Songs like Deception_Transmission - Original mix by Lewis Fautzi
Based on a tempo of (+/- 10%) and a similar genre
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Lewis Fautzi
Internally - Original mix
130 bpm • C# Maj • 05:28 • -9.44db
0% Popularity • 76% Danceability • 94% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
0% Popularity • 76% Danceability • 94% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Takaaki Itoh
Anagrammer
130 bpm • C# min • 05:42 • -10.42db
10% Popularity • 79% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 79% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Jonas Kopp
Akut - Orignal Mix
130 bpm • E Maj • 04:51 • -8.78db
13% Popularity • 78% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
13% Popularity • 78% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Unbalance
Not Me
130 bpm • G Maj • 05:39 • -11db
8% Popularity • 66% Danceability • 64% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 66% Danceability • 64% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Nick Hook
666 Wayz - Instrumental Version
130 bpm • B Maj • 01:06 • -12.19db
33% Popularity • 79% Danceability • 82% Energy • 12% Liveness
94% Instrumentalness • 71% Positiveness
33% Popularity • 79% Danceability • 82% Energy • 12% Liveness
94% Instrumentalness • 71% Positiveness
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Shlømo
Escape from the Poison River - Artefakt ...
130 bpm • B Maj • 07:04 • -11db
13% Popularity • 70% Danceability • 94% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 70% Danceability • 94% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Lewis Fautzi
Sick
130 bpm • G Maj • 05:30 • -12.8db
11% Popularity • 66% Danceability • 71% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
11% Popularity • 66% Danceability • 71% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Setaoc Mass
Manifesto
130 bpm • F# min • 06:25 • -9db
22% Popularity • 64% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
22% Popularity • 64% Danceability • 90% Energy • 10% Liveness
87% Instrumentalness • 40% Positiveness
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James Ruskin
Post-Traumatic Son - DVS1 Optimist Mix
130 bpm • A min • 06:02 • -16.96db
10% Popularity • 80% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
10% Popularity • 80% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Kwartz
Form and Void - Reeko remix
130 bpm • D Maj • 05:37 • -6db
8% Popularity • 84% Danceability • 77% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 84% Danceability • 77% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Exium
Nucleoid - Lewis Fautzi Remix
130 bpm • C Maj • 05:25 • -10.47db
1% Popularity • 65% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
1% Popularity • 65% Danceability • 83% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
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Tensal
Effect 2
130 bpm • B Maj • 03:23 • -9.25db
20% Popularity • 62% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
20% Popularity • 62% Danceability • 90% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Lewis Fautzi
Mirror
130 bpm • A# min • 05:32 • -11.96db
17% Popularity • 62% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
17% Popularity • 62% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Linkan Ray
Planes
130 bpm • F min • 05:29 • -14.11db
15% Popularity • 74% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 74% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Shifted
Drifting Over
130 bpm • F min • 06:57 • -14db
12% Popularity • 76% Danceability • 80% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
12% Popularity • 76% Danceability • 80% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Introversion
Block 4
130 bpm • C# Maj • 06:16 • -10.65db
20% Popularity • 68% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
20% Popularity • 68% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Exium
Time - Oscar Mulero Remix
130 bpm • F# Maj • 05:48 • -12db
14% Popularity • 59% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
14% Popularity • 59% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
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Marcal
Shutdown
130 bpm • E min • 05:41 • -9.01db
13% Popularity • 75% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
13% Popularity • 75% Danceability • 94% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Lewis Fautzi
Range
130 bpm • G Maj • 04:58 • -11.67db
17% Popularity • 65% Danceability • 63% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 65% Danceability • 63% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Border One
Throw - Thomas Hessler Mix
130 bpm • B Maj • 05:25 • -12.79db
12% Popularity • 80% Danceability • 70% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 80% Danceability • 70% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Rødhåd
Patient Zero - Function Remix
130 bpm • G Maj • 03:40 • -8.74db
25% Popularity • 80% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
25% Popularity • 80% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 56% Positiveness
