Songs like Debussie by Daphne Loves Derby
Based on a tempo of (+/- 10%) and a similar genre
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Daphne Loves Derby
Sundays - Acoustic
140 bpm • E Maj • 03:01 • -12.36db
5% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Spill Canvas
This Is For Keeps
140 bpm • G# Maj • 05:29 • -7db
30% Popularity • 70% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 70% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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The Morning Of
The New Is In
140 bpm • C Maj • 04:17 • -5.86db
9% Popularity • 54% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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The Audition
Don't Be So Hard
140 bpm • F# Maj • 03:43 • -5db
28% Popularity • 40% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 40% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Motion City Soundtrack
L.G. FUAD
140 bpm • C# Maj • 03:06 • -4.62db
49% Popularity • 59% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 59% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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A Rocket To The Moon
Are You Catching My Drift Yet?
140 bpm • F# min • 04:22 • -6.97db
18% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Rookie Of The Year
Silhouettes (all eyes above)
140 bpm • C Maj • 03:15 • -6.41db
10% Popularity • 43% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 43% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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The Spill Canvas
One Thing Is for Sure
140 bpm • D# min • 03:37 • -3.93db
26% Popularity • 56% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 56% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Go Radio
The Truth Is
140 bpm • C Maj • 05:01 • -5.78db
18% Popularity • 48% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 48% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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From Autumn To Ashes
Chloroform Perfume
140 bpm • E min • 05:00 • -9.35db
18% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 44% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Never Shout Never
Dare4distance
140 bpm • E Maj • 02:47 • -7db
37% Popularity • 53% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 53% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Daphne Loves Derby
Debussie
140 bpm • F# Maj • 02:30 • -10.94db
14% Popularity • 47% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 47% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Craig Owens
Products of Poverty
140 bpm • E Maj • 03:42 • -5.91db
8% Popularity • 57% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 57% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Bayside
They Looked Like Strong Hands
140 bpm • C# Maj • 04:35 • -7.76db
26% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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This Providence
My Beautiful Rescue
140 bpm • B Maj • 02:36 • -9.21db
36% Popularity • 56% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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JamisonParker
Tearing Through Me
140 bpm • G Maj • 03:18 • -8db
10% Popularity • 30% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 30% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Halifax
Sydney (Acoustic Version)
140 bpm • F# min • 04:35 • -7db
10% Popularity • 57% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 57% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Daphne Loves Derby
Part of My Past
140 bpm • D Maj • 02:42 • -10.41db
9% Popularity • 52% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 52% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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I Can Make A Mess
You're Not So Good At Talking Anymore
140 bpm • F# Maj • 03:55 • -4.42db
19% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 48% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Spitalfield
Hold On
141 bpm • A Maj • 03:51 • -5.26db
10% Popularity • 60% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 60% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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The Narrative
The Moment That It Stops
139 bpm • D Maj • 04:56 • -6.93db
10% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 54% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Waking Ashland
Let Go
139 bpm • G# Maj • 03:50 • -3.72db
8% Popularity • 45% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 45% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Anberlin
Naive Orleans - Acoustic
138 bpm • C# Maj • 03:40 • -7.13db
18% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Motion City Soundtrack
It Had To Be You
142 bpm • D# Maj • 03:47 • -5.44db
35% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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I Can Make A Mess
Old Man...........................
140 bpm • B Maj • 05:51 • -8.92db
15% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
15% Popularity • 44% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 8% Positiveness
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Brighten
I Lost Her
142 bpm • G# Maj • 03:43 • -8.86db
17% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 55% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sherwood
Song in My Head
142 bpm • C Maj • 03:50 • -3.99db
30% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 48% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Waking Ashland
Edinger
139 bpm • G Maj • 03:36 • -4.66db
8% Popularity • 47% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 47% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Bayside
Megan
138 bpm • A Maj • 03:25 • -7.6db
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Motion City Soundtrack
It Had To Be You - Acoustic
142 bpm • D# Maj • 03:40 • -5.16db
21% Popularity • 61% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 61% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Self Against City
Speechless
138 bpm • F# Maj • 03:32 • -4db
8% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 57% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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I Can Make A Mess
So I Finally Decided To Give Myself A Re...
