Songs like Death Strip by North Sea Navigator
Based on a tempo of (+/- 10%) and a similar genre
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SoulKing
Just A Bad Boy
136 bpm • G Maj • 04:13 • -9db
15% Popularity • 55% Danceability • 63% Energy • 10% Liveness
35% Instrumentalness • 27% Positiveness
15% Popularity • 55% Danceability • 63% Energy • 10% Liveness
35% Instrumentalness • 27% Positiveness
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Kid Bowery
Brother Honey Passes Before Us
136 bpm • A# Maj • 03:12 • -7.2db
20% Popularity • 74% Danceability • 75% Energy • 37% Liveness
1% Instrumentalness • 65% Positiveness
20% Popularity • 74% Danceability • 75% Energy • 37% Liveness
1% Instrumentalness • 65% Positiveness
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Nicholas Mowery
Transcend
136 bpm • G Maj • 03:42 • -10.55db
22% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Good Cop Bad Cop
Cried For A Friend This Morning
136 bpm • D Maj • 04:09 • -5.63db
17% Popularity • 59% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 59% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Owen Lake and The Tragic Loves
I'll Be There to Welcome You Home
136 bpm • D Maj • 03:24 • -9.32db
11% Popularity • 53% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 53% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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North Sea Navigator
Death Strip
136 bpm • C# min • 03:47 • -10.77db
0% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Len Robinson
Organ Jack
135 bpm • B min • 02:24 • -7.52db
22% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Jon Alban
Going Round in Circles - Version 1
135 bpm • A Maj • 03:51 • -9.09db
7% Popularity • 42% Danceability • 70% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
7% Popularity • 42% Danceability • 70% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Paul Goodwin
One Off
135 bpm • F Maj • 01:55 • -17.06db
13% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 55% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Vaillancourt
Green & Gray
136 bpm • D Maj • 04:33 • -9.06db
10% Popularity • 50% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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Marek Sulejewski
Bigger Truth
137 bpm • E min • 03:12 • -17.11db
32% Popularity • 32% Danceability • 21% Energy • 24% Liveness
19% Instrumentalness • 35% Positiveness
32% Popularity • 32% Danceability • 21% Energy • 24% Liveness
19% Instrumentalness • 35% Positiveness
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Dean Omori
World Makes Me Nervous
137 bpm • C# min • 03:13 • -13.05db
10% Popularity • 61% Danceability • 17% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
10% Popularity • 61% Danceability • 17% Energy • 10% Liveness
14% Instrumentalness • 23% Positiveness
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Carol Raynor
First Semester Of College
138 bpm • A# Maj • 04:33 • -6.42db
30% Popularity • 28% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 28% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Alexander
Ribcage
138 bpm • C# min • 02:46 • -7.2db
11% Popularity • 48% Danceability • 63% Energy • 36% Liveness
92% Instrumentalness • 28% Positiveness
11% Popularity • 48% Danceability • 63% Energy • 36% Liveness
92% Instrumentalness • 28% Positiveness
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Bul
In My Place
134 bpm • A Maj • 04:20 • -7.74db
26% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kiri and Lou
New Lou
134 bpm • C Maj • 02:10 • -10.93db
18% Popularity • 70% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
18% Popularity • 70% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Claude Fahey
No One
134 bpm • A# Maj • 03:18 • -14.71db
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Trees
Tequila Sunrise
138 bpm • F Maj • 04:34 • -6db
7% Popularity • 45% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 45% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Mortimer DuBois
Youth Wisdom
138 bpm • G min • 05:07 • -16.19db
31% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 73% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Bipolar Bears
The Night Is Too Short
134 bpm • D# Maj • 05:02 • -5.78db
16% Popularity • 58% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 58% Danceability • 43% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Marine Grandperrin
Last Day
133 bpm • A Maj • 04:38 • -13.96db
24% Popularity • 54% Danceability • 24% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
24% Popularity • 54% Danceability • 24% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
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Departure Lounge