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Dimi Angélis
Rhetorica - Jonas Kopp Remix
130 bpm • C Maj • 06:49 • -9.55db
13% Popularity • 72% Danceability • 95% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
13% Popularity • 72% Danceability • 95% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Planetary Assault Systems
Desert Races
130 bpm • D Maj • 07:37 • -11db
24% Popularity • 72% Danceability • 96% Energy • 61% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 72% Danceability • 96% Energy • 61% Liveness
86% Instrumentalness • 6% Positiveness
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Boston 168
Black Hole
130 bpm • G# min • 06:09 • -9.74db
15% Popularity • 68% Danceability • 96% Energy • 18% Liveness
87% Instrumentalness • 35% Positiveness
15% Popularity • 68% Danceability • 96% Energy • 18% Liveness
87% Instrumentalness • 35% Positiveness
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Lewis Fautzi
Rentless Pain - Original Mix
130 bpm • G Maj • 05:59 • -13.39db
1% Popularity • 50% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 50% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Psyk
Silhouette
130 bpm • A Maj • 04:52 • -10.38db
10% Popularity • 79% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
10% Popularity • 79% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Alderaan
Ancient Particles - Original Mix
130 bpm • A# min • 06:31 • -10.42db
27% Popularity • 63% Danceability • 86% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
27% Popularity • 63% Danceability • 86% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
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Kastil
Binding Echos
130 bpm • C# Maj • 05:27 • -9.61db
9% Popularity • 73% Danceability • 92% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
9% Popularity • 73% Danceability • 92% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Troy
Voyage To Pollux
130 bpm • C# min • 06:28 • -14db
11% Popularity • 78% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 78% Danceability • 74% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Altinbas
Flows
130 bpm • F# Maj • 06:25 • -13.17db
9% Popularity • 74% Danceability • 68% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 74% Danceability • 68% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Lewis Fautzi
Furrow - Original Mix
130 bpm • F# min • 05:02 • -17.09db
1% Popularity • 68% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
1% Popularity • 68% Danceability • 66% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Boston 168
Cosmic Radiation
130 bpm • F# Maj • 06:15 • -10db
16% Popularity • 62% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
16% Popularity • 62% Danceability • 89% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Troma
Asteroid
130 bpm • G Maj • 06:35 • -12.68db
12% Popularity • 63% Danceability • 80% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 63% Danceability • 80% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Amotik
Solah - Edit Select Remix
130 bpm • C# min • 07:22 • -7.74db
13% Popularity • 54% Danceability • 99% Energy • 7% Liveness
95% Instrumentalness • 14% Positiveness
13% Popularity • 54% Danceability • 99% Energy • 7% Liveness
95% Instrumentalness • 14% Positiveness
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Under Black Helmet
Space and Time
130 bpm • F# min • 06:11 • -10.86db
22% Popularity • 80% Danceability • 93% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
22% Popularity • 80% Danceability • 93% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
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Shifted
Telic
130 bpm • C Maj • 06:18 • -13.84db
13% Popularity • 78% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
13% Popularity • 78% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Lewis Fautzi
Deception_Transmission - Original mix
130 bpm • F# Maj • 05:32 • -13.08db
1% Popularity • 71% Danceability • 78% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
1% Popularity • 71% Danceability • 78% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Developer
In Pure Form 07
130 bpm • D# Maj • 06:26 • -10.96db
17% Popularity • 79% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
17% Popularity • 79% Danceability • 67% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Möd3rn
Mö 13
130 bpm • C Maj • 06:38 • -9.26db
14% Popularity • 78% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
14% Popularity • 78% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Denise Rabe
Berlin Knights
130 bpm • C# Maj • 06:24 • -10.32db
11% Popularity • 54% Danceability • 93% Energy • 9% Liveness
82% Instrumentalness • 64% Positiveness
11% Popularity • 54% Danceability • 93% Energy • 9% Liveness
82% Instrumentalness • 64% Positiveness
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Planetary Assault Systems
Rip The Cut
130 bpm • F# Maj • 08:14 • -12db
20% Popularity • 58% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 58% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Charlotte de Witte
This - Lewis Fautzi Remix
130 bpm • A# min • 05:27 • -12.76db
38% Popularity • 61% Danceability • 66% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