138 bpm • F# Maj • 03:06 • -8db
17% Popularity • 41% Danceability • 51% Energy • 10% Liveness
25% Instrumentalness • 11% Positiveness
17% Popularity • 41% Danceability • 51% Energy • 10% Liveness
25% Instrumentalness • 11% Positiveness
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Sherwood
Middle of the Night
142 bpm • B min • 03:31 • -3.89db
19% Popularity • 52% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 52% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Major League
Need I Remind You
138 bpm • D# Maj • 03:27 • -4.49db
28% Popularity • 69% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 69% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Hawthorne Heights
Decembers
142 bpm • D min • 04:45 • -5db
29% Popularity • 54% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 25% Positiveness
29% Popularity • 54% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 25% Positiveness
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Motion City Soundtrack
Broken Heart - Acoustic
142 bpm • F# Maj • 03:16 • -6.04db
21% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Taking Back Sunday
Great Romances Of The 20th Century - Aco...
138 bpm • A# Maj • 03:47 • -7.91db
16% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Scene Aesthetic
If You're A Bird
138 bpm • C Maj • 03:50 • -6.89db
10% Popularity • 53% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 53% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Say Anything
Woe
138 bpm • G Maj • 04:07 • -5.82db
21% Popularity • 32% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 32% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Hit The Lights
Count It!
137 bpm • C# Maj • 01:01 • -5db
25% Popularity • 59% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 59% Danceability • 92% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
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Yellowcard
With You Around - Acoustic
137 bpm • D Maj • 03:06 • -5.95db
21% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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The Spill Canvas
Appreciation and the Bomb
137 bpm • C Maj • 03:35 • -4.26db
22% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Taking Back Sunday
My Blue Heaven
137 bpm • C# Maj • 04:07 • -4.62db
43% Popularity • 36% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 36% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Daphne Loves Derby
Stranger, You and I
137 bpm • G# Maj • 03:11 • -5.56db
14% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 56% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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As Tall As Lions
I'm Kicking Myself
144 bpm • F# Maj • 03:03 • -12.4db
22% Popularity • 36% Danceability • 30% Energy • 30% Liveness
4% Instrumentalness • 25% Positiveness
22% Popularity • 36% Danceability • 30% Energy • 30% Liveness
4% Instrumentalness • 25% Positiveness
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Waking Ashland
I Am For You
143 bpm • C min • 03:34 • -4.58db
20% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Spitalfield
Five Days And Counting
144 bpm • B min • 03:04 • -4.39db
30% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Spill Canvas
Natalie Marie and 1cc
143 bpm • B Maj • 04:35 • -5.39db
27% Popularity • 57% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 57% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Self Against City
Ready And Willing
144 bpm • E Maj • 02:51 • -4db
14% Popularity • 53% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 53% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Number One Gun
The Best Of You And Me
144 bpm • F Maj • 03:49 • -7.63db
17% Popularity • 57% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
17% Popularity • 57% Danceability • 57% Energy • 11% Liveness
6% Instrumentalness • 33% Positiveness
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Terminal
Dark
136 bpm • F min • 03:52 • -3.9db
16% Popularity • 38% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 38% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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The Almost
Hand Grenade
144 bpm • F Maj • 03:51 • -7.18db
25% Popularity • 47% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 47% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Brighten
Ready When You Are
136 bpm • G min • 03:30 • -6.15db
20% Popularity • 49% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 49% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jack's Mannequin
Bruised - 2015 Remaster
136 bpm • D# Maj • 04:02 • -5db
42% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Morning Of
The Ones That Fall Apart (Single)
136 bpm • B Maj • 03:36 • -5.63db
15% Popularity • 51% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 51% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Perma
Little Light
136 bpm • A Maj • 03:53 • -6.87db
13% Popularity • 58% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 58% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Terminal
City By The Sea
144 bpm • B min • 03:49 • -3.21db
12% Popularity • 42% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 42% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Cinematic Sunrise
You Told Me You Loved Me
145 bpm • A Maj • 04:26 • -7db
22% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Acceptance
Breathless
144 bpm • F# min • 02:42 • -4.77db
26% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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The Spill Canvas
Teleport A & B
145 bpm • F# Maj • 03:53 • -5.35db
25% Popularity • 63% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 63% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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JamisonParker
Paper, Rock, Scissors
135 bpm • B Maj • 03:28 • -5.9db
11% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Anberlin
Dismantle.Repair - Acoustic
145 bpm • D# Maj • 04:34 • -7.78db
19% Popularity • 58% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 58% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Daphne Loves Derby
Dirt Doesn't Travel
145 bpm • C# min • 03:12 • -10.31db
5% Popularity • 56% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 56% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Hidden In Plain View
Halcyon Daze
135 bpm • A Maj • 04:28 • -6.25db
15% Popularity • 49% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 49% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Just Surrender
Burning Up - Acoustic
135 bpm • D# Maj • 03:27 • -5.37db
8% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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The Spill Canvas
Staplegunned
135 bpm • C# Maj • 03:07 • -8db
22% Popularity • 66% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 66% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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This Providence
The Pursuit of Happiness: 1st Movement
135 bpm • F# Maj • 03:25 • -8.1db
9% Popularity • 54% Danceability • 76% Energy • 72% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 54% Danceability • 76% Energy • 72% Liveness
0% Instrumentalness • 30% Positiveness
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Brighten
I'll Be There
135 bpm • F# min • 03:56 • -7.69db
18% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Daphne Loves Derby
These Ghosts, My Hopes, the Sand, the Se...
