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Dear You (Act III)
Songs like
Dear You (Act III)
by
shye.
Based on a tempo of (+/- 10%) and a similar genre
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Caden
Funeral
78 bpm • G Maj • 03:17 • -8.93db
34% Popularity • 62% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Narrowhaven
Just Out of Reach
78 bpm • F# Maj • 03:24 • -9.81db
27% Popularity • 48% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Alex Wilke
100 More
78 bpm • A# Maj • 02:59 • -8.44db
14% Popularity • 48% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Kelly McTigue
The One That You Let Go
78 bpm • C min • 04:19 • -9.94db
11% Popularity • 53% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Weisband
You're Cool - Stripped
78 bpm • C Maj • 02:56 • -10.32db
8% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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shye.
Dear You (Act III)
78 bpm • A Maj • 03:35 • -8.53db
21% Popularity • 53% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Lex Gomez
23
78 bpm • G# Maj • 03:50 • -7.45db
8% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Dani Sylvia
Madly
78 bpm • C Maj • 04:56 • -10.76db
15% Popularity • 32% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Emily Burns
I'm So Happy - Acoustic
79 bpm • G# Maj • 02:53 • -9db
17% Popularity • 47% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Shannon O'Hara
Get You Out
79 bpm • C# Maj • 03:38 • -6.58db
14% Popularity • 29% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Emma Charles
Turbulence - Stripped
77 bpm • F# Maj • 03:15 • -10.83db
22% Popularity • 42% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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shye.
CABIN FEVER
78 bpm • D Maj • 03:15 • -7.58db
16% Popularity • 50% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
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Reagan Beem
Change - Acoustic
79 bpm • D Maj • 03:01 • -4.87db
25% Popularity • 49% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Aisling Fuller
Soulmate
79 bpm • C Maj • 03:19 • -23.89db
9% Popularity • 38% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Elina
How
77 bpm • C# Maj • 02:23 • -13.64db
40% Popularity • 50% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Retreat
Forever and Ever, Amen - Acoustic
77 bpm • B Maj • 02:53 • -9.97db
38% Popularity • 42% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Kate Yeager
Sweet Potatoes
77 bpm • C Maj • 04:11 • -10.57db
10% Popularity • 64% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Nikita Afonso
I Wan'na Be Like You - Acoustic
79 bpm • F Maj • 02:06 • -8db
32% Popularity • 70% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Lori Morris
Baby Blue Skies
77 bpm • G Maj • 02:48 • -9.34db
8% Popularity • 63% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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shye.
27 Club
79 bpm • G min • 03:13 • -6.22db
1% Popularity • 50% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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SKŸE
Crossfire
79 bpm • C# Maj • 04:04 • -8.28db
12% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Madilyn Paige
Patience
77 bpm • A# Maj • 02:55 • -10.56db
27% Popularity • 53% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cassidi
i'm trying
79 bpm • D Maj • 03:41 • -10.81db
8% Popularity • 62% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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King Leer
i'll follow you into the dark
80 bpm • E Maj • 02:21 • -7db
28% Popularity • 55% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Khaya Street
IS IT OK?
76 bpm • D# Maj • 04:13 • -7.54db
17% Popularity • 36% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Noelle Johnson
Seattle
80 bpm • C# Maj • 03:15 • -9.45db
18% Popularity • 26% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Marielle Kraft
Don't Come Over
80 bpm • D Maj • 04:00 • -9.18db
15% Popularity • 60% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Nikita Afonso
Million to One
76 bpm • F# Maj • 03:23 • -8.12db
7% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Rasmus Hagen
Someone Just Like You (Acoustic) (Bonus ...
80 bpm • F# Maj • 03:20 • -9.93db
10% Popularity • 51% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Amanda Jean
Rainy Day
80 bpm • A# Maj • 03:03 • -8.62db
13% Popularity • 61% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Amiya Vashi
3 states away
80 bpm • A# Maj • 02:32 • -15.14db
10% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Mykyl
oxytocin_demo
80 bpm • C# Maj • 03:23 • -8.56db
13% Popularity • 60% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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shye.