38% Popularity • 61% Danceability • 66% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Lewis Fautzi
Cyclic Human - Original Mix
130 bpm • B min • 05:02 • -15.07db
0% Popularity • 49% Danceability • 79% Energy • 14% Liveness
8% Instrumentalness • 5% Positiveness
0% Popularity • 49% Danceability • 79% Energy • 14% Liveness
8% Instrumentalness • 5% Positiveness
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Peter Van Hoesen
Subjects from the Past
130 bpm • G Maj • 03:10 • -11.79db
19% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
19% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Cleric
Blitz - Original mix
130 bpm • A Maj • 06:57 • -8.36db
15% Popularity • 77% Danceability • 92% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 77% Danceability • 92% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Nastia Reigel
Letter XCII
130 bpm • D Maj • 05:42 • -10.92db
10% Popularity • 78% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 78% Danceability • 91% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Norman Nodge
Discipline
130 bpm • G Maj • 05:42 • -10.29db
15% Popularity • 63% Danceability • 86% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
15% Popularity • 63% Danceability • 86% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Oxygeno
Possessed Bodies - Lewis Fautzi rmx
130 bpm • F# min • 05:28 • -11.03db
3% Popularity • 53% Danceability • 80% Energy • 11% Liveness
68% Instrumentalness • 22% Positiveness
3% Popularity • 53% Danceability • 80% Energy • 11% Liveness
68% Instrumentalness • 22% Positiveness
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Lewis Fautzi
Desinformation - Original Mix
130 bpm • A# min • 05:32 • -9.76db
0% Popularity • 70% Danceability • 93% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
0% Popularity • 70% Danceability • 93% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Takaaki Itoh
Boyscouter
130 bpm • G Maj • 05:54 • -12.67db
8% Popularity • 67% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
8% Popularity • 67% Danceability • 76% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
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Edit Select
Undualtion
130 bpm • A# min • 05:01 • -13.04db
11% Popularity • 54% Danceability • 84% Energy • 20% Liveness
87% Instrumentalness • 44% Positiveness
11% Popularity • 54% Danceability • 84% Energy • 20% Liveness
87% Instrumentalness • 44% Positiveness
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Tensal
Bihotxak - Original mix
130 bpm • A# min • 05:45 • -7.51db
9% Popularity • 72% Danceability • 74% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
9% Popularity • 72% Danceability • 74% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Psyk
Eclipse
130 bpm • G# Maj • 06:48 • -10.89db
18% Popularity • 74% Danceability • 84% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
18% Popularity • 74% Danceability • 84% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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ORBE
Radar INE
130 bpm • C# Maj • 06:39 • -11.1db
8% Popularity • 72% Danceability • 82% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
8% Popularity • 72% Danceability • 82% Energy • 11% Liveness
78% Instrumentalness • 6% Positiveness
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Translate
Mind Paths
130 bpm • D Maj • 04:29 • -15.18db
15% Popularity • 58% Danceability • 84% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
15% Popularity • 58% Danceability • 84% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Shifted
Chapter 69
130 bpm • C# Maj • 07:03 • -9.07db
16% Popularity • 70% Danceability • 87% Energy • 68% Liveness
86% Instrumentalness • 45% Positiveness
16% Popularity • 70% Danceability • 87% Energy • 68% Liveness
86% Instrumentalness • 45% Positiveness
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Denise Rabe
Sunday Blues - Rrose Remix
130 bpm • D Maj • 05:59 • -8.75db
11% Popularity • 61% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
11% Popularity • 61% Danceability • 85% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Kobosil
Asle
130 bpm • D Maj • 04:22 • -11.78db
11% Popularity • 66% Danceability • 80% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 66% Danceability • 80% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Jeroen Search
Da Capo
130 bpm • A# min • 06:29 • -15.42db
18% Popularity • 80% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
18% Popularity • 80% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Ritzi Lee
Above is Below
130 bpm • C# min • 02:21 • -10.87db
25% Popularity • 78% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
25% Popularity • 78% Danceability • 82% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
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Hans Bouffmyhre
Inwards - Mixed
131 bpm • E Maj • 03:03 • -14.56db
29% Popularity • 60% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
29% Popularity • 60% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Shifted
Resurface
130 bpm • C# Maj • 05:35 • -14.2db
22% Popularity • 59% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