Animals on My Mind (Intro)
140 bpm • G# Maj • 01:29 • -10.53db
8% Popularity • 29% Danceability • 40% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
8% Popularity • 29% Danceability • 40% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
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Dana Gillespie
Spent The Day In Bed
139 bpm • C# Maj • 03:39 • -8.6db
17% Popularity • 33% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 33% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Mykolas Kuan Keys
Final Thanksgiving Day
132 bpm • C# Maj • 03:57 • -20.21db
0% Popularity • 35% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
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Merlin Symons
Stranger
132 bpm • F Maj • 03:03 • -13.8db
17% Popularity • 63% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 63% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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North Sea Navigator
Gong IV
132 bpm • F# Maj • 01:17 • -27.31db
0% Popularity • 20% Danceability • 41% Energy • 45% Liveness
89% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 41% Energy • 45% Liveness
89% Instrumentalness • 3% Positiveness
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E-Phobia
Ocean
140 bpm • G Maj • 03:17 • -11.03db
13% Popularity • 70% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
13% Popularity • 70% Danceability • 67% Energy • 11% Liveness
2% Instrumentalness • 91% Positiveness
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Flat Tyre Guy
Country Boy at Heart
140 bpm • A Maj • 02:52 • -10.51db
8% Popularity • 67% Danceability • 63% Energy • 9% Liveness
83% Instrumentalness • 76% Positiveness
8% Popularity • 67% Danceability • 63% Energy • 9% Liveness
83% Instrumentalness • 76% Positiveness
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Kathleen Blackwell
Radiate
132 bpm • A# Maj • 03:32 • -9.69db
15% Popularity • 83% Danceability • 60% Energy • 32% Liveness
54% Instrumentalness • 40% Positiveness
15% Popularity • 83% Danceability • 60% Energy • 32% Liveness
54% Instrumentalness • 40% Positiveness
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Edwyn Collins
The Muzjiks' Waltz
132 bpm • D min • 02:28 • -11.82db
11% Popularity • 56% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
11% Popularity • 56% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
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Ev Carm
Hearth
140 bpm • A# Maj • 04:37 • -10.9db
9% Popularity • 41% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
9% Popularity • 41% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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Dana Smedley
Innocent Li
132 bpm • F# min • 02:08 • -8.06db
29% Popularity • 54% Danceability • 74% Energy • 66% Liveness
64% Instrumentalness • 55% Positiveness
29% Popularity • 54% Danceability • 74% Energy • 66% Liveness
64% Instrumentalness • 55% Positiveness
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Bruce Derby
Goin Down The Hiway - VIP Edit
132 bpm • A min • 03:25 • -13.4db
11% Popularity • 78% Danceability • 45% Energy • 8% Liveness
23% Instrumentalness • 80% Positiveness
11% Popularity • 78% Danceability • 45% Energy • 8% Liveness
23% Instrumentalness • 80% Positiveness
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Jesse June
Yesterday
140 bpm • C Maj • 02:22 • -15.03db
15% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Hot Water
Dark Warrior
132 bpm • C# Maj • 02:38 • -13.72db
16% Popularity • 84% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
16% Popularity • 84% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
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Jonas & The Spice Rack
Arsenic Green Dye
140 bpm • F Maj • 03:25 • -12.74db
11% Popularity • 55% Danceability • 30% Energy • 6% Liveness
12% Instrumentalness • 33% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 6% Liveness
12% Instrumentalness • 33% Positiveness
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Osbaldo Herzhty
Daughter Of The Empire
141 bpm • F# min • 03:40 • -8.6db
26% Popularity • 32% Danceability • 59% Energy • 10% Liveness
66% Instrumentalness • 31% Positiveness
26% Popularity • 32% Danceability • 59% Energy • 10% Liveness
66% Instrumentalness • 31% Positiveness
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New in the Fall
You Weep
141 bpm • C Maj • 03:48 • -9.66db
14% Popularity • 29% Danceability • 44% Energy • 25% Liveness
2% Instrumentalness • 31% Positiveness
14% Popularity • 29% Danceability • 44% Energy • 25% Liveness
2% Instrumentalness • 31% Positiveness
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Little Storping In The Swuff
Oh God, What Now?