XO GOODNIGHT
80 bpm • G# Maj • 03:45 • -7.94db
8% Popularity • 56% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Isabella Kensington
Always Known
80 bpm • B Maj • 03:12 • -9.82db
34% Popularity • 54% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Bailey Pickles
Driving on My Own
80 bpm • D# Maj • 03:07 • -7.68db
27% Popularity • 62% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Will Granger
Know What To Do
80 bpm • D# Maj • 02:05 • -10.28db
17% Popularity • 53% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Herr
Billy
80 bpm • C Maj • 03:35 • -12.3db
31% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tayla Racca
You'll never know
76 bpm • G Maj • 03:43 • -9.36db
12% Popularity • 43% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Haven Meadow
Shimmering Pathways of the Fey
76 bpm • E Maj • 01:45 • -16.58db
8% Popularity • 40% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Narrowhaven
Lying to Myself
80 bpm • C Maj • 03:00 • -7.28db
14% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Beth Keeping
Plane Tickets - Acoustic
81 bpm • C Maj • 03:20 • -10.74db
8% Popularity • 43% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Caesar Nelson
Atlantic Clarity
81 bpm • C Maj • 02:32 • -6.92db
13% Popularity • 78% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Sohni Singh
things you ruined
75 bpm • E Maj • 03:00 • -5.77db
8% Popularity • 53% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Morgan M-James
Back To You - Acoustic
75 bpm • E Maj • 02:58 • -8.59db
18% Popularity • 44% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Haley Gosserand
Unfriended
75 bpm • E Maj • 03:00 • -9.91db
32% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ada Pasternak
100 days
81 bpm • G Maj • 03:09 • -13.6db
17% Popularity • 36% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Tolan Shaw
Before I Do
81 bpm • C# Maj • 02:42 • -17.32db
20% Popularity • 62% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ella Martine
debris
75 bpm • F# Maj • 03:28 • -10.91db
7% Popularity • 49% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Hanna x Madge
Yellow & Pink
81 bpm • E min • 02:28 • -6.04db
17% Popularity • 67% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Rebeating Sounds
Dancing With Your Ghost
75 bpm • B Maj • 03:15 • -11.59db
20% Popularity • 67% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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gray
H(OUR)S
82 bpm • A# Maj • 04:58 • -8.9db
10% Popularity • 38% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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Davis MacKinlay
Think Of Me
75 bpm • C# Maj • 03:31 • -8.75db
21% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Mary Oz
Outrageous Love
82 bpm • G# Maj • 04:32 • -9.35db
13% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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shye.
LAST WORDS
82 bpm • E Maj • 01:38 • -8.76db
7% Popularity • 63% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Emily James
don't fall on me
82 bpm • F# Maj • 02:53 • -8.74db
24% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Atli
Loved To Be Loved By You
82 bpm • G Maj • 02:59 • -9.36db
25% Popularity • 29% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Eleanor Every
Back When
82 bpm • E Maj • 06:03 • -12db
14% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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MOLLY MILES
Lost in the Distance
74 bpm • C Maj • 03:54 • -18.12db
17% Popularity • 66% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
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Kyle Stibbs
Beautiful and Temporary
82 bpm • D Maj • 02:49 • -9.88db
9% Popularity • 54% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Harper
Making a Scene
82 bpm • C Maj • 03:35 • -9.4db
36% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Colton Avery
Religion - Acoustic
82 bpm • A# Maj • 03:34 • -6.62db
10% Popularity • 37% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Caleb Hearn
Damage (Collateral)
82 bpm • F# Maj • 02:33 • -9db
36% Popularity • 63% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Tiffany Alvord
Show Me the Meaning of Being Lonely - Ac...
83 bpm • A min • 03:10 • -13.1db
38% Popularity • 39% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jaxon Whitman
Slack Off Entertainment
83 bpm • G Maj • 01:20 • -14.27db
16% Popularity • 64% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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IOLITE
Last Night
83 bpm • B min • 03:07 • -8.74db
37% Popularity • 69% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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DR.MUSICMEDIC
Worthless
73 bpm • G min • 03:06 • -10.26db
10% Popularity • 39% Danceability • 35% Energy • 52% Liveness
0% Instrumentalness • 41% Positiveness
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Amanda Yang
Sideline Girl
83 bpm • D# Maj • 03:37 • -6.97db
13% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Simona Shao
Vacant
83 bpm • C Maj • 03:02 • -10.34db
38% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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shye.
