Songs like Deck of Cards by Georgia Greene
Based on a tempo of (+/- 10%) and a similar genre
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Georgia Greene
Deck of Cards
144 bpm • F Maj • 03:17 • -7.81db
11% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 60% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Jill Andrews
The Kids Are Growing Up
144 bpm • F Maj • 03:24 • -8.69db
14% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Charli Adams
Cloverland Drive
144 bpm • D Maj • 04:01 • -7.73db
19% Popularity • 48% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Elliott
Stages
144 bpm • B Maj • 04:21 • -12.1db
17% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Rachael Jenkins
I Don't Know
144 bpm • D Maj • 03:16 • -14.75db
26% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Victoria Canal
Drama
144 bpm • C# Maj • 02:53 • -6.59db
21% Popularity • 64% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 64% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
144 bpm • F# Maj • 04:14 • -12.15db
17% Popularity • 55% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 55% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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William Hinson
Spring Flowers
144 bpm • G Maj • 02:18 • -12.91db
7% Popularity • 31% Danceability • 16% Energy • 19% Liveness
2% Instrumentalness • 38% Positiveness
7% Popularity • 31% Danceability • 16% Energy • 19% Liveness
2% Instrumentalness • 38% Positiveness
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Etaoin
Sick Of Me
145 bpm • G Maj • 03:50 • -9.24db
7% Popularity • 51% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 51% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Elliott
For Now
143 bpm • C Maj • 03:37 • -17.17db
19% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Charli Adams
Superpowers
143 bpm • B Maj • 03:04 • -14.33db
22% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 54% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Allison Ponthier
Hell Is A Crowded Room
143 bpm • F# min • 03:10 • -10db
18% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Winnetka Bowling League
CVS (Acoustic Version)
145 bpm • A# Maj • 03:34 • -11db
21% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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King Princess
All Dressed In White
146 bpm • C# Maj • 02:00 • -4.9db
32% Popularity • 58% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 58% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Cas Cleo
Sail Out
146 bpm • G Maj • 03:08 • -10.55db
8% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Luz
counting houses - acoustic
142 bpm • G min • 03:27 • -13.76db
21% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Victoria Bigelow
To Evervone l've Loved Before
146 bpm • D Maj • 04:24 • -12.4db
23% Popularity • 38% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 38% Danceability • 32% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Carol Ades
Unlearn Me
142 bpm • G Maj • 03:12 • -9db
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 57% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Annika Bennett
over
146 bpm • C# Maj • 02:14 • -9.63db
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
31% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Charli Adams
Bother With Me
142 bpm • D# Maj • 03:59 • -7.38db
15% Popularity • 59% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 59% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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OK Button
Verso (Winter Version)
146 bpm • C Maj • 03:25 • -14.62db
13% Popularity • 58% Danceability • 37% Energy • 10% Liveness
54% Instrumentalness • 33% Positiveness
13% Popularity • 58% Danceability • 37% Energy • 10% Liveness
54% Instrumentalness • 33% Positiveness
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Victoria Bigelow
Make Me Blue
146 bpm • C# Maj • 03:08 • -11.49db
26% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Adam Melchor
Plan On You
142 bpm • G Maj • 03:28 • -12.72db
28% Popularity • 36% Danceability • 41% Energy • 12% Liveness
62% Instrumentalness • 49% Positiveness
28% Popularity • 36% Danceability • 41% Energy • 12% Liveness
62% Instrumentalness • 49% Positiveness
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Delilah Montagu
Seven Days of Rain
141 bpm • A# Maj • 03:54 • -10.21db
11% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Viané
7/20
141 bpm • F# Maj • 04:50 • -11.59db
14% Popularity • 29% Danceability • 30% Energy • 25% Liveness
5% Instrumentalness • 11% Positiveness
14% Popularity • 29% Danceability • 30% Energy • 25% Liveness
5% Instrumentalness • 11% Positiveness
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Charli Adams
Seventeen Again
141 bpm • D# Maj • 03:24 • -10.9db
38% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Annika Bennett
Hypochondria
141 bpm • E Maj • 03:50 • -8.41db
11% Popularity • 44% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 44% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Andy Leon
I Dreamt of You Again
147 bpm • B Maj • 02:28 • -15.81db
10% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Isabel Pless
Politics of Lonely
140 bpm • C# Maj • 04:18 • -11.75db
19% Popularity • 57% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 57% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Field Guide
Sometime
140 bpm • F Maj • 03:53 • -13.99db
19% Popularity • 67% Danceability • 36% Energy • 8% Liveness
48% Instrumentalness • 45% Positiveness
19% Popularity • 67% Danceability • 36% Energy • 8% Liveness
48% Instrumentalness • 45% Positiveness
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Bre Kennedy
Progress
140 bpm • G# Maj • 03:55 • -11.23db
29% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
26% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Jill Andrews
Forces
140 bpm • G# min • 03:51 • -7.47db
14% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Tippy Balady
Mustard
148 bpm • A min • 03:26 • -7.53db
9% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 75% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Beulahbelle
Being You
140 bpm • A# Maj • 02:35 • -12.93db
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Charli Adams
Passenger Seat
140 bpm • C# Maj • 04:05 • -10.02db
16% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Kate York
Never Gonna Change
140 bpm • C Maj • 03:29 • -11.77db
31% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Annika Bennett
Only Emotion
139 bpm • A min • 03:46 • -9.92db
17% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Children of Indigo
Daisies
139 bpm • C# Maj • 03:10 • -15db
20% Popularity • 67% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 67% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Kat Kennedy
Can't Wait
149 bpm • D# Maj • 03:43 • -15.46db
9% Popularity • 44% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 44% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Elenowen
Peace and Quiet
139 bpm • D Maj • 03:24 • -13.99db
17% Popularity • 38% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 38% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 16% Positiveness
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Charli Adams
Black Tee Shirt
140 bpm • G min • 03:44 • -6.93db
14% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 38% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Perlo
Front Lights
139 bpm • G Maj • 03:36 • -18.56db
19% Popularity • 43% Danceability • 12% Energy • 13% Liveness
4% Instrumentalness • 14% Positiveness
19% Popularity • 43% Danceability • 12% Energy • 13% Liveness
4% Instrumentalness • 14% Positiveness
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Ayoni
The Patriots
139 bpm • D Maj • 04:15 • -8.64db
9% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Georgia Greene
Have You Thought About Me With Somebody ...
138 bpm • C Maj • 02:46 • -10.35db
20% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jazzie Young
fake love
150 bpm • A min • 03:31 • -7.99db
10% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 48% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Zach Adkins
Dexter Hall.
138 bpm • B Maj • 02:21 • -33.26db
15% Popularity • 38% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 38% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Hush Kids
Love Don't Disappear
138 bpm • G Maj • 03:18 • -8.86db
8% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 50% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Elliott
Caroline
138 bpm • G min • 03:43 • -12.28db
14% Popularity • 56% Danceability • 35% Energy • 13% Liveness
14% Instrumentalness • 21% Positiveness
14% Popularity • 56% Danceability • 35% Energy • 13% Liveness
14% Instrumentalness • 21% Positiveness
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Margaux Beylier
Calabasas
150 bpm • A Maj • 03:10 • -8.56db
18% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 60% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Gatlin
Hospital
138 bpm • C Maj • 02:48 • -17.16db
24% Popularity • 60% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 60% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Ryann
JFK
151 bpm • D Maj • 02:29 • -6.31db
12% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Oshima Brothers
Hearts as Full as the Moon
138 bpm • F Maj • 02:38 • -13.78db
10% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 55% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Beulahbelle
Raleigh
151 bpm • C Maj • 03:50 • -12db
21% Popularity • 52% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 52% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Emma Bieniewicz
Lavender Hue
137 bpm • E Maj • 02:09 • -22.17db
25% Popularity • 41% Danceability • 6% Energy • 17% Liveness
40% Instrumentalness • 8% Positiveness
25% Popularity • 41% Danceability • 6% Energy • 17% Liveness
40% Instrumentalness • 8% Positiveness
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Landon Pigg
Half Light Harbour
137 bpm • G Maj • 02:48 • -12.98db
9% Popularity • 63% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 63% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Olivia Barton
If You Say I'm Special
137 bpm • F Maj • 05:58 • -15.09db
8% Popularity • 40% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 40% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Isabel Pless
Love Blind
152 bpm • A# Maj • 03:32 • -20.38db
11% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Tiz McNamara
Nothing's Easy
152 bpm • G Maj • 03:06 • -10.75db
22% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 41% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Lennon Stella
Pretty Boy - Acoustic
136 bpm • F min • 03:03 • -11.05db
18% Popularity • 46% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 46% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Sadie Hawkins
Surprises
152 bpm • E Maj • 03:42 • -11.26db
9% Popularity • 54% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 54% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Imaginary Future
How Long Can I Keep Waiting
136 bpm • F# Maj • 03:04 • -15.64db
10% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Day
Dreams Tonight
136 bpm • D Maj • 02:42 • -13.8db
30% Popularity • 62% Danceability • 39% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
30% Popularity • 62% Danceability • 39% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
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Henry Jamison
Orchardist
136 bpm • A Maj • 03:01 • -11.08db
17% Popularity • 47% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
17% Popularity • 47% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 16% Positiveness
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Overcoats
New Shoes
136 bpm • G Maj • 03:18 • -11db
28% Popularity • 58% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 58% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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Young Mister
Take Everything
136 bpm • A min • 03:51 • -8.92db
7% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 57% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lick Neon
She Thinks I Don't Care
136 bpm • G# min • 04:40 • -16db
10% Popularity • 72% Danceability • 27% Energy • 22% Liveness
2% Instrumentalness • 33% Positiveness
10% Popularity • 72% Danceability • 27% Energy • 22% Liveness
2% Instrumentalness • 33% Positiveness
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Bell the Band
Family Line
136 bpm • F# Maj • 03:36 • -12.8db
7% Popularity • 52% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
7% Popularity • 52% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Hotel Fiction
Steady
153 bpm • A Maj • 04:19 • -7.63db
10% Popularity • 27% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 27% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Jill Andrews
Call It Even
136 bpm • A# Maj • 03:24 • -11.83db
24% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ella Hunt
Magpie
135 bpm • A# Maj • 03:35 • -11.55db
25% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Dad Bod
4/9
135 bpm • A Maj • 03:48 • -9.81db
8% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 55% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Lonas
Wasted
135 bpm • D Maj • 03:41 • -11.38db
20% Popularity • 57% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
20% Popularity • 57% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Isobel Knight
Copenhagen
135 bpm • A# Maj • 02:56 • -13.21db
10% Popularity • 49% Danceability • 10% Energy • 8% Liveness
17% Instrumentalness • 32% Positiveness
10% Popularity • 49% Danceability • 10% Energy • 8% Liveness
17% Instrumentalness • 32% Positiveness
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Winnetka Bowling League
The Romantic Way - Acoustic Version
154 bpm • F# Maj • 03:04 • -10.85db
13% Popularity • 50% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 50% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Theo Kandel
Lunch
154 bpm • C Maj • 04:15 • -13.78db
18% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jillian Lake
Bleed Baby Bleed
154 bpm • B Maj • 03:19 • -11.91db
17% Popularity • 45% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
17% Popularity • 45% Danceability • 36% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
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Adam Melchor
Means To A Mend
154 bpm • D Maj • 03:39 • -13.49db
26% Popularity • 38% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
26% Popularity • 38% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Laura Elliott
You Ran Out The Car
134 bpm • B Maj • 03:52 • -6db
9% Popularity • 36% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 36% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Mary Moore
Redwoods
134 bpm • E Maj • 05:10 • -6.53db
9% Popularity • 55% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 55% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Phillip LaRue
Night Swimming
134 bpm • F Maj • 03:16 • -9.33db
22% Popularity • 57% Danceability • 62% Energy • 22% Liveness
35% Instrumentalness • 40% Positiveness
22% Popularity • 57% Danceability • 62% Energy • 22% Liveness
35% Instrumentalness • 40% Positiveness
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Victoria Bigelow
Sweet Thing
134 bpm • C# Maj • 02:29 • -13.34db
13% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jazzie Young
california
134 bpm • B min • 03:53 • -6.19db
19% Popularity • 71% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 71% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Son of Cloud
I Am Not an Island
134 bpm • A Maj • 04:32 • -10.13db
14% Popularity • 40% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 40% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Ny Oh
Big and Yellow
134 bpm • C# Maj • 02:43 • -15.83db
11% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 44% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Dori Valentine
Chlorine
155 bpm • A min • 03:29 • -7db
22% Popularity • 34% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 34% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Alix Page
Pulling Teeth - Audiotree Live Version
133 bpm • C# Maj • 03:25 • -19.09db
17% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 56% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Victoria Bigelow
Chelsea Hotel No. 2
134 bpm • F Maj • 03:18 • -14.49db
11% Popularity • 49% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 49% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Grace Lee
Won't You Hold Me
133 bpm • F# min • 03:38 • -9.28db
10% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 64% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Georgia Greene
Oh Gawd
156 bpm • E Maj • 03:09 • -9db
8% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Hayden Everett
Kennecott
133 bpm • G Maj • 03:28 • -10.21db
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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VÉRITÉ
amnesia
133 bpm • D Maj • 02:54 • -17.48db
18% Popularity • 32% Danceability • 9% Energy • 7% Liveness
6% Instrumentalness • 7% Positiveness
18% Popularity • 32% Danceability • 9% Energy • 7% Liveness
6% Instrumentalness • 7% Positiveness
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Sophie Cates
disappear
133 bpm • C Maj • 03:58 • -5.84db
17% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Marielle Kraft
Portland
156 bpm • C Maj • 03:17 • -12.92db
16% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Hank Compton
Call It What It Is
156 bpm • E Maj • 04:06 • -19.97db
12% Popularity • 36% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 36% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