131 bpm • E min • 04:10 • -6.33db
11% Popularity • 47% Danceability • 64% Energy • 11% Liveness
36% Instrumentalness • 40% Positiveness
11% Popularity • 47% Danceability • 64% Energy • 11% Liveness
36% Instrumentalness • 40% Positiveness
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Ed Kuepper
Salty Sea Air
131 bpm • E Maj • 03:13 • -10.66db
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Bodies Of Water
There Is Only You
141 bpm • D Maj • 03:00 • -12.09db
10% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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I and Others
Today I Saw a Cloud
131 bpm • F Maj • 01:10 • -18.36db
11% Popularity • 17% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Balloon man
Uniform
131 bpm • G# min • 04:53 • -11.33db
18% Popularity • 55% Danceability • 56% Energy • 31% Liveness
84% Instrumentalness • 80% Positiveness
18% Popularity • 55% Danceability • 56% Energy • 31% Liveness
84% Instrumentalness • 80% Positiveness
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Through Walls
The Needle Skip (Mona Lisa Wasn't Sure)
142 bpm • G Maj • 03:50 • -3.16db
19% Popularity • 35% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 35% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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North Sea Navigator
Peeping Tom
142 bpm • D min • 04:46 • -12.86db
0% Popularity • 44% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 44% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Mitchell
Giraffes
142 bpm • B min • 03:49 • -8.74db
13% Popularity • 64% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness
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Bodies Of Water
Light Came From Dark
131 bpm • G Maj • 03:56 • -9.47db
11% Popularity • 41% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 41% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Greener Duo
Waters of Memory
130 bpm • E Maj • 04:10 • -12.88db
1% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Bygone Dave
Feathers (I wish I was a duck)
130 bpm • E Maj • 03:01 • -15db
10% Popularity • 68% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 68% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Eight Arms
Geology
130 bpm • C Maj • 01:20 • -14.96db
19% Popularity • 71% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 37% Positiveness
19% Popularity • 71% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 37% Positiveness
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PRESTIDGE
Tired Eyes
130 bpm • C# min • 02:00 • -15.73db
25% Popularity • 76% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 76% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Cogley
Who's Keeping Score
130 bpm • A min • 04:46 • -11db
25% Popularity • 78% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 76% Positiveness
25% Popularity • 78% Danceability • 29% Energy • 10% Liveness
2% Instrumentalness • 76% Positiveness
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Frygian
Soulache
130 bpm • E min • 03:44 • -17.02db
16% Popularity • 58% Danceability • 25% Energy • 14% Liveness
9% Instrumentalness • 18% Positiveness
16% Popularity • 58% Danceability • 25% Energy • 14% Liveness
9% Instrumentalness • 18% Positiveness
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Kevin Michael Ozias
Hell Yea This Is How I Ride a Horse
130 bpm • E min • 03:14 • -10.79db
10% Popularity • 64% Danceability • 66% Energy • 10% Liveness
71% Instrumentalness • 15% Positiveness
10% Popularity • 64% Danceability • 66% Energy • 10% Liveness
71% Instrumentalness • 15% Positiveness
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Owl Meets Cat
The Wandering Albatross
130 bpm • B min • 03:25 • -9db
11% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 59% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Simeon Ball
Breathe in breathe out
130 bpm • C Maj • 02:40 • -20.3db
8% Popularity • 83% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
8% Popularity • 83% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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pboc
Shifting Sand
130 bpm • D Maj • 04:59 • -22.12db
7% Popularity • 51% Danceability • 27% Energy • 12% Liveness
45% Instrumentalness • 34% Positiveness
7% Popularity • 51% Danceability • 27% Energy • 12% Liveness
45% Instrumentalness • 34% Positiveness
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Alpha
Leon Tone
130 bpm • G Maj • 04:53 • -9.4db
9% Popularity • 49% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
9% Popularity • 49% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Marek Sulejewski
The Way
143 bpm • E min • 02:31 • -16.81db
40% Popularity • 85% Danceability • 49% Energy • 18% Liveness
2% Instrumentalness • 88% Positiveness
40% Popularity • 85% Danceability • 49% Energy • 18% Liveness
2% Instrumentalness • 88% Positiveness
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Taylor Alice
Tenebra
129 bpm • D Maj • 03:41 • -17.13db
18% Popularity • 52% Danceability • 23% Energy • 15% Liveness
2% Instrumentalness • 45% Positiveness
18% Popularity • 52% Danceability • 23% Energy • 15% Liveness
2% Instrumentalness • 45% Positiveness