22% Popularity • 59% Danceability • 36% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Forward Strategy Group
Infinity Circuit
129 bpm • A# min • 06:25 • -10.47db
8% Popularity • 46% Danceability • 82% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
8% Popularity • 46% Danceability • 82% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Setaoc Mass
True lies - Original
131 bpm • G Maj • 06:15 • -10.4db
25% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
25% Popularity • 66% Danceability • 93% Energy • 10% Liveness
58% Instrumentalness • 35% Positiveness
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Planetary Assault Systems
Red
131 bpm • F# min • 05:43 • -11.08db
12% Popularity • 59% Danceability • 76% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
12% Popularity • 59% Danceability • 76% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Ø [Phase]
Burden Of Proof
131 bpm • C Maj • 07:56 • -7.52db
13% Popularity • 72% Danceability • 83% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
13% Popularity • 72% Danceability • 83% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Truncate
Terminal 5 - Mixed
131 bpm • B min • 03:25 • -12.05db
24% Popularity • 60% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 60% Danceability • 72% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Bas Mooy
Tilt
129 bpm • G Maj • 04:28 • -13.05db
18% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
18% Popularity • 72% Danceability • 77% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Unbalance
Warehouse Tool 1
131 bpm • A# min • 05:44 • -10db
11% Popularity • 75% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
11% Popularity • 75% Danceability • 96% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Developer
Natives
129 bpm • A# min • 06:29 • -9db
19% Popularity • 62% Danceability • 77% Energy • 16% Liveness
80% Instrumentalness • 41% Positiveness
19% Popularity • 62% Danceability • 77% Energy • 16% Liveness
80% Instrumentalness • 41% Positiveness
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Planetary Assault Systems
Bell Blocker
129 bpm • E min • 07:43 • -14.04db
15% Popularity • 58% Danceability • 82% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
15% Popularity • 58% Danceability • 82% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
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Etapp Kyle
Quantum
131 bpm • C# Maj • 06:37 • -15db
29% Popularity • 79% Danceability • 56% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
29% Popularity • 79% Danceability • 56% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Lewis Fautzi
Skin - Kwartz Remix
131 bpm • G Maj • 05:37 • -10.98db
0% Popularity • 69% Danceability • 79% Energy • 17% Liveness
90% Instrumentalness • 25% Positiveness
0% Popularity • 69% Danceability • 79% Energy • 17% Liveness
90% Instrumentalness • 25% Positiveness
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MATRiXXMAN
Pitch Black
131 bpm • F# min • 05:29 • -12.51db
19% Popularity • 79% Danceability • 77% Energy • 6% Liveness
91% Instrumentalness • 11% Positiveness
19% Popularity • 79% Danceability • 77% Energy • 6% Liveness
91% Instrumentalness • 11% Positiveness
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Phara
Six Is A Charm
131 bpm • C# Maj • 06:12 • -13db
14% Popularity • 62% Danceability • 86% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
14% Popularity • 62% Danceability • 86% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Massa (7)
Interference - Ness Remix
129 bpm • F# min • 06:43 • -16.79db
16% Popularity • 66% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 66% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Takaaki Itoh
Receptor (Claudio PRC Remix)
131 bpm • G Maj • 06:22 • -13.91db
18% Popularity • 67% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
18% Popularity • 67% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Etapp Kyle
Continuum
129 bpm • G Maj • 06:29 • -14.71db
23% Popularity • 75% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
23% Popularity • 75% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Keith Carnal
Backstage Gathering
131 bpm • F# Maj • 05:58 • -12.55db
21% Popularity • 63% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
21% Popularity • 63% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Flug
Logical Concequences
129 bpm • F# Maj • 07:10 • -12.21db
10% Popularity • 79% Danceability • 71% Energy • 10% Liveness
90% Instrumentalness • 2% Positiveness
10% Popularity • 79% Danceability • 71% Energy • 10% Liveness
90% Instrumentalness • 2% Positiveness
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Roman Poncet
Piège
129 bpm • G Maj • 05:48 • -10db
12% Popularity • 75% Danceability • 83% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 75% Danceability • 83% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Shlømo
Hardwave
129 bpm • C# min • 07:00 • -9.77db
8% Popularity • 63% Danceability • 84% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 63% Danceability • 84% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Cliche Morph
The Suffering of Mind - Fanon Flowers Re...