135 bpm • B min • 08:59 • -15.64db
6% Popularity • 32% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 32% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Between The Trees
Story of a Boy
135 bpm • B Maj • 04:19 • -3.42db
12% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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A Change of Pace
Safe and Sound in Phone Lines
135 bpm • E min • 03:51 • -7.28db
26% Popularity • 46% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 46% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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The Spill Canvas
Lust A Prima Vista
135 bpm • F min • 03:25 • -6db
32% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Just Surrender
So Close / So Alive
135 bpm • D# Maj • 03:51 • -2.5db
23% Popularity • 52% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 52% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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This Providence
Card House Dreamer
135 bpm • C Maj • 02:36 • -5.19db
20% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 58% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Daphne Loves Derby
Simple, Starving to Be Safe
135 bpm • E Maj • 03:51 • -13.88db
26% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Spitalfield
In The Same Lifetime
146 bpm • A Maj • 05:18 • -7.52db
14% Popularity • 47% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Waking Ashland
Counting The Stars
146 bpm • D# Maj • 03:41 • -5.02db
13% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 48% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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The Morning Of
An Unseen Direction
146 bpm • F Maj • 03:28 • -4db
7% Popularity • 50% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 50% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Anthony Green
She Loves Me So
147 bpm • G Maj • 03:52 • -6.44db
30% Popularity • 47% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 47% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Brighten
Forever in Love
134 bpm • D Maj • 05:15 • -12.37db
12% Popularity • 57% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 57% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Daphne Loves Derby
Sun
145 bpm • C# Maj • 03:17 • -6.48db
26% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Matchbook Romance
Tiger Lily
133 bpm • G Maj • 03:03 • -5.85db
33% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Waking Ashland
Rumors
147 bpm • D# Maj • 04:09 • -4.42db
11% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Something Corporate
Cavanaugh Park
147 bpm • B Maj • 04:18 • -7.71db
22% Popularity • 39% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 39% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sherwood
Traveling Alone
147 bpm • D Maj • 02:54 • -5.48db
10% Popularity • 54% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 54% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Motion City Soundtrack
Hello Helicopter
133 bpm • F# Maj • 04:23 • -4.53db
26% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Daphne Loves Derby
The Longest Story
146 bpm • C Maj • 04:18 • -10.45db
6% Popularity • 55% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 55% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Anthony Green
Dear Child (I've Been Dying to Reach You...
147 bpm • E Maj • 03:23 • -6.48db
40% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Go Radio
Why I’m Home
133 bpm • C Maj • 03:36 • -6.96db
22% Popularity • 50% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 50% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Terminal
Miss Louisiana
148 bpm • A min • 03:15 • -4.42db
10% Popularity • 34% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 34% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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I Can Make A Mess
Sleep Means Sleeping
148 bpm • C# Maj • 04:37 • -9.71db
13% Popularity • 28% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 28% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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The Juliana Theory
Into The Dark
148 bpm • D min • 04:03 • -7db
28% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Daphne Loves Derby
No One Is Convinced
147 bpm • A# Maj • 03:47 • -6.34db
10% Popularity • 49% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 49% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Motion City Soundtrack
Even If It Kills Me
148 bpm • B Maj • 03:51 • -5.36db
32% Popularity • 41% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Something Corporate
I Want To Save You
148 bpm • D# Maj • 04:22 • -6db
36% Popularity • 45% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 45% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rufio
Over It
148 bpm • C# min • 01:54 • -9.18db
23% Popularity • 59% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 59% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Letter Kills
Hold My Heart (Part One)
132 bpm • C# Maj • 04:50 • -5.77db
14% Popularity • 50% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 50% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Cinematic Sunrise
If Lilly Isn't Back By Sunset
132 bpm • G Maj • 03:05 • -5.9db
14% Popularity • 54% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 54% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness