110 bpm • G min • 01:41 • -11.54db
7% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ferdinand The Bull
4:30am
110 bpm • E Maj • 04:05 • -9.3db
11% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 64% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Clarensau
The Water
110 bpm • D Maj • 04:36 • -11.12db
12% Popularity • 61% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 61% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Trixie Mattel
Soldier
110 bpm • A# Maj • 03:05 • -10.99db
37% Popularity • 58% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 58% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Adeem the Artist
Pandemic Days
110 bpm • C# Maj • 03:09 • -11.21db
9% Popularity • 63% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
9% Popularity • 63% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
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The Format
A Save Situation
110 bpm • C Maj • 02:19 • -11.71db
21% Popularity • 36% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
21% Popularity • 36% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Deeper Well
Loved by the Son
110 bpm • A Maj • 04:18 • -8.86db
8% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Lua Flora
Own Love
110 bpm • F# Maj • 04:49 • -11.31db
13% Popularity • 82% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 82% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Sons of Town Hall
The Line Between
110 bpm • A# Maj • 02:38 • -11.29db
16% Popularity • 67% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 67% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Poor Man's Poison
Poor Man's Poison
111 bpm • C# Maj • 03:05 • -11.67db
44% Popularity • 41% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 41% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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DISPATCH
Pour Into You
111 bpm • F# Maj • 04:01 • -7.75db
25% Popularity • 69% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 69% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Claire Ryann
You've Got a Friend in Me
107 bpm • A Maj • 02:11 • -16.25db
27% Popularity • 80% Danceability • 3% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 80% Danceability • 3% Energy • 45% Liveness
0% Instrumentalness • 38% Positiveness
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The Good Mad
What Money Paid For
107 bpm • D Maj • 04:21 • -10.28db
13% Popularity • 60% Danceability • 33% Energy • 57% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 60% Danceability • 33% Energy • 57% Liveness
0% Instrumentalness • 24% Positiveness
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Carol Raynor
Walking A Tightrope
107 bpm • D Maj • 03:19 • -6.79db
28% Popularity • 85% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 85% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Umphrey's McGee
Gone for Good
107 bpm • G Maj • 04:10 • -8.89db
28% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Ocelots
Can't Even Say Your Name
106 bpm • F Maj • 04:09 • -9.44db
21% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 50% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jaymay
Gray Or Blue
106 bpm • B Maj • 03:25 • -13.86db
34% Popularity • 75% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 75% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Steam Powered Giraffe
Transform (Acoustic)
112 bpm • G Maj • 03:39 • -10.34db
12% Popularity • 38% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 38% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Blenda Nieto
Olden Times
106 bpm • F min • 03:00 • -11.92db
9% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Nickel Creek
Rest of My Life
112 bpm • G# Maj • 03:39 • -10.27db
34% Popularity • 70% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 70% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Martha Tilston
My Chair
112 bpm • C Maj • 04:15 • -11.84db
8% Popularity • 51% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 51% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Stormfolk
Broken Lovers
112 bpm • E Maj • 04:43 • -9.12db
23% Popularity • 39% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 39% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Ruby Creek
Kickin' Rocks
106 bpm • F Maj • 03:24 • -6db
10% Popularity • 50% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 62% Positiveness
10% Popularity • 50% Danceability • 59% Energy • 13% Liveness
2% Instrumentalness • 62% Positiveness
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Poor Bishop Hooper
He Loved Us To The End
112 bpm • G Maj • 05:27 • -11.13db
10% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Punch Brothers
Clementine