129 bpm • B min • 06:42 • -10db
14% Popularity • 80% Danceability • 84% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
14% Popularity • 80% Danceability • 84% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Adriana Lopez
Sin Sentido
129 bpm • G# min • 05:46 • -12db
15% Popularity • 79% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
15% Popularity • 79% Danceability • 63% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Leiras
Body Language
131 bpm • G Maj • 05:27 • -7.77db
9% Popularity • 79% Danceability • 83% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
9% Popularity • 79% Danceability • 83% Energy • 12% Liveness
89% Instrumentalness • 30% Positiveness
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Answer Code Request
The 4th Verdict
131 bpm • C# Maj • 05:37 • -10.27db
24% Popularity • 64% Danceability • 81% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
24% Popularity • 64% Danceability • 81% Energy • 7% Liveness
82% Instrumentalness • 16% Positiveness
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Nørbak
I Will Guide Thy Hand
129 bpm • G Maj • 06:12 • -9.92db
11% Popularity • 76% Danceability • 80% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
11% Popularity • 76% Danceability • 80% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Shlømo
Vertigo
129 bpm • C# Maj • 06:30 • -12db
18% Popularity • 53% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 53% Danceability • 85% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Yanamaste
Cirk - Moddullar Remix
129 bpm • G Maj • 06:19 • -9.15db
10% Popularity • 42% Danceability • 92% Energy • 58% Liveness
81% Instrumentalness • 8% Positiveness
10% Popularity • 42% Danceability • 92% Energy • 58% Liveness
81% Instrumentalness • 8% Positiveness
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Setaoc Mass
Rain
129 bpm • B min • 06:01 • -7.86db
16% Popularity • 76% Danceability • 89% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
16% Popularity • 76% Danceability • 89% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Heiko Laux
German Turbine
129 bpm • E min • 04:50 • -10.44db
9% Popularity • 76% Danceability • 52% Energy • 10% Liveness
97% Instrumentalness • 2% Positiveness
9% Popularity • 76% Danceability • 52% Energy • 10% Liveness
97% Instrumentalness • 2% Positiveness
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Roman Poncet
Afterglow
131 bpm • F# min • 08:32 • -11.39db
10% Popularity • 55% Danceability • 84% Energy • 38% Liveness
90% Instrumentalness • 10% Positiveness
10% Popularity • 55% Danceability • 84% Energy • 38% Liveness
90% Instrumentalness • 10% Positiveness
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Nørbak
Jack and Verge
129 bpm • E min • 06:22 • -9.02db
18% Popularity • 78% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
18% Popularity • 78% Danceability • 95% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Luigi Tozzi
Sorcery - Psyk Remix
131 bpm • C# Maj • 05:13 • -13.28db
11% Popularity • 73% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
11% Popularity • 73% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Shlømo
M.U.M. - Johannes Heil Remix
129 bpm • G Maj • 08:47 • -13db
11% Popularity • 63% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
11% Popularity • 63% Danceability • 51% Energy • 8% Liveness
79% Instrumentalness • 3% Positiveness
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Charlotte de Witte
CLOSE combined (These Restless Drums) - ...
129 bpm • C# Maj • 05:26 • -7.96db
14% Popularity • 52% Danceability • 94% Energy • 9% Liveness
75% Instrumentalness • 30% Positiveness
14% Popularity • 52% Danceability • 94% Energy • 9% Liveness
75% Instrumentalness • 30% Positiveness
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Setaoc Mass
Lost Lakes
131 bpm • F# min • 06:28 • -11.35db
16% Popularity • 80% Danceability • 79% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 80% Danceability • 79% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sciahri
Evaporation
131 bpm • C Maj • 05:44 • -11.02db
11% Popularity • 55% Danceability • 91% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
11% Popularity • 55% Danceability • 91% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