Sleepwalking
83 bpm • B Maj • 03:59 • -6.18db
4% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Adeline Hill
Daydreams
83 bpm • C Maj • 04:11 • -16.3db
14% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Elly Shane
Heatstroke
84 bpm • D Maj • 03:06 • -8.01db
24% Popularity • 38% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan
The Alibi - Haunted
84 bpm • C# Maj • 03:25 • -8.58db
35% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Barnum
The Nook
84 bpm • E Maj • 04:41 • -12db
16% Popularity • 35% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mahzabin Khan
Mind Over Matter
84 bpm • B Maj • 02:49 • -9.44db
12% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Ollie Wade
Obvious
84 bpm • F# Maj • 03:27 • -9.4db
10% Popularity • 44% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Grace George
As Long As You Love Me - Acoustic
84 bpm • D Maj • 03:16 • -9.81db
38% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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shye.
SET FREE
84 bpm • C# Maj • 03:23 • -5.34db
5% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Perry Lin
Worlds Away
84 bpm • B Maj • 04:00 • -10.09db
13% Popularity • 54% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Lexi Scatena
Cherry On Top
84 bpm • C# Maj • 02:02 • -8.43db
25% Popularity • 53% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Andy Warhole
London Calling Home
72 bpm • C Maj • 01:27 • -20.07db
14% Popularity • 71% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Rick Hale
Little Boys Don't Keep
72 bpm • G# Maj • 04:10 • -13.39db
11% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Brainheart
Surface - Acoustic
84 bpm • B Maj • 03:12 • -6.63db
19% Popularity • 34% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Will Clark
Breathe
85 bpm • C# Maj • 02:56 • -9.91db
20% Popularity • 46% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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ysabelle
Drown
85 bpm • D Maj • 03:14 • -8.35db
21% Popularity • 35% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Nikita Afonso
Like I'm Gonna Lose You - Acoustic
85 bpm • C Maj • 03:09 • -9.06db
23% Popularity • 60% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Wolf
Icarus
85 bpm • D# Maj • 02:26 • -9.27db
13% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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sad alex
out of focus
71 bpm • C# Maj • 02:36 • -10.52db
16% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Louis Knight
Fell For You (Back Then)
85 bpm • G Maj • 03:05 • -6.36db
22% Popularity • 56% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Fadly Ali
As Long As You Feel Glad
85 bpm • G# Maj • 03:14 • -10.36db
13% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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shye.
If You Need Someone
86 bpm • C Maj • 04:08 • -9.19db
2% Popularity • 65% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Elisabeth Pelo
Happy 4 Myself
71 bpm • A Maj • 03:31 • -11.86db
9% Popularity • 50% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Wish 107.5
Prayer
87 bpm • G Maj • 06:15 • -11.96db
11% Popularity • 44% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Hannah's Yard
You Make My Dreams (Come True) - Acousti...
70 bpm • D# Maj • 02:30 • -9db
23% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Charlie Pittman
Harry and Sally
86 bpm • E Maj • 02:54 • -14.77db
33% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jacob James
It Will Always Be You
87 bpm • F min • 03:31 • -16.82db
22% Popularity • 48% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Micaiah Ejim
Make Me an Option
87 bpm • C Maj • 03:45 • -8.32db
17% Popularity • 42% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Mariana Tereso
you're not worth crying over
88 bpm • G# min • 02:58 • -11.92db
19% Popularity • 28% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Samantha Harvey
I Kinda Like That
88 bpm • C# Maj • 02:42 • -7.88db
12% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Louis Knight
That Wasn't Love
88 bpm • D Maj • 02:17 • -6.94db
29% Popularity • 56% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Alejandro Aranda
Return2Sender (Unplugged)
89 bpm • C# Maj • 03:41 • -8.36db
33% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dear You (Act III)