113 bpm • C Maj • 03:27 • -17.16db
15% Popularity • 61% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 61% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Trey Anastasio
...And Flew Away
113 bpm • G Maj • 07:52 • -7.26db
8% Popularity • 44% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
8% Popularity • 44% Danceability • 65% Energy • 20% Liveness
1% Instrumentalness • 62% Positiveness
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Lilli Furfaro
Bare-Bones
105 bpm • A min • 04:21 • -22.52db
21% Popularity • 68% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 68% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Sundy Best
Right on Time
105 bpm • A Maj • 03:07 • -7.18db
11% Popularity • 58% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 58% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Ordinary Elephant
I See You
113 bpm • C# Maj • 02:55 • -10.27db
19% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Pawns or Kings
Light over the Ridge
105 bpm • F Maj • 03:13 • -22.66db
7% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 66% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Anthony James Band
Love Me Like You Always Do
113 bpm • F Maj • 03:07 • -7.93db
11% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Rhob Cunningham
Daylight
105 bpm • C Maj • 03:44 • -14.15db
7% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Zac Fitzsimmons
Psalm 23 Word for Word
105 bpm • C Maj • 02:39 • -13.42db
9% Popularity • 76% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 76% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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HONEYDEW
Playing Adults
105 bpm • A Maj • 03:47 • -13.65db
14% Popularity • 75% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 75% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ternence Alerander
Hand
113 bpm • D# Maj • 04:01 • -17.06db
24% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
24% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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The Dread Halla Tavern
O Maker Watch Over
105 bpm • C Maj • 03:14 • -11.31db
12% Popularity • 57% Danceability • 49% Energy • 61% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 57% Danceability • 49% Energy • 61% Liveness
0% Instrumentalness • 44% Positiveness
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Birds of Bellwoods
Come Home
113 bpm • F Maj • 03:47 • -7db
24% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Sollee
Try
113 bpm • G Maj • 05:08 • -15.45db
8% Popularity • 68% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
8% Popularity • 68% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Possessed by Paul James
In the Dark of Morning
114 bpm • C# min • 02:42 • -10.99db
19% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Kashmir
Mudbath
105 bpm • C# Maj • 04:42 • -15.03db
16% Popularity • 47% Danceability • 28% Energy • 71% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 47% Danceability • 28% Energy • 71% Liveness
0% Instrumentalness • 20% Positiveness
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Charming Disaster
Keep Moving
114 bpm • A Maj • 02:50 • -8.27db
14% Popularity • 50% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 50% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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The Crane Wives
The Crooked, the Cradle
114 bpm • A min • 03:03 • -10.21db
42% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 57% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Carousel Casualties
Leona - Reprise
114 bpm • F Maj • 04:30 • -9db
15% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Altogether
History Read
104 bpm • D Maj • 03:58 • -9db
24% Popularity • 56% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 56% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 46% Positiveness
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Jeff Rosenstock
Hey Babe
104 bpm • D Maj • 02:48 • -10.85db
14% Popularity • 53% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 53% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Charlie's Revenge
The Ballad of Anne Marie
115 bpm • F# min • 04:10 • -18.04db
11% Popularity • 40% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 40% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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SYR
Oracles
115 bpm • G Maj • 04:14 • -6.81db
15% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Gospel Whiskey Runners
Shake It Off
115 bpm • D Maj • 04:25 • -10.88db
10% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 68% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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AT_
Okay?!
115 bpm • A min • 03:50 • -17.86db
11% Popularity • 81% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 81% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sarah Sparks
The Surgeon
103 bpm • G Maj • 04:33 • -14.66db
19% Popularity • 58% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
19% Popularity • 58% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Foxes and Peppers
Your City My AC 20
115 bpm • A# Maj • 03:54 • -12.77db
8% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Elephant Revival
Wake's Only Daughter
103 bpm • E Maj • 03:45 • -11.77db
18% Popularity • 46% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 46% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Good Old War
Better Weather
103 bpm • G Maj • 03:33 • -7.63db
8% Popularity • 60% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 60% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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The Arcadian Wild
Man in Room 39
115 bpm • E Maj • 04:10 • -12.91db
33% Popularity • 51% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 51% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mapache
Mountain Song
103 bpm • G Maj • 05:13 • -9.46db
28% Popularity • 38% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 38% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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The Crane Wives
Easier
116 bpm • G Maj • 03:49 • -9.66db
43% Popularity • 61% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 61% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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The Weepies
Jolene
116 bpm • D Maj • 02:34 • -11.21db
25% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 60% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Atta Boy
Out of Sorts
102 bpm • E Maj • 03:42 • -8.37db
32% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Fr Rob Galea
Angel
116 bpm • A Maj • 03:52 • -9.1db
15% Popularity • 53% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 53% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Kyle Church
Tomorrow
116 bpm • C Maj • 04:09 • -9.97db
15% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Bárbara MartÃnez
Lonely Day (Acústico)
116 bpm • A# min • 02:30 • -6.85db
23% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 62% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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The Crane Wives
Caleb Trask
116 bpm • D Maj • 04:37 • -12.39db
34% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 54% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Drinkwater Brothers
This Town
102 bpm • A Maj • 03:34 • -10.88db
18% Popularity • 66% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 66% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Bovine
Better Days
102 bpm • G Maj • 02:51 • -7.18db
7% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Big Slice
The Strangest Thing
102 bpm • G Maj • 04:14 • -8.35db
13% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Shauf
Your Heart
117 bpm • E Maj • 02:07 • -9.33db
22% Popularity • 60% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Christina Li
Disappear
117 bpm • F# min • 03:48 • -9.77db
21% Popularity • 39% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 22% Positiveness
21% Popularity • 39% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 22% Positiveness
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J.B. Boone
Hico
102 bpm • G# Maj • 02:52 • -7.37db
35% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Daniel's Den
Cut of Glory's Figure
117 bpm • G Maj • 02:57 • -8.75db
21% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Mister Child
Lonesome Rider
117 bpm • G# Maj • 04:47 • -12.06db
11% Popularity • 48% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 48% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Carbon Leaf
Gifts from the Crows
117 bpm • G Maj • 03:18 • -7.59db
21% Popularity • 77% Danceability • 60% Energy • 16% Liveness
11% Instrumentalness • 66% Positiveness
21% Popularity • 77% Danceability • 60% Energy • 16% Liveness
11% Instrumentalness • 66% Positiveness
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The Northern Folk
If It Keeps on Raining
117 bpm • A min • 05:12 • -9.25db
7% Popularity • 57% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 57% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Handmade Moments
Home Sweet Home Again
101 bpm • G Maj • 03:34 • -8.08db
8% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 59% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Peter Katz
Son
117 bpm • G Maj • 04:26 • -11.3db
11% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Cathy Penny
He Will
117 bpm • G Maj • 03:46 • -14.09db
12% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Last Bison
Maroon
101 bpm • A Maj • 03:18 • -10.24db
12% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Salinas Road
Monsters
101 bpm • A min • 04:51 • -10.85db
11% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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DISPATCH
Circles Around the Sun
117 bpm • G Maj • 03:26 • -8.29db
10% Popularity • 37% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 37% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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The Weepies
Backstreets
101 bpm • D Maj • 03:42 • -12.58db
16% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Mirabai Kukathas
Jesus Christ Made Seattle Under Protest
118 bpm • A Maj • 02:37 • -13.82db
9% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 65% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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LULLANAS
Don't Say
118 bpm • C# Maj • 03:24 • -10.96db
36% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Hudson Taylor
Watchtower
101 bpm • G Maj • 03:34 • -3.79db
9% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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honeyhoney
Old School Friends
100 bpm • C Maj • 02:55 • -9.41db
3% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Collection
Fever
100 bpm • G Maj • 04:40 • -6.75db
12% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Good Old War
Woody's Hood Boogie Woogie
100 bpm • D# Maj • 02:03 • -7.85db
7% Popularity • 74% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 74% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Honey Magpie
Pines
100 bpm • C Maj • 03:26 • -9.19db
7% Popularity • 58% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 58% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Bastian Baker
The Road - Bonus Track
100 bpm • D Maj • 03:57 • -19.47db
5% Popularity • 57% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 57% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