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Fanny Julian
Baby Bird
129 bpm • C Maj • 04:06 • -9.39db
18% Popularity • 40% Danceability • 54% Energy • 10% Liveness
41% Instrumentalness • 22% Positiveness
18% Popularity • 40% Danceability • 54% Energy • 10% Liveness
41% Instrumentalness • 22% Positiveness
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Marion Recchio
Fade Away
143 bpm • F min • 04:19 • -9db
29% Popularity • 47% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 47% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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SIDIKI
Ignorance
129 bpm • A# Maj • 04:03 • -7.63db
16% Popularity • 54% Danceability • 59% Energy • 6% Liveness
3% Instrumentalness • 49% Positiveness
16% Popularity • 54% Danceability • 59% Energy • 6% Liveness
3% Instrumentalness • 49% Positiveness
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Dell Lubowitz
Eden Plain
129 bpm • C Maj • 03:37 • -10.9db
24% Popularity • 51% Danceability • 64% Energy • 20% Liveness
51% Instrumentalness • 12% Positiveness
24% Popularity • 51% Danceability • 64% Energy • 20% Liveness
51% Instrumentalness • 12% Positiveness
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Kirk Windsor
Nature Boy
129 bpm • D Maj • 03:32 • -13.03db
21% Popularity • 50% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
21% Popularity • 50% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Blade Thunder
The Beauty Surrounds
143 bpm • D Maj • 01:18 • -11.96db
10% Popularity • 57% Danceability • 38% Energy • 11% Liveness
17% Instrumentalness • 64% Positiveness
10% Popularity • 57% Danceability • 38% Energy • 11% Liveness
17% Instrumentalness • 64% Positiveness
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Lil x_999
Country Take Me Home
144 bpm • E Maj • 02:45 • -13.26db
16% Popularity • 68% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 68% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Forwardman
Far from the Sun
144 bpm • E Maj • 03:51 • -10db
22% Popularity • 62% Danceability • 66% Energy • 9% Liveness
32% Instrumentalness • 53% Positiveness
22% Popularity • 62% Danceability • 66% Energy • 9% Liveness
32% Instrumentalness • 53% Positiveness
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Owen Lake and The Tragic Loves
Long Black Veil
144 bpm • D Maj • 03:50 • -12db
11% Popularity • 59% Danceability • 51% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
11% Popularity • 59% Danceability • 51% Energy • 21% Liveness
3% Instrumentalness • 9% Positiveness
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Sergio Del Rio Sevillano
Together Now
128 bpm • D Maj • 02:32 • -8.53db
25% Popularity • 49% Danceability • 47% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
25% Popularity • 49% Danceability • 47% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Jean Koning
Wild Dreaming Tonight
144 bpm • A Maj • 03:21 • -14.04db
20% Popularity • 60% Danceability • 34% Energy • 11% Liveness
22% Instrumentalness • 9% Positiveness
20% Popularity • 60% Danceability • 34% Energy • 11% Liveness
22% Instrumentalness • 9% Positiveness
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Timo Raikko
Come What May
128 bpm • D Maj • 03:19 • -10.76db
8% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Sage Hatfield
Velvet in Auburn
128 bpm • C# Maj • 02:58 • -11.49db
3% Popularity • 66% Danceability • 49% Energy • 34% Liveness
24% Instrumentalness • 55% Positiveness
3% Popularity • 66% Danceability • 49% Energy • 34% Liveness
24% Instrumentalness • 55% Positiveness
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Truda Gaskell
Breakfast
128 bpm • F# Maj • 05:42 • -13.15db
25% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Owen Lake and The Tragic Loves
I'm Glad to Have Her Back Again
128 bpm • F Maj • 03:36 • -8.46db
11% Popularity • 76% Danceability • 50% Energy • 14% Liveness
4% Instrumentalness • 66% Positiveness
11% Popularity • 76% Danceability • 50% Energy • 14% Liveness
4% Instrumentalness • 66% Positiveness
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Cedar & Soil
By the Sea
128 bpm • E Maj • 03:24 • -14.39db
13% Popularity • 61% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
13% Popularity • 61% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Bygone Dave
Supershitty
145 bpm • C# Maj • 01:58 • -12.39db
16% Popularity • 49% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 49% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Mark Colety
Gram of Love (Remastered 2022)
128 bpm • C min • 04:52 • -8.24db
23% Popularity • 50% Danceability • 45% Energy • 13% Liveness
20% Instrumentalness • 29% Positiveness
23% Popularity • 50% Danceability • 45% Energy • 13% Liveness
20% Instrumentalness • 29% Positiveness
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Balloon man
Pills & Ashtrays
145 bpm • G Maj • 04:17 • -7.58db
18% Popularity • 56% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 80% Positiveness
18% Popularity • 56% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 80% Positiveness
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North Sea Navigator
Die Hunde
128 bpm • F# Maj • 02:51 • -6.05db
0% Popularity • 29% Danceability • 88% Energy • 18% Liveness
85% Instrumentalness • 28% Positiveness
0% Popularity • 29% Danceability • 88% Energy • 18% Liveness
85% Instrumentalness • 28% Positiveness
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Coffee Time
Easy on Me
145 bpm • C# Maj • 03:31 • -12.92db
7% Popularity • 58% Danceability • 36% Energy • 12% Liveness
83% Instrumentalness • 48% Positiveness
7% Popularity • 58% Danceability • 36% Energy • 12% Liveness
83% Instrumentalness • 48% Positiveness
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Wade Hamilton
No Light, Only Love
127 bpm • F min • 05:23 • -10.14db
16% Popularity • 68% Danceability • 56% Energy • 12% Liveness
86% Instrumentalness • 54% Positiveness
16% Popularity • 68% Danceability • 56% Energy • 12% Liveness
86% Instrumentalness • 54% Positiveness
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Alan Grattan
Changin' Times
145 bpm • D Maj • 03:48 • -11.03db
16% Popularity • 59% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
16% Popularity • 59% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 87% Positiveness
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The Safes
Dreams That Ignite
146 bpm • E min • 02:52 • -10db
17% Popularity • 57% Danceability • 33% Energy • 10% Liveness
63% Instrumentalness • 51% Positiveness
17% Popularity • 57% Danceability • 33% Energy • 10% Liveness
63% Instrumentalness • 51% Positiveness
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Ryan LeVine
Afterlife
127 bpm • F# Maj • 02:54 • -12.79db
24% Popularity • 76% Danceability • 36% Energy • 8% Liveness
9% Instrumentalness • 73% Positiveness
24% Popularity • 76% Danceability • 36% Energy • 8% Liveness
9% Instrumentalness • 73% Positiveness
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The Wheel
Wintered Wanderlust
146 bpm • G Maj • 01:14 • -15.47db
14% Popularity • 24% Danceability • 47% Energy • 64% Liveness
97% Instrumentalness • 30% Positiveness
14% Popularity • 24% Danceability • 47% Energy • 64% Liveness
97% Instrumentalness • 30% Positiveness
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Granne
Come with me
127 bpm • A min • 03:25 • -16.53db
14% Popularity • 73% Danceability • 14% Energy • 26% Liveness
8% Instrumentalness • 33% Positiveness
14% Popularity • 73% Danceability • 14% Energy • 26% Liveness
8% Instrumentalness • 33% Positiveness
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Shawn Haller
The Girl The Drawing And The Show
146 bpm • A# min • 02:06 • -19.72db
14% Popularity • 64% Danceability • 12% Energy • 59% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 64% Danceability • 12% Energy • 59% Liveness
0% Instrumentalness • 34% Positiveness
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HazelEye's Looking Glass
Standing Still
127 bpm • E Maj • 02:34 • -8.32db
21% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 81% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Jackie Lopez
Minor Escape
146 bpm • G Maj • 02:52 • -5.11db
30% Popularity • 59% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
30% Popularity • 59% Danceability • 77% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Simeon Ball
The world fell silent
126 bpm • C Maj • 03:16 • -16.98db
8% Popularity • 73% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
8% Popularity • 73% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Odrsk
Deep Sea
126 bpm • F# min • 01:57 • -18.14db
14% Popularity • 63% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
14% Popularity • 63% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Shamano
So Many Tears
126 bpm • C# min • 03:02 • -7.92db
31% Popularity • 77% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 77% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Owen Lake and The Tragic Loves
The Best of Your Lies
126 bpm • G Maj • 04:08 • -11db
11% Popularity • 67% Danceability • 49% Energy • 12% Liveness
52% Instrumentalness • 60% Positiveness
11% Popularity • 67% Danceability • 49% Energy • 12% Liveness
52% Instrumentalness • 60% Positiveness
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The Bipolar Bears
Asphyxiated
126 bpm • D Maj • 05:39 • -11.67db
15% Popularity • 79% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
15% Popularity • 79% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Naked Brunch
Leather
147 bpm • D Maj • 04:05 • -14.06db
10% Popularity • 35% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
10% Popularity • 35% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
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AUDIOLAW
Idiots
126 bpm • G Maj • 03:01 • -11.18db
10% Popularity • 70% Danceability • 26% Energy • 10% Liveness
6% Instrumentalness • 52% Positiveness
10% Popularity • 70% Danceability • 26% Energy • 10% Liveness
6% Instrumentalness • 52% Positiveness
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Theobald Boswell
But Me
126 bpm • G Maj • 03:11 • -11.19db
20% Popularity • 76% Danceability • 34% Energy • 9% Liveness
13% Instrumentalness • 46% Positiveness
20% Popularity • 76% Danceability • 34% Energy • 9% Liveness
13% Instrumentalness • 46% Positiveness